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​​Steve Guttenberg, and his very Jewish life, take the stage for a play adaptation of his memoir

(JTA) — Actor Steve Guttenberg has had the kind of career that put him in touch with nearly every trend in Hollywood. There were prestige films like “Diner” and “Cocoon” and the lighter but wildly successful fare like the first four movies in the “Police Academy” series. “Three Men and a Baby” was the biggest American box office hit of 1987; the 2004 Christmas movie “Single Santa Seeks Mrs. Claus” somehow spawned a sequel. 

In short, it’s the kind of career that would inspire a juicy, dishy memoir, which it did when he wrote “The Guttenberg Bible” in 2012. 

Now a brand new stage adaptation, “Tales From the Guttenberg Bible,” is playing through May 21 at the George Street Playhouse in New Brunswick, New Jersey. Guttenberg plays himself in the show, in which he explores his career, his Judaism and much more.

“As a tradition and as a culture, [Judaism’s] been a huge part,” said Guttenberg, who was born in Brooklyn in 1958 and raised in Massapequa, on Long Island. “My family didn’t observe Friday nights, but my father was kosher… I was bar mitzvahed, and then when I went out to California when I was 17, I found the temple to be a great respite for me, especially from the loneliness.” 

For years, Guttenberg regularly attended the Stephen Wise Temple in Los Angeles, and later joined Kehillat Israel in Pacific Palisades. 

The show features four actors playing 90 different characters, including the Jewish movie producers Allan Carr and Robert Evans, the voiceover actor Michael Bell (who is Guttenberg’s godfather), as well as Paul Reiser, Merv Griffin and Kevin Bacon. It covers Guttenberg’s life from age 17 — when he famously snuck onto the Paramount Pictures lot, set up an office and sometimes claimed to be the stepson of then-Paramount executive Michael Eisner — through his late 20s. 

“It’s been such a great career, and I’ve really enjoyed it,” Guttenberg said. He said that Julian Schlossberg, the veteran producer of movies and theater, read the book and told him that he thought there was a play in it. 

“So I started writing it into a play,” he said, and Schlossberg thought they should bring it to “a great regional theater.” 

Guttenberg is not new to the stage, having made his Broadway debut in the early 1990s, and later appearing in “Relatively Speaking,” the Schlossberg-produced, one-act anthology that played in 2011 and 2012. Guttenberg appeared in the one-act play written by Woody Allen, while the other two were by Ethan Coen and Elaine May. 

But the actor’s relationship with Schlossberg goes back much further. One of his first movie parts was in the 1978 thriller “The Boys from Brazil,” which was about a Jewish Nazi hunter (Laurence Olivier) tracking Nazis in South America. Schlossberg, hosting a radio show at the time, proclaimed Guttenberg a “talent,” on a broadcast that Guttenberg’s mother happened to hear, leading her to call in.

Schlossberg, author of a recent memoir about his own adventures in showbiz, described Guttenberg as a “nice Jewish boy” in an interview with the Jewish Telegraphic Agency earlier this year.  

Although he was seen more recently on TV in “The Goldbergs,” “Party Down” and “Dancing with the Stars,” Guttenberg mostly stepped away from acting for about five years to care for his ailing father, who passed away last July. That, along with the pandemic, had put the play on the back burner.  

When asked which of his movies he’s asked about the most, Guttenberg names “Short Circuit” (a 1986 sci-fi comedy) and “The Bedroom Window” (a 1987 thriller) in addition to “Three Men and a Baby,” “Police Academy” and “Cocoon.”

“‘Can’t Stop the Music’ gets a lot of play. And of course, ‘The Day After,’” he said, referring to Nancy Walker’s 1980 musical comedy and the groundbreaking 1983 TV movie about a nuclear apocalypse. Guttenberg said he was “lucky enough that I have five or six or seven old movies that people ask about.” 

Guttenberg has warm memories of Leonard Nimoy, the Jewish actor and “Star Trek” icon who directed “Three Men and a Baby.”

“As a person, he was a ball of fire inside an iceberg,” Guttenberg said of Nimoy, who died in 2015. “Very stoic, but extremely warm and loving. The first time I met him, he asked if I had his mother’s stuffed cabbage… a terrific artist, an incredible acting teacher, a well-versed writer, photographer, and director.”  

While “Police Academy” — about an inept bunch of cops — is a rare franchise from the 1980s that has never had any kind of remake or reboot, Guttenberg said that there have been about “10 scripts developed” over the years, including from such big names as Jordan Peele. He added that Taika Waititi, the Jewish director of “Jojo Rabbit,” is “developing one now, or thinking about it.” 

Even though his acting took a back seat in recent years, Guttenberg noted that he enjoyed his run as a science teacher on “The Goldbergs.” The long-running, soon-to-conclude ABC series about a suburban Jewish family is set amongst the popular culture of the 1980s — so it has touched on several of his movies. 

“I like [creator Adam F. Goldberg] a lot, and I think any time that we can give support to shows that have Jewish culture in them, that, as a Jewish person, you’ve got to lend your name to it, especially with all that’s going on,’” he said. 

After the New Jersey run, Guttenberg will bring the show to Sag Harbor’s Bay Street Theatre in August, and, he and the producers hope, other engagements beyond that.  

“I think it’s a great play, and I think we’re gonna be able to play it all over the country and in different cities, and one day back in New York.”


The post ​​Steve Guttenberg, and his very Jewish life, take the stage for a play adaptation of his memoir appeared first on Jewish Telegraphic Agency.

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Britain to Legislate to Tackle Threats From Hostile State Proxies After Wave of Antisemitic Attacks

Orthodox Jews stand by a police cordon, after a man was arrested following a stabbing incident in the Golders Green area, which is home to a large Jewish population, in London, Britain, April 29, 2026. Photo: REUTERS/Hannah McKay

Britain will legislate to strengthen its ability to deal with proxies for malign state actors, taking powers to make it possible to ban them in light of increased activity in Britain and a rise in antisemitic attacks.

Prime Minister Keir Starmer has said the government has to “deal with malign state actors” in the wake of a series of attacks on Britain‘s Jewish community.

In a speech outlining the government’s agenda, King Charles said it would “introduce legislation to tackle the growing threat from foreign state entities and their proxies,” and would also take urgent action to tackle antisemitism.

POSSIBLE BAN ON THE IRGC?

Several British lawmakers have called for the proscription of Iran’s Islamic Revolutionary Guard Corps (IRGC).

The IRGC is an elite military force whose purpose is to protect Shi’ite Muslim clerical rule in Iran. It controls large parts ​of Iran’s ​economy.

While Starmer has not publicly named the IRGC as being the target of the legislation, in an introduction to the King’s Speech, he said that Britain would tackle extremism “including where it is sponsored by foreign powers that are hostile to the UK, such as Iran.”

The move comes after a spate of arson attacks on sites in London linked to the Jewish community and the targeting of Iranian dissidents, with police saying they were examining possible Iran links.

Britain‘s security chiefs have for years warned about threats from hostile states such as Iran, Russia, and China, with a number of convictions of people who had been accused of carrying out spying or other offences on their behalf.

The new law would allow the government to specify state-backed organizations that threaten national security through espionage, sabotage, interference, or other means. A review last year found that Britain‘s existing framework had a legal difficulty in proscribing state entities.

There will be new offenses created for belonging to such organizations or raising support for them, and the government said that collectively the measures would create a “tougher operating environment for foreign intelligence services and their proxies.”

The king’s speech also promised a new National Security Bill which would address those who were fixated on violence and planning mass killings, but were not obviously inspired by a particular ideology.

The new law would aim to criminalize the creation and sharing of the most harmful online material.

As part of an approach to align countering state threats with addressing terrorism risks, the bill would add “polygraph testing as an available license condition for state threat offenders,” the government said.

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‘Shame on Hollywood’: Cannes Jury Member Defends Actors ‘Backlisted’ for Anti-Israel Activism Over Gaza War

Workers set up a giant canvas of the official poster featuring actors Geena Davis and Susan Sarandon from Ridley Scott’s road movie “Thelma & Louise” on the facade of the Festival palace before the start of the 79th Cannes Film Festival in Cannes, France, May 10, 2026. Photo: REUTERS/ Marko Djurica

A jury member of the 79th Cannes Film Festival on Tuesday condemned the Hollywood film industry for “blacklisting” actors who have spoken out against Israel’s military actions in the Gaza Strip during the country’s war against Hamas terrorists controlling the enclave.

At the festival’s jury press conference, Cannes award-winning Scottish screenwriter Paul Laverty mentioned Susan Sarandon, Javier Bardem, and Mark Ruffalo, all three of whom have been outspoken in criticizing Israel’s military campaign against Hamas in Gaza. Sarandon’s character in “Thelma & Louise” is on the official 2026 Cannes poster.

“The Cannes Film Festival [and] the wonderful poster they have,” Laverty said at the end of the press conference on Tuesday, held before the opening of the film festival in France. “Absolutely iconic. Brilliant. And isn’t it fascinating to see some of them like Susan Sarandon, Javier Bardem, Mark Ruffalo blacklisted because of their views in opposing the murder of women and children in Gaza? Shame on Hollywood people who do that. My respect and total solidarity to them. They’re the best of us, and good luck to them.”

“I just hope we don’t get bombed now, because we’ve got this poster in Cannes,” the BAFTA winner added in conclusion.

Sarandon was dropped by her talent agency for castigating Israel while participating in a pro-Palestinian demonstration in New York City in November 2023. At the protest, the Oscar winner accused Israel of war crimes, encouraged others to have the “courage to speak out” in support of Palestinians, and compared the Hamas-led Oct. 7 massacre across southern Israel just weeks earlier to hardships Palestinians endure in Gaza.

She talked about the fallout with her agency during an interview in 2024, saying: “I was dropped by my agency, my projects were pulled. I’ve been used as an example of what not to do if you want to continue to work.” Earlier this year, Sarandon further spoke about being shunned in Hollywood for her views about the Israel-Hamas war.

“I was fired by my agency, specifically for marching and speaking out about Gaza, for asking for a ceasefire. And it became impossible for me to even be on television,” she said at a press conference in February before receiving a career achievement honor at the 40th Goya Awards in Spain. “I don’t know lately if it’s changed, but I couldn’t do any major film, anything connected with Hollywood. I found agents ultimately in England and in Italy, and I work there … I know this Italian director that just hired me — he was told not to hire me, so that’s still recently. He didn’t listen, but they had that conversation. Right now, I kind of specialize in tiny films with directors who have never directed, in independent films.”

At the Cannes jury press conference on Tuesday, Laverty further talked about Gaza in remarks about this year’s film festival.

“You see so much violence, genocide in Gaza and all these terrible things,” he said. “The idea of coming to a festival – which is a celebration of diversity, imagination, tenderness — when there’s such vulgar, vicious, systematic violence. The idea of attending to a festival where there’ll be contradiction and nuance and beauty and inspiration. It knocked me out, to be honest.”

Before the start of the Cannes Film Festival last year, more than 350 members of the film industry — including Bardem, Sarandon, Ruffalo, and Richard Gere — signed an open letter condemning the festival’s “silence” over Israel’s military campaign in Gaza targeting Hamas terrorists.

Emmy-winning actress Hannah Einbinder recently criticized Hollywood’s silence about the Israel-Hamas war during a guest appearance on an episode of Zeteo’s “Beyond Israelism” podcast that was released in full on Tuesday.

“It pisses me off,” said the “Hacks” actress. “Because I’m sitting here with [Algerian-Palestinian activist] Mahmoud [Khalil], who has so much to risk and who has risked so much who has sacrificed so much … And I look at these people who have absolutely every privilege imaginable to mankind and they cannot utter a single word. I guess it makes me naive, but I cannot understand it. I really can’t understand it. And I hear people say that they don’t know enough and I — I don’t, it’s like, OK, so what do you do all day?”

“People in Hollywood, unfortunately, need these issues to affect a white person for them to see it as relating to them,” she stated. “Like, they see Jimmy Kimmel getting taken off the air suddenly, they see Stephen Colbert’s show being canceled by CBS, which is owned by the Ellisons, and they go, ‘How could this possibly happen?’ And it’s like, we know how because we saw students and professors and journalists and authors and Palestinian folks be silenced and fired and expelled and imprisoned … it took it happening to these white men for people to be like, ‘Oh my God.’”

In her acceptance speech at the Emmys last year, Einbinder declared “Free Palestine.”

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Netanyahu Held Secret Meeting With Emirati President in the UAE During Iran War, PM’s Office Says

Israel’s Prime Minister Benjamin Netanyahu speaks during a ceremony commemorating Israel’s Remembrance Day for fallen soldiers, or Yom HaZikaron, at the Military Cemetery on Mount Herzl in Jerusalem, April 21, 2026. Photo: ILIA YEFIMOVICH/Pool via REUTERS

Israeli Prime Minister Benjamin Netanyahu visited the United Arab Emirates and met the Emirati president during the war with Iran, the Prime Minister’s Office said on Wednesday in what would be their first confirmed meeting.

According to the statement, the meeting resulted in an “historic breakthrough” in relations between Israel and the UAE.

A source familiar with the meeting said Netanyahu and Sheikh Mohammed bin Zayed (MBZ) met in Al-Ain, an oasis city by the Oman border, on March 26 and that their meeting lasted several hours.

The source said that Mossad Chief Dedi Barnea made at least two visits to the UAE during the war with Iran to coordinate military actions. The intelligence chief’s visit was first reported by the Wall Street Journal.

Especially after coming under attack during the Iran war, the UAE has strengthened its relationships with the United States and Israel, with which it opened ties in ⁠the 2020 Abraham ​Accords. It views the relationship with Israel as a lever for regional influence and a unique channel to ​Washington.

Israel sent batteries for its Iron Dome interception system and personnel to operate them to the UAE during the war, US Ambassador to Israel Mike Huckabee said on Tuesday.

The UAE is a regional business and financial hub and one of Washington’s most important allies. It has pursued an assertive foreign policy and carved its own sphere of influence across the Middle East and Africa.

Iran‘s strikes on Gulf states in response to the US-Israeli attacks targeted the UAE more than its neighbors, hitting civilian infrastructure and energy facilities.

Unlike several Gulf peers, the UAE has a pipeline that allows it to divert some oil exports around the blockaded Strait of Hormuz, making it more ‌able to withstand ⁠prolonged disruption. But the war risks severely damaging its role as a global economic center that offers security and ease in the region.

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