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Shaanan Streett of Israeli hip-hop band Hadag Nahash mixes music and activism
Shaanan Streett, one-sixth of the Israeli hip-hop/funk group Hadag Nahash, says that it’s all well and good for musicians to advocate for social-justice causes, but that doesn’t mean the music can’t also be fun. Streett seems to have accomplished both goals, as his band’s songs are featured in protests for various causes while remaining catchy and danceable. As long as you “keep it real,” Streett says, audiences will pick up on your authenticity.
In our interview, Streett talks about what music can do to bring people together and about his hometown of Jerusalem.
First, tell us where you grew up and how you came to the music world.
I was born in 1971 in Jerusalem. I still live on the outskirts of Jerusalem. After the army, I, like many Israelis, traveled the world. When I was in the US, I started hearing a lot of hip-hop, and like a true traveler, I had a pad and a pen, and I started writing down rhymes in Hebrew. And when I came back to Israel, I recorded one song. I handed it out in CD stores. And one of the employees at one of the CD stores turned out to be a guy with an instrumental funk band. And that’s how we started.
Before we go more into your music, tell me about Jerusalem. There’s the Jerusalem of everybody’s imagination around the world, and there’s the real Jerusalem in which real people live.
Yeah, nobody lives in the Jerusalem of the imagination, not a single person. But oddly enough, nobody lives in the Jerusalem of the real world, either. We all live somewhere in between. Doesn’t matter what religion you belong to, if any; if you’re in this city, you won’t only live on what’s happening on the floor, you’re going to live thousands of years of history, millions and millions of hopes and shattered hopes. It’s all circulating around you at any given moment. And, in that sense, it’s super artistic.
You’re involved in art, films, and music. What can these things do to foster Jewish pride or bring people together?
It’s really hard for me to put baggage on art. If it happens, it happens because the art did it, not the artist. It’s hard to explain. My only advice would be a classic hip-hop phrase: keep it real, do it as real as you can. Even when it seems like it’s the wrong thing to do, still speak your mind. And that’s the only way, at least for me and my band, to connect.
What, to you, is keeping it real? I know that you founded a number of community activities, including the One Shekel Festival, that help to strengthen marginalized communities. Is that an important part of what you do?
I think that involvement in social issues in Israel is kind of like a privilege or a benefit that artists can choose. Because people do want to hear what we have to say, and it’s up to us to decide if we want to say it or not. So yeah, when I was speaking earlier about keeping it real, it’s not to shy away from the issues, it’s to talk about the issues. And if people can act — perfect. If we can hold a festival in a place that never had one—amazing. If we can volunteer in a cancer ward — amazing. If we can perform in a forest that they want to tear down to turn into a neighborhood—even though all of the green movements think that it’s a disaster—we’ll do it. So, we try to stay close not only to the art but also to what’s happening. But that does get very, very tiring because we aren’t politicians, and we aren’t activists. We’re artists with our hearts in the right place.
Do you feel like you need to balance writing about social issues and just writing something that’s fun? Or can you accomplish both?
We demand the freedom to write whatever we want at any given time, and that can be about, for example, marijuana or just having a good time, as well as social injustice. It’s not one or the other. Our lives contain both. And when we want to keep it real, we have to speak about both. If I can give you an example from our latest album that we’re still recording, actually. But our first single that was released is a real good vibe, fun kind of tune with funny rhyming and funny references for Israelis. The single that we’re releasing tomorrow is called the “City of God,” and it’s about Jerusalem and what it does to its inhabitants over time. So, totally different topics, but music from the same band, and we’re always trying to keep it funky and fun. Having fun is super important to us. Because even if you’re saying important stuff, but it’s not fun, who wants to join? Right? There’s a saying that is something like, “If you can’t dance to it, it’s not my revolution.”
Who are some of your hip-hop influences?
I just did my top-five artists on Spotify. The first one this year was Lil Wayne. And the second one was a female rapper here in Israel called Eden Dersso. Number three was Kendrick Lamar. Number four was Eminem. And then number five was an Israeli rapper called Peled. So, actually, the top five were all hip-hop. But I’m influenced by various things — anywhere from jazz to rock and roll, reggae, electronic music, funk, of course, and a bunch of hip-hop from all over the world.
One theme of the Z3 conference is achieving Jewish unity and pride. What kind of advice do you have for younger people who may be reluctant to show their Jewish pride?
I think the best method would be to find something on Judaism that you connect with. Find certain elements and be proud of that. Narrow it down. You’re not holding 5,000 years of Jewry on your shoulders. You don’t need to feel that way. Judaism, and for that matter, Diaspora Jews, have so much to be proud of. Diaspora Jews have achieved so much that there’s plenty to be proud of inside that enormous umbrella. So just find the things you connect with and be proud of that. I think that’s a good way to start.
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Pro-Israel Providence Mayor Brett Smiley loses to DSA pro-Palestinian challenger
(JTA) — The pro-Israel mayor of Providence, Rhode Island, lost his reelection campaign Wednesday to a progressive pro-Palestinian challenger in the latest demonstration of how Israel politics are seeping into local U.S. elections.
Incumbent Brett Smiley, who converted to Judaism in 2024 while in office, was bested by state Sen. David Morales in the Democratic primary in this deep blue city. Morales, a democratic socialist, carried endorsements from leading progressives, including Vermont Sen. Bernie Sanders and California Rep. Ro Khanna. With 99% of ballots counted, Morales had garnered 52.5% of the vote to Smiley’s 47.5%.
During the campaign, pro-Smiley flyers were defaced with Hitler mustaches and devil horns, acts which his opponent condemned.
The city’s Democratic primary also serves as a preview for a significant general election vote on divestment. In November, Providence will become the largest American city to cast a vote on a measure that, despite not naming Israel directly, could stop the city from investing in companies linked to Israel.
Morales supports the binding divestment vote, while Smiley and local Jewish and pro-Israel groups have opposed it. The mayor called the ordinance “both unenforceable and likely in violation of existing state law” in a statement to Jewish Insider.
During the campaign, Morales criticized Smiley for participating in a mayoral summit run by the Combat Antisemitism Movement, in which Smiley serves in a leadership capacity. Morales accused the group of suppressing pro-Palestinian speech and not being transparent about its funders.
The Rhode Island-Israel Collaborative, which promotes business ties between the state and Israel, opposes both the ballot initiative and Morales. Avi Nevel, the group’s founder, told the Jewish Telegraphic Agency prior to the primary that Morales was “fueled by pro-Palestinians and Israeli haters.”
It was a night of overthrowing incumbents in the state, as Rhode Island’s sitting governor also lost his primary to an intra-party challenger. That race, however, did not pivot on Israel: Gov. Daniel McKee’s popularity in the state has sunk following a scandal involving the closure of a major bridge.
This article originally appeared on JTA.org.
The post Pro-Israel Providence Mayor Brett Smiley loses to DSA pro-Palestinian challenger appeared first on The Forward.
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Attacks on Mamdani test Jewish efforts to confront Islamophobia as 9/11 anniversary nears
The image was vintage AI slopcraft: New York Mayor Zohran Mamdani in his trademark black suit, holding a sealed cardboard package labeled 9/11 MEMORIAL.
“Honey,” the cartoon Mamdani calls, “where’s my box cutter?”
The cartoon, shared Sunday on social media by the Orthodox Jewish comedy account Heimish Humor and referencing the weapon used in the 9/11 hijackings, reflected an increasingly caustic attitude toward Mamdani, Muslim elected officials and Islam itself in some Jewish spaces as the 25th anniversary of the attacks approaches — with much of the charged rhetoric tied to Sept. 11.
Jewish groups that staged an anti-Mamdani protest in downtown Manhattan Tuesday invoked the mayor’s religion on a flyer for the event, which was sponsored by the Lawfare Project, the Israeli-American Council and a slew of other Jewish groups. The flyer depicted Mamdani with his eyes blotted out and read, “Islamist ideology was not defeated. It was normalized. In 2001 they needed planes. Today the DSA hands them a platform.” One speaker at the event said Mamdani believed law enforcement was “haram,” Arabic for forbidden.
To some who saw it, the poster — and many of the Jewish attacks against Mamdani — contained anti-Muslim dog whistling, if not downright Islamophobia.
“This is coded language to smear all Muslim leaders as terrorists to hold them accountable for 9/11,” said Amy Spitalnick, chief executive of the Jewish Council for Public Affairs. “The same way that we as a community rightfully push back when we hear people using ‘Zionist’ as a pejorative — that’s what’s happening here. We should be calling it out if we expect people to call it out when it happens to us.”
The wave of antagonism in the Jewish community comes amid a broader Republican backlash to high-profile victories for Muslim elected leaders. Bruce Blakeman, the Republican nominee for New York governor, called incumbent Gov. Kathy Hochul, who is Catholic, “tone deaf” for wearing a hijab at a mosque so close to the 9/11 anniversary. Islamophobic posts targeting Michigan Senate candidate Abdul El-Sayed, surfaced by The Washington Post, found copious 9/11 references.
But no politician has attracted as much vitriol as Mamdani, New York’s first Muslim mayor. His antagonism toward the Israeli government and his leftist politics have made him a target for many pro-Israel New Yorkers. Some have used his religion as a cudgel in joining calls for him to skip Friday’s memorial service at Ground Zero.
Spitalnick said such rhetoric was coming from a small, non-representative portion of the Jewish world that wanted to advance a conservative political agenda — but that Jews “should be concerned that this is ostensibly being done in our name.”
“We can be concerned for multiple reasons,” she added. “One, bigotry is wrong regardless, and two, it actually makes our work to fight the real and rising antisemitism our community is facing that much harder.”
Yet posts like the cartoon also revealed the resistance to growing anti-Muslim sentiment in Jewish spaces. Heimish Humor’s post drew a number of critical replies from Jewish accounts. “Incredibly racist, you should delete this,” wrote one. “Not funny,” said another. As anti-Muslim rhetoric escalates, Jewish voices are among those fighting hardest to combat it.
Echoes of history
Twenty-five years after 9/11, the rise in Islamophobic rhetoric has resurfaced old memories of its aftermath.
The end of 2001 was a dangerous time for Muslim Americans, who faced being conflated with the Al Qaeda terrorists who perpetrated the hijackings. Despite President George W. Bush’s admonition that the attacks were committed by extremists who did not represent the religion, anti-Muslim violence spiked across the U.S. A number of mosques were burned in arson fires, and eight Arabs or Muslims were killed in the three months following 9/11 in what some believed to be Islamophobic murders.
Relations between Jewish and Muslim American communities, already strained by the Second Intifada, bottomed out in some places after 9/11. But in the ensuing years, Jewish-Muslim relations took a surprising turn. By 2006, news media were describing an “unprecedented swell of interfaith activities” — including dialogue groups, “peace walks” and joint Israel trips — even as agreement on Middle East politics remained elusive.
And while the 2010 proposal for a mosque and Muslim community center at Ground Zero reignited some old tensions — with the Anti-Defamation League headlining the opposition — broader trends of Muslim-Jewish mutual aid held: When a St. Louis Jewish cemetery was defaced in 2017, Muslim groups raised tens of thousands of dollars to repair it. Jewish groups anchored the opposition to President Donald Trump’s 2017 immigration ban targeting Muslim countries. And in 2021, the ADL apologized for its earlier stance on the mosque near Ground Zero.
The day everything changed
The Oct. 7, 2023, Hamas attacks, however, caused many Jewish-Muslim partnerships to collapse. Israel’s response in Gaza only deepened resentments, as opposition to the war on college campuses and in public protests coincided with an increase in antisemitic incidents.
Then in 2025, Mamdani rode into office on the back of the pro-Palestinian movement. Mamdani vowed to arrest Israeli Prime Minister Benjamin Netanyahu and was reluctant to disavow the slogan “globalize the intifada” — a phrase many see as calling for violence against Jews. Though Mamdani has repeatedly condemned antisemitic violence in the city, some Jewish New Yorkers say his anti-Israel invective has nevertheless exacerbated a dangerous environment for the city’s Jews.
“The DSA is a movement of hate, pro-terror anti-American and anti-minority ideology,” said Brooke Goldstein, the founding director of the Lawfare Project, which organized Tuesday’s anti-Mamdani protest. She said it was the DSA and the mayor who were promoting division, extremism and racism — not groups like hers, who were holding the mayor accountable.
The prominence of the Democratic Socialists of America is one key difference between today’s political environment and that of late 2001.
But the environment around Israel has also changed. “The response to 9/11, including from most Jewish organizations, was an American response,” said Jonathan Jacoby, president of the Nexus Project, a nonprofit that combats antisemitism — whereas the response to Mamdani today, he said, is “coming from a quote-unquote ‘pro-Israel’ space.”
Jacoby said Mamdani’s election in particular had elicited an unprecedented level of panic among some pro-Israel groups. He pointed to the ADL’s Mamdani Monitor as an example, saying that there was a throughline between the efforts to undermine his candidacy and the calls for him to not attend the 9/11 ceremony. (The ADL has not commented on whether Mamdani should participate, and declined to comment for this story.)
Some of the people who have pushed back against the anti-Mamdani rhetoric consider themselves among the mayor’s critics.
“I’m not happy with the atmosphere he’s brought into New York City since being elected,” Avital Levene, a Jewish influencer who called the Mamdani cartoon “not funny,” said in an interview. “However, he’s stood with the Jewish people since taking office. People literally call him a terrorist and use terms like ‘yemach shemo’ (may his name be erased). There’s a way to criticize someone’s political views without using racist slurs.”
Like Levene and Spitalnick, Jacoby said he disagreed with some of the mayor’s beliefs about Israel. But he said those disagreements “pale in the face of the danger of authoritarianism, neo-fascism and white nationalism in this country.”
The post Attacks on Mamdani test Jewish efforts to confront Islamophobia as 9/11 anniversary nears appeared first on The Forward.
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Argentine court orders return of Nazi-looted painting to Jewish collector’s heir
(JTA) — BUENOS AIRES – A Dutch journalist hunting for art treasures belonging to an Amsterdam Jewish art dealer spent years trying to get answers from Patricia Kadgien, the daughter of the Nazi financier who had made off with some of them, with no luck. So last year he went to her house in Mar del Plata, a resort city on Argentina’s Atlantic coast.
No one was home, but the journalist, Peter Schouten, noticed a “for sale” sign outside the property from Robles Casas & Campos, a local real estate agency.
Schoten went to the agency’s website, where the house was listed for $265,000. As he scrolled through the listing, he noticed something in a photograph of the living room. Schouten recognized the painting hanging above a sofa: “Portrait of a Lady,” most likely the work of the 18th-century northern Italian painter known as Il Pitocchetto.
On Friday, Argentine federal judge Santiago Inchausti authorized the restitution of “Portrait of a Lady,” which belonged to the collection of Dutch Jewish art dealer Jacques Goudstikker, to his daughter-in-law and sole heir, Marei von Saher.
“The property had been listed for sale on a real estate agency’s website, and one of the photographs showed a painting in the living room that matched one of the works from Goudstikker’s collection that had been sought for years,” Inchausti wrote in his ruling.
Goudstikker was one of Holland’s most prominent Jewish art dealers before World War II. In 1940, he fled the Nazi-occupied Netherlands with his wife and son, carrying a black notebook listing some 1,400 artworks. After his death during the voyage, his widow preserved it, and the notebook later became key evidence in the family’s restitution efforts.
His gallery and collection fell under Nazi control. Hermann Goering, a powerful deputy to Adolf Hitler, acquired hundreds of paintings from Goudstikker’s collection in a forced sale that Dutch authorities later determined was directly linked to Nazi persecution.
Herberto Robinson, von Saher’s lawyer who specializes in estate planning and asset protection, described what happened after Schoten’s sleuthing in an interview with the Jewish Telegraphic Agency.
“At that point, the journalist contacted attorney Yael Weitz in Freedman Normand Friedland of New York where she specializes in art and cultural property law,” he said “She then contacted us and asked us to take on the case. The family’s sole intention was to recover the painting. They were not interested in pursuing those who had possessed it or in seeking financial compensation, they wanted the artwork returned.”
Kadgien is the daughter of Friedrich Kadgien, a German financial official who worked for the Nazi regime and later escaped to South America. The elder Kadgien, who had close ties to Goering, fled Germany in 1945 to Switzerland, eventually making his way to Argentina, where he started a business and raised a family. He died in 1978.
Kadgien and her husband at first did not cooperate. The realtor’s listing was removed after the Dutch newspaper Algemeen Dagblad published its report. Argentine authorities then searched the property on Aug. 26, 2025, but the painting had been removed and replaced with another artwork, while an outline matching its dimensions remained visible on the wall.
Kadgien and her husband, Juan Carlos Cortegoso, were placed under house arrest for 72 hours while authorities searched the family’s other properties. They subsequently turned the artwork over to federal prosecutors and were charged with aggravated concealment.
Experts from Argentina’s National Academy of Fine Arts attributed the work to Giacomo Antonio Melchiorre Ceruti, known as Il Pitocchetto, and valued it at approximately €250,000. The local and national Jewish communities took a keen interest in the case.
“We are very pleased and hope this marks the beginning of many more restitutions, as we know there are undoubtedly other works out there that rightfully belong to families who suffered this tragic fate,” Clauda Beatriz Malamud, the president of Sociedad Union Israelita Marplatense, the local Jewish community body, told JTA.
Under an agreement Inchausti approved, the criminal proceedings against the couple were suspended for two years, subject to a set of conditions. They irrevocably renounce any right or claim to the artwork, clearing the way for its restitution. The painting will remain in the custody of Argentina’s Supreme Court until the restitution is carried out. They also agreed to pay 4.8 million Argentine pesos — approximately $3,180 — in 24 monthly installments to the support association of Mar del Plata’s Interzonal Specialized Maternal and Child Hospital.
According to well-placed sources at the Buenos Aires Holocaust Museum, von Saher has expressed interest in lending the painting to the museum for a temporary exhibition, possibly for one or two years. The exhibition would help raise awareness of the systematic theft of Jewish-owned art under the Nazi regime and the continuing international effort to return such works to their rightful owners. No final agreement about this has been announced.
This article originally appeared on JTA.org.
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