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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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The post ‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers appeared first on Jewish Telegraphic Agency.
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Irish national soccer team won’t shake hands with Israel after win
(JTA) — It only took 25 minutes of play for the Irish national soccer team to build a 3-0 lead over Israel in the countries’ UEFA Nations League B match on Sunday. But there were decades of bad blood that preceded Ireland’s shutout victory in a game dominated more by the geopolitics of the Gaza war than about sports. One soccer writer described it as “arguably one of the most contentious football matches of this century.”
At the match, held in a mostly empty stadium in the neutral site of Debrecen, Hungary, the Irish players wore black armbands and bowed their heads in protest during the Israeli national anthem. There were no pre- or postgame handshakes, and one Irish player declined to participate altogether, citing his “personal belief that the killing of innocent people is wrong.”
Ireland’s soccer federation did not reserve tickets for its fans, and the country’s public broadcaster scaled back its coverage of the game. The teams are set to meet again on Oct. 4 in Serbia, this time with Ireland as the “home” team.
Ireland and Israel have a long history of icy relations. Ireland became the first member of the European Union to call for an independent Palestinian country in 1980, and was among the first of the Western European countries to recognize an official Palestinian state in 2024. Israel closed its embassy in Dublin in response. Irish Prime Minister Micheál Martin has rejected claims that his country’s sharp criticism of Israel bleeds into antisemitism.
In the months leading up to Sunday’s match, Ireland’s football governing body faced intense pressure to boycott the match. At a meeting in July, the Football Association of Ireland voted 75-32, with three abstentions, in favor of proceeding with the match, “while acknowledging the strength of feeling regarding support for Palestine.” The motion also noted that a boycott would come with UEFA sanctions, both financial and competitive: In League B matches, mid-tier nations seek to advance to the top division and boost their chances of qualifying for the quadrennial World Cup tournament. The Irish team itself also held a last-minute vote over whether to participate.
Earlier this month, more than 160 Irish athletes and sports figures signed an open letter calling on the national team to pull out of the match. The signatories included former Irish national team head coach Brian Kerr — who had led Ireland to a 2-2 draw against Israel in a 2005 match in Dublin that also took place amid protests.
Former Irish national team star Kevin Kilbane also authored a column in The Irish Times, writing, “Ireland should not play Israel. Not in Dublin, not in Hungary, not in Serbia. Not when Israel is committing genocide.” Israel denies the charge of genocide.
There were also a number of public barbs exchanged between leaders of the two countries and their football associations.
At a press conference last week, Irish coach Heimir Hallgrímsson replied to questions about the match by saying, “We are not playing with genocide, we are playing against genocide. We are playing against Israel; we are not playing with Israel.”
Israel’s football association responded to that comment with a post on X, writing, “We have contributed to the world and humanity in countless fields, earning an impressive number of Nobel Prizes along the way. Unfortunately, we have not yet found a cure for stupidity, ignorance and hypocrisy displayed by the @IrelandFootball team coach. We’re not playing with ignorance, hypocrisy and stupidity. We’re playing against the coach who embodies them.”
That drew a rebuke from Martin, who told reporters, “They are unacceptable remarks and should be withdrawn.”
And on Sunday, the morning of the match, Israeli Foreign Minister Gideon Sa’ar posted a lengthy tweet referencing the 1939 Irish squad that gave a Nazi salute before a game against the German national team.
“Almost 90 years have passed. Ireland’s unique talent for finding itself on the wrong side of history remains intact,” Sa’ar wrote. “Back then, they gave the Nazi salute. This time, they stand on the side of Palestinian terrorism. Above the black armbands the Irish players will wear tonight flies the black flag of jihadism.”
After the match, Israeli captain Manor Solomon said the Irish players who bowed their heads during the Israeli anthem “don’t interest me.”
“We have a country 10 times better than theirs, stronger, an amazing country with amazing people,” said Solomon, who plays in the English Championship league. “We are proud to wear the team shirt and to be Israelis. We are proud of our state and of our soldiers. [The Irish] can play all their tricks. We are Israelis and love the country. And that will always be the case.”
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Why is Karl Rove supporting a progressive Jewish candidate in Texas?
(JTA) — Progressive Jewish Texas state Sen. Jon Rosenthal has earned an unusual distinction: He is the first Democrat to win the vote of GOP guru Karl Rove in more than 30 years.
What did the only Jew serving in the Texas state house do to earn this distinction? It’s more what he didn’t do: run for statewide office with a track record of spewing racially charged and antisemitic comments.
Bo French, the Republican nominee for Texas Railroad commissioner, has a history of rhetoric targeting people of color, Muslims and Jews, including a social media poll last year asking whether “Jews” or “Muslims” pose “a bigger threat to America.”
He also faced bipartisan blowback for a recent post targeting college students of color, and this week a CNN investigation revealed that French, in since-deleted posts, had called for public executions for former President Barack Obama, Jewish California Sen. Adam Schiff and government workers targeted by the so-called Department of Government Efficiency last year.
The controversy has elevated the race for an obscure statewide office – albeit one that regulates the state’s all-important energy industry – into a larger referendum on the GOP’s tolerance for bigotry, including antisemitism, among its nominees.
Rove, for one, has made it clear where he thinks the party should stand.
“The GOP has a growing number of Bo Frenches — and not only in Texas,” Rove wrote in The Wall Street Journal earlier this month in explaining his decision to back Rosenthal.
Rove singled out growing antisemitism in the party: “There are ‘just asking questions’ Jew-haters, misogynists who worship hypermasculinity, conspiracy nuts seeking clicks for profit, and religious bigots who won’t differentiate between Muslim terrorists and Muslim American patriots.”
Rove isn’t the only GOP stalwart to turn on French.
“Are other Republican elected officials going to condemn the intolerance and racism, or look the other way while it becomes normalized,” outgoing Texas Sen. John Cornyn wrote in condemning French’s social media musings. “This is how great political parties self-destruct.”
Cornyn has stopped short of backing Rosenthal, instead saying he might leave the ballot blank.
Texas Rep. Jon E. Rosenthal inside the House Chamber at the Texas Capitol in Austin on Aug. 18, 2025. (Mikala Compton/Austin American-Statesman via Getty Images)
Rosenthal and French have agreed to a debate on Oct. 22. French leads the race in polling released last week from Texas Southern University, but by a much slimmer margin than GOP candidates are accustomed to in Texas. Rosenthal’s campaign could also see a boost from fellow statewide Democratic candidate James Talarico, who is polling neck-and-neck with his opponent in the U.S. Senate race.
On social media, Rosenthal celebrated Rove’s endorsement, writing, “When GOP architect Karl Rove breaks a 30-year voting streak to endorse our campaign, it proves this race isn’t about party lines, it’s about competence vs. chaos.”
A former county Republican Party chair who defeated the incumbent GOP state railroad commissioner in a runoff primary, French spurred widespread backlash earlier this month after posting a photo of students of color at the University of Texas celebrating a football win to the social network X.
“I heard UT graduation this year looked like this. I didn’t believe it,” French had captioned the photo on Sept. 13. “The problem is now obviously far worse than anyone imagined.” He has since doubled down on the sentiment, replying, “I weep for the families in Texas who can’t get into UT because they prioritize foreigners over Texans,” and using the backlash to solicit donations.
Texas Gov. Greg Abbott and state House Speaker Dustin Burrows were among the other Republicans who criticized French for the post, though neither formally rescinded their support, and French continues to list Abbott’s endorsement on his site.
It was not French’s first brush with bigotry. In 2025, during his stint as Tarrant County GOP Chair, French posted an online “poll” asking his followers whether “Jews” or “Muslims” pose “a bigger threat to America.” In a follow-up post, he argued, “You may not like Jews, but to suggest they are a bigger threat to Americans is Jew Derangement Syndrome.”
French later deleted both posts, and has few visible tweets about Jews today. In later posts, he claimed, of himself, “There has never been any evidence of antisemitism. It would certainly be surprising to my Jewish partners.”
Jewish Republicans in the state and beyond are largely keeping their distance from French, with one exception. His campaign site currently touts an endorsement from American Jewish Conservatives, whose only listed chapter is in Dallas.
Neither French nor the group, formerly Dallas Jewish Conservatives, responded to JTA requests for comment on the endorsement. A spokesperson for the Republican Jewish Coalition also did not return a request for comment on French.
Last month French cited a desire to combat antisemitism when arguing that Texas should not use mosques as polling places. In other posts, he accused a university in the state of “harboring radical left/antisemitic professors,” identified himself as both pro-Israel and pro-Tucker Carlson, the talk show host who has platformed antisemites and anti-Jewish conspiracy theories, and told one follower, “I have never served Israel. Don’t be a retard.”
Texas Lt. Gov. Dan Patrick was among the GOP officials who condemned French’s tweet about Jews last year, calling on him to resign as county chair. “Antisemitism and religious bigotry have no place in Texas,” Patrick said then. French ultimately resigned months later in order to run for railroad commissioner.
Today, French lists Patrick as one of his endorsements. A spokesperson for Patrick, who recently told JTA he supported Texas schools assigning books on the Holocaust after public remarks apparently to the contrary, did not return a Jewish Telegraphic Agency request for comment.
French’s other listed endorsements include Texas congressional candidate Brandon Herrera, who has made jokes about Hitler and the Holocaust in YouTube videos.
Rove’s essay led to President Donald Trump wading into the controversy, calling Rove “so bad for the Republican Party, and completely wrong so often,” in a post on his social network Truth Social. Trump’s post did not mention French, nor address his past post about Jews.
The Texas railroad commission, composed of three members, oversees the state’s large and powerful oil and gas industry. It has no oversight into immigration or religion. Even so, French’s campaign has drifted far afield from energy issues: One of his pledges is “Stop the Islamic Invasion of Texas.”
French’s controversies have elevated the profile of Rosenthal, who was raised a Reform Jew in an interfaith household and whose Houston-area district is home to large Muslim communities. This year Rosenthal marked Rosh Hashanah and Yom Kippur by sharing links to Chabad-Lubavitch webpages about the holidays.
Rosenthal’s campaign did not respond to a JTA request for comment, but he told the Forward last year that he identifies as agnostic and “multireligious,” and attends synagogues as well as mosques and churches.
Rosenthal is also a trained mechanical engineer, a background he has drawn on in his bid for railroad commissioner: one campaign ad, quoting a conservative radio host, approvingly calls him “a ‘drill, baby, drill’ Democrat.” He has accused French of “overt racism,” while French has dubbed his opponent “Radical Rosenthal” and posted images, generated using artificial intelligence, of cross-shaped Texas oil wells to promote his blending of energy policy with Christian iconography.
Last year, Rosenthal cited his Judaism in response to legislation that would require the Ten Commandments to be displayed in every public school classroom. Rosenthal introduced an amendment that would have required a “Jewish” version of the commandments to be displayed alongside the “Protestant” one. The amendment failed, and the bill passed.
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California Gov. Gavin Newsom signs bill to create safe spaces around synagogues
(JTA) — California Gov. Gavin Newsom, a Democrat, has signed a law that will create protective spaces around religious institutions, after a pro-Palestinian protest at a Los Angeles synagogue last year turned violent.
The legislation, AB 2664, establishes 100-foot zones around the entrances to houses of worship. Within the zones, no one will be allowed to come within eight feet of a congregant without consent to distribute leaflets, hold a sign or engage in oral protests that aim “to harass, obstruct, threaten or intimidate the person.”
Failure to comply could result in fines of up to $1,000 and/or imprisonment of no more than six months, with second violations raising those bars to $5,000 and one year, per the law.
“Every Californian should be able to walk into a synagogue, church, mosque, or other house of worship without fear,” Newsom said in a statement.
“California is continuing to protect these organizations and the people they serve, and we’re strengthening that work from the front door to expanding security resources to community events statewide.”
Newsom’s status as a leading Democrat – and one considering a 2028 presidential run – makes his enthusiastic endorsement notable. Progressives in other locales, including New York City, have pushed back against similar laws, saying they endanger speech protections.
The bill’s signing came less than a year after a violent protest rattled the Wilshire Boulevard Temple in Los Angeles. At the December event, pro-Palestinian demonstrators blocked people from entering the synagogue and cut off parental access to the religious school. Protesters destroyed property and assaulted a security guard; one person was arrested for battery and another for vandalism.
At the time, Mayor Karen Bass denounced the incident, which took place at one of the largest synagogues in the city, as both “abhorrent” and antisemitic.
The following spring, California Assembly member Rebecca Bauer-Kahan, a Democrat, introduced the legislation, drafted by Jewish California, a lobby representing a number of the state’s Jewish groups.Newsom signed the bill on Friday inside Wilshire Boulevard Temple, joined by Jewish California leaders, synagogue clergy and members of the California Legislative Jewish Caucus and the broader community.
The legislation advanced despite vocal opposition. The Council on American-Islamic Relations slammed the bill for infringing upon free speech by creating “new criminal penalties that would put peaceful protesters and community advocates at risk.”
In a statement following Newsom’s signing ceremony, the council’s California CEO, Hussam Ayloush, argued that some sales of “illegally occupied land” are occurring “exclusively to Jewish Americans at events hosted by American synagogues.”
“If a house of worship in America chooses to serve as a platform for illegal land sales meant to normalize Palestinian displacement, Americans should be able to peacefully demonstrate against that immoral activity,” Ayloush said. The protest at the Wilshire Boulevard Temple did not target land sales, but a public safety and technology event organized by the Consulate General of Israel.
Jewish California stressed that the legislation not only gained support from dozens of Jewish groups but also from Muslim, Sikh, Christian and Hindu organizations. Ultimately, the bill passed with 34 out of 40 State Senate votes and 61 of 80 State Assembly votes.
“With the Governor’s signature, California is sending a clear message: everyone has the right to practice their faith safely and freely,” Bauer-Kahan said in a statement.
“Antisemitism is rising, and so is hostility towards other religious communities,” she added. “This law protects all worshippers of all faiths, and it ensures that faith can be practiced without fear.”
AB 2664 was one of six bills relevant to the Jewish community that passed in California’s state legislature last month. Newsom signed one of the other bills, AB 1853, on Monday afternoon — enacting a ban on including misleading or threatening information, like hate speech, in California voter guides.
The governor has until Sept. 30 to either sign or veto the other four pieces of legislation. Among the most contentious is SB 1387, a bill that would expand the definition of ethnicity “to include Jewish identity” on state agency data collection forms.
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