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Sundance documentary ‘Under G-d’ details the Jewish legal response to the Dobbs decision
(JTA) — Last summer, in the days after the Supreme Court’s reversal of Roe v. Wade, the landmark 1973 decision that protected the right to an abortion, Paula Eiselt was doing press work for her acclaimed documentary “Aftershock.”
The film — which documents how the American healthcare system disproportionately fails to keep women of color healthy during and after giving birth — kept her busy with interviews as it earned a wide audience on Hulu and in theaters. But Eiselt felt pulled into thinking about a project tied to the Court’s ruling in Dobbs v. Jackson Women’s Health Organization, which overturned Roe.
Staying true to her Jewish roots, Eiselt found a Jewish angle: the rabbis and Jewish organizations who are helping lead the charge in bringing lawsuits against the Dobbs decision.
“As a Jewish woman, a Jewish mother, to see that there are Jews, rabbis, organizations, standing up to these bans, to the Dobbs decision, and finding ways to flip the script on many of these laws was very inspiring,” said Eiselt, whose first film focused on an Orthodox female emergency responder service in Brooklyn.
Her new short documentary “Under G-d,” which premiered at the Sundance Film Festival on Sunday and plays there throughout the week, shows how Jewish people and institutions are using state laws called Religious Freedom Restoration Acts (RFRAs) — often used in the past by religious organizations on the opposite side of the abortion issue — to argue that Dobbs violates their religious freedom as American Jews. Traditional Jewish law permits (and even requires) abortion in some circumstances, particularly when the life or health of the pregnant person is at stake.
Among the first lawsuits aimed at Dobbs came from Congregation L’Dor Va-Dor in Boynton Beach, Florida. Its rabbi, Barry Silver, is a figure in Eiselt’s film, alongside Elly Cohen, an Indiana activist and mother who is part of the Hoosier Jews for Choice group; Jeremy Wieder, a leading rabbi at the theological seminary of Yeshiva University; and Rachel K. Laser, who in 2018 became the first woman, Jew and non-Christian to lead Americans United for Separation of Church and State.
A woman named Elly shown in film at a protest in Indianapolis with the Hoosier Jews for Choice group. (Courtesy of “Under G-d”)
“The test is this: Are you going to use RFRA only to protect fundamentalist Christians and their intolerance,” Silver asks in the 24-minute film, “or do Jews get to use it too?”
Cohen’s group led a lawsuit that led to a judge issuing a preliminary injunction in December against Indiana’s abortion ban, blocking its enforcement for now. Laser’s group joined a lawsuit filed in Missouri just last week. And three Jewish women filed a lawsuit alleging infringement of their religious freedom in Kentucky in October.
“The fact that Jews were leading this tactic and this battle, really no other group was thinking about it this way,” Eiselt said. “But as Jews, we know what it’s like when there is no separation between church and state, and this is the prime example of that.
“Of course, now there are many communities joining in with Jews, but Jews are kind of the one who started this,” she added. “I think that’s really true to Jewish involvement in civil rights and human rights, and it was inspiring.”
She noted that people from across the Jewish spectrum were included in the film — which ends with a rally that includes a Havdalah, or post-Shabbat service — and that the overwhelming majority of American Jews favor abortion rights, more than any other religious group, according to studies.
“Diverse Jews, different denominations,” the director said of her interview subjects. “The vast majority of Jews agree on this, from Orthodox to non-observant. There are very few Jews who will say that these bans are in line with values and law.”
Wieder, from Yeshiva University, says in the film that a minority view within Orthodox Judaism believes that “life begins at 40 days after conception,” while the majority says life begins at birth, and seemingly no Jewish religious tradition states that life begins at conception.
Eiselt, a mother of four, identifies as a Modern Orthodox Jew and is a board member of the Jewish Orthodox Feminist Alliance, where she focuses on reproductive justice issues. She describes the group as “a feminist organization within the Orthodox space that uplifts women’s leadership and participation in Jewish ritual.”
Her first film, “93Queen,” told the story of Ezras Nashim, a female ambulance corps that had to fight for acceptance in the Borough Park haredi Orthodox community.
Funding for the new film came from various film companies and philanthropic organizations, including Concordia Studios and the Sundance Institute, as well as Jewish Story Partners, the foundation backed by Steven Spielberg that launched in 2021.
The film debuted Jan. 22 — on the 50th anniversary of the Roe v. Wade ruling — and is showing in competition at Sundance. After that there are other plans: A “large impact campaign,” as Eiselt described it, will include screenings around the country, including with “Jewish groups, political groups, and reproductive rights groups.”
“Whatever communities you’re in, women are having abortions,” Eiselt said. “Whether they’re mothers, not mothers, whether they have five children, no children. This is part of women’s health care, so it affects everybody and in certain communities, such as more Orthodox communities where I come from, people don’t really talk about it, but it happens commonly.”
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‘Marty Supreme’ and everything else Jewish at this year’s Academy Awards
At last year’s Academy Awards, Anora — a frenetic, somewhat ambiguously Jewish look at a Jewish enclave of New York, took home best picture, original screenplay, director and actress for its Jewish lead Mikey Madison. This year, we have a film that feels, in some ways, quite parallel, while cranking the Yiddishkeit to 11: Josh Safdie’s breathless picaresque Marty Supreme, set on the Lower East Side, is up for best picture and its star, Timothée Chalamet is a favorite for best actor.
There’s also Blue Moon, Richard Linklater’s portrait of Jewish lyricist Lorenz Hart’s breakup with composer Richard Rodgers (Ethan Hawke is up for best actor). And One Battle After Another, a campy and absurdist satire about the infiltration of white supremacists in the U.S. government, is poised to have a massive night, with the blockbuster Sinners serving as its main competition.
That all goes to say that it’s another great year for Jewish stories at the Oscars, with some really compelling fodder for discussion about the place that Jews occupy today in arts and media. What stories are we telling and how are they received?
Here, as ever, the Forward culture team is here to break it all down for you, live as it unfolds. Of course, we cover Jewish movies all year. But at the Academy Awards, we get to see how the rest of the world feels about these movies. We will be updating this story with our thoughts throughout the ceremony.
Traditionally, as we begin these Oscars roundtables, we discuss what we’re all wearing and eating. What’ve we got?
Olivia: brown sweater and jeans; no food but aggressively chewing mint gum. I will later be drinking some of the seltzer I got from Brooklyn’s Seltzer Fest today.
Mira: I did a bunch of cooking for the week so I have vegetarian avgolemono soup and Alison Roman’s fennel salad. (I’m obsessed with this salad.) I am proudly wearing hard pants.
PJ: I am reheating some chicken from last night. Wearing a blue sweater with a little toggle and jeans. How many of Stellan Skarsgård’s large adult sons are here? In other l’dor v’dor news, Bill Pullman just mentioned how they filmed the Spaceballs sequel with his son Lewis.
Talya: I believe I’m wearing the exact same sweater I donned for this event last year — where’s my award for consistency? And, as always, sweatpants; I cannot comprehend suffering through this event in jeans.
Discussion of Israeli-Palestinian protests on the red carpet
Mira: Love a toggle. Speaking of outfits, anyone have thoughts on Odessa A’zion’s spangled red carpet set? She is one of the only people who styles herself on the red carpet, which I do respect.
Olivia: A’Zion’s outfit kind of looks like she forgot to tie whatever was supposed to be holding it up. I don’t think it looks bad, just like it’s falling down.
PJ: It wouldn’t look out of place hanging from the window of a VW van with shag carpet and some Tibetan prayer flags.
Mira: Of note, the past several years have seen protesters approaching people on their way into the ceremony, and a lot of pins on the red carpet taking a stance on the Israel-Hamas war, largely pro-Palestinian ones. We’re seeing less of that this year — though not none. Javier Bardem posted a photo of him wearing a pin reading “no to the war” in Spanish, along with another pin featuring Handala, a cartoon boy considered a symbol of Palestinians. The team of The Voice of Hind Rajab, nominated for best foreign film, are also wearing red pins with a white dove.
PJ: Those have replaced the red hand ArtistsforCeasefire pins, which some said recalled the bloody palms of Palestinians who killed IDF soldiers in 2000.
Olivia: A reporter for ABC in a pre-recorded segment asked executive producers and showrunners for the ceremony Raj Kapoor and Katy Mullan if anything would get bleeped, such as mentions of Trump, Israel and Palestine. Recently, the BBC removed director Akinola Davies Jr’s call for a “Free Palestine” from their BAFTA stream. Kapoor asserted that the night’s production team supports free speech, but we’ll see what transpires over the course of the night.
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US Sends Additional Arms to Israel to Sustain Iran Operations
The first of two Terminal High Altitude Area Defense (THAAD) interceptors is launched during a successful intercept test. Photo: US Army.
i24 News – The United States has recently increased shipments of munitions to Israel to support ongoing Israeli air operations against Iran.
According to reports broadcast by the public radio network Kan Reshet Bet, several weapons deliveries have arrived in Israel in recent days as part of what officials describe as an ongoing airlift aimed at sustaining the pace of military strikes.
Since the start of the campaign, Israeli forces are believed to have dropped more than 11,000 bombs on targets across Iran.
The shipments come as reports emerge about a potential shortage of ballistic missile interceptors in Israel. US officials told the news outlet Semafor that Israel’s interceptor stockpiles have been heavily used during the conflict.
According to those sources, Washington had already been aware for months that supplies could become strained, though it remains unclear whether the United States would be willing to share its own interceptor reserves. Israeli officials have since rejected claims that such a shortage exists.
Unlike the Iron Dome, which is designed to intercept short-range rockets and projectiles, ballistic missile interceptors serve as Israel’s primary defense against long-range missile threats. Fighter jets can also be used to attempt interceptions, though this method is considered a supplementary measure to missile defense systems.
Meanwhile, the Israeli government has taken additional budgetary steps to support the war effort. During an overnight vote between Saturday and Sunday, ministers approved a roughly 1 billion shekel reduction across various ministry budgets to help finance classified military purchases linked to Operation “Roar of the Lion.”
The government had already approved a 3 percent cut in ministry budgets, a move expected to increase the defense budget by approximately 30 billion shekels as the conflict continues.
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Pope Leo Decries ‘Atrocious Violence’ in Iran War, Urges Ceasefire
Pope Leo XIV leads the Angelus prayer from a window of the Apostolic Palace, at the Vatican, March 15, 2026. Photo: REUTERS/Matteo Minnella
Pope Leo made an impassioned plea on Sunday for an immediate ceasefire in the expanding Iran war, lamenting “atrocious violence” that he said had killed thousands of non-combatants and caused suffering across the region.
As the US-Israeli war on Iran enters its third week, the first US pope warned that violence would not bring the justice, stability and peace that the peoples of the region long for.
“For two weeks, the peoples of the Middle East have been suffering the atrocious violence of war,” the pope said at his weekly Angelus prayer in St. Peter’s Square.
“In the name of Christians in the Middle East and of all women and men of good will, I appeal to those responsible for this conflict: Cease fire!” Pope Leo said.
IDEA THAT WAR SOLVES PROBLEMS IS ‘ABSURD’
Leo added that the situation in Lebanon – ravaged by a war between Israel and the Iran-backed Lebanese group Hezbollah – was also a cause of “great concern.”
“I hope for paths of dialogue that can support the country’s authorities in implementing lasting solutions to the serious crisis currently underway, for the common good of all the Lebanese people,” the pope said.
During a visit to a Rome parish later, the pope said war could never resolve problems and hit out at people who invoke God to justify killings.
“Today many of our brothers and sisters in the world are suffering because of violent conflicts, caused by the absurd claim that problems and disagreements can be resolved through war, when instead we must engage in unceasing dialogue for peace,” he said during his homily.
“Some even go so far as to invoke the name of God to justify these choices of death, but God cannot be enlisted by darkness. Rather, He always comes to bring light, hope and peace to humanity.”