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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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Colombian President Gustavo Petro sparks outcry over tweet reading ‘Heil Hitler’
(JTA) — Colombia’s outgoing president, Gustavo Petro, sparked fierce condemnation from Israeli and Latin American leaders after he tweeted the phrase “Heil Hitler” Sunday in response to an op-ed endorsing a candidate in the country’s upcoming presidential election.
Petro, a left-wing president in the final weeks of his term ahead of the country’s June 21 runoff election, posted the Nazi phrase in response to an op-ed supporting right-wing presidential candidate Abelardo de la Espriella.
Petro subsequently defended his use of the Nazi slogan, arguing that he was critiquing the language used by the op-ed’s author, which he said included “fascist phrases.”
His defense came after criticism from Israeli leaders and others who said the “Heil Hitler” comment was inappropriate.
Israel’s ambassador to the United Nations, Danny Danon, called on the Colombian leader to “come to your senses and apologize” before Wednesday, when he is slated to preside over a debate at the United Nations Security Council.
“President of Colombia, @petrogustavo, whatever is going on in your personal life, there are lines that must never be crossed,” Danon wrote in a post on X. “Using Nazi slogans is a disgraceful low from which there is no coming back.”
Israel’s Foreign Ministry also decried the post, writing on X that it was a “total loss of moral compass and an indelible stain on Colombia’s legacy.”
The episode comes amid shifting norms about the use of Holocaust analogies and language in political discourse. After being considered out of bounds for a long time, people on both the right and the left have increasingly shed those norms amid growing political polarization and extremism around the world.
The “Heil Hitler” post was not the first time Petro has landed in hot water for invoking the Holocaust. In the wake of Oct. 7, Petro drew backlash from Jewish and Israeli leaders for likening the actions of Israel to Nazi Germany. On social media, he has repeatedly called political rivals Nazis, including last month when he wrote in a post on X that Israel’s national security minister, Itamar Ben-Gvir, had behaved like a “true Nazi” after he posted videos taunting detained activists from a Gaza-bound aid flotilla.
In 2024, Petro also severed diplomatic ties with Israel, accusing the country of commiting genocide in Gaza, an accusation Israel has denied. Espriella, who was endorsed by President Donald Trump, has vowed to renew diplomatic ties with Israel.
On Monday, 24 Latin American lawmakers signed onto a statement condemning Petro’s rhetoric, warning that his repeated use of references to Naziism risked distorting Holocaust memory.
“The use of references to Nazism must not become a rhetorical tool to discredit political or ideological positions. Democratic leaders have a responsibility to promote a respectful public debate that is conscious of the weight of words,” the statement read.
The statement was initiated by the Coalition of Latin American Legislators Against Antisemitism, which is led by the Combat Antisemitism Movement. The signatories included lawmakers from Argentina, Brazil, Chile, Colombia, Costa Rica, Ecuador, Guatemala, Honduras, Mexico, Panama, Paraguay, Peru, the Dominican Republic and Uruguay.
Shay Salamon, CAM’s executive director of Latin American affairs, said in a statement that Petro’s invocation of the phrase reflected a “troubling record of antisemitic expressions and conduct” by the Colombian leader.
“When a leader uses the authority of his office to stigmatize the Jewish people or trivialize their historic suffering, silence is no longer an option,” Salamon said.
The post Colombian President Gustavo Petro sparks outcry over tweet reading ‘Heil Hitler’ appeared first on The Forward.
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Israel looms large as Maine heads to the polls in Graham Platner’s Senate primary
(JTA) — As Graham Platner wrapped up his campaign for the Maine Democratic Senate nomination Tuesday, he ended it the way he began: by taking aim at AIPAC, the pro-Israel lobby and political funder.
The Democrat’s first online ad, released in August, boasted that, unlike his competitors, he would never get AIPAC’s endorsement because he believed Israel had committed genocide in Gaza. Last week, he suggested that AIPAC funding meant his Republican opponent was “bought and paid for by Benjamin Netanyahu,” drawing allegations of antisemitism from a range of Jewish groups.
Along the way, Platner has courted multiple rounds of controversy over Israel and Jews. And in the race’s final days, new reports about Platner’s past behavior toward women have fueled anti-Israel rhetoric among some of his supporters — and further splintered Democratic support for the oyster farmer and political neophyte whose spirited run for office has alarmed many Jewish leaders.
Now, Mainers are heading to the polls with Israel and antisemitism allegations looming large.
Platner, 41, ran as a populist promising to inject progressive energy into a Senate race where both the incumbent Republican and the establishment Democratic pick, Gov. Janet Mills, are in their 70s. (Mills suspended her primary campaign as Platner soared in polls, but she remains on Tuesday’s ballot.) In an election cycle when anti-Israel rhetoric is surging on the left, Platner — who has Jewish extended family, including a stepbrother who lives in Israel and works on Israel policy issues for the Foundation for Defense of Democracies — embraced the stance by making genocide accusations a key part of his stump speech.
That has earned him support in some corners. In a viral video from a rally over the weekend, a Platner supporter dismissed concerns about his tattoo of the Totenkopf symbol, a skull-and-crossbones image worn by Nazi concentration camp guards, which Platner tattooed over earlier this year amid criticism even as he insisted that he hadn’t known it was a Nazi symbol.
Then the supporter asserted that if Platner had a different tattoo, it would have been a dealbreaker for her: an Israeli flag.
“I don’t support genocide, and he doesn’t either, and that would show that he’s being inconsistent,” the woman told the New York Sun.
The exchange exacted disbelief from some. “Are you kidding me? A tattoo of the Israeli flag is worse than a Nazi symbol?” tweeted Democratic Rep. Josh Gottheimer of New Jersey, who is Jewish. “This should not be welcome in the Democratic Party!”
Pro-Israel donors have responded accordingly, shoring up the war chest of Republican Sen. Susan Collins.
“Susan Collins’s latest financial report just came out. A staggering one-third of her money raised this quarter came directly from AIPAC,” Platner tweeted on June 1. “Senator Collins is bought and paid for by Benjamin Netanyahu, and she votes accordingly.”
Collins has described herself as broadly “pro-Israel” but also recently provided a crucial vote for a measure to end the joint U.S.-Israeli war in Iran. OpenSecrets, the nonpartisan campaign finance information website, confirmed to the Jewish Telegraphic Agency that its analysis of public Federal Election Commission data showed that a third of donations to Collins in the previous quarter were gifts from individuals who used the pro-Israel lobby as an intermediary. Collins also received a small donation directly from the group’s super PAC.
Still, Platner’s tweet ignited sharp criticism for suggesting that AIPAC represented Israeli influence, rather than donations by American supporters of Israel.
The Anti-Defamation League said the remark “invokes classic antisemitic rhetoric” and added, “Such accusations call up the age-old dual loyalty trope that casts Jewish Americans as more loyal to Israel than their own country.”
The Nexus Project, an antisemitism watchdog that is more forgiving of some forms of criticism of Israel than the ADL, also criticized the tweet.
“The insinuation that the government of Israel is ‘buying’ or directly controlling any politician who receives AIPAC funding or any American political donor that donates through a pro-Israel conduit is reductive and wrong,” Jonathan Jacoby, Nexus’ president, told JTA in a statement.
Undeterred, Platner on Saturday again invoked AIPAC while going after a member of his own party: Democratic Sen. John Fetterman of Pennsylvania, a staunch Israel supporter. Fetterman had recently criticized Platner in harsh language, telling CNN, “When I was growing up, if someone had a clear Nazi tattoo on them, you probably could conclude that they’re a Nazi sympathizer.”
Fetterman, Platner said in response, had “become a stooge for AIPAC and the Republican party.”
Reached for comment on the phrasing of his AIPAC remarks, a Platner campaign spokesperson said, “Whether it’s private equity, billionaires, corporations, super PACs, etc., Graham is committed to getting money out of politics.”
Amid the mounting scandals, Platner met with Senate Minority Leader Chuck Schumer last week to shore up support for his candidacy among Democratic leaders. Speaking with reporters afterward, Schumer — who is Jewish, considers himself a leader on fighting antisemitism and had said he would support Platner’s campaign after Mills dropped out — repeatedly dodged questions about his confidence in Platner.
Some anti-Israel voices claim that the criticism reflects a conspiracy by Israel to prevent Platner from taking office.
“If you want a handy list of people who work for Israel, look at everyone criticizing Graham Platner now, especially Democrats,” the progressive influencer Cenk Uygur tweeted on Friday. “I get why Republicans want to tear him down. But Democrats attacking their own candidate only happens when they are ordered to do so by their handlers.”
His supporters, meanwhile, went on the offensive after a report in The New York Times cited multiple ex-girlfriends who said he had engaged in abusive and bullying behavior during their relationships.
The story featured as its most prominent voice Lyndsey Fifield, a Republican operative and former staffer at the conservative Heritage Foundation. In the article, Fifield claimed that Platner had known about his Totenkopf tattoo when he was dating her despite the candidate’s public insistence that he hadn’t recognized its Nazi origins. Platner had called his tattoo “my Totenkopf” while with her, Fifield told the Times, sharing a text in which she referred to the tattoo as a Nazi symbol before Platner said he was aware of what the tattoo represented.
Platner “has a Nazi tattoo on his chest,” Fifield texted her friends last summer, according to the Times. “It’s a Totenkopf … I will personally go campaign for Collins.”
Speaking to Maine’s public radio after the Times story ran, Platner denied Fifield’s claim. In another interview with MS NOW, Platner struggled to sort out the timeline of Fifield’s text to her friends about his tattoo, which occurred before he said he knew about the tattoo’s origins. Reached for comment, a Platner campaign spokesperson pointed to a previous interview the candidate held with JTA, in which he noted his “direct family connection to Judaism” and positive associations with Jewish religious tradition. Platner has also cast doubt on Fifield’s account, alleging that she is the sole source for reports about his knowledge of his own tattoo.
Reached for comment, Fifield told JTA by email, “I’ve been a vocal Zionist since college. I’ve been a proud conservative since then as well. Both of those things were true when I dated Graham.” Fifield is also close with the Jewish conservative commentator Bethany Mandel, with whom she formerly co-hosted a podcast.
To JTA, Fifield added, “If not being an antisemite is enough to fuel a mob of conspiracy theorists, it says something very dark about our culture.”
Some of Platner’s defenders have suggested the Times article was fueled by pro-Israel adversaries. Online, pro-Palestinian commentator Mehdi Hasan called Fifield “an anti-Palestinian racist and bigot,” sharing a tweet of hers in which she mocked the concept of “a Palestinian museum” and wrote, “What are their accomplishments, inventions, or other notable figures apart from terrorists and bombs made from the water pipes Israel gave them to pipe in free water for their people?”
Others have pointed out that the reporter who wrote the article, Katie Glueck, was co-president of Students for Israel at Northwestern University when the chapter won an “Activist of the Year” award from pro-Israel lobbying group AIPAC in 2009.
“The most shocking part of this story is that the NYT had a former AIPAC Activist of the Year (Katie Glueck) write a piece devoted to detailing unsubstantiated claims from a professional Republican activist (Lyndsey Fifield) on how a left Democratic Senate candidate who has promised to take on Israel (Platner) was a lousy boyfriend and sold it as a legit journalistic scoop,” tweeted Marcus Stanley, the director of studies at the Quincy Institute for Responsible Statecraft, an anti-interventionist think tank.
In a statement to JTA, a New York Times spokesperson defended Glueck’s participation in the article.
“Katie Glueck has covered politics for over a decade and is one of the best journalists in media at producing incisive coverage of candidates and campaigns,” the Times’ Charlie Stadtlander wrote in an email. “She approached this article about Graham Platner’s past personal conduct with the same independence she brings to all of her reporting.”
Stadtlander added that the Times stands behind its reporting “of the accounts from Ms. Fifield and the other women, who provided a revealing look at the behavior of a major candidate for the U.S. Senate.”
The drumbeat of criticism has tempered excitement among some Democrats about Platner and his potential to flip a Senate seat. Even California Rep. Ro Khanna, a leading critic of Israel in Congress, offered indirect criticism of Platner and his defenders on CBS News’ “Face the Nation” over the weekend, where he said Platner’s supporters shouldn’t go after his accusers and “should not attack the New York Times reporters who wrote this story.”
“I know those reporters. They’ve written things critical of me. That’s what journalists do,” Khanna said. “Our party doesn’t attack the press. Our party believes that you treat women with equality and respect in all aspects of their lives.”
Still, he continued to signal support for Platner, saying that “he’s taken accountability for that period of his life.” Khanna also spoke at a rally for Platner in Maine over the weekend.
While Platner does not have many prominent Jewish supporters in Maine, and has seen the Jewish Democratic Council of America pointedly withhold its own support of his bid, one of his most visible Jewish allies in the state says he will stand by him.
“I’m still very much in Camp Platner,” Steven Koltai, the chair of J Street Maine who helped organize a Passover seder with the Platner campaign, told JTA following the latest revelations.
Koltai suggested that Platner’s past behavior paled in comparison to the president’s: “Thanks to President Trump, the bar for public office in America has been set at a level that even a subterranean earth worm could overcome.”
Asked about Platner’s comments regarding Collins and AIPAC specifically, he signaled a degree of difference with his candidature: “Of all Senator Collins’s votes, her votes on aid to Israel are very low on my list of complaints about her voting record.”
Platner is expected to sail through the primary. Most recent polls suggest that he and Collins are running neck and neck heading into November.
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The Yiddishist Yeshiva is open for registration
ס׳האָט זיך לעצטנס געשאַפֿן אַ נײַער סאָרט לייענקרײַז דורך פֿייסבוק, וווּ מע לערנט תּורה אויף ייִדיש צוזאַמען.
אינעם לייענקרײַז, וואָס הייסט „די ייִדישיסטישע ישיבֿה“, לייענט מען חומש מיט רש״י — סײַ אויפֿן אָריגינעלן לשון־קודש סײַ אויף ייִדיש־טײַטש. „די גרופּע איז אָפֿן פֿאַר אַלע מינים מענטשן,“ האָט דערקלערט דער לינגוויסט און ייִדיש־אַקטיוויסט לייזער בורקאָ, וועלכער האָט אָרגאַניזירט די גרופּע. „פֿרויען און מענער, ייִדן און נישט־ייִדן, געי און ׳גלײַך׳. נײַע תּלמידים דאַרפֿן פֿאַרשטיין ייִדיש גוט, אָבער זיי דאַרפֿן נישט האָבן קיין תּורהדיקן הינטערגרונט.“
די גרופּע טרעפֿט זיך יעדן דינסטיק דורך פֿייסבוק. נאָך מער פּרטים אָדער כּדי זיך צו פֿאַרשרײַבן, שטעלט זיך אין קאָנטאַקט מיט בורקאָ, אויפֿן אַדרעס leyzertag@gmail.com אָדער דורך פֿייסבוק.
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