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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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The post ‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers appeared first on Jewish Telegraphic Agency.
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The boycott of Israel is increasingly targeting individuals
As Israel’s international pariah status grows, the movement intended to boycott and isolate the country is starting to target individual Israelis — including many with little or no connection to Israel’s actions, and in some cases those who are aligned with its international critics.
Organizers of the boycott, divestment and sanctions movement, which seeks to isolate Israel, have focused on organizations and companies that they contend support the Israeli state, whether or not they are located in Israel, while cautioning that “it does not call for or condone boycotts of individuals because of their Israeli or Jewish origin.”
But that doesn’t stop it from happening.
Nadav Lapid, an Israeli filmmaker and dissident living in France, was the latest victim of this trend. But it has also hit Israeli celebrities who have posted perfunctory statements of solidarity with the country, Israeli musicians with no controversial statements and Israeli chefs operating restaurants in the United States. Israelis have been assaulted for speaking Hebrew abroad, and Israelis studying at American universities have reported being ostracized by classmates.
R.F. Kuang, an American author, even faced backlash from fans for including an Israeli character in her latest novel.
Sometimes the Israelis who face opprobrium are genuine advocates for the country. Others are just Israelis who have expressed warm feelings toward their homeland. Deni Avdija, a star forward on the Portland Trail Blazers, is a prime example of this. He has not shared his political views about Israel or its actions in Gaza, once wrote “Am Yisrael Chai” on his sneakers and wrapped himself in an Israeli flag courtside after Oct. 7.
“I obviously stand for my country, because that’s where I’m from,” he told the Athletic. “I don’t really get into politics, because it’s not my job.”
He scoffed at “all this hate” from fans who act “like I’m deciding things in the world.”
***
The justification for this kind of targeting varies, but it centers on a few key arguments. One is a misunderstanding of the boycott movement and its demands. An Israeli Harvard graduate student recounted a classmate who requested not to work with the Israeli student because “they had pro-Palestinian politics that required them to avoid normal relations, such as collaborating on a school group project, with an Israeli.”
This is not what the BDS movement classifies as “normalization,” which it describes as Israelis and Arabs sharing a public platform together.
Other arguments for shunning Israelis raise thornier issues.
Two major claims center on the premise that Israeli Jews are uniquely complicit in their country’s human rights abuses. If you believe that Israel is a settler colony operating under an apartheid regime, then the country’s Jewish citizens are benefiting from this dynamic in ways that, say, Russian or Chinese citizens do not inherently benefit from their own government’s problematic actions.
And, more tangibly, Israel’s policy of mandatory service in the Israel Defense Forces means that most of its Jewish citizens serve in the military — helping the government maintain its policies toward the Palestinians regardless of their personal political views.
This can be distilled into a neat story of collective guilt — Israelis are all settlers on stolen land, and none of them are true civilians because they are either future or former soldiers — that was used by some extremists to justify Hamas attacking Israeli civilians on Oct. 7 and is used more casually to hound Israelis in the diaspora.
Some Israeli celebrities are sympathetic to those who expect answers from them about their stance on Gaza. “For many people to have me say something about that publicly is really important, like, ‘OK you’re from Israel what do you think about that?’” Noga Erez, one of Israel’s most popular musicians who has played multiple international tours, told the Associated Press two years ago.
But Erez has declined to share her own views, instead expressing a vague desire for peace.
This may be partly due to the social cost that Israelis can pay at home for speaking out abroad. Five years ago, Erez told a British magazine that “BDS did an important job in putting the spotlight on the situation” but that she hoped the movement would shift to “discourse and connection.”
After an outcry in Israel — where supporting the boycott movement is illegal — Erez hastened to insist that “I love Israel and do not support any kind of boycott of my people and my country.”
The incident underscored the relatively scant room in Israel for dissent over how the country treats Palestinians.
While Israeli Jews express plenty of disdain for Prime Minister Benjamin Netanyahu, only the tiniest fraction (1%) agree with the core contentions of anti-Zionist activists abroad that the country should be replaced with a Palestinian or binational state. And 82% support expelling the population of Gaza, while 76% agree that “there are no innocent people in Gaza.”
This is part of what happens when you have two ethnic or national groups engaged in a century of often vicious violent conflict. Seventy-one percent of Palestinians in the West Bank and Gaza recently ranked the humanity of Israeli Jews at a flat zero on a scale of one to 100.
But the point is that if you’re opposed to Israel’s existence on political grounds, the odds are quite high that you’re also diametrically opposed to the political views of most Israelis — something that is not true when it comes to American Jews.
That is a key distinction because even if one believes that Israel is an apartheid state that committed genocide against the Palestinians in Gaza, it should still be easy to avoid harassing American Jews with no connection to the conflict.
But almost all Israelis have a bona fide connection, meaning that whether you find it problematic to demand answers from Israelis likely depends on your view of the conflict itself.
If you accept, for example, that the IDF has committed repeated war crimes and is otherwise oppressing Palestinians, then the objections from Palestinian students at Columbia and other universities to being in class with Israeli veterans may sound reasonable.
On the other hand, if you understand the IDF to be the world’s most moral army that sought to avoid civilian casualties in Gaza, then any objection to working with Israeli veterans would smack of absurdity and perhaps antisemitism.
At the same time, the kneejerk tendency to assume that any Israeli is an enemy, solely based on their place of birth, can quickly slip into dangerous territory.
Lapid, the filmmaker, is perhaps the most absurd case of this. He has lived in self-imposed exile in France since 2021 and has accused his own government of “genocidal” actions but was nevertheless was by French activists after a film festival in Marseille named him to its panel of judges.
His supposed crime? Accepting funding from the Israel Film Fund for his movie Yes, a biting satire whose protagonist is recruited by a billionaire to write an anthem celebrating the mass murder of Palestinians in Gaza after the European Union’s cultural fund turned him down because they thought the film was too anti-Israel. This prompted 10 filmmakers to pull their projects from the festival.
“What exactly do they want? That I stop making films? Should I leave France,” Lapid asked Le Monde.
For many of Israel’s supporters, Lapid’s experience is proof that the demonstrators don’t make any distinctions between Israelis like Lapid — a longtime thorn in the government’s side — and a celebrity like Gal Gadot, the Wonder Woman actress who has said she wants to “help obtain worldwide support” for Israel.
“Nadav Lapid doesn’t understand that Israel’s haters don’t differentiate between us, no matter how much he tries to curry favor with them,” Miki Zohar, Israel’s culture minister, wrote on X. “He will always be, to them, a Jew from Israel.”
But Lapid himself, who bowed out of the festival voluntarily rather than fighting the boycott directly, found himself reassured by two letters of solidarity from hundreds of French film industry leaders.
“Whatever crimes their state may commit,” the first letter argued, “no one can be reduced to a passport.”
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Rank Islamophobia in Congress is a crisis for American Jews
A growing caucus in the House of Representatives is targeting Muslims, and American Jews should be deeply concerned.
The Sharia-Free America Caucus, established in December, now boasts more than 60 members, all of whom are Republican. In announcing its establishment, one of its founders, Rep. Chip Roy of Texas, warned that, “from Texas to every state in this constitutional republic, instances of Sharia adherents masquerading as ‘refugees’ — and in many cases, sleeper cells connected to terrorist organizations — are threatening the American way of life.”
His language was reminiscent of past xenophobic claims made about Irish and Jewish immigrants flooding the country with, respectively, Catholicism and communism. And the fact that the caucus has expanded in influence speaks to the continued radicalization of the Republican Party and the growing threat of American Christian nationalism. The attacks on our Muslim neighbors from the party in power call for Jews to stand up in defense of the value of religious pluralism in the United States.
American Muslims are the right’s immediate targets. But Muslims and Jews both stand to lose if the U.S. becomes an even less liberal and more strictly Christian nation than it is today.
A fictional threat
No one should dismiss the Sharia-Free America Caucus as a flash in the pan. Its membership includes a member of the Republican House leadership, Majority Whip Tom Emmer of Minnesota, who has said that “Sharia is completely incompatible with the American way of life and threatens the very fabric of our society.”
The caucus has introduced a number of pieces of legislation to combat the fictional threat of Sharia law, prompting a public letter signed by 119 Democrats demanding the House leadership not allow a vote on these ridiculous bills.
The Democrats are right to be drawing attention to this appalling demonstration of rank bigotry by dozens of Republican members of Congress. It should go without saying that there is no threat of Sharia law supplanting secular American law. Such talk is nothing but the crude fantasy of demagogues.
Instead, the caucus is twisting ordinary religious practices to demonize millions of Americans.
Sharia law, like Jewish halacha, is an unsettled body of religious law that has been interpreted, reinterpreted, and debated for centuries. In the U.S., scholars of Islamic law can weigh in on certain kinds of civil cases such as business disputes. This is exactly how batei din operate for many observant Jews: not as structures that replace American law, but as mechanisms that specific communities turn to voluntarily to help decide internal questions.
Just as the establishment of a Halacha-Free America Caucus would be an illegitimate and plainly hateful assault on the dignity of American Jews, so the existence of this caucus is an insulting act of bigotry toward American Muslims. The message being sent to them is clear: You do not belong here, and if you want to stay out of trouble, you can only practice your faith in ways the majority religious group finds acceptable.
A dark American history
These attacks against Muslims are continuous with a strain of illiberalism and xenophobia in the history of the U.S. with which Jews should be familiar. Yes, this country welcomed ships of Eastern European Jewish refugees at Ellis Island; but it also enacted the 1924 Johnson-Reed immigration quotas — which ultimately helped trap Jews in Nazi-occupied Europe.
After the Sept. 11, 2001 terrorist attacks, American Muslims faced widespread discrimination in the name of national security — including illegal detainments and unconstitutional invasive police surveillance of communities. Once the terrorism panic subsided, Islamophobia became a standard part of the right-wing playbook.
Perhaps no one has been as brazenly hateful as President Donald Trump, who during his first campaign famously proposed a moratorium on Muslims entering the U.S., which he enacted shortly after assuming office; lied about witnessing thousands of Arab Americans in New Jersey celebrating 9/11; and has in recent years taken to using “Palestinian” as a slur. Right-wing panics over the construction of mosques and even the simple act of Muslims praying in public now occur with shocking regularity.
An alarming outlook for religious minorities
Political conditions have worsened considerably for American Muslims in recent years. Even amidst the hysteria and abuse of power after 9/11, the message of President George W. Bush was rhetorically often one of inclusion.
Such nods to religious freedom are few and far between today. Parts of the right openly portray American Muslims as an enemy fifth column. “Mainstream Muslims have declared war on us,” Rep. Randy Fine of Florida, who is Jewish and has drawn criticism for his Islamophobic rhetoric, declared. “The least we can do is kick them the hell out of America.” Just last week, months after signing a law supposedly banning Sharia from Texas, Gov. Greg Abbott said Democrats in his state supported the institution of Sharia. And despite being the target of recent violent attacks, American mosques and Islamic centers are set to be largely excluded from the Department of Homeland Security’s Nonprofit Security Grant Program.
Trump’s administration has claimed to make defending American Jews from antisemitism a top priority. But a governing party that rejects religious pluralism and embraces Islamophobic conspiracy-mongering is not seriously committed to fighting religious hatred. Jews must understand that any “protection” offered on these terms is a poisoned chalice.
Efforts to circumscribe national belonging in the U.S. on religious and racial grounds have never been beneficial to American Jews. In response to the demonization of American Muslims today, Jews should not forget this truth. No minority is safe from the bigotry currently targeting our Muslim neighbors. We must stand up in their defense, and work continuously for a country that belongs to all of us equally.
Abe Silberstein is a doctoral student in the joint program in History and Hebrew & Judaic Studies at New York University
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You’re wrong, Ken Paxton: Obviously God is nonbinary
We are living in a time of reactionary masculinism. Roaring back not only against wokeness and MeToo but against half a century of feminism and a century of women’s suffrage, conservative American men have reasserted a hyper-traditionalist, hyper-violent form of masculine dominance, from the UFC matches on the White House lawn to Pete Hegseth’s pastor calling for the repeal of the 19th amendment.
And now, to the Texas Senate race, in which religious progressive Democrat James Talarico is running against the multiply indicted, investigated, and impeached Republican Ken Paxton, who among other things has taken bribes, committed adultery, and barely avoided conviction for securities fraud. Like all Trump wannabes, Paxton peppers his talks with vulgar schoolyard insults, calling Talarico “Low-T” (i.e. low testosterone, not manly enough), ‘Talafreako,’ and, I guess worst of all, a vegan. (Talarico is not a vegan.) Most recently, Paxton’s campaign has ridiculed comments Talarico made in 2021 that “God is both masculine and feminine and everything in between. God is nonbinary.”
But for anyone conversant with Jewish theology, this is obvious. Of course, God is nonbinary.
Genesis 1:27 states clearly: “And God created the human in His image; in the image of God He created him; male and female He created them.” Meaning, both male and female are the ‘image’ (whatever that means) of the Divine. Of course, God has masculine pronouns here, but so do the words for socks, houses and money; Hebrew lacks a non-gendered case (until recent innovations). And just a few verses earlier, in Genesis 1:2, the Spirit of God gets a feminine verb form (merachefet, ‘hovers’). As Talarico put it:
The first two lines of the Bible, the first two lines in Genesis, use two different Hebrew words to describe God. One is the masculine Hebrew noun for divinity. The second is the feminine Hebrew noun for spirit. God is both masculine and feminine and everything in between. God is nonbinary.
More broadly, throughout the Bible, God is referred to in both masculine metaphors — Father, King, etc. — and feminine ones, like a loving Mother (Isaiah) or feminine Wisdom (Proverbs).
Jewish theological and theosophical speculation is even more clear. The philosophical God of Maimonides, for example, is beyond all form, and certainly all gender. The Kabbalistic Godhead, meanwhile, contains aspects (sefirot) that are masculine, feminine, both masculine and feminine, and genders that change depending on the moment. This is not merely abstruse speculation; every Friday night, traditional Jews welcome the Sabbath Queen to their places of worship. Who do you think we’re referring to here?
Indeed, one could say that God is the most nonbinary thing (or non-thing) in the universe, since in many Jewish theologies, God is nondual, beyond all binaries and dualities we humans construct to understand our world. In these conceptions, God is everything (yesh) and nothing (ayin), filling the universe and surrounding it, form and emptiness.
Now, obviously, Ken Paxton is not interested in theology; he’s just scoring political points, and desperately trying to change the subject. And with animus against transgender people rising (due to massive campaigns to lie about them for Republican political gain) he wants us to think that James Talarico’s God is nonbinary like a they/them teenager is nonbinary — i.e., conforming neither to masculine nor feminine gender roles. (In fairness, Talarico made his 2021 comments in the context of a political debate about transgender children and sports, and has lately has walked back the comments, calling them “cringey.”)
But just because Paxton is being cynical doesn’t mean his attacks aren’t harmful. They are at once ignorant and insulting, pathetically wrong and offensively backward.
I don’t mean to whitewash or wokify the often patriarchal Jewish tradition. Again, there are plenty of masculine images of God in Jewish liturgy, tradition, and text — maybe too many. The Biblical God has a bad temper, gets jealous easily and lashes out with violence. God is a Man of War, says Exodus 15:3, which scholars believe to be one of the oldest Biblical sources. And for every Lecha Dodi welcoming the Divine Feminine, there are dozens of blessings of God, the King of the World. Yet ultimately, these are aspects, projections and metaphors of the Divine, not the Divine itself. And just as the Greek and Indian pantheons include multiple manifestations of divinity, Jewish monotheism (and monism) contains within it multiple manifestations of a transcendent God ultimately beyond all myth, explanation, and categorization.
Likewise in the New Testament, which has ample male and female metaphors for the Divine, and ample statements that God transcends gender entirely (e.g. John 4:24). And not just God, but human souls as well; one of the most famous, and impactful, statements in the New Testament is the Apostle Paul’s statement in Galatians 3:28 that “there is neither Jew nor Gentile, neither slave nor free, neither male nor female, for you are all one in Christ Jesus.” Obviously, Paul doesn’t mean that there is no sex or gender at all, but he does mean that in terms of what matters most (which Paul understands to be the spirit), gender and ethnicity are irrelevant.
If only the Ken Paxtons of the world understood that.
Even if Paxton got the Bible right, however, his theological attacks on James Talarico would still be un-American. In fact, the myths and forms of religion are manifold and various, and in the America that truly is great, we don’t take sides among them. Sacred text and tradition portray many different faces of the Divine, and of course there are many different sacred texts and traditions. None of which should be defamed by a corrupt political hack.
But I admit, while I’m pluralistic as to religious worldviews, I do think some are better than others. And James Talarico has a compelling vision for an engaged Christianity that is justice-driven, heartfelt, and, to my mind, the rightful legacy of a certain rabbi who overturned the moneylenders’ tables in the Temple in Jerusalem. Even if you disagree with his political or religious positions, see what you think:
This is what religion should be for: the pursuit of justice, the cultivation of kindness, the commitment to not turn our back on the stranger, the marginalized, or the destitute. This is the God that inspired Jews throughout our history, whether we were activists or prisoners, volunteers at a hevra kadisha or teachers in a school, rabbis or homemakers. It is the source of compassion that can be discovered (or, if you prefer, invented) whenever the heart is broken. And as Talarico says, this God is the opposite of domination.
Amen.
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