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Steve Guttenberg, and his very Jewish life, take the stage for a play adaptation of his memoir
(JTA) — Actor Steve Guttenberg has had the kind of career that put him in touch with nearly every trend in Hollywood. There were prestige films like “Diner” and “Cocoon” and the lighter but wildly successful fare like the first four movies in the “Police Academy” series. “Three Men and a Baby” was the biggest American box office hit of 1987; the 2004 Christmas movie “Single Santa Seeks Mrs. Claus” somehow spawned a sequel.
In short, it’s the kind of career that would inspire a juicy, dishy memoir, which it did when he wrote “The Guttenberg Bible” in 2012.
Now a brand new stage adaptation, “Tales From the Guttenberg Bible,” is playing through May 21 at the George Street Playhouse in New Brunswick, New Jersey. Guttenberg plays himself in the show, in which he explores his career, his Judaism and much more.
“As a tradition and as a culture, [Judaism’s] been a huge part,” said Guttenberg, who was born in Brooklyn in 1958 and raised in Massapequa, on Long Island. “My family didn’t observe Friday nights, but my father was kosher… I was bar mitzvahed, and then when I went out to California when I was 17, I found the temple to be a great respite for me, especially from the loneliness.”
For years, Guttenberg regularly attended the Stephen Wise Temple in Los Angeles, and later joined Kehillat Israel in Pacific Palisades.
The show features four actors playing 90 different characters, including the Jewish movie producers Allan Carr and Robert Evans, the voiceover actor Michael Bell (who is Guttenberg’s godfather), as well as Paul Reiser, Merv Griffin and Kevin Bacon. It covers Guttenberg’s life from age 17 — when he famously snuck onto the Paramount Pictures lot, set up an office and sometimes claimed to be the stepson of then-Paramount executive Michael Eisner — through his late 20s.
“It’s been such a great career, and I’ve really enjoyed it,” Guttenberg said. He said that Julian Schlossberg, the veteran producer of movies and theater, read the book and told him that he thought there was a play in it.
“So I started writing it into a play,” he said, and Schlossberg thought they should bring it to “a great regional theater.”
Guttenberg is not new to the stage, having made his Broadway debut in the early 1990s, and later appearing in “Relatively Speaking,” the Schlossberg-produced, one-act anthology that played in 2011 and 2012. Guttenberg appeared in the one-act play written by Woody Allen, while the other two were by Ethan Coen and Elaine May.
But the actor’s relationship with Schlossberg goes back much further. One of his first movie parts was in the 1978 thriller “The Boys from Brazil,” which was about a Jewish Nazi hunter (Laurence Olivier) tracking Nazis in South America. Schlossberg, hosting a radio show at the time, proclaimed Guttenberg a “talent,” on a broadcast that Guttenberg’s mother happened to hear, leading her to call in.
Schlossberg, author of a recent memoir about his own adventures in showbiz, described Guttenberg as a “nice Jewish boy” in an interview with the Jewish Telegraphic Agency earlier this year.
Although he was seen more recently on TV in “The Goldbergs,” “Party Down” and “Dancing with the Stars,” Guttenberg mostly stepped away from acting for about five years to care for his ailing father, who passed away last July. That, along with the pandemic, had put the play on the back burner.
When asked which of his movies he’s asked about the most, Guttenberg names “Short Circuit” (a 1986 sci-fi comedy) and “The Bedroom Window” (a 1987 thriller) in addition to “Three Men and a Baby,” “Police Academy” and “Cocoon.”
“‘Can’t Stop the Music’ gets a lot of play. And of course, ‘The Day After,’” he said, referring to Nancy Walker’s 1980 musical comedy and the groundbreaking 1983 TV movie about a nuclear apocalypse. Guttenberg said he was “lucky enough that I have five or six or seven old movies that people ask about.”
Guttenberg has warm memories of Leonard Nimoy, the Jewish actor and “Star Trek” icon who directed “Three Men and a Baby.”
“As a person, he was a ball of fire inside an iceberg,” Guttenberg said of Nimoy, who died in 2015. “Very stoic, but extremely warm and loving. The first time I met him, he asked if I had his mother’s stuffed cabbage… a terrific artist, an incredible acting teacher, a well-versed writer, photographer, and director.”
While “Police Academy” — about an inept bunch of cops — is a rare franchise from the 1980s that has never had any kind of remake or reboot, Guttenberg said that there have been about “10 scripts developed” over the years, including from such big names as Jordan Peele. He added that Taika Waititi, the Jewish director of “Jojo Rabbit,” is “developing one now, or thinking about it.”
Even though his acting took a back seat in recent years, Guttenberg noted that he enjoyed his run as a science teacher on “The Goldbergs.” The long-running, soon-to-conclude ABC series about a suburban Jewish family is set amongst the popular culture of the 1980s — so it has touched on several of his movies.
“I like [creator Adam F. Goldberg] a lot, and I think any time that we can give support to shows that have Jewish culture in them, that, as a Jewish person, you’ve got to lend your name to it, especially with all that’s going on,’” he said.
After the New Jersey run, Guttenberg will bring the show to Sag Harbor’s Bay Street Theatre in August, and, he and the producers hope, other engagements beyond that.
“I think it’s a great play, and I think we’re gonna be able to play it all over the country and in different cities, and one day back in New York.”
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The post Steve Guttenberg, and his very Jewish life, take the stage for a play adaptation of his memoir appeared first on Jewish Telegraphic Agency.
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Hamas Braces for Israeli Operations Abroad, Continued Clan Opposition in Gaza
Palestinian Hamas terrorists stand guard at a site as Hamas says it continues to search for the bodies of deceased hostages, in Beit Lahiya in the northern Gaza Strip, Dec. 3, 2025. Photo: REUTERS/Stringer
Hamas is increasingly preparing for what it sees as an imminent Israeli attempt to assassinate senior leaders abroad, urging members to tighten personal security as the group simultaneously works to consolidate its weakened position in Gaza and reassert control over the enclave.
According to the Arabic newspaper Asharq Al-Awsat, Hamas officials reported rising concern over additional Israeli strikes on the Palestinian terrorist group’s top echelon abroad in the wake of last week’s killing of Hezbollah commander Haitham Tabtabai and September’s operation in Qatar targeting Hamas’s senior leadership.
Despite US “reassurance messages” to several parties — including mediators in Turkey, Qatar, and Egypt — that further strikes on senior Hamas members abroad would not be repeated, the group’s leadership says it “does not trust Israel.”
“There are expectations of a new assassination attempt with the Israeli government’s efforts to obstruct the second phase of the ceasefire agreement and its claim that the movement has no intention of advancing toward a deal,” the Palestinian terrorist group said.
Hamas members reportedly received new instructions requiring all fixed meetings at a single location to be canceled, with leaders instead holding irregular gatherings at rotating sites.
Meanwhile, the head of an armed Palestinian faction opposing Hamas in Gaza died on Thursday while mediating an internal dispute between families and groups within the militia, dealing a setback to Israeli efforts to support Gazan clans against the ruling Islamist group.
Yasser Abu Shabab, a Bedouin tribal leader based in Israeli-held Rafah in southern Gaza, had led one of the most prominent of several small anti-Hamas groups that emerged in the enclave during the war that began more than two years ago.
Following the incident, Hamas said in a statement that the fate of anyone who “betrayed their people and homeland and agreed to be an instrument in the hands of the occupation [Israel]” was inevitable, accusing Abu Shabab of “criminal acts” that amounted to a “flagrant deviation from national and social consensus.”
Abu Shabab’s death would be a boost to Hamas, which has branded him a collaborator and ordered its fighters to kill or capture him.
“The occupation that could not protect its own agents will be unable to protect any of its collaborators, and anyone who undermines the security of their people and serves their enemy is destined to fall into the dustbin of history, losing all respect and standing in society,” the terrorist group said in its statement.
Gaza’s Popular Forces confirmed that its leader died of a gunshot wound as he intervened in a family quarrel, and dismissed as “misleading” reports that Hamas was behind Abu Shabab’s killing.
Ghassan al-Dahini, who could assume leadership of the group following the incident, pledged to continue Abu Shabab’s project and resist Hamas by establishing an alternative to the terrorist group’s rule.
“With God’s help, and following my brother Yasser’s plan, we will return as we were — more determined and stronger,” al-Dahini said in a statement, according to Hebrew media. “We will keep fighting with every last ounce of strength until every final terrorist is gone.”
“Today, Hamas will see its true face — the one the world should have recognized long ago. We will restore hope to all Palestinians, to all free people, to the oppressed, and to everyone who believes in peace,” he continued.
Rafah has been the scene of some of the worst violence during the ceasefire, with residents reporting gunbattles on Wednesday that left four Israeli soldiers wounded. On Thursday, the Israeli military said its forces killed about 40 Hamas fighters trapped in tunnels beneath the city.
Shortly after the US-backed ceasefire to halt fighting in Gaza took effect in October, Hamas moved to reassert control over the war-torn enclave and consolidate its weakened position by targeting Palestinians who it labeled as “lawbreakers and collaborators with Israel.”
Since then, Hamas’s brutal crackdown has escalated dramatically, sparking widespread clashes and violence as the group moves to seize weapons and eliminate any opposition.
Social media videos widely circulated online show Hamas members brutally beating Palestinians and carrying out public executions of alleged collaborators and rival militia members.
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Palestinian Official Calls Drop Site News Founder an ‘Apologist’ for Hamas, Ex-Obama Aides Say They ‘Love’ the Site
Abdal Karim Ewaida, the Palestinian ambassador to Côte d’Ivoire, in October 2023. Photo: Screenshot
A Palestinian diplomat accused a popular new anti-Israel website of running cover and acting as an apologist for Hamas.
Abdal Karim Ewaida, the Palestinian ambassador to Côte d’Ivoire, posted on social media about Drop Site News on Tuesday, after the website reported that the Palestinian Authority was planning to ban Hamas and other terrorist factions from running in future elections.
“Pro-resistance parties and armed resistance remains one of the single most popular points in [Palestinian] public polling,” said Jeremy Scahill, founder of Drop Site News. “The Palestinian Authority is saying, ‘You are not allowed to run for public office anymore.’ And when you look at what the defense of this is on the part of the Palestinian Authority, it is a pathetic defense.”
In response, Ewaida lambasted Scahill in a social media post.
“As for Jeremy Scahill — a journalist who transitions between outlets, perhaps pursuing higher remuneration — he consistently excuses Hamas and [Yahya] Sinwar’s purported interest in reconciliation solely to vilify the Palestinian National Authority and President Mahmoud Abbas. It is astounding,” the Palestinian official wrote.
Sinwar, who was killed by Israeli forces last year, was the leader of Hamas and mastermind of the Palestinian terrorist group’s Oct. 7, 2023, invasion of and massacre across southern Israel.
“He acts as a fervent apologist for Hamas and jihadist elements,” Ewaida continued, referring to Scahill, “even to the point of rationalizing [Israeli Prime Minister Benjamin] Netanyahu’s claims of financially bolstering Hamas as being in Israel’s interest, while attempting to spin it as favorable to Hamas itself. He seems to believe he can speak with impunity.”
Ewaida went on to castigate Drop Site News in general, saying that the “platform’s credibility is deeply compromised. We are acutely aware of its sources of funding and underlying motives. The day will come when your malicious objectives and relentless advocacy for Hamas — now apparent to all — will be fully exposed, leaving little doubt about your benefactors.”
Let me be clear from the outset: I represent the State of Palestine as its ambassador, not the Palestinian Authority as an envoy—a distinction that stands regardless of opinion.
Secondly, your platform’s credibility is deeply compromised. We are acutely aware of its sources of… https://t.co/E6Ym43wWL0
— Ambassadeur Abdal Karim Ewaida (@KarimEwaida) December 3, 2025
One day after Ewaida’s post, the hosts of the influential progressive podcast “Pod Save America” — all one-time aides to former US President Barack Obama — mentioned Drop Site News, saying “we love you guys” and “we are readers.”
The two hosts that were part of that conversation, Ben Rhodes and Tommy Vietor, served as speechwriter and spokesman, respectively, for Obama in the White House, focusing on national security issues.
In a follow-up to the episode, the Drop Site News posted on its X account “Pod Save the World = confirmed Drop Site readers,” and Rhodes responded, “yes readers.”
Good correction! And yes readers.
— Ben Rhodes (@brhodes) December 3, 2025
Many former Obama staffers have become vocally critical of Israel in recent years, especially amid the war in Gaza. However, Rhodes’s views on Israel were particularly critical at the time they were serving in government as well, so much so that during the Obama administration, he earned himself the nickname “Hamas” in the White House. The nickname was coined by Obama’s chief of staff, Rahm Emanuel, as Rhodes revealed in his memoir, The World as It Is.
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My favorite Christmas scene in literature — and why it makes me feel so Jewish
Some years ago, a college friend of my brother’s and mine visited our family home in Denver. “Now I understand it,” he said, sagely, after a couple of hours: “If you aren’t actively making noise in this house, you don’t exist.”
It’s true that I come from a noisy clan. If it is rude to get your family members’ attention by screaming at the top of your lungs, no one ever told me. We grew up far away from our extended family, but on visits to their homes growing up, I saw the same dynamic at play. The louder the gathering, as a general rule, the more successful it was.
I understood, from a young age — years before I learned the term — that “cooperative overlapping” was profoundly Jewish. Our culture celebrated the qualities of being loud and proud.
But I was a bookish child, and my favorite books were old-fashioned ones that chronicle the changes of girlhood: L.M. Montgomery’s Anne of Green Gables series, Noel Streatfield’s Ballet Shoes, and the like. And as I read and re-read them, I noticed something: At some point, the wild girls turned into ladies, and, crucially, quieted down.
Anne Shirley’s maturity is marked by silence: Those who love her notice that, suddenly, she’s stopped the constant stream of chatter that made her both so endearing and so annoying. She starts to speak less often, more thoughtfully, and in more measured tones, and that is how the reader knows she has begun to come into her own.
How could I square the culture of the Jewish family I loved with my desire to be like the girls in my books — full of the quiet magic of young womanhood?
Enter my favorite depiction of Christmas in literature, in Louisa May Alcott’s Eight Cousins.
The novel, a relatively little-known effort by the author of Little Women, centers on a well-off Scottish American clan, bright blonde to the last baby, who live in a WASPy enclave near Boston. It is about, as the title neatly suggests, eight cousins: seven brash boys, and one girl, raised far from her family, who comes into their midst after being orphaned and given over to the care of an uncle with newfangled ideas about childrearing. (Oatmeal and morning sprints in the garden are in; ruffles, long hours shut up indoors, and ladylike affectations are out.)
To a Jewish girl raised in the mountain west, they were an unfamiliar bunch. Except for the sense, fundamental to the book’s premise, that the bonds of family are sacred, and enshrined by ruckus.
I often felt like Rose, the solitary girl, on trips to see my own cousins, in Evanston, Illinois, and the Finger Lakes region of New York. We grew up so far apart that I could not help but feel shy and anxious upon first immersion. My cousins seemed so confident and brilliant, and I would feel small and strange among them. Then the chaos of a happy family would come for me, and in time, I would be shouting and playing along with the rest.
For Rose, that chaos comes to a climax on Christmas, when a seafaring uncle she hasn’t met since she was a baby makes a surprise return home. After many months getting used to the happy, charming, raucous boys who see her as a peer and sometimes a pet, Uncle Jem’s return throws her briefly back into the role of outsider. The family feels complete upon his arrival, in a way it didn’t before. But does that completeness include her?
I knew how the scene ended: with cousin Steve wailing away on a bagpipe, cousin Charlie trying to catch Rose under the mistletoe, everyone dancing a Scottish reel, and cousin Mac — always my favorite — discoursing on grand topics with his elders, while his cousins set loving traps for his embarrassment. But every time I read it, as Rose emerged to meet her long-absent uncle and see if she still fit as well in the family to which she was still getting accustomed, I felt my heart in my throat.
I understood how torn she was between behaving like a ladylike little woman, and like the cheerful, uninhibited, loud girl she had only just learned to embrace being. And in the Christmas gathering she so deeply longed to be a complete part of, I saw my own family — mostly brunette, definitively un-Scottish, highly Jewish, rollicking away.
Yes, it’s odd that, of all things, a scene centered on a Christian holiday would be the one, in all my beloved childhood books, that made me feel like I was seeing my own Jewish family on the page. At the same time, I think there’s something quite dreamy about the connection. And quite American.
The best version of this country is one in which people of all different backgrounds find connection and inspiration in each other. Where a fictional character’s homespun Christmas can provide, unlikely as it is, a strong sense of Jewish affirmation.
The scene ends with the family all singing a ballad called “Sweet Home.” Saccharine? Sure. But every holiday season, I think about Rose, and the home she found, and the different kind of home she and her family gave me. I hope if she could see my Hanukkah celebrations in return — warm candles, loud cousins, some mischief and much merriment — she’d feel the same.
The post My favorite Christmas scene in literature — and why it makes me feel so Jewish appeared first on The Forward.