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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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France issues arrest warrants against 2 right-wing French-Israeli activists for ‘complicity in genocide’
(JTA) — France has issued arrest warrants for two French-Israeli activists for “complicity in genocide,” a charge that stemmed from the pair allegedly blocking humanitarian aid from entering the Gaza Strip.
The arrest warrants were issued in July against Nili Kupfer-Naouri, the president of the organization Israel Is Forever, and Rachel Touitou, an activist with the organization Tsav 9, a right-wing Israeli group that was sanctioned by the United States in June 2024 for destroying humanitarian aid for Gaza.
The two have been charged with “complicity in genocide” and “public and direct incitement to genocide,” the French newspaper Le Monde reported on Monday. They are accused of trying to block humanitarian aid trucks from entering Gaza between January and November 2024 and in May 2025.
An array of activists, including military reservists and family members of some hostages, sought to block the aid trucks from entering Gaza on the theory that helping Gazans would alleviate pressure on Hamas.
In an interview with i24News, Kupfer-Naouri said, “I blocked trucks that were supplying Hamas. If I had to do it again, I would do it again.” (Israel accused Hamas of stealing aid shipments to Gaza during the conflict.)
The warrants are notable because they represent a success by advocacy organizations seeking to hold Israelis responsible for what they say are war crimes. The warrants stemmed from a complaint made last year by the Palestinian Center for Human Rights and the groups Al-Mezan and Al-Haq, which were all sanctioned by the United States in September for having “directly engaged in efforts by the International Criminal Court to investigate, arrest, detain, or prosecute Israeli nationals, without Israel’s consent.”
In a joint statement with the French Jewish Union for Peace, which joined the complaint, the groups called the arrest warrant against Kupfer-Naouri “a historic step forward in the fight against impunity.”
The warrants call for Kupfer-Naouri and Touitou, who were both born in France and live in Israel, to appear before an investigating judge, but not for their detention, according to the French news agency AFP.
Touitou condemned the arrest warrant in a post on X Monday.
“If peacefully demonstrating with an Israeli flag against a terrorist organization seizing humanitarian aid, diverting it, and reselling it at exorbitant prices to Gazans is a crime—then there’s no need to look down on the Mullahs, France is just like Iran!,” she wrote. “I will always fight to defend the truth, my people, and my country 🇮🇱.”
In an interview posted on X last month, Kupfer-Naouri called the investigation an “antisemitic delusion,” adding, “I will no longer be able to set foot in France because I have no intention of going to French jails, neither in police custody, nor anything else.”
Kupfer-Naouri said the investigation could set a “very dangerous precedent” for French-Israeli soldiers in the Israeli military who return home to France.
Some Israeli soldiers traveling abroad have faced war crime inquiries for their actions in Gaza. Over the summer, some Canadian IDF soldiers also reported that they feared returning home after the Royal Canadian Mounted Police announced it had opened an investigation into crimes committed by Canadians during the war in Gaza.
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Islamic State Terrorist Attack on Niger Airport Potentially More Deadly Than Government Revealed
Members of the Nigerien army walk near the motorcycles seized from the attackers, following an attack on Niamey International Airport, in Niamey, Niger, Jan. 29, 2026, in this screengrab from a video. Photo: ORTN/Reuters TV/Handout via REUTERSISIS
Islamic State’s attack on the airport in Niger‘s capital Niamey last week may have been more severe than the Nigerien government claimed, according to recent reports and a video released by a media outlet affiliated with the terrorist group.
More than 30 members of the Islamic State branch in the Sahel region targeted the Diori Hamani International Airport and Air Base 101 shortly after midnight on Thursday using guns, drones, and explosives. The jihadist group on Friday took credit for the assault in a short statement released online through its propaganda outlet, Amaq News Agency.
US forces had previously used the air base in Niamey — located six miles from the presidential palace — for maintaining drones until withdrawing in 2024 following the previous year’s coup d’état orchestrated by former Presidential Guard commander General Abdourahamane Tchiani, who now serves as the landlocked country’s 11th president.
Niger’s military and Russia’s Africa Corps mercenary group, which was also stationed at the base, said they combated the attack. Niger has so far reported four of its troops suffered injuries and there was little damage. The government said it killed 20 attackers and captured 11, at least one of whom was a French national, leading Nigerien authorities to blame France and the Economic Community of West African States (ECOWAS) for the attack.
“We remind the sponsors of those mercenaries, who are Emmanuel Macron [president of France], Patrice Talon [president of Benin], and Alassane Ouattara [president of the Ivory Coast], we have sufficiently heard them bark, and they should now in turn be prepared to hear us roar,” Tchiani said in a statement on national television.
While the government’s reason for ignoring Islamic State was not immediately clear, Niger has previously blamed its neighbors and former colonial ruler France for internal instability.
However, following its initial claim of responsibility, Islamic State published a 90-secoind video of the attack through Amaq News Agency, depicting far more damage than what Nigerien authorities claimed.
The video showed that some attackers came in on motorcycles and attacked aircraft hangars in Air Base 101, burning and shooting the planes. The video also presented a burning helicopter, and an additional statement from the terrorist group claimed the torching of a drone.
Local reports and accounts circulated on social media aligned with Islamic State’s account of greater damage, describing hits on civilian aircraft and a destroyed ammunition depot.
The base is a key military hub in the region, reportedly hosting a contested stockpile of uranium and the headquarters for the Niger-Burkina Faso-Mali Joint Force.
Caleb Weiss, an analyst who focuses on the spread of the Islamic State in Central Africa, reported in the Foundation for Defense of Democracy’s Long War Journal that unconfirmed social media reports reveal “a much higher death toll for both local Nigerien security forces and men from Russia’s Africa Corps who were also stationed at the airbase” — specifically, at least 24 Nigerien soldiers and three Russian mercenaries.
At the same time as the Niger attack, Islamic State’s West Africa Province perpetrated a similar strike in Nigeria’s Sabon Gari army base in Borno, leaving at least nine dead and more wounded.
The assaults came amid a surge of Islamic State terrorist activity across Africa, including the Sahel region, which stretches from the Horn of Africa to the Atlantic Ocean, just under the Sahara Desert. The Islamic State regional affiliate there has killed more than 120 people in the Tillabéri territory in September and also kidnapped an American in October.
“From Somalia to Nigeria, the problem set is connected. So, we’re trying to take it apart and then provide partners with the information they need,” the deputy commander of US Africa Command (AFRICOM), Lt. General John Brennan, said in January.
Terrorism in western Africa has exploded in recent years following three coups which have led their military leaders to create a confederacy aligned with Russia. Niger has joined with Burkina Faso and Mali to create the Association of Sahel States (AES), as an alternative to the ECOWAS. Reports have emerged of alleged atrocities committed by Russian mercenaries in Mali.
A November report from the Combating Terrorism Center at West Point revealed that Africa had become the global hot spot for terrorist killings. Analysts explained that “where once the global terror threat was concentrated in the Middle East and North Africa, today it is centered in the Sahel, specifically in the tri-border region between Burkina Faso, Mali, and Niger.”
The data showed that 86 percent of deaths caused by terrorism happened in 10 countries with 7 in Africa and 5 in the Sahel.
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In 92NY talk, Bret Stephens urges ‘dismantling’ ADL and investing more in Jewish identity
(JTA) — In a speech that described antisemites as an “axis of the perfidious, the despotic, the hypocritical, the cynical, the deranged and the incurably stupid,” Bret Stephens asserted that supporters of the Anti-Defamation League and other Jewish defense groups should largely abandon their current strategy for combating antisemitism and instead redirect their resources toward strengthening Jewish life itself.
Stephens, the conservative New York Times columnist and founder of the Jewish thought journal Sapir, said antisemitism is largely impervious to appeals to tolerance, reminders of Jewish and Israeli accomplishments, or mandatory Holocaust education.
Instead, he called for large-scale investment in Jewish day schools, cultural institutions, philanthropy, media, publishing and religious leadership, arguing that the infrastructure already exists but lacks sufficient scale and coordination.
“What we call the fight against antisemitism, which consumes tens of millions of dollars every year in Jewish philanthropy and has become an organizing principle across Jewish organizations, is a well-meaning, but mostly wasted effort,” Stephens said, delivering the annual “State of World Jewry” address at the 92nd Street Y in Manhattan on Sunday. “We should spend the money and focus our energy elsewhere.”
In an on-stage conversation after the talk, Stephens told Rabbi David Ingber, the Y’s senior director for Jewish life, that if it were up to him, he would “dismantle” the ADL, the leading Jewish group fighting antisemitism.
“That’s not how Jewish money should be spent,” Stephens told Ingber, acknowledging that the ADL’s CEO, Jonathan Greenblatt, was in the audience. “That’s not helping raise a generation of young Jews who are conscious of their Jewishness as something other than the fact that they saw ‘Schindler’s List’ and they visited the Holocaust Museum. That cannot be the locus of Jewish identity. If we’re going to survive, victimization cannot be at the heart of our identity.”
Reached the next day, Greenblatt said he considered Stephens a friend and described his thoughts on Jewish identity as “powerful and provocative,” but found Stephens’ critique of efforts to combat antisemitism “misguided.”
Greenblatt said the ADL’s functions include collecting data on hate crimes, training synagogues and other Jewish institutions in security and a Center on Extremism that gathers intelligence that has been used to “intercept and prevent plots from unfolding that literally could take the lives of people in our community.”
Greenblatt said he agreed on the value of investing in Jewish education and centering identity. “I profoundly agree that the best defense against antisemitism is a good offense, and yet you cannot deny the necessity of defense, that you will not have a strong Jewish community if you don’t have a safe Jewish community,” he told JTA. “You cannot have what Bret called a thriving Jewish people if they’re constantly under threat. So I just don’t agree that it’s a binary choice.”
Stephens’ remarks about the ADL come at a time when the organization has been under fire from the left and right. While many on the left object to its Israel advocacy and accuse it of cozying up to the Trump administration, right-wing critiques have included accusations that it has supported “woke” policies and that its advocacy has been ineffective in countering antisemitism on the far left and far right.
Asked about these critiques, Greenblatt said that the ADL, as one of the oldest anti-hate organizations in the country, has become a convenient target for partisans, inside and outside the Jewish community, who are frustrated by the persistence of bigotry and eager to discredit their ideological opposites. “I think this blame game is bad for America, and I think it’s lethal for our Jewish community,” he said.
The State of World Jewry speech has been a tradition at the influential New York cultural center since 1980, and has been given by, among others, Israeli diplomat Abba Eban, Nobel laureate Elie Wiesel and the French philosopher Bernard-Henri Lévy.
For the third year in a row it has been delivered by a prominent center-right pundit. Like Stephens, author and podcaster Dan Senor (2025) and journalist Bari Weiss (2024) suggested that the strongest response to a community reeling from antisemitism in the wake of the Oct. 7 attacks is for Jews to turn inward and invest in their own institutions rather than seeking inclusion or protection within broader coalitions.
Elsewhere, writers on the Jewish left, including Eric Alterman in the Forward and The New Republic and Michelle Goldberg of the New York Times, have focused on what they see as a gap between a conservative Jewish establishment and a liberal Jewish majority troubled by the extent of the war in Gaza. While condemning the Hamas attacks and antisemitism on the left and right, they argue that anti-Zionism is not necessarily antisemitism, and Jewish groups should prioritize liberal, democratic values over unconditional defense of Israel.
“I don’t think that we made an ideological choice,” Ingber told JTA, when asked about the recent lineup of speakers. “It’s where the center of gravity is at this moment. Voices like [Stephens’ and] Bari’s and Dan’s are seriously engaging with the complexity of this situation, and in some ways mirror a little bit of what’s happening more broadly in Israel” and beyond.
“I don’t think it means that we endorse their worldview, but it means that the Jewish community is benefitting from their platform,” he continued.
Stephens, who told Ingber that he was a “gadfly” on the typically liberal opinion pages of the New York Times, laid out four arguments in his talk: that the fight against antisemitism is largely ineffective; that antisemitism functions as a perverse compliment rooted in resentment; that Jews should stop trying to disprove hatred through achievement or moral suasion; and that Jewish survival depends on building independent institutions rather than seeking acceptance from broader society.
Stephens questioned whether decades of investment in education, advocacy and monitoring — the core strategies of organizations such as the ADL and campus advocacy groups — have produced measurable results, even as antisemitic beliefs and incidents have increased.
“Does anyone think the fight against antisemitism is working?” he asked.
As evidence, Stephens pointed to polling data showing that “one in five millennials and Gen Zs believe the Jews caused the Holocaust,” as well as the persistence of antisemitic rhetoric in media, politics and academia during a period when Jewish institutions are, he said, more engaged and better funded than ever.
In this, Stephens joined a number of observers who have been questioning the cost and effectiveness of efforts to combat antisemitism, which have surged in recent years.
“The mistake we make is this: We think that antisemitism stems fundamentally from missing or inaccurate information. We think that if people only had greater knowledge of the history of Jewish persecution, a fuller grasp of the facts of the Israeli-Arab conflict, a finer understanding of all the ways antisemitism manifests itself, a deeper appreciation of the Jewish contribution to America’s success and to human flourishing worldwide, that the hatred of us might dissipate or never start in the first place,” he said. “That thesis is wrong.”
Stephens framed antisemitism as a response to Jewish distinctiveness, which acts as a counterculture in authoritarian or conformist societies, and resentment, especially when Jewish communities flourish.
“They do not hate us because of our faults and failures,” Stephens said. “They hate us because of our virtues and successes.”
Stephens criticized what he described as a persistent Jewish impulse to seek validation through their contributions to the wider society — citing Jewish participation in progressive movements and Israeli peace initiatives as examples that failed to reduce hostility.
“Constantly seeking to prove ourselves worthy in order to win the world’s love is a fool’s errand,” he said.
That argument led to Stephens’ fourth and final point: that Jews should invest in building and expanding their own institutions rather than seeking inclusion or protection within broader coalitions.
Quoting composer Philip Glass, Stephens said, “If there’s no room at the table, build your own table.”
“We have superb Jewish day schools, but we need many more of them,” he said. “We have astounding and vibrant cultural institutions… We have extraordinary Jewish philanthropies, but they need to become a primary locus of Jewish giving.”
Just as Senor did in his 2025 talk at the Y, Stephens framed the current moment — marked by rising antisemitism and social alienation — as an opportunity for Jewish renewal and not merely a period of crisis. Referring to “Oct. 8 Jews,” a term he popularized after Hamas’ Oct. 7 attack on Israel, Stephens said he had come to rethink his own definition of traumatized Jews in more positive terms.
“What I should have said was that the ‘Oct. 8 Jew’ was the one who woke up trying to remember who he or she truly is,” he said.
Stephens’ conversation with Ingber was twice interrupted by hecklers, who were promptly escorted out by security. Before the talk, a group of demonstrators outside the venue waved Palestinian flags and chanted, “Free, free Palestine.” Ingber said demonstrators taunted him and others who attended the talk as they exited the building.
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