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Simchat Torah in Hostages Square lays bare divide over just how much to celebrate yet

(JTA) — Rabba Anat Sharbat, the unofficial “rabbi of Hostages Square,” wept as she recited the Shehechiyanu blessing after lighting the candles to mark the beginning of Simchat Torah holiday on Monday evening, hours after all 20 living hostages returned to Israel.

Two years before, the same holiday had been marked by silence and fear after the Hamas-led massacre in southern Israel ended celebrations across the country.

Before the plaza even became known as Hostages Square, Sharbat had established what became a ritual — Kabbalat Shabbat services and Havdalah every week, in her words, “out of a deep belief that there needed to be a space here for prayer,” not only for protest.

Faith, she said, had played a role in the hostages’ return.

“The prayers in the square were an integral part of the effort to return them,” Sharbat said. “We heard from hostages who came back that they heard and felt the prayers, and that it gave them strength.”

Last Simchat Torah, she faced uncertainty about whether to hold prayers at all. There was barely a minyan — the quorum of 10 needed for Jewish prayer — and dancing felt impossible. Still, she insisted on continuing “out of a deep belief in the need to maintain hope, together with the families, that their loved ones will return home.” That conviction was validated when Dvora Leshem, the nonagenarian grandmother of the hostage Romi Gonen, approached the small group that night and said she was glad the prayers were taking place. Romi Gonen would be released about three months later.

On this year’s Hebrew anniversary, a very different scene unfolded in the square. As evening fell, a few dozen men and women gathered for prayers followed by hakafot, the traditional Simchat Torah dances encircling the Torah scrolls. The crowd of dancers quickly swelled to more than 200, while onlookers filmed and applauded from the sidelines. Among them was a woman in a Bring Them Home T-shirt who recalled that less than two weeks before Oct. 7, the sight of public, gender-separated prayer during Yom Kippur services had filled her with “extreme anguish.”

“But today, let them dance,” she said. “We are all dancing, finally.”

But the joy was marred by the knowledge that not all the deceased hostages had returned. For some, that reality was impossible to reconcile with the scenes of jubilation. One man, wearing a T-shirt that read in Hebrew, English, and Arabic “We are all created equal,” shouted at the dancers while filming on his phone. “These religious zealots can’t just stand respectfully, they have to dance like animals,” he said.

By Wednesday morning, eight bodies had been brought to Israel for burial. Seven were identified as hostages, while the eighth did not match any of the 28 confirmed dead. Two more, both Israelis, were returned on Wednesday.

The tension carried into Tuesday night, when tens of thousands filled Hostages Square again for a second round of Torah dancing traditionally held after the holiday. The seven dances alternated between grief and gratitude, each dedicated to a different group, including the fallen hostages still in Gaza, those who had returned, reservists, and their families.

Tel Aviv Deputy Mayor Chaim Goren said the event, organized annually by the municipality with Ma’ale Eliyahu Yeshiva and other national-religious groups, was originally meant to take place at a nearby plaza. “It felt detached to hold it there,” he said. The Hostages and Missing Families Forum agreed to move it to the square, though the decision wasn’t final until the last minute.

“There was back-and-forth until the holiday started about whether and how to do it,” Goren said. “With all the joy, there’s still a kvetch in the heart” — using the Yiddish word for ache — “but there’s also a deep need to give thanks to God for what we’ve witnessed.”

For Tel Aviv resident Sapir Barak, the night offered a release she hadn’t allowed herself since Oct. 7, 2023.

“When they announced the release yesterday, I basically had a nervous breakdown,” she said. “I was crying so much. There are so many emotions. It’s like a dream come true, but you don’t know what to do with it.”

Nearby, Henri Rosenberg cut an unusual figure in Hasidic garb with a fur shtreimel and a “Bring Them Home” dog tag around his neck, standing beside his grandson who wore a red MAGA baseball cap. But despite appearances, Rosenberg said he no longer identified as haredi Orthodox, having grown disillusioned by what he called indifference within some haredi circles to the pain felt by other Israelis during the war. Health problems had led him to attend a nearby national-religious synagogue over the High Holidays, where, he recalled, “the cantor wept for the hostages and the soldiers.”

“They are our flesh and blood, and that’s why I’m here tonight,” he said.

From the stage, Genia Erlich Zohar, aunt of American-Israeli hostage Omer Neutra — whose body remains in Gaza and who would have turned 24 on Tuesday — called on the crowd to respect the duality of the moment.

“We hold both joy for those who came home and hope and pain for those who haven’t,” she said. “We are one people, one heart.”

Miri Polachek, a friend of the Neutra family who has volunteered with relatives of the hostages, said she came to the event to support the Neutras and the other families. Recalling her own son’s playdates with Omer when they were children, she said, “It’s a never-ending reminder that it could have been any of our children.”

Among those on stage was Elkana Levy, a Golani Brigade officer who lost both legs in an explosion in Khan Younis. One of three brothers wounded in the Gaza war, he led a silent hakafa from his wheelchair and vowed that those “fighting day and night for the return of our brothers … would never break.”

At the edge of the square, a few dozen demonstrators held posters of those still in Gaza, chanting “Everyone, now!” — the familiar rallying cry for the hostages’ return.

Hagit Chen, holding “Gucci,” the small white dog that had belonged to her son, slain hostage and dual American-Israeli citizen Itay Chen, whose body has not yet been returned, called Monday’s release “a huge miracle,” even as she admitted her faith had been shaken.

“I was convinced Itay would be returning home yesterday with the others,” she said. Still, she added, the elation around her was not an affront. “I don’t look at joy that way. I embrace what’s happening here. We all need the strength it gives us.”

“But we cannot take our foot off the gas,” she said. “The deal is not a good one for the fallen hostages.” She pointed to what she described as the vague language of the Trump.-brokered agreement, which requires Hamas to make “all necessary efforts” to secure their release. “If we don’t see their return, it will be an open wound for all of us.”

Dani Miran, whose son Omri was among those freed on Monday, said Israel should halt the next stage of the deal until every hostage is accounted for.

“We should have resumed fighting at 1 p.m. yesterday, the moment we understood the 28 bodies weren’t coming home,” he said at Tel Aviv Sourasky Medical Center, where his son is receiving treatment. “[Hamas] will not understand anything else.”

Miran said he would remain in Tel Aviv, where he has lived since his son’s abduction, until the last hostage returns. He declined to say whether he would shave his long white beard, a vow he made to keep until Omri came home.

Activist and artist Hila Galilee, posed with Miran’s longtime partner, Galia Korel, while holding a mock yellow Torah scroll with images of the hostages. “The entire Torah is the hostages,” she said.

The question of what to do with the hostages’ symbols no longer has a single answer. Romi Gonen was filmed with friends tearing off the tape marking the number of days the hostages have been held, cheering as they did. Rachel Goldberg-Polin, who began the tape tradition for her son, slain hostage Hersh, said on Wednesday that she would continue to wear hers.

Hagit and her husband, Ruby Chen, criticized Knesset Speaker Amir Ohana for removing his hostage pin during President Trump’s visit to the Knesset. “It isn’t over,” Chen addressed Ohana in a video posted to social media. “Put the pin back on until the last hostage is back.”

After Trump announced that the living hostages would be returning home, Miran urged Tel Aviv mayor Ron Huldai to rename the site Returnees’ Square. But Hagit Chen said in an interview on Tuesday night that the name Hostages Square should remain until all are home.

In the square, posters of freed hostages have been taken down, some replaced by new banners, including one with Trump’s words, “Now is the time for peace.” Other features remain unchanged, including the mock tunnel evoking the underground passages where many hostages were held in Gaza and the digital clock counting the days and seconds since the attacks.

Miran, who had walked the one block from the hospital to the square, led the crowd in a psalm of thanksgiving. “Secular, religious — I hate these distinctions. All I see from up here is Jews,” he said from the stage. “Let’s stay like this. The nation of Israel lives.”

The post Simchat Torah in Hostages Square lays bare divide over just how much to celebrate yet appeared first on The Forward.

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He may have been the world’s most famous mime, but in this play, he won’t shut up

There is a kind of sublime poetry in Marcel Marceau’s first act.

As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.

In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.

The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.

The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.

Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)

The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.

The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.

Ethan Slater and Maddie Corman in Marcel on the Train. Photo by Emilio Madrid

But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.

When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.

Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.

While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.

Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.

The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.

“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”

In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.

Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.

The post He may have been the world’s most famous mime, but in this play, he won’t shut up appeared first on The Forward.

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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor

(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.

The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.

Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.

When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”

The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.

When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.

As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.

“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.

Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”

Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.

The post US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor appeared first on The Forward.

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Jewish hockey star Jack Hughes’ overtime goal propels US to historic gold medal in Olympic hockey

(JTA) — Jewish hockey star Jack Hughes scored the game-winning goal Sunday to clinch a gold medal for the U.S. men’s hockey team, its first since 1980.

The New Jersey Devils star center, who had scored twice in Team USA’s semifinal win, sent the puck between the legs of Canadian goaltender Jordan Binnington 1:41 into overtime to give the American team a 2-1 win.

“This is all about our country right now. I love the USA,” Hughes told NBC. “I love my teammates.”

The win broke a 46-year Olympic drought for Team USA, which had not taken gold since the famous “Miracle on Ice” team that upset the Soviet Union on its way to gold in 1980. The United States also won in 1960.

“He’s a freaking gamer,” Quinn Hughes, Jack’s older brother and U.S. teammate said, according to The Athletic. “He’s always been a gamer. Just mentally tough, been through a lot, loves the game. American hero.”

Quinn Hughes is a defender for the Minnesota Wild and a former captain of the Vancouver Canucks who won the NHL’s top defenseman award in 2024. He was also named the best defender in the Olympic tournament by the International Ice Hockey Federation after scoring an overtime goal to send the U.S. team to the semifinals.

The third Jewish member of the U.S. team, Boston Bruins goaltender Jeremy Swayman, won the one game he played, a Feb. 14 preliminary-round victory over Denmark.

The Hughes family — rounded out by youngest brother Luke, who also plays for the Devils — has long been lauded as a Jewish hockey dynasty. They are the first American family to have three siblings picked in the first round of the NHL draft, and Jack was the first Jewish player to go No. 1 overall. They are also the first trio of Jewish brothers to play in the same NHL game and the first brothers to earn cover honors for EA Sports’ popular hockey video game.

Jack, who had a bar mitzvah, has said his family celebrated Passover when he was growing up. Their mother, Ellen Weinberg-Hughes, who is Jewish, represented the U.S. women’s hockey team at the 1992 Women’s World Championships and was on the coaching staff of the gold-medal-winning women’s team in Milan. Weinberg-Hughes is also a member of the International Jewish Sports Hall of Fame.

Hughes’ golden goal ushered in a burst of Jewish pride on social media, with one user calling it “the greatest Jewish sports moment of all time.” The Hockey News tweeted that Hughes was “​​the first player in hockey history to have a Bar Mitzvah and a Golden Goal! Pretty cool!”

Jewish groups and leaders also jumped on the praise train. “Special shout out to @jhugh86 on scoring the game-winning goal!” tweeted Jonathan Greenblatt, CEO of the Anti-Defamation League. “Beyond his incredible skill on the ice, Jack makes history as a proud representative of the American Jewish community, reminding us that the Jewish people are interwoven into America in her 250th year! Mazel Tov, Jack!”

The post Jewish hockey star Jack Hughes’ overtime goal propels US to historic gold medal in Olympic hockey appeared first on The Forward.

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