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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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UK Police Investigate Security Incident Near London’s Israeli Embassy
A Metropolitan Police Service (MPS) car. Photo: Wikimedia Commons.
British police said on Friday they were investigating a security incident near the Israeli embassy in London after a group reported online that it had targeted the premises with drones carrying “dangerous substances.”
Matt Jukes, the head of counterterrorism at London police, said there were no signs the embassy had been attacked, but officers in protective clothing were assessing “discarded items” found near the building.
The embassy said in a statement all its staff were safe.
COUNTERTERRORISM POLICE INVESTIGATE
“Counter Terrorism Policing London are aware of a video shared online overnight in which a group claim to have targeted the nearby embassy of Israel with drones carrying dangerous substances,” Jukes said in a televised statement.
“And whilst we can confirm that the embassy has not been attacked, we’re carrying out urgent inquiries to determine the authenticity of the video and to identify any potential link between it and the items discarded in Kensington Gardens.”
The pro-Iranian group Harakat Ashab al-Yamin al-Islamiyya, or Movement of the Companions of the Right Hand of Islam, had posted a video which included footage of drones along with two figures dressed in protective clothing and a message that the Israeli embassy was being targeted.
The group has claimed responsibility for a spate of attacks across Europe on US, Israeli, and Jewish targets, including an arson attack which destroyed several ambulances belonging to the Jewish volunteer emergency service Hatzola which were parked near a synagogue in the Golders Green area of north London.
Jukes said the police presence had been stepped up and cordons had been put in place, meaning there was no public access to Kensington Gardens and the surrounding area.
“We do not believe there to be any increased public safety risk at this time, and we would urge people, nonetheless, to avoid the area while officers carry out their work,” Jukes said.
The Israeli embassy said in a statement that a suspected security incident was being investigated in an adjacent park.
“We wish to clarify that all embassy staff are safe and that the embassy was not attacked,” it said. “As always we remain in close and continuous contact with the local authorities.”
It was the latest in a number of incidents involving the embassy and Jewish sites in the British capital since the ambulances were torched last month.
Earlier this week, two suspects were arrested over an attempted arson attack on a synagogue in north London.
In March, two men were charged with being tasked by Iran to carry out hostile surveillance on the Israeli embassy and other Jewish targets, while earlier this week a man from Kuwait went on trial accused of planning a terrorist attack on the embassy.
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Kanye West Concert in Poland Will Be Canceled, Venue Says
Kanye West walking on the red carpet during the 67th Grammy Awards held at Crypto.com Arena in Los Angeles, CA on Feb. 2, 2025. Photo: Elyse Jankowski/Sipa USA via Reuters Connect
A Polish stadium said on Friday that it will cancel a concert by US rapper Kanye West days after he postponed a show in France amid a furor over his past antisemitic comments and celebration of Nazism.
“We would like to inform you that the Ye [Kanye West] concert planned for 19 June 2026 at the … Slaski stadium will not take place due to formal and legal reasons,” stadium director Adam Strzyzewski said in a statement posted on Facebook.
The decision by the Slaski stadium in the western city of Chorzow, first reported by Wyborcza newspaper on its website, comes just over a week after Britain blocked the 48-year-old from traveling there to headline a festival.
There was no immediate comment from the rapper, now known as Ye, who in January apologized for his behavior, which he attributed to untreated bipolar disorder, and renounced past expressions of admiration for Adolf Hitler.
Authorities in Poland had already signaled they would seek to ban the planned June 19 concert.
“In a country scarred by the history of the Holocaust, we cannot pretend that this is just entertainment,” Polish Culture Minister Marta Cienkowska said on Thursday.
More than 1.1 million people, most of them Jews, were murdered at the Auschwitz death camp in Nazi-occupied Poland during World War II. Nazi Germany killed more than 3 million of Poland‘s 3.2 million Jewish population.
Ye was barred from Australia last year after releasing a song promoting Nazism and advertising swastika T-shirts on his website.
He has performed in the United States and Mexico City this year, with further concerts planned in Europe and Asia.
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Iran Says Hormuz Strait Open After Lebanon Truce, Trump Expects Iran Deal ‘Soon’
An Iranian flag lies amidst the rubble of a building of the Sharif University of Technology, which was damaged in a strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, April 7, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Iranian Foreign Minister Abbas Araqchi said the Strait of Hormuz was open following a ceasefire agreement in Lebanon, while US President Donald Trump said talks could take place this weekend and he believed a deal to end the Iran war would come “soon.”
Araqchi said in a post on X the Strait was open for all commercial vessels for the remainder of the US-brokered 10-day truce agreed on Thursday between Israel and Lebanon to halt fighting between Israeli forces and Iran-backed Hezbollah.
Trump told Reuters on Friday that the US will work with Iran to recover its enriched uranium and bring it back to the United States as part of any deal.
US-Israeli strikes on Iran began on Feb. 28, triggering Iranian attacks on Gulf neighbors and reigniting the Israel-Hezbollah conflict in Lebanon.
Thousands have been killed and the conflict effectively shut the Strait of Hormuz – through which a fifth of the world’s oil and liquefied natural gas usually transits – threatening the worst oil shock in history.
OIL PRICES TUMBLE, STOCKS JUMP
Oil prices fell more than 10%, extending earlier losses after Araqchi’s post. Global stocks, already trading near record highs, jumped further on the news.
Major shipping companies reacted more cautiously, signaling it may take more time for traffic through the chokepoint to return to normal levels – about 130 ships a day before the war.
Germany’s Hapag-Lloyd said it would refrain from passing through the strait while it assessed the announcement. The Norwegian Shipowners’ Association said several issues needed clarification, including the possible presence of sea mines.
The US Navy warned in an advisory to seafarers that the mine threat in parts of the waterway was not fully understood and avoidance of the area should be considered.
A senior Iranian official said ships could pass through the Strait only under coordination with Iran‘s Islamic Revolutionary Guard Corps.
After a video conference on Friday, more than a dozen countries said they were willing to join an international mission to protect shipping in the Strait when conditions permit, Britain said.
US BLOCKADE REMAINS IN PLACE
Shortly after Araqchi’s statement, Trump posted on Truth Social: “IRAN HAS JUST ANNOUNCED THAT THE STRAIT OF IRAN IS FULLY OPEN AND READY FOR PASSAGE.”
However, he said the US military blockade of ships sailing through the Strait to Iranian ports – announced after talks with Iran last weekend in Islamabad ended without agreement – would remain until “our transaction with Iran is 100% complete.”
An Iranian official later told Fars news agency Tehran would consider the Strait‘s continued blockade by US forces a violation of the ceasefire and would again close the waterway.
Trump told Reuters on Friday there could probably be more talks this weekend. Some diplomats said that was looking unlikely given the logistics of assembling officials in the Pakistani capital, where the talks are expected to take place.
DIPLOMACY PROGRESS
A Pakistani source involved in mediating between the US and Iran said there was progress in backdoor diplomacy and that an upcoming meeting could result in the signing of a memorandum of understanding, followed by a comprehensive deal within 60 days.
“Both sides are agreeing in principle. And technical bits come later,” the source said on condition of anonymity.
A senior Iranian official told Reuters there had been an agreement on unfreezing billions of dollars in Iranian assets, as part of the accord to reopen the Strait, without giving a timeline.
One key sticking point has been Tehran’s nuclear program. At last weekend’s talks, the US proposed a 20-year suspension of all Iranian nuclear activity, while Iran suggested a halt of three to five years, according to people familiar with the proposals.
Iran has demanded the lifting of international sanctions, while Washington has pressed for any highly enriched uranium to be removed from Iran. Two Iranian sources have said there were signs of a compromise on the HEU stockpile, with Tehran considering shipping part of it out of the country.
Trump told Reuters the US would bring Iran‘s enriched uranium back to the United States. “We’re going to go in with Iran, at a nice leisurely pace, and go down and start excavating with big machinery … We’ll bring it back to the United States,” he said during a phone interview.
He mentioned “nuclear dust,” a reference to what he believes remains after the United States and Israel bombed Iran‘s nuclear installations in June last year.
Despite Trump‘s optimism, Iranian sources told Reuters on Friday that “gaps remained to be resolved” before reaching a preliminary deal, while senior clerics struck a defiant tone during Friday prayers.
In Tehran, cleric Ahmad Khatami said: “Our people do not negotiate while being humiliated,” while in Isfahan, the imam said: “We did not accept the terms proposed by the other party.”
In Islamabad, troops were deployed along routes into the capital on Friday, though roads remained open and the government had not ordered business closures, as it did ahead of the previous meeting.
LEBANON CEASEFIRE GOES INTO EFFECT
The US-backed ceasefire agreed between Israel and Lebanon to end fighting between Israel and Hezbollah appeared to be largely holding on Friday, despite Lebanese Army reports of some Israeli violations. Paramedics said an Israeli drone strike killed one person in southern Lebanon.
The conflict was reignited on March 2 when Hezbollah opened fire on Israel in support of Tehran, prompting an Israeli offensive.
There was no immediate comment from the Israeli military on the reported ceasefire violations on Friday.