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Roswell, New Mexico, is rife with UFOs, scorpions and conspiracy theories — but few Jews
ROSWELL, New Mexico — If it weren’t for an Ashkenazi Jew named Stanton T. Friedman, the world might have long ago forgotten what’s come to be known simply as the “Roswell incident.”
Instead, countless books, documentaries and made-for-TV dramas have explored the 1947 discovery of mysterious materials found on a New Mexico ranch that Friedman argued were the relics of extraterrestrials. A wave of successors, including a prominent Israeli-American physicist, continue to press the case for alien contact. And this dusty desert town has been transformed according to an unusual paradox: It’s shaped by conspiracy theories, yet is home to virtually no Jews.
Roswell’s only synagogue, Congregation B’Nai Israel, closed up and moved to Albuquerque five years ago.
“They didn’t have a rabbi and they only met twice a month, on Fridays,” said Leslie Lawner, who made the move with her husband in 2020, reducing Roswell’s tiny Jewish population by two. “There was really nothing we could do for them.”
A granite monument in front of the Chaves County Courthouse in Roswell, New Mexico, displays the Ten Commandments and a Star of David. (Larry Luxner)
The Lawners left behind a town that is largely defined by what happened in the summer of 1947, when local rancher W.W. “Mac” Brazen found rubber strips, tin foil, thick paper and other debris on his property and shared the material with Sheriff George Wilcox of Roswell. The sheriff brought the unusual artifacts to the attention of the Roswell Army Air Field, which on July 9 of that year announced that it had recovered the remains of a “flying disc.”
The outrageous RAAF claim was quickly denounced as erroneous by local military officials who said the debris was actually the wreckage of a crashed weather balloon and related equipment.
That would have been the end of it, if not for Friedman, a nuclear physicist and highly regarded “ufologist” who revisited the incident in the 1970s, devoting the rest of his life to proving the existence of flying saucers. In 1987, Friedman — who died six years ago — told the New York Times that federal officials had engaged in a “cosmic Watergate” to cover up the truth.
The plaque honoring the late Jewish scientist Stanton T. Friedman and his research on UFOs in downtown Roswell, New Mexico. (Larry Luxner)
Now, this remote city of 47,000, located east of the White Sands Missile Range and about a three-hour drive southeast of Albuquerque, is known for one thing and one thing only: flying saucers.
Here in Roswell, those saucers are ubiquitous — beginning with one atop the “Welcome to Roswell” sign east of town along U.S. 380. There’s also a UFO-shaped McDonald’s, along with a bug-eyed little green alien relaxing under an umbrella in front of the nearby Western Inn.
Another extraterrestrial creature reclines on a bed in the display window of White Mattress, not to mention yet another, even more tacky, E.T. proudly holding up the Dunkin Donuts marquee along Main Street. Not surprisingly, Martians are a common theme in Halloween displays here.
In 1997, the Air Force — attempting to dispel rumors that had persisted for decades — released a 231-page report concluding that alien bodies recovered at the Roswell crash site weren’t aliens at all, but dummies used in parachute tests. It also said that the “spacecraft” that had fallen to Earth on Brazen’s ranch was really an Air Force balloon used in a top-secret program code-named Project Mogul to monitor the atmosphere for evidence of Soviet nuclear tests.
Asked at the time if the new report would finally put the matter to rest, retired Air Force Col. Richard Weaver told NBC’s Today show said: “No, I doubt it. This has become a religion to many people. It’s almost a cult. Certainly, an unbelievable financial opportunity for many folks. So I think this is going to endure.”
Now, the town has taken on added prominence with the Pentagon’s recent establishment of an All-Domain Anomaly Resolution Office. President Donald Trump is a known skeptic of UFOs. But in a 2020 campaign video, he said, “Roswell’s a very interesting place with a lot of people that would like to know what’s going on.”
In a town forged around the religion of aliens, Jewish life is virtually nonexistent. There aren’t enough Jews here to make a minyan — let alone support a synagogue — and the few who did live here have mostly died off or moved away.
Lawner and her husband Bob rarely attended services at Congregation B’nai Israel, located a block from their house at 8th and Washington, during their 27 years in Roswell. But Lawner did help develop a curriculum on Holocaust studies for Sidney Gutierrez Middle School, which she helped found and where she taught for 17 years.
It was an area of inquiry that overlapped with one outlandish but persistent theory about the Roswell incident. Annie Jacobsen claims in her 2012 book, “Area 51: An Uncensored History of America’s Top Secret Military Base,” that just before the Roswell crash, Soviet dictator Joseph Stalin recruited Nazi war criminal Josef Mengele — the infamous Auschwitz “angel of death” — to create “grotesque, child-size aviators” to pilot a plane in order to trigger widespread panic throughout the United States.

The obsession with aliens has divided Jewish voices. An Orthodox Jewish rabbinical authority, Rabbi Pini Dunner of Beverly Hills, California, has called the Roswell incident “nonsense.”
“Most people don’t believe any of this, nor, for that matter, do we entertain the claims of those who maintain that the Apollo moon landings were all an elaborate hoax, or that Denver International Airport stands above an underground city that serves as a headquarters for the masonically inspired New World Order,” Dunner wrote in an online post. “It’s not that any of these conspiracy stories can be categorically disproved, but we feel they do not need to be. The question is: why would any intelligent person believe such nonsense to be true?”
But some Jews are attached to the idea that aliens are out there — including one of the most prominent scientists making the case today. The Israeli-American physicist Avi Loeb, who runs a lab at Harvard University, argues that some objects and phenomena in space cannot be explained except as evidence of extraterrestrial technology.
Loeb has emphasized the appeal of aliens and space exploration on Jewish grounds. “It is reasonable to imagine the absence of antisemitism in interstellar space,” he wrote earlier this year, noting that anything traveling from the other side of the Milky Way would have had to set out before there were Jews.
This month, Loeb released new data that he said suggested that an object in space that will come within 269 million kilometers of Earth later this year may have extraterrestrial origins. The resulting frenzy has embroiled U.S. transportation officials and even Kim Kardashian.
Loeb’s argument is rooted in theoretical physics. But here in Roswell, aliens are experienced in concrete terms. Factual or not, this past July, Roswell marked 78 years since the mysterious 1947 event, with an annual Roswell UFO Festival that lures thousands of tourists from all 50 states and beyond.
Every year, sidewalk vendors do a brisk business selling funnel cakes, alien salt-and-pepper shakers and other trinkets, while tourists happily pay $5 each to visit the downtown International UFO Museum and Research Center.
“These exhibits are designed not to convince anyone to believe one way or another about their subjects,” says a sign at the museum’s entrance. “Visitors are encouraged to ask questions.”
Local merchants don’t seem to care much what really transpired that night in 1947. They’re just grateful for all the desperately needed cash this festival generates.
Storefront ad for the 2025 UFO Festival in Roswell, New Mexico. (Larry Luxner)
“Roswell didn’t have a tourist industry and one of my friends was telling me about this UFO stuff. So we started the UFO Festival,” said Tim Jennings, the town’s mayor. “I don’t know what happened, but something definitely happened. It’s not unreasonable. We live out in the middle of the desert, and without a lot of bright lights, at night you can see a lot.”
Added Todd Wildermuth, Roswell’s public information officer: “I don’t have an opinion about it. I haven’t really given it any deep thought.”
To say Roswell is remote is a vast understatement. Some 140 miles from the nearest interstate highway, the town is also unbearably hot and dry. One quickly learns not to go anywhere without a water bottle; it’s even better to stay inside where there’s air-conditioning.
Roswell is certainly not the kind of place to visit if you don’t like reptiles and other poisonous creatures. At the local Home Depot, two of the biggest-selling items, along with plywood and barbecue grills, are Harris Scorpion Killer and Snake-A-Way pellets.
These days, only a handful of Jews remain in Roswell. A Google search for “Roswell” and “Jewish” reveals three synagogues in Roswell, Georgia — a suburb of Atlanta — one of which is a Messianic church.
“There was never a large community here,” said Cymantha Liakos, a Philadelphia native who wasn’t raised as a Jew but recently took a DNA test and discovered she has Jewish ancestry. Liakos, a former geologist, settled in Roswell with her husband, William, a doctor.
Her 23-year-old son, John, a graduate of the nearby New Mexico Military Institute, visited Israel in 2022 as the first Roswell native (and quite possibly the last) ever to participate in Birthright, the program that takes young Jews to Israel on free trips.
Today, the corner structure that had housed B’nai Israel since its establishment in the 1940s is a medical clinic.
“The building was deteriorating and there was no one within the group who knew how to keep it up,” said Judy Stubbs, B’nai Israel’s former treasurer. “Since there was so few of us left, we decided it was in our best interests to sell it.”
The community’s Torah, meanwhile, has found a new home at Congregation Nahalat Shalom in Albuquerque, New Mexico’s largest city and home to many of the state’s estimated 25,000 Jews. In 2018, Roswell’s dwindling Jewish community agreed to “indefinitely loan” Nahalat Shalom the sacred scroll, which had been rescued from a small town in Czechoslovakia by the Karnowsky family during World War II.
Roswell’s Jewish community agreed to “indefinitely loan” a synagogue in Albuquerque their sacred scroll in 2018. (Courtesy)
In 2018, Nahalat Shalom’s spiritual leader, Rabbi Min Kantrowitz, led a special Simchat Torah dedication service in the presence of Kathryn Karnowsky and her Jewish friends from Roswell.
So what do the handful of Jews remaining in Roswell think about the 1947 “incident” that made their town famous?
“My husband is from a ranching family with longtime roots in this area, and all of their ranch neighbors strongly believe it is not a hoax,” said Liakos. “There was an incident, and a government cover-up. Both of us are scientists, and we’re not shrugging it off as ridiculous.”
Stubbs, a longtime resident of Roswell and former city council member, agrees with her friend.
“People ask me that all the time,” said Stubbs, who remains active in politics. “With all the continued hype, I believe something must have happened. A lot of people come here to find out, but no one has the answer. Unless the federal government chooses to open the records, it’s a question that will never be answered.”
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Gene Shalit, a mensch with a personality as big as his mustache, turns 100
The television entertainment personality Gene Shalit, who celebrated his centenary on March 25, semaphored a Jewish appearance for decades to viewers of NBC’s early morning gabfest The Today Show.
With his Jew-fro hairstyle that fascinated celebrity interviewees and his abundant mustache that outdid Groucho Marx’s mere greasepaint simulacrum, Shalit was one of a kind. Born in New York City in 1926, he clearly aimed to be recognizable even through half-opened bleary eyes of half-asleep viewers. And audible too. Shalit’s precise pronunciation, always at a vigorous decibel level, sought to be comprehensible even during voiceovers. The Canadian comedian Eugene Levy, transfixed by this persona, imitated him on SCTV roaring at high decibel levels.
In one skit, Levy embodied Shalit with haimish affection, hawking a remedy for a migraine presumably caused by his own bellowing. In another, Levy spoofed Hollywood celebrities who were notorious fressers at local restaurants, including the American Jewish actress Shelley Winters (born Shirley Schrift). In still another lampoon, Levy-as-Shalit danced and also kibitzed with the late Catherine O’Hara as the Jewish gossip columnist Rona Barrett (born Burstein).
Shalit apparently kvelled at the notion that he was prominent enough in media culture to be affectionately kidded like other Jewish noteworthies Levy imitated, including Howard Cosell, Henry Kissinger, Menachem Begin, Milton Berle, Judd Hirsch, Jack Carter, James Caan, Lorne Greene, Norman Mailer and Neil Sedaka.
Years later, Levy recalled that when the SCTV comedy troupe was invited to appear on The Today Show, before the segment was filmed, chairs were arranged so that Catherine O’Hara was seated next to Shalit. Suddenly Shalit exclaimed: “Wait a minute, shouldn’t the person who [imitates] me be sitting beside me?” Another Jewish comedian, Jon Lovitz, would likewise attempt to imitate Shalit on Saturday Night Live, but without the zest of Levy’s indelible incarnation.

Shalit once told showbiz reporter Eileen Prose that at first, his looks limited him to radio jobs in more conventional times for TV talent. By the more liberated late 1960s, when long hair and a hirsute upper lip were more common, he was hired as quasi-permanent house Jew on The Today Show. Although his mustache fit the counterculture in the mode of Jewish activist Jerry Rubin’s, Shalit as an aspiring journalist may have grown his facial hair more in tribute to earlier literati like the playwright William Saroyan or the eminent humorist Mark Twain.
At times, Shalit’s appearance could be clown-like or cartoonish, so it was natural that characters inspired by him would appear on animated series such as SpongeBob SquarePants and Family Guy as well as The Muppet Show.
Famous interviewees like Peter Sellers were plainly at ease with Shalit’s persona. A conversation filmed shortly before Sellers’ untimely death was cordial, with the sometimes tetchy actor on his best behavior, acknowledging Shalit as a fellow entertainer. And with Mel Brooks in 1987, Shalit looked to be in paradise.
A warm-hearted empathizer and enthusiast, Shalit was more suited to promoting films than criticizing them. In 1989, a tzimmes occurred when a memo drafted by Bryant Gumbel, a Today Show colleague, deemed Shalit a “specialist in gushing over actors and directors” and added that Shalit’s interviews “aren’t very good.” To his credit, Shalit minimized the controversy, telling The Los Angeles Times that Gumbel’s disses were “not big whacks.”
“Listen, I’ve been interviewing people on the show for 17 years,” Shalit said. “I must be doing something right.”

Part of his inspiration was a sincere appreciation for humor, Jewish and otherwise. His 1987 anthology, Laughing Matters featured contributions by Jewish wits such as Dorothy Parker, S. J. Perelman, Woody Allen, Fran Lebowitz, Samuel Hoffenstein, Philip Roth, Mel Brooks, George S. Kaufman, Milt Gross, Arthur Kober, Leo Rosten, Allan Sherman, Max Shulman, Calvin Trillin, Rube Goldberg, Sam Gross, Roz Chast, B. Kliban, Robert Mankoff, J. B. Handelsman, Jules Feiffer and George Burns. The volume was dedicated to, among others, the Jewish screenwriter Samson Raphaelson, who was Shalit’s instructor at the University of Illinois at Urbana-Champaign.
His visceral reaction to Jewish parody was such that during one commuter train ride, Shalit admitted in a preface, Perelman’s story “No Starch in the Dhoti, S’il Vous Plait” caused a conductor to lean down with concern, stating: “A passenger says you’re crying.” To which Shalit retorted, choking and rubbing away tears: “I’m laughing.”
The subliminal message of Shalit’s book was that without Jews, America would have distinctly fewer tears of laughter. And he regretted not being able to include funny Jews like Jack Benny and Ed Wynn whose performances could not be transferred to the printed page.
Shalit also reviewed books for years. Sticking firmly to the content of cultural products with a few brief hints of value judgment, Shalit seemed to have neither the time nor presumably the inclination to subject new items to analysis of Freudian intensity. He clearly preferred boosting things to panning them, and when a film displeased Shalit, he could be uncomfortable saying so.
One occasion when Shalit raised hackles was his response on The Today Show to the 2005 film Brokeback Mountain. Shalit described one of the gay characters as a “sexual predator.” The LGBTQ media group GLAAD objected to Shalit’s characterization as a homophobic stereotype. Shalit’s son Peter wrote an open letter to GLAAD, identifying himself as a gay physician with a Seattle practice helping the gay community. Peter Shalit admitted that his father “did not get” the film in question, but was “not a homophobe.” He might have added that his father had even included an excerpt from Harvey Fierstein’s Torch Song Trilogy in the aforementioned humor collection.
Shalit followed up with his own apology, stating in a mensch-like way that he did not intend to cast “aspersions on anyone in the gay community or on the community itself.” When Shalit finally retired from broadcasting at age 84, with the Yiddish-inflected declaration: “It’s enough, already,” he left behind admiring viewers and decades of bonhomie as one of morning television’s most genial protagonists.
Mazel tov, Gene Shalit. Biz hundert un tsvantsik (May you live until 120)!
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How a song about the food chain became a Seder mainstay
I’m almost positive I heard about the old lady who swallowed a fly before the father who bought a goat for two zuzim.
This occurred to me a few years ago while riding in my sister’s minivan. My niece was in her car seat fidgeting with a toy that plays a catalogue of public domain children’s songs. But unlike the version I’d grown up hearing, where the old lady’s ravenous habit of devouring ever-larger animals is met with the prognostic shrug of “perhaps she’ll die,” the refrain was changed to the more kid-friendly “oh me oh my.”
The Seder tune “Chad Gadya,” which involves a quite similar conceit, has no such timidity when it comes to the ravages of death.
Jack Black once described it as the “original heavy metal song” for the way it progresses along the chain of life from a little goat bought for two zuzim, to the cat who ate the goat, to the dog who bit the cat, all the way up to the angel of death. (“Very Black Sabbath.”)
It is pretty metal — in a kosher Kidz Bop, tot Shabbat kinda way. But why we sing it should, in Jewish circles, be as popular a seasonal question as what a bunny with a clutch of eggs has to do with Jesus’ resurrection. (Some Haggadot explain the greater significance of “Chad Gadya;” my Maxwell House does not.)
Dating the song or rooting out its precise origins is not easy.
As historian Henry Abramson wrote, scholars have noted the song’s similarities to a late Medieval German folk rhyme. While the fact that it is mostly in Aramaic, not the vernacular in Europe in the Middle Ages, suggests an earlier provenance, it is missing from extant Sephardic and Yemenite Haggadot, where one would expect to find texts originating in the language, and the Aramaic itself has many errors.
Abramson reasons that, given the surviving written versions, it was likely adapted sometime in the 14th century from a German children’s rhyme called “The Foreman that Sent Jockel Out,” about an idler named Jockel who a foreman tries to rouse to fieldwork with an escalating series of messengers, ending with a hangman. (Abramson notes the original is characterized by “some Teutonic weirdness,” like a witch sent to subdue a vulture.)
“Chad Gadya” belongs, like its Seder companion “Echad Mi Yodea,” to a genre called “cumulative song,” where verses build with new information a la “12 Days of Christmas.” But “Chad Gadya” stands out for its strangeness and its more oblique message.
Abramson and others see the goat, small and vulnerable, standing in for the Jewish people, and the ensuing parade of antagonists corresponding to historical enemies (Assyrians, Babylonians) and periods of time (Exodus, various conquests), ending with redemption in the Messianic age when the Holy One smites death.
As Rabbi Jonathan Sacks wrote in a commentary for his Haggadah, the song “teaches the great truth of Jewish hope: that though many nations (symbolized by the cat, the dog, and so on) attacked Israel (the goat), each in turn has vanished into oblivion.”
That this truth is conveyed in song, with much banging on the table or animal noises, speaks to the centrality of children in the Passover Seder. And, some think, its inclusion serves a practical purpose: keeping the kids awake through the last leg of a long ritual meal.
My own interpretation is admittedly less lofty. I don’t think of Israel’s tribulations. I do think of the abundance of stray cats in Jerusalem, said to have originated during the British mandate when the city had a rat problem.
And, in the years since my own days as designated Four Questions asker, I’ve been reading “Chad Gadya” into non-Jewish contexts. “The White Cat,” off of Mitski’s new album, Nothing’s About to Happen to Me, contains a lyric that recalls the song, only altered to be a metaphor for the predations of capitalism.
In it, the speaker says she must work to pay for the cat’s house and “for the bugs who drink my blood/and the birds who eat those bugs/so that white cat can kill the birds.”
These cycles speak across cultures and time because they represent a fundamental rule of nature: There’s always a bigger fish (or cat or dog or stick).
To erase death from the equation, like my niece’s toy does with that hapless, insect-ingesting pensioner, is a concession to today’s sensitivities. That’s not to say “The Old Lady Who Swallowed a Fly” represents anything more homiletic than a choking hazard warning, but in the case of “Chad Gadya,” death is the story, and an end to death is the hope.
“The Haggadah ends with the death of death in eternal life,” Rabbi Sacks concluded his drash on the song, which ends when God strikes down the Angel of Death. “A fitting end for the story of a people dedicated to Moshe’s great command, ‘Choose life.’”
I know it’s a principle of faith all over the Haggadah, but I’m more agnostic as to that Messianic promise and maybe more in the camp of our old lady. My understanding of Jewishness, which accords with Moshe’s command, says life is best lived knowing that — perhaps — we’ll die.
The post How a song about the food chain became a Seder mainstay appeared first on The Forward.
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Katz: ‘Israel’s Goal in Lebanon is to Disarm Hezbollah’
Then-Israeli transportation minister Israel Katz attends the cabinet meeting at the Prime Minister’s office in Jerusalem, Feb. 17, 2019. Katz currently serves as the foreign minister. Photo: Sebastian Scheiner/Pool via REUTERS
i24 News – Israel’s Defense Minister Israel Katz held a situation assessment Friday with senior military and defense officials, reiterating that the country’s policy in Lebanon remains focused on disarming Hezbollah by military and political means. Katz emphasized that the goal applies “regardless of the Iran issue” and pledged continued protection for Israeli northern communities.
Katz said the Israel Defense Forces are completing ground maneuvers up to the anti-tank line to prevent direct threats to border towns. He outlined plans to demolish houses in villages near the border that serve as Hezbollah outposts, citing previous operations in Rafah and Khan Yunis in Gaza as models.
The Defense Minister added that the IDF will maintain security control over the Litani area and that the return of 600,000 residents of southern Lebanon who had evacuated north will not be permitted until northern communities’ safety is ensured. Katz also reaffirmed that the IDF will continue targeting Hezbollah leaders and operatives across Lebanon, noting that 1,000 terrorists have already been eliminated since the start of the current campaign.
“We promised security to the northern towns, and that is exactly what we will do,” Katz said. He further warned that the IDF will act decisively against rocket fire from Lebanon, stating that Hezbollah “will pay heavy prices.”
