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‘The Gett,’ a play about Jewish divorce, stems from an unlikely marriage between a Brooklyn synagogue and a theater company
(New York Jewish Week) — Despite being named for a Jewish bill of divorce, ‘The Gett” is a new off-Broadway play that began as a marriage between a Reform synagogue in Brooklyn and a West Village theater company that specializes in “diverse, challenging and provocative” works.
At Park Slope’s Congregation Beth Elohim, Associate Rabbi Matt Green had been trying to expand programming for “cultural Jews” — those who don’t necessarily feel religious or connected to a denomination, yet know they are Jewish and want to be Jewish.
Meanwhile, at the Rattlestick Theater, artistic director Daniella Topol had just put on a play about the Catholic nuns who started downtown’s St. Vincent’s Hospital in the 19th century, and wanted to direct a play about Judaism for her next project.
When Topol and Green were introduced in 2018 by Rosalee Lovett, who sat on the boards of both institutions, co-commissioning a play seemed like a natural fit — however unconventional.
The result is “The Gett: Or How a Woman Created Herself,” an original play produced by Congregation Beth Elohim and showing at the Rattlestick through Dec. 11. The 95-minute production — written by and starring Liba Vaynberg — centers on Ida, a recent divorceé navigating her relationship with herself, her mother, her ex-husband Baal, Judaism and God. With the plot points structured around the seven days of creation, Ida’s relationship with her Baal (in Hebrew the word can mean “master” or “husband”) is laced with a double meanings. The viewer can see the couple’s sometimes dangerous and sometimes loving relationship as a metaphor for the Jewish people’s relationship with God.
“These are organizations that have gone deeply into what they do and do it well,” Vaynberg told the New York Jewish Week. “CBE is bringing the best it has and Rattlestick is bringing the best it has — as opposed to a situation where everybody’s bringing half. It’s a very full marriage.”
“What’s powerful about this play is that it has been a really community-based development and a really thoughtful development in partnership between a synagogue and a theater,” said Topol, noting that this is the Rattlestick’s first-ever Jewish play, and first partnership with a synagogue.
Despite the biblical trappings in “The Gett” — which also stars Jennifer Westfeldt, Ben Edelman and Luis Vega — the play is funny and modern. “We’ve tried a number of different things, but so far, this is one of our greatest successes to offer content that’s serious for people who call themselves culturally Jewish,” Green told the New York Jewish Week. “It’s really important to me that this play fosters a broader conversation, even in some small way, about what our institutions can be doing differently.”
Performances have been full so far at the 99-seat theater, with CBE encouraging congregants to see the show by offering group trips and programming surrounding the play, including talkbacks with Rabbi Green that explore the Jewish themes in the show. On Friday night performances, CBE holds Kabbalat Shabbat gatherings with the audience before the show.
Ben Edelman and Liba Vaynberg in “The Gett.” (The Chamber Group)
“We tend to deride cultural Judaism as if it’s somehow flimsy, or unserious, but if you look at the Pew study, it’s the fastest growing self-identified demographic in our community,” added Green, who also leads Congregation Beth Elohim’s “Brooklyn Jews” cohort, which is a community of younger congregants who are looking to engage Judaism through culture, food and ritual. “Yet we spend very little time as a Jewish establishment trying to really understand what cultural Judaism is.”
Other recent efforts to include these “cultural Jews” include reading and discussion seminars on queer Jewish writers, a meditation group and, perhaps most notably, an “intergenerational mixer” held in partnership with the lifestyle brand “Old Jewish Men of New York,” which got a write-up in the New York Times Styles section.
As for theater, the play really stemmed from CBE and Rattlestick’s desire to work together after realizing their mutual ambitions and interests.
At the Rattlestick, “We really focus as a theater on finding ways to look at stories that deal with the complexity of our culture,” Topol said. “I had been thinking for a while that we wanted to do something that related to the complexity of the American Jewish experience.”
It was something the theater community clearly was interested in as well: When Topol and Green opened a call for submissions, they received over 100. Vaynberg’s play was selected in early 2020.
For Topol, who is Jewish but always saw her Judaism as separate from her directing career, it was a theme close to her heart. “In terms of what Jewish stories are represented on the stage, it feels like there’s some room to really explore some of those key questions that American Jews are wrestling with: identity, intermarriage, having children, ritual, how much do you carry on ritual or not, what your affiliation is or isn’t with Israel, with the Holocaust, with politics,” she said.
“It’s a swirl of all of those sorts of questions that felt kind of worth some creative expression in terms of the theater,” Topol added. (As it happens, “The Gett” will be the last play Topol directs in her six-year career with the Rattlestick — next, she will switch careers and study to become a nurse.)
Once Vaynberg’s play was selected in early 2020, the playwright unexpectedly had extra time to finesse the show. Due to the COVID-19 pandemic, the Rattlestick closed temporarily and put the production on pause.
Vaynberg used the extra time to increase community involvement. She spoke with several women who are synagogue members who had gone through a divorce. She and Green conducted several roundtable discussions and focus groups to further explore congregants’ Jewish identities and how it has manifested in their relationships.
Vaynberg and Green created a “chavrusa,” a study partnership, to explore biblical and religious implications of the questions she had about creation, Jewish marriage and divorce and how much power a person has in their relationship with God.
Some themes in the play probe the same questions about cultural Judaism that Green had been asking at CBE. Protagonist Ida, for example, deeply cares about her Judaism and Jewish identity, and yet has trouble explaining just why and how it’s so important to her on a date with a non-Jewish man.
“By going to this play, you are engaging with Judaism,” Green said. “It’s not just about inspiring people to be involved with Judaism, but actually, it is a Jewish act to see this play.”
“This isn’t something synagogues do — it’s sort of strange,” Green remarked. “We want to do things differently and we as a congregation, want to inspire other congregations, other Jews, to do things differently.”
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Denmark Unveils $18 Million Plan to Combat Rising Antisemitism Amid Surge in Attacks
People take part in an anti-Israel demonstration in Copenhagen, Denmark, Oct. 4, 2025. Photo: Ritzau Scanpix/Emil Nicolai Helms via REUTERS
Denmark’s government on Tuesday unveiled an $18 million, five-year plan to combat antisemitism through 2030, focusing on security, education, and research, as the country’s Jewish community continues to face a wave of targeted attacks and hostility.
“Following Hamas’s terrorist attack in Israel on Oct. 7, 2023, and the subsequent war in Gaza, there has been a flare-up in antisemitism in Denmark,” the Danish Justice Ministry said while announcing the new plan.
Building on Denmark’s first national plan to combat antisemitism from 2022, the new initiative will focus on boosting security for Jewish institutions, combating online hate, and introducing programs for children and young people.
As a new addition to the previous plan set to expire at the end of this year, the newly released program will appoint an Education Ministry coordinator to fight antisemitism in schools and establish an association to combat antisemitic hate crimes.
Other measures will include expanded educational programs, giving all upper secondary schools the opportunity to apply for study trips that teach students about the Holocaust and antisemitism.
“Jews in Denmark should neither feel persecuted, harassed, nor receive death threats,” Danish Justice Minister Peter Hummelgaard said in a statement.
“Fighting antisemitism must be done through education and prevention, as well as tough and firm consequences towards those who spread antisemitism and hatred against Jews,” he continued. “Jews in Denmark must be able to live and move freely and safely.”
The new plan also includes the creation of the Weinberger Institute, a research center focused on hate crimes, led by Jonathan Fischer, a former vice president of the Jewish Community of Denmark.
The government’s new initiatives come amid a startling rise in anti-Jewish hostility in the country, with attacks that include vandalism of businesses, murals, and memorials, as well as physical assaults and death threats targeting Jews and Israelis.
According to the Danish Jewish Community’s Department for Mapping and Registering Antisemitic Incidents, the country recorded 207 antisemitic incidents in 2024, up 71 percent from 121 the previous year and up sharply from just nine before the Oct. 7, 2023, attacks.
Over the last few years, the local Jewish community in Denmark has experienced a sharp rise in antisemitic bullying, violence, and death threats.
“Danish Jews are part of our common culture, history, and soul, and we as a society have a responsibility to surround our Jewish fellow citizens when antisemitism rears its ugly face,” Hummelgaard said.
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More Than 200 Celebrities Join Campaign Calling for Israel to Release Convicted Terrorist Marwan Barghouti
Marwan Barghouti gestures as Israeli police bring him into the District Court for his judgment hearing in Tel Aviv, May 20, 2004. Photo: Reuters / Pool / David Silverman.
Paul Simon, Sting, Benedict Cumberbatch, Tilda Swinton, and Margaret Atwood are among the more than 200 cultural figures who have backed a campaign calling for Israel to release Palestinian terrorist mastermind Marwan Barghouti, who is serving five life sentences plus an additional 40 years in prison for orchestrating deadly terrorist attacks during the Second Intifada.
The celebrities who support the campaign are recognizable in the music, film, music, literature, and sports industries. They include actors Ian McKellen, Mark Ruffalo, Cynthia Nixon, Simon Pegg, Susan Sarandon, Javier Bardem, Stephen Fry, Hannah Einbinder, and Ilana Glazer. Others who have joined the campaign include author Sally Rooney; broadcaster and former footballer Gary Lineker; and the musicians Annie Lennox, Brian Eno, Fontaines D.C, Massive Attack, and Mabel.
They are all urging the United Nations and governments around the world to pressure Israel to free Marwan, 66, who has so far spent 23 years in Israeli prison. They also condemn what they describe as Barghouti’s “violent mistreatment and denial of legal rights whilst imprisoned.”
According to Israeli officials, Barghouti co-founded Fatah’s al-Aqsa Martyrs Brigade, a US-designated terrorist group that carried out suicide bombings and shootings attacks during the Second Intifada from 2000-2005, and formerly was the head of Fatah’s Tanzim armed wing. Barghouti, who denied having such a leadership role, was arrested in 2002 and convicted for helping to plan terrorist attacks during the Second Intifada that killed five civilians. He has been nicknamed the “Palestinian Mandela” by his supporters.
“Everyone that believes in freedom and dignity for the Palestinian people should join in the call for his immediate release” said Scottish actor Brian Cox from “Succession.” French writer Annie Ernaux claimed Barghouti “embodies the possibility of peace which [Israeli Prime Minister Benjamin] Netanyahu refuses, determined as he is to continue with the expansion of settlements in the West Bank.”
The International Campaign to Free Marwan that was launched on Nov. 29 is spearheading the efforts, which they claim resemble the cultural movement that helped secure the freedom of Nelson Mandela and ended apartheid in South Africa. Others who are backing the campaign to secure Barghouti’s freedom include billionaire entrepreneur Richard Branson, journalist Peter Beinart, Israeli architect Eyal Weizman, author and speaker Gabor Maté, and activist and author Angela Davis.
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StandWithUs Legal Team Requests Florida Investigate Guinness World Records for Anti-Israel Policy
In 2019, students, faculty and parents from the San Diego Jewish Academy broke the Guinness World Record for most sandwiches made in under three minutes, all of which were donated to San Diego’s Alpha Project, an organization dedicated to helping the homeless achieve self-sufficiency. Photo: Courtesy.
StandWithUs, the international nonprofit organization that fights antisemitism and promotes education about Israel, has called on the state of Florida to investigate Guinness World Records (GWR) over its ban on applications from Israel and to ensure that public funds do not support companies engaged in such a “discriminatory policy” against the Jewish state.
StandWithUs Saidoff Law, which carries out legal action for the pro-Israel group, sent a letter on Thursday to members of the Florida State Board of Administration (SBA) following the revelation this week that GWR has enforced a policy since 2023 not to accept submission applications from Israel and the Palestinian territories. Saidoff Law formally requested that the board investigate GWR and its affiliate Guinness World Records North America regarding the “boycott policy” to see if they should be included on Florida’s official list of “Scrutinized Companies or Other Entities that Boycott Israel” in accordance with Florida law. Guinness World Records North America is registered in Florida as a foreign profit corporation.
Created in 2016, the list currently includes 109 companies or entities that participate in a boycott of Israel, including actions that limit commercial relations with Israel or Israeli-controlled territories. The SBA is prohibited from acquiring direct holdings of the companies on this list, which is updated and published every quarter following review and approval by SBA trustees. In late September, 91 new entities were added to the list.
StandWithUs Saidoff Law is urging the Florida State Board of Administration to review GWR’s actions to see if they can be added on the list. “We hope that prompt action from the SBA will reaffirm Florida’s strong commitment to opposing discriminatory boycotts and upholding the integrity of the state’s investment and contracting policies,” the letter stated. It was signed by StandWithUs Saidoff Law Director Yael Lerman and Assistant Director Gadi Dotz.
Guinness World Records recently rejected a submission application by an Israeli charity that is organizing an event where a record-breaking 2,000 kidney donors will gather in one place. GWR said that since November 2023, “we are not generally processing record applications from the Palestinian Territories [sic] or Israel, or where either is given as the attempt location, except those done in cooperation with a UN humanitarian aid relief agency.” The policy was enforced shortly after the start of the Israel-Hamas war in the Gaza Strip, which began with the Hamas-led massacre across southern Israel on Oct. 7, 2023.
GWR said it is “monitoring the situation carefully” and its policy is subject to a monthly review. “We hope to be in a position to receive new inquiries soon,” it noted.
StandwithUs Saidoff Law wrote in its letter to Florida’s State Board of Administration that GWR’s “refusal to engage in commercial relations with entities in Israel and Israeli-controlled territories … appears to be intentional, discriminatory in that it singles out Israel and Israeli-controlled territories despite its political neutrality policy, and is not based on neutral business criteria. Also, it squarely falls within Florida’s definition of a boycott of Israel.”
According to Florida law, a boycott of Israel means “refusing to deal, terminating business activities, or taking other actions to limit commercial relations with Israel, or persons or entities doing business in Israel or in Israeli-controlled territories, in a discriminatory manner.”