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She was a dancer who leapt to the top of her field — then the Trump administration fired her
When she walked up to the Kennedy Center on the first day of her internship in 2013, she was Jane Rabinovitz, a recent grad from William & Mary, fresh off a stint as stage manager for an Argentine aerial tango company performing in Miami, and newly determined to forge a career in the arts.
By the time security escorted her out with her personal belongings 12 years later, she was Jane (Rabinovitz) Raleigh, a veteran employee who’d risen in the ranks to become director of dance programming. In August, she and her small team were fired amidst the upheaval fomented by President Donald Trump, who in his second term has installed himself as Kennedy Center chairman and attempted to reshape the institution.
The team was dismissed on a Thursday. By Monday, the center announced its new dance director: former Washington Ballet dancer Stephen Nakagawa. Raleigh was hardly shocked. She’d known since early March about the letter Nakagawa had sent to Richard Grenell, the center’s new president, praising Trump and lamenting “radical leftist ideologies” and the “rise of ‘woke’ culture” in the ballet world.
For six months, Raleigh saw firsthand that “what was happening inside of the Kennedy Center very much mirrored the general chaos that was happening in the government, the DOGE experience that people were having,” she told me over Zoom from her home in D.C. “You’re watching the chess pieces be moved around the board, but it’s people’s lives.”
“There was definitely an overarching feeling of waiting for the shoe to drop,” Raleigh said. “I was committed to staying until I was removed,” she added. But “I did believe from the beginning that everyone would be fired at some point.”
When her time came, the choreography felt familiar. “The cadence of it mirrored what had been happening at the center for many months,” she said. In some cases, entire teams were erased and their programs sunset. In other cases, like hers, “the leader would be fired, and then one, two, or three days later, a new person would just show up.” Often, she said, that person had some connection to Trump or Grenell. (Grenell and the Kennedy Center press office have not responded to multiple requests for comment.)
In the five or seven minutes Raleigh said it took for her and her two assistant managers to be fired, she was informed that this move was the result of “a loss of confidence in my leadership and a loss of confidence in the team’s ability to align with leadership’s vision.”
According to Raleigh, Grenell had communicated that vision in a meeting only the previous week, suggesting they present more “broadly appealing” programming in the vein of So You Think You Can Dance or Paula Abdul. She left the conversation with “a directive to start exploring more commercial offerings,” and immediately began reaching out to agents to pursue it. But before she had a chance to share a proposal, the team was out.
“I didn’t really have a chance to even try,” she said.
From Purim spiels and horas to a career in the arts
Raleigh was born in Washington, D.C., and raised just across the river in Virginia by her Jewish father — that’s the Rabinovitz — and her Catholic mother. Theirs was a mixed household, like the one Raleigh now shares with her husband, who grew up Catholic. But her parents decided to raise their kids Jewish and joined Temple Rodef Shalom, a reform synagogue in Falls Church, Virginia.
A language lover and future Spanish major, Raleigh “ate up” Hebrew school lessons, even “practicing writing secret notes in Hebrew to myself,” she said. She connected to her Jewish community primarily through the arts. She sang in the youth choir and later became a founding member of the teen choir, Kol Machar. And for many years she performed in the Purim spiels her dad wrote and directed as a hobby. One year when she was in college, the woman playing Esther dropped out of the Tarzan-themed Purim spiel at the last minute. “My dad called me,” she recalled, “and he was like, either you can be Esther or I’m gonna have to be Esther.”
Raleigh danced a formative hora at her bat mitzvah and another at her wedding a few years ago. “The hora and Jewish artistic experiences have always been a moment to blend my Jewish life and my secular life,” said Raleigh.
In her secular life, she trained seriously in ballet. She minored in dance at William & Mary, led the student dance company, and interned one summer at the American Dance Festival. Soon after graduation, she decided to pursue a career in the arts instead. She grew up going to the Kennedy Center frequently, so that’s where she went.
Her path there led from intern all the way up to dance director. Raleigh curated ballet seasons and contracted, budgeted, and presented both ballet and contemporary dance with an eye toward exposing audiences to a broader variety of work. She brought in Alonzo King LINES Ballet from San Francisco for their Kennedy Center debut in 2024, for example, introducing audiences familiar with classical, narrative productions to a more contemporary vision of ballet by an important living artist.
Raleigh says she felt lucky to put the center’s ample resources to use to support local and emerging artists and present some of the world’s best companies in a worthy setting. “I frequently would have striking moments of realization sitting in the Opera House, when the curtains would go up on shows that I’d be working on,” she said.
“That sense of wonder,” she added, “does not go away.”
A Trump tailspin
Trump took little interest in the Kennedy Center during his first term. He never attended performances back then, Raleigh said, though his daughter Ivanka Trump frequently came to the ballet. Like other presidents before him, he did appoint new members to the historically bipartisan board; Raleigh said she worked closely over the years with a few who were “real ballet supporters.” Unlike his predecessors, Trump repeatedly skipped the annual Kennedy Center Honors.
“We had lived through a previous term, so there was certainly no expectation that anything would be different,” Raleigh said. Until Trump posted on social media in February, shortly after his second inauguration, announcing his intentions to take over as chairman, oust board members, and shake up programming in order to “make the Kennedy Center in Washington, D.C. GREAT AGAIN” and usher in “a Golden Age in Arts and Culture.”
Raleigh found out about Trump’s plan when the public did. At first, she didn’t give it much credence — Trump had said a lot of things during his first administration that he hadn’t acted upon, she said. However, it quickly became clear he would follow through this time, and it “put everybody into a tailspin.”
The purge began immediately. Several board members and longtime chair David Rubenstein were dismissed and replaced by Trump and his appointees. Center president Deborah Rutter was removed after an 11-year tenure, to be succeeded by Grenell.
“Every single day you would come in and be like, what will have happened today?” Raleigh said. A pattern emerged where “basically every payday Friday was mass firings day.” Sometimes it was three people, she remembered, and sometimes 20. Those waves of dismissals were “the most chaotic, traumatic, repeatedly painful thing.”
In response to the uncertainty and upheaval, staff at the Kennedy Center began working to form a union. “The Kennedy Center’s new management has communicated its intention to radically alter the Center’s programming priorities, eliminate staff, and dismantle our mission-essential programs,” the union website states. “We no longer believe our institution trusts us and we no longer trust our institution.” Raleigh said her team participated in the organizing effort — which members hoped would help them fight to protect jobs, working conditions, creative autonomy, and more — and she was vocal in backing it.
When she and her team were notified around 11:40 a.m. on Aug. 21 of a meeting that was to take place in the HR suite five minutes later, they knew what was coming. It took just a few minutes for HR and legal to fire them and hand over their termination paperwork, Raleigh recalled.
On the way back to their desks, Raleigh and her team sent a few texts to share the news and “staff from every corner of the building” showed up, as they had done for others so many times by then. They had an hour to say goodbye, get their things, and get out.
Suddenly jobless, they set up at her apartment, divvied up the list of artists they were presenting in the upcoming season, and called them all to share the unfortunate update. It felt particularly difficult to digest the fact that they couldn’t be behind the scenes to support the performances scheduled to take place that weekend as part of the center’s local dance commissioning project. “The piece was about how Black women can support other Black women and femmes to have rest and resilience in the world,” Raleigh said. Without a team, they worried, “Who’s going to take care of this piece of art?”
Next steps
Raleigh’s fears extend beyond the Kennedy Center. She told me she’s concerned about the fate of dance and the arts in the face of the “dismantling, essentially, of the NEA” by the Trump administration and recent shifts by key arts funders, with reports that longtime supporters like the Andrew W. Mellon Foundation, Doris Duke Foundation, and Ford Foundation are now focusing on other priorities. And all this while arts organizations are still recovering from the pandemic’s crushing blow.
“The dance field has not been in a moment of incredible glory and surplus in my entire lifetime,” Raleigh said. So while the current state of affairs is “horrible,” perhaps “this is a moment for us to be thinking about what are new ways and new paths that we can chart going forward.”
Since her departure from the Kennedy Center, she’s been focused not only on the search for a new full-time job, but also on launching the DC Dance Network. It’s an effort to connect artists to resources and one another. “If we want to build a better fabric, a more supportive fabric, of the dance community nationally, why not start at the tiniest, most local version?” said Raleigh, whose fledgling organization announced its first commission in early November.
Living through the turmoil at the Kennedy Center and witnessing the tumult in the government “has totally transformed my approach to community, my approach to what it means to be a good neighbor,” Raleigh said. “This idea is very Jewish, that we’re commanded to do mitzvot so that we have the opportunity to do more in the future, that we’re compelled to repair the world through tikkun olam. All of that has really been informed from my Jewish childhood.”
She’s stayed in touch with her former colleagues and the union and participated in advocacy efforts. She was part of a group that showed up at the Kennedy Center to personally deliver a petition with more than 1,600 signatures collected by Hands Off the Arts demanding the organization reinstate wrongfullly terminated employees, recognize the union, and more. “They’re not getting off the hook,” she said.
Raleigh is waiting to see what kind of dance season, if any, the Kennedy Center announces for 2026-27. It remains to be seen which companies will agree to perform there and whether audiences will attend. In the meantime, Raleigh’s been heartened to see that none of her programming — which runs through June 2026 — seems to have been changed or canceled.
And she’s returned as a spectator, back in the seats where she fell in love with the arts as a kid. In October, she went to see the Stuttgart Ballet perform at the Kennedy Center for the first time in more than 30 years. At the first intermission, the older woman sitting next to her — who said she’d seen the company during their last visit — turned to Raleigh and said, “Isn’t this amazing?!”
“In that moment, we were just audience members having the same transformative experience at the ballet,” Raleigh said. “She clearly didn’t know who I was,” Raleigh added, and “I just got to revel in the ballet with her.”
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Mamdani touts ‘Babies not Bombs’ messaging after flexing political muscle in the New York primaries
(New York Jewish Week) — New York City Mayor Zohran Mamdani celebrated the victories of the progressive candidates he endorsed in New York’s Democratic primaries describing their success as a “shift in the balance of power.”
Speaking to reporters on Wednesday, the morning after the primaries, Mamdani touted the triumphs as a shift in the balance of power between “working people” and “special interests.”
Mamdani-endorsed candidates Brad Lander, Darializa Avila Chevalier and Claire Valdez won Democratic nominations for Congress. During the press conference, the mayor repeatedly highlighted their calls to restrict U.S. military aid to Israel and redirect federal funding to domestic priorities.
Following Mamdani’s election night sweep in New York, President Donald Trump posted on Truth Social that “America the Beautiful will NEVER be a Communist Country!!!”
The victories offered an early demonstration of Mamdani’s political influence beyond City Hall, as several Democratic Socialist candidates he backed, including Chevalier, defeated established Democratic incumbents in their districts.
“The working person is struggling in our city to afford basic needs,” Mamdani said, adding that Avila Chevalier’s oft-repeated slogan of investing in “Babies not Bombs,” is “the kind of conscience, the kind of clarity, the kind of conviction that has been missing in our politics for far too long.”
Mamdani responded to the president’s post on Wednesday, telling a reporter who asked whether his goal is to make America a “socialist” country that his “goal is to make America a place that every American can afford.”
When asked about federal policies that could be affected by Mamdani’s endorsed candidates, the mayor cited Valdez’s support for “foreign policy that understands human rights for all” and Lander’s commitment to co-sponsoring the Block the Bombs Act, which prohibits the sale of certain U.S.-made offensive weapons to Israel.
Mamdani also dismissed a question about whether he was concerned about how the victories would play out in November as Democrats try to win back the House.
“Every time the fight for working people takes a step forward, you will hear Republicans say that this is actually going to jeopardize the existence of that very fight,” he said.
When asked whether the election of Chevalier, who has faced scrutiny for past social media posts attacking Democrats and her appearance at an Oct. 8, 2023, pro-Palestinian rally in Times Square, could “complicate campaigns for Democrats as a whole,” Mamdani replied “No.”
“[Chevalier] often speaks about a politics of life. She speaks about ‘Babies not bombs,’” Mamdani continued. “What could be a better example of what the people of the district want to see versus what the people of the district have been forced to experience, which is tens of billions of dollars being spent at a national level to bomb children overseas, while children in our own districts are struggling.”
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Jewish anti-Zionist David Orkin defeats incumbent in NY Assembly primary
(New York Jewish Week) — David Orkin, a Jewish anti-Zionist attorney and democratic socialist, defeated incumbent New York State Assemblymember Jenifer Rajkumar in Tuesday’s Democratic primary. Orkin won State Assembly District 38, which includes parts of Queens.
Orkin, an immigrant workers’ rights attorney and union organizer, received 58.8% of the vote, while Rajkumar, who has represented the district since 2021 and is the first South Asian woman ever elected to office in the state, received 40.9%. The district covers a swath of Queens, including parts of Ridgewood, Glendale, Ozone Park, Woodhaven and Richmond Hill.
“Pro-Palestine candidates are sweeping in NYC tonight,” Jewish Voice for Peace Action wrote in a post on Instagram celebrating Orkin’s win Tuesday. “Palestine was on the ballot — and won. David will be a champion for Palestinian freedom in Albany.”
The post from JVP Action echoed a message Orkin had highlighted throughout his campaign.
“It’s so incredibly meaningful to me to be running this race as an anti-Zionist Jew, to be one of the few anti-Zionist Jewish voices that is in an elected seat in the state government,” Orkin said in an Instagram reel posted by Jewish Voice for Peace Action earlier this month.
He added that, if elected, he would be able to go in front of the state legislature and assert that “criticizing Israel for genocide, demanding an end to the occupation, demanding an end to funding war abroad is not antisemitic.”
Orkin’s victory came amid a strong night for democratic socialist candidates across New York City, including left-wing congressional candidates Brad Lander, Darializa Avila Chevalier and Claire Valdez, who also defeated establishment-backed opponents in their primaries.
While Orkin was not endorsed by New York City Mayor Zohran Mamdani, whose winning endorsements of Lander, Chevalier and Valdez signaled a pro-Palestinian lurch for the party in the city with the world’s largest Jewish population outside of Israel. Nonetheless, his victory elevated a self-described anti-Zionist to the ranks of New York’s elected officials at a time when debates over Israel have become increasingly prominent within Democratic politics.
While Israel-related issues were not listed on Orkin’s platform, which centered on affordability and immigration, he repeatedly expressed his support for a “free Palestine” and attacked Rajkumar’s record of support for the Jewish state during his campaign.
“In the past several years my opponent AM Rajkumar has walked in the Israel day parade but has said NOTHING against the war in Gaza, occupation of Palestine, or Islamophobic attacks faced by the people of New York,” Orkin wrote in a May post on X.
Rajkumar, who was a close political ally of former New York City Mayor Eric Adams, in her campaign platform vowed to combat antisemitism.
After establishing a Jewish Voice for Peace chapter in Tucson, Arizona, in 2014, Orkin remained involved in pro-Palestinian activism as a member of the anti-Zionist activist group.
“I’ve been involved in the Jewish Palestine Solidarity Movement for 12, 13 years,” Orkin told Democratic Left last month. “I’ve dedicated part [of my] life to making sure that Jewish people are creating religious spaces outside of Zionism, and to making more space for Palestinian organizing to have an impact.”
On the campaign trail, Orkin received a host of endorsements from prominent progressive groups and lawmakers, including Vermont independent Sen. Bernie Sanders, Democratic New York Rep. Alexandria Ocasio-Cortez, Jews for Racial and Economic Justice, JVP Action and NYC Democratic Socialists for America.
Rajkumar was endorsed by ActJew, the new nonprofit focused on combatting antisemitism, as well as the Queens Jewish Alliance and Assemblymembers Sam Berger, Kalman Yeger and Chuck Lavine.
Orkin received over $290,000 in campaign contributions for the election cycle, including over $156,000 from the office of the state comptroller, while Rajkumar received over $270,000, including $9,000 from health care executive Daniel Lowy.
“I have dedicated my life fighting for immigrants and workers, I am proud to have earned their support in this election, and I look forward to spending the rest of my life winning the beautiful and joyous lives we deserve,” Orkin said in a statement, according to QNS.
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Half of Americans think the U.S. is ‘too supportive’ of Israel
(JTA) — A new survey found that 48% of American voters think the United States is “too supportive” of Israel, the highest since the pollster started asking the question in 2017.
The survey published Wednesday by Quinnipiac University also found that 60% of respondents reported that military intervention in Iran was “not worth it” as opposed to 34% of voters who said it was “worth it.”
The number of respondents who think the U.S. support of Israel is about right is 38%, while just 7% think the U.S. is not supportive enough of Israel, the poll found.
Broken down by party, 66% of Democrats think the U.S. is too supportive of Israel, while 9% think it is not supportive enough and 18% think U.S. support for Israel is about right.
Among Republicans, 20% think the U.S. is too supportive of Israel, 69% think American support for Israel is “about right,” and 6% think the U.S. is not supportive enough.
Among independent voters, 55% think the U.S. is too supportive of Israel, 34% think U.S. support for Israel is about right, and 7% think the U.S. is not supportive enough.
The poll data were released one day after three Democrats critical of Israel swept their House primary races in New York City, and in races around the country even some reliably pro-Israel Democratic candidates distanced themselves from the pro-Israel lobby AIPAC.
A survey last year by Gallup found dwindling support for Israel among Democrats, as well as waning support among Republicans.
Still the party divide was also in sharp evidence in the latest poll. In responses to the question about whether the Iran war was “worth it”, Democrats disfavored military action in Iran at 93% and independents at 66%, while 75% of Republicans surveyed thought it was “worth it.”
Given a list of 10 issues and asked which, if any, they considered priorities in their decision-making process in the election for the U.S. House of Representatives, 41% of voters cited the Israeli-Palestinian conflict, above AI data centers (38%) and Donald Trump (38%). The high cost of living (70%) and health care (59%) topped the list.
The Quinnipiac poll was conducted from June 18 to 22, and includes responses from 1,165 self-identified registered voters.
The margin of error is 3.4 percentage points.
Among those surveyed, 48% said they had an unfavorable view of Israeli Prime Minister Benjamin Netanyahu. Twenty percent said they had a favorable opinion, and 30% “haven’t heard enough” about him.
“Netanyahu gets poor marks from American voters as their appetite for supporting Israel wanes, with the share of voters who think the U.S. is too supportive of Israel hitting a new high,” Quinnipiac polling analyst Tim Malloy wrote in the report.
Voters were also asked about their views on the June 17 memorandum of understanding with Iran, which begins a 60-day negotiation period that does not outline an end to Iran’s nuclear program.
“After months of diplomatic fits and starts, global economic repercussions and a broad loss of life in the region, a majority of voters make their feelings clear: the Iran war was a bad idea,” Malloy wrote.
Voters who are either not confident or “not so confident” that the deal will succeed numbered 59%, and 61% think it is either likely or very likely that Iran will develop nuclear weapons.
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