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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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UK lawmakers press government on why West Bank imports haven’t yet been banned
(JTA) — British lawmakers from across the political spectrum are pressing the government to ban imports from Israeli settlements in the West Bank, saying that explanations for why such a ban has not yet been imposed were inadequate.
During a three-hour House of Commons debate on Thursday, lawmakers argued that Britain’s long-standing position that the settlements are illegal under international law means it should fall in line behind other countries advancing bans, particularly at a time of rising settler violence and efforts to expand Jewish settlements in the West Bank.
The debate — the latest in a number of formal discussions about a potential ban in Parliament — was led by Abtisam Mohamed, a politician from the governing Labour Party who is the first Arab woman and first Yemeni member of Parliament. She was denied entry into Israel in 2025, a year after being elected.
“I want to pose a simple question to the government today, a question that sits at the heart of this debate,” Mohamed said in opening the session. “If settlements are illegal, why have we not made an outright ban on trade? What exactly is it that we’re waiting for?”
Lawmakers from other parties piled on.
“There is no excuse that we have to wait for other countries to move because they’ve moved ahead of us,” said Ellie Chowns from the left-wing Green Party, which has made opposition to Israel part of its platform. “There is no excuse that this is too technically difficult because the legal framework already exists.”
And a member of the Conservative party, which has traditionally favored strong ties with Israel, said he was unconvinced by the argument, made recently by a government official, that other measures that are potentially less complicated to administer could achieve the same pressure on Israel.
“We’ve done everything except the obvious, which is just the ban,” said the lawmaker, Kit Malthouse. “The question I’m left asking is, why? Why the reluctance? Why the hesitation? Nobody’s buying the complexity argument.”
On Monday, EU foreign ministers met to discuss a ban on products from Israeli settlements in the West Bank, in order to gauge if there is enough support for the move. The EU’s foreign minister said a ban on imports was the most popular option under discussion and said she expected that the conversation would soon advance.
The discussion in the House of Commons comes as the British Labour government is in flux, with a new prime minister set to take over from Keir Starmer next week. It also comes as the government is taking steps to reassure a Jewish community that has been rattled by a number of violent incidents. This week, the government both allocated more than $300 million in security funding for Jewish institutions while also formally declaring Iran’s Islamic Revolutionary Guard Corps, seen as tied to many of the attacks, to be a terrorist group, in a move that enables more intense prosecution.
In an appearance before the Foreign Affairs Committee earlier in July, the government’s top Middle East minister fended off allegations that the Labour government was slow-walking pressure on Israel. Hamish Falconer also noted that British Jewish leaders are urging against an import ban.
“There are legitimate and reasonable concerns from the British Jewish community that if we were to take steps which were crude, which were untargeted, could have unintended consequences on the lives of the community who are already under considerable pressure,” he said. “I do take that seriously for obvious reasons.”
The Board of Jewish Deputies, an umbrella organization for almost 200 Jewish groups in Britain, told the Jewish Telegraphic Agency that it was reluctant to comment on a potential ban on West Bank imports before a new prime minister is installed. But the group has previously weighed in strongly against efforts to boycott Israel, arguing in a 2017 report that “to hasten a solution to the settlements would be to assist the chances of negotiations through promoting peace, rather than the problematic boycott campaign.”
Falconer also signaled that all bets could be off if the Israeli government moves forward with a settlement project known as E1, telling the Foreign Affairs Committee, “I have said repeatedly that no one should benefit from a profit made on land that has been unlawfully procured.”
The E1 initiative would expand Jewish settlements on a stretch of land east of Jerusalem, bisecting the West Bank, and is seen by both its proponents and critics as a bid to undercut a potential future Palestinian state. The current right-wing Israeli government has moved the E1 project significantly toward actualization, approving it formally.
If the project proceeds further, Falconer told lawmakers, “then we and our friends and allies would take tangible action in response.”
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Cori Bush to fellow progressives: My reelection would be ‘the knockout’ punch to AIPAC
(JTA) — Cori Bush told fellow progressives during a virtual rally on Monday night that she intends to deliver a “knockout” punch to AIPAC, the pro-Israel lobby, by winning her congressional primary next month.
When Bush, the two-term progressive Democratic congresswoman, was defeated in a bruising primary two years ago, both she and her adversaries attributed the loss in part to AIPAC.
The group’s PAC spent more than $4 million to defeat Bush, who was one of two members of Congress to vote against a measure to deny entry to the United States to Hamas terrorists who perpetrated Oct. 7, and declined to call Hamas a terror group on the campaign trail.
Now, as AIPAC has rapidly transformed into a radioactive bogeyman among Democrats and Bush’s fellow progressives have mounted an ascent across the party, Bush is out for revenge.
“Jamaal Bowman says it best: He said that Chris Rabb gave a jab to AIPAC. He says that Darializa and Claire … they gave uppercuts to AIPAC,” Bush said. “But then when I win, that will be the knockout.”
Bush is currently running against Missouri incumbent Rep. Wesley Bell in a field with three other candidates. In 2024, Bell defeated Bush 51.1% to 45.6% in a field of four candidates. A February poll sponsored by Bush’s campaign had Bell and Bush tied, with Bush receiving 44% of the votes, while Bell had 40%. (The survey had a margin of error of 5.4%.)
Bush was referring to a list of prominent progressives, including one, Bowman, who like her was primaried out of Congress in 2024, and three who won primaries decisively in Pennsylvania and New York this year. She was speaking at an online rally organized by Our Revolution, the group formed by Sen. Bernie Sanders to advance the progressive movement.
The rally came as the movement tries to move past a setback in Maine, where Graham Platner, a progressive and staunch critic of Israel, withdrew after winning the Democratic Senate primary amid allegations of sexual assault. One of the candidates vying to replace Platner on the ticket, Troy Jackson, joined other leading progressives including Michigan Senate candidate Abdul El-Sayed and California congressman Ro Khanna in taking the virtual stage.
Jackson did not mention Israel or AIPAC in his comments, even after announcing in recent days that he believes Israel committed genocide in Gaza. Instead, he listed an array of other issues animating left-wing voters.
“I know that there’s real pain, anger, and disappointment, and I’m not going to try and minimize that. But look, this movement has always been bigger than one person,” he said, alluding to Platner’s exit. “It’s about taking on a system rigged against working people, fighting for Medicare for all, strong unions, higher wages, reproductive freedom, and an economy where billionaires and corporations finally pay their fair share.”
Other candidates took aim more squarely at Israel and its supporters. El-Sayed, who in recent days has taken to calling Israel a “rogue state,” noted that AIPAC and its allies have spent more than $40 million to defeat him. (AIPAC has spent nearly $15 million on the race to date.)
“Donald Trump is not himself the disease in our politics; he’s the worst symptom of the disease of our politics,” El-Sayed said. “The disease is the system that allows big corporations, billionaires, special interest groups like AIPAC, to buy and sell politicians in ways that leave them rigging the system against us.”
El-Sayed also took aim at foreign military aid in his remarks, telling those gathered, “It shouldn’t be this hard to pay your taxes and know that that money is going to be spent on you and your kids rather than to annihilate somebody else and their kids.”
Minnesota congressional candidate Kaela Berg similarly cast her refusal to accept AIPAC money as part of a broader rejection of corporate influence in politics.
“We are the revolution, we are bringing that working class voice, that lived experience, two and a half decades of fighting the bosses, being people in Congress who cannot be bought, being the antidote to corporate Democrats and to Republicans,” Berg said. “I do not take AIPAC money. I do not take corporate money.”
Khanna, fresh off a trip to the Middle East during which he claimed that Israeli soldiers took the side of armed settlers who detained him in the West Bank, used his remarks during the town hall to shift attention from his detention to the treatment of Palestinians.
“Yes, people know I was detained, but if there’s one obligation, I feel I want to tell in every part of this country the story of apartheid in the West Bank,” Khanna said. “The story of these Palestinians who are being treated in an inhumane, undignified way, and if we can tell that story, I believe we will finally get change.”
Khanna, who has emerged as one of Israel’s fiercest critics in Congress since Oct. 7, also told attendees that the progressive wins across the country reflected growing support for the movement’s policy positions, including its opposition to Israel.
“We are winning, and we’re winning not because of candidates,” Khanna said. “We’re winning because we stand for Medicare for all. We stand against the genocide. We stand against foreign wars.”
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Five countries over four days: How Cuba’s Maccabiah Games delegation made it to Israel
(JTA) — Nearly three decades after Hella Eskenazi’s first trip from her home in Cuba to the Maccabiah Games in Israel, the journey hasn’t gotten much easier.
This time, she was joined by dozens of athletes who had to travel through five countries over more than four days to reach Israel — a consequence of both the turmoil affecting travel to Israel generally and the unique complexities of getting anywhere from their communist island nation in the Caribbean.
The first time Eskenazi made the trip was 1997, when she was a member of Cuba’s national karate team, and her country’s sole representative at the sports competition known as the “Jewish Olympics.” That was the year the Games were marred by the collapse of a pedestrian bridge over the Yarkon River in Tel Aviv that killed four members of the Australian delegation and injured 60 others.
This time around, Eskenazi, now 56, is both an athlete and the vice president of Patronato de la Casa de la Comunidad Hebrea de Cuba, her nation’s Jewish community and main synagogue. She’s a former Hebrew school director and has been involved in Cuba’s Maccabi programs since 2013, Cuba’s first year with a full delegation.
For this summer’s Games, Cuba sent 52 athletes to participate, many of whom already live in Israel after making aliyah. But for the 29 members who made the journey from Havana, the trip was anything but easy.
And that would have been the case even if Air France hadn’t canceled their flights — due to the conflict in Iran — halfway through their travel.
As Eskenazi explained, due to a variety of political and economic factors, it’s not easy to get out of Cuba. Her athletes needed various visas that would allow them to travel through Europe to get to Israel, and Cuba does not have a national airline with the same international capabilities as travel giants like Air France or Turkish Airlines.
And because Cuba’s oil supply lags behind much of the world, Air France does not offer flights from Cuba. So they had to travel to Panama first, just to get to Paris.
The original plan, Eskenazi said, was for a portion of the delegation to fly from Havana to Panama to Paris to Tel Aviv. But when Air France canceled all its flights to Tel Aviv, they had to pivot — which wasn’t easy given their restrictive travel visas.
Part of the delegation flew from Paris to Austria, while others went through Abu Dhabi, where Eskenazi said Cubans don’t need visas. And each group had layovers of 12 or 15 hours, making the total journey from Cuba to Israel take four or five days.
Eskenazi’s journey was different, because she had a visa that allowed her to travel through the United States. She flew from Havana to Miami to New York to Tel Aviv. Even then, she still had an 18-hour layover in New York.
Eskenazi said her group would not have made it to Israel without the help of the Maccabi World Union, the global organization that puts on the Games and supports local delegations.
“We are here thanks to the Maccabi World Union,” she said in a phone interview from Israel. “Maccabi World Union, they did many things for Cuba, for the Cuban Jewish community to participate in this Maccabiah.”
So once the Cuban cohort finally made it to Tel Aviv, it was understandably a meaningful arrival.
“It has been very very emotional for us because in Cuba we have many difficulties right now,” Eskenazi said. “And to arrive here, to have electricity, to have food, to be safe, to have our friends, to make sport, to share with all of the people from all over the world, has been very emotional, very emotional for us.”
It’s also been a successful trip, competitively speaking.
Cuba has won several medals, competing in sports including softball, futsal and basketball. Eskenazi herself has won two: a silver medal in the one-mile run and a bronze in the five-kilometer competition for the 55-59 age bracket.
But beyond sports, Eskenazi said it’s been a special experience for her athletes — who hail from a country with a relatively affluent but small Jewish community — to be surrounded by Jews from around the world.
“It’s very important because imagine that you can share with people from Holland, from France, from the United States,” she said. “We met people from Ukraine, from Argentina, from Mexico, from different parts of the world. It’s been very very emotional.
“We are happy to be here because we love to share here with the Israeli way of life,” Eskenazi added. “For us it’s very interesting, and we love Israel. Remember that we are Jewish people, and the Israeli people, they are friendly. This is a very special country. If you can see people, for example, with kippah on the street, with tefillin or tallit, it’s like to be inside of the synagogue, a big synagogue. It’s amazing to be here.”
And after the Games end, it’s right back on the plane home. Hopefully with fewer stops this time.
Eskenazi said her delegation is again splitting up into smaller groups, with some flying back through Paris and Panama, and others going through Madrid straight to Havana.
Regardless of the logistics and the travel delays, Eskenazi said Israel is a special place.
“When I visit Israel, I feel like Cuba, like my country,” she said. “I feel that this is my home, also.”
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