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‘The Gett,’ a play about Jewish divorce, stems from an unlikely marriage between a Brooklyn synagogue and a theater company
(New York Jewish Week) — Despite being named for a Jewish bill of divorce, ‘The Gett” is a new off-Broadway play that began as a marriage between a Reform synagogue in Brooklyn and a West Village theater company that specializes in “diverse, challenging and provocative” works.
At Park Slope’s Congregation Beth Elohim, Associate Rabbi Matt Green had been trying to expand programming for “cultural Jews” — those who don’t necessarily feel religious or connected to a denomination, yet know they are Jewish and want to be Jewish.
Meanwhile, at the Rattlestick Theater, artistic director Daniella Topol had just put on a play about the Catholic nuns who started downtown’s St. Vincent’s Hospital in the 19th century, and wanted to direct a play about Judaism for her next project.
When Topol and Green were introduced in 2018 by Rosalee Lovett, who sat on the boards of both institutions, co-commissioning a play seemed like a natural fit — however unconventional.
The result is “The Gett: Or How a Woman Created Herself,” an original play produced by Congregation Beth Elohim and showing at the Rattlestick through Dec. 11. The 95-minute production — written by and starring Liba Vaynberg — centers on Ida, a recent divorceé navigating her relationship with herself, her mother, her ex-husband Baal, Judaism and God. With the plot points structured around the seven days of creation, Ida’s relationship with her Baal (in Hebrew the word can mean “master” or “husband”) is laced with a double meanings. The viewer can see the couple’s sometimes dangerous and sometimes loving relationship as a metaphor for the Jewish people’s relationship with God.
“These are organizations that have gone deeply into what they do and do it well,” Vaynberg told the New York Jewish Week. “CBE is bringing the best it has and Rattlestick is bringing the best it has — as opposed to a situation where everybody’s bringing half. It’s a very full marriage.”
“What’s powerful about this play is that it has been a really community-based development and a really thoughtful development in partnership between a synagogue and a theater,” said Topol, noting that this is the Rattlestick’s first-ever Jewish play, and first partnership with a synagogue.
Despite the biblical trappings in “The Gett” — which also stars Jennifer Westfeldt, Ben Edelman and Luis Vega — the play is funny and modern. “We’ve tried a number of different things, but so far, this is one of our greatest successes to offer content that’s serious for people who call themselves culturally Jewish,” Green told the New York Jewish Week. “It’s really important to me that this play fosters a broader conversation, even in some small way, about what our institutions can be doing differently.”
Performances have been full so far at the 99-seat theater, with CBE encouraging congregants to see the show by offering group trips and programming surrounding the play, including talkbacks with Rabbi Green that explore the Jewish themes in the show. On Friday night performances, CBE holds Kabbalat Shabbat gatherings with the audience before the show.
Ben Edelman and Liba Vaynberg in “The Gett.” (The Chamber Group)
“We tend to deride cultural Judaism as if it’s somehow flimsy, or unserious, but if you look at the Pew study, it’s the fastest growing self-identified demographic in our community,” added Green, who also leads Congregation Beth Elohim’s “Brooklyn Jews” cohort, which is a community of younger congregants who are looking to engage Judaism through culture, food and ritual. “Yet we spend very little time as a Jewish establishment trying to really understand what cultural Judaism is.”
Other recent efforts to include these “cultural Jews” include reading and discussion seminars on queer Jewish writers, a meditation group and, perhaps most notably, an “intergenerational mixer” held in partnership with the lifestyle brand “Old Jewish Men of New York,” which got a write-up in the New York Times Styles section.
As for theater, the play really stemmed from CBE and Rattlestick’s desire to work together after realizing their mutual ambitions and interests.
At the Rattlestick, “We really focus as a theater on finding ways to look at stories that deal with the complexity of our culture,” Topol said. “I had been thinking for a while that we wanted to do something that related to the complexity of the American Jewish experience.”
It was something the theater community clearly was interested in as well: When Topol and Green opened a call for submissions, they received over 100. Vaynberg’s play was selected in early 2020.
For Topol, who is Jewish but always saw her Judaism as separate from her directing career, it was a theme close to her heart. “In terms of what Jewish stories are represented on the stage, it feels like there’s some room to really explore some of those key questions that American Jews are wrestling with: identity, intermarriage, having children, ritual, how much do you carry on ritual or not, what your affiliation is or isn’t with Israel, with the Holocaust, with politics,” she said.
“It’s a swirl of all of those sorts of questions that felt kind of worth some creative expression in terms of the theater,” Topol added. (As it happens, “The Gett” will be the last play Topol directs in her six-year career with the Rattlestick — next, she will switch careers and study to become a nurse.)
Once Vaynberg’s play was selected in early 2020, the playwright unexpectedly had extra time to finesse the show. Due to the COVID-19 pandemic, the Rattlestick closed temporarily and put the production on pause.
Vaynberg used the extra time to increase community involvement. She spoke with several women who are synagogue members who had gone through a divorce. She and Green conducted several roundtable discussions and focus groups to further explore congregants’ Jewish identities and how it has manifested in their relationships.
Vaynberg and Green created a “chavrusa,” a study partnership, to explore biblical and religious implications of the questions she had about creation, Jewish marriage and divorce and how much power a person has in their relationship with God.
Some themes in the play probe the same questions about cultural Judaism that Green had been asking at CBE. Protagonist Ida, for example, deeply cares about her Judaism and Jewish identity, and yet has trouble explaining just why and how it’s so important to her on a date with a non-Jewish man.
“By going to this play, you are engaging with Judaism,” Green said. “It’s not just about inspiring people to be involved with Judaism, but actually, it is a Jewish act to see this play.”
“This isn’t something synagogues do — it’s sort of strange,” Green remarked. “We want to do things differently and we as a congregation, want to inspire other congregations, other Jews, to do things differently.”
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Hillary Clinton Warns Youth Being Misled by ‘Totally Made Up’ Narratives About Gaza, Israel
Former US Secretary of State Hillary Clinton speaks on the first day of the 2024 Clinton Global Initiative Meeting at the Hilton Hotel in New York City, US, Sepy. 23, 2024. Photo: MediaPunch/INSTARimages via Reuters Connect
Former US Secretary of State Hillary Clinton issued a stark warning this week, arguing that young Americans are increasingly turning against Israel because they are consuming misleading and often fabricated social-media content about the Gaza war.
Speaking at an Israel Hayom summit in New York, Clinton said that young people were being influenced by “totally made up” videos depicting alleged Israeli actions in Gaza, many of which she claimed were nothing more than stylized pro-Hamas propaganda.
Clinton noted that more than half of young Americans now receive their news primarily from platforms such as TikTok and Instagram, where short, highly sensationalized clips often spread faster than verified information. She warned that these platforms prioritize emotion over context, leaving users vulnerable to narratives that ignore decades of Israeli security dilemmas, Hamas terrorism, and the broader regional picture.
Clinton lamented that her attempts to have conversations with young people over the Gaza War have been fruitless, noting that students “did not know history, they had very little context, and what they were being told on social media was not just one-sided, it was pure propaganda.”
Her remarks reflect growing concern among pro-Israel advocates and politicians about the generational shift in US public opinion. Recent polling show that younger Americans, across political lines and even within the Jewish community, are significantly less supportive of Israel than older generations. Clinton suggested that this shift is less a product of thoughtful engagement with the conflict than of a digital information culture in which Hamas and its sympathizers have gained enormous influence.
”It’s not just the usual suspects. It’s a lot of young Jewish Americans who don’t know the history and don’t understand. A lot of the challenge is with younger people. More than 50 percent of young people in America get their news from social media,” Clinton said.
“So, just pause on that for a second. They are seeing short-form videos, some of them totally made up, some of them not at all representing what they claim to be showing, and that’s where they get their information,” continued Clinton, who previously served as a US senator from New York.
In today’s fragmented media environment, a single unverified video can reach millions of people within hours. Analysts have repeatedly documented how decontextualized or manipulated footage from Gaza circulates widely before fact-checkers can intervene. Meanwhile, footage that reveals Hamas’s extensive use of human shields, its embedding of military infrastructure inside hospitals, or its responsibility for repeated ceasefire collapses rarely achieves the same viral momentum. According to experts analyzing the flow of information, the asymmetry has allowed simplistic narratives portraying Israel as an aggressor to dominate the feeds of young users who lack the historical grounding needed to assess such content.
Clinton’s comments underscore a growing consensus that modern warfare is fought not only on the battlefield but also online in the domain of public relations. Israel, she suggested, faces an unprecedented challenge in countering digital propaganda that spreads farther and faster than any official briefing or nuanced reporting.
Clinton warned that the crisis extends beyond Israel to the United States and other democracies struggling to maintain informed public discourse. The result is an American youth culture increasingly swayed by unverified images and misleading narratives rather than history, context, or the realities of Israeli security, an information landscape that has reportedly been leveraged by foreign actors such as Iran, Qatar, and Russia to push disinformation.
Clinton’s remarks amounted to a call for a more robust response to online misinformation and for renewed efforts to inform young Americans about the complexities of the conflict.
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New York Governor Puts New Holocaust Memorial Project in Motion
New York Gov. Kathy Hochul. Photo: Reuters Connect
New York Gov. Kathy Hochul on Monday signed legislation to establish a new memorial honoring victims and survivors of the Holocaust that will be constructed inside the Rockefeller Empire State Plaza in Albany.
“With the first ever state-sponsored Holocaust Memorial, we are honoring the victims and survivors of the Holocaust while ensuring that all visitors have a place to remember and reflect on what the Jewish community has endured,” Hochul said in a statement announcing the action. “New York has zero tolerance for hate of any kind, and with this memorial, we reaffirm our commitment to rooting out antisemitism and ensuring a peaceful and thriving future for all.”
Per the legislation, Senate Bill 5784, the construction of the memorial, the first ever to be sponsored by the state government, will be managed by New York’s Office of General Services (OGS). Hochul’s office said its completion will give “visitors the opportunity to reflect on issues that touch the core of our society” and “serve as a reminder of the dangers of antisemitism, racism, and all manifestations of intolerance.”
Dan Dembling, president of the Capital District Jewish Holocaust Memorial, a nonprofit from upstate New York which promotes knowledge of the Holocaust, said his group is “deeply grateful” to Hochul.
“At this time when antisemitism is so high and rhetoric is reminiscent of the Nazi era, the need to remember the Holocaust is critically important,” Dembling said. “As envisioned, this memorial will have statewide impact by helping to educate people about the consequences of prejudice left unchecked and hopefully inspire New Yorkers to stand up against hate in all its forms.”
The approval of the Rockefeller Plaza Holocaust Memorial comes amid a rise in antisemitic incidents in New York, especially in New York City, where, according to the Anti-Defamation League (ADL), hundreds of anti-Jewish acts have been perpetrated in 2025 and a record 976 struck the city in 2024.
During the hate crime wave, the Jewish community in the Crown Heights section of Brooklyn suffered a violent series of robberies and other attacks. In one instance, three masked men attempted to rob a Hasidic man after stalking him through the neighborhood. Before then, two men beat a middle-aged Hasidic man after he refused to surrender his cell phone in compliance with what appears to have been an attempted robbery. Additionally, an African American male smacked a 13-year-old Jewish boy who was commuting to school on his bike in the heavily Jewish neighborhood, and less than a week earlier, an assailant slashed a visibly Jewish man in the face.
Hochul’s handling of the problem has been criticized by Jewish civil rights activists and Republican lawmakers. Many lambasted, for example, her endorsement in September of the candidacy of New York City Mayor-elect Zohran Mamdani, a self-described socialist who is allied with far-left anti-Zionist groups and has vowed to arrest Israeli Prime Minister Benjamin Netanyahu should he visit the city. Mamdani has also supported boycotts targeting Israel and failed to denounce the slogan “globalize the intifada,” which has been widely interpreted as a call for terrorism against Jews and Israelis worldwide.
The endorsement prompted accusations that Hochul was contributing to the rising popularity and aggressiveness of political Islamism across the Five Boroughs. Days after Mamdani won his bid for mayor, anti-Israel protesters staged a riotous demonstration in which hundreds of people amassed outside a prominent New York City synagogue and clamored for violence against Jews.
Hochul’s political opponents blamed her leadership for the incident.
“This is [Gov.] Kathy Hochul’s New York,” US Rep. Elise Stefanik, a leading Republican candidate running to unseat Hochul in next year’s gubernatorial election, said on the X social media platform. “When New Yorkers were looking for strong leadership from our governor, instead of standing against antisemitic hate, Hochul chose to endorse a raging antisemite for mayor of NYC putting Jewish families at risk.”
Hochul’s office has maintained that her administration’s efforts to combat antisemitism lead the nation, pointing to its constituting a new Division of Human Rights, enacting a “first ever statewide plan to combat antisemitism,” and approving legislation which requires colleges in the state to hire a civil rights coordinator.
College campuses in the state continue to see shocking incidents of antisemitism, however.
In September, law enforcement agents filed hate crime charges against two Syracuse University students who they say forcefully gained entry into a Jewish fraternity’s off-campus house during Rosh Hashanah, the Jewish New Year, and heaved a bag of pork at a wall, causing its contents to splatter across the floor. Just days earlier, someone graffitied antisemitic messages inside the Weinstein residence hall at New York University.
Follow Dion J. Pierre @DionJPierre.
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Guinness World Records Tells Israeli Charity It’s Currently Not Accepting Submissions From Israel
People stand next to flags on the day the bodies of deceased Israeli hostages, Oded Lifschitz, Shiri Bibas, and her two children Kfir and Ariel Bibas, who were kidnapped during the deadly Oct. 7, 2023, attack by Hamas, are handed over under the terms of a ceasefire between Hamas and Israel, in Tel Aviv, Israel, Feb. 20, 2025. Photo: REUTERS/Ammar Awad
An Israeli nonprofit organization had its application to the Guinness World Records rejected recently because the latter has a current policy of not accepting submissions from Israel or the Palestinian territories.
The Matnat Chaim charity, which helps people make voluntary kidney donations, said on Wednesday it contacted Guinness World Records (GWR) to discuss an event it is planning next month at the International Convention Center in Jerusalem where 2,000 Israeli kidney donors will gather in one place, which would be a world record. The charity hoped the event would be entered into the next Guinness Book of World Records. However the nonprofit’s request was rejected by GWR, which claimed that it is currently not processing record applications from Israel or the Palestinian territories.
“We deeply regretted the decision to involve politics in a purely life-saving effort. Humanity should be above all boundaries or conflicts,” the charity, whose name means “Gift of Life” in Hebrew, wrote in a Facebook post. “But the truth is, no record book can truly contain the greatness of our donors. Our true record is not measured by certificates hanging on the wall, but by 2,000 men, women, and children who got up from their sickbeds and returned to life. It is measured by thousands of families who received their loved ones back.”
“Guinness may choose not to list us in their book, but our wonderful donors are listed in the book of lif. And this is the most important record there is,” the charity added. “Next month, we will meet in the name of God, the Matnat Chaim family, at the Nation Buildings and break a record. We continue with all our might in our activities, because there are still lives to save.”
Guinness World Records said in a statement on Wednesday that the policy has been place since November 2023, shortly after the war in Gaza started following Hamas’s Oct. 7 massacre across southern Israel,
“We are aware of just how sensitive this is at the moment,” GWR explained. “We truly do believe in record breaking for everyone, everywhere but unfortunately in the current climate we are not generally processing record applications from the Palestinian Territories or Israel, or where either is given as the attempt location, with the exception of those done in cooperation with a UN humanitarian aid relief agency.”
GWR said it is “monitoring the situation carefully” and the record application policy is subject to a monthly review. “We hope to be in a position to receive new enquiries soon,” it added.
Israeli Foreign Minister Gideon Sa’ar called the policy “inexcusable” in a post on X. He said Israelis “expect and demand that this twisted decision be revoked immediately.”