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The Nazis sent them to Hawaii to spy for the Japanese

Family of Spies: A World War II Story of Nazi Espionage, Betrayal, and the Secret History Behind Pearl Harbor
By Christine Kuehn
Celadon Books, 272 pages, $30

Surely this must be historical fiction.

Here’s the premise: In 1930s Germany, a teenage girl has an affair with chief Nazi propagandist Joseph Goebbels. When he somehow discovers she is half-Jewish, her immediate family (excepting one ardently Nazi brother) is banished to Hawaii, where mother, father and daughter are tasked with spying for the Japanese — and facilitating the attack on Pearl Harbor.

Decades later, an American writer inherits this unlikely story and the resulting generational trauma. She sets out to uncover more details, spurring an intermittent, emotional 30-year quest and, finally, this book, Family of Spies.

Which, it turns out, is not fiction, but rather an astonishing blend of history and memoir.

“Christine Kuehn was cocooned in the sanctity of a quiet suburban life when a mysterious letter in 1994 pierced that bubble,” the author’s biographical blurb states. The letter, from a screenwriter, seeks information about a grandfather involved with the Nazis. It sends the skeptical Kuehn and her husband to a bookstore, where, in the World War II section, sure enough, they find scattered references to a man named Otto Kuehn and his daughter, Ruth. Both are linked to anti-American espionage.

By this point, Otto and his wife, Friedel, are dead. So, too, is Leopold, the brother who stayed behind and fought for Germany during the war. But living witnesses remain: Christine’s father, Eberhard, and, even more tantalizingly, Ruth herself.

“You don’t need to know about the family, the past, or Pearl Harbor,” Ruth had told Christine years earlier. Christine’s father, too, had supplied only “vague, whitewashed snippets” about that past.

But after some prodding, Eberhard Kuehn shares memories of his Hawaiian boyhood, an idyll of swimming, surfing and fishing during which he was unaware of the family’s spying. When the surprise Japanese attack on Pearl Harbor happened, on Dec. 7, 1941, he was 15 and, though not yet a citizen, thoroughly American. He enlisted in the U.S. Army as soon as he could, fought at Okinawa, and remained estranged from his parents for the rest of his life.

As Christine investigates, Eberhard, always a teller of fantastical stories, is ravaged gradually by dementia. His recollections fade, leaving her to continue her fraught pilgrimage through family history alone.

As for Ruth — if this were indeed a novel, the climax would be a confrontation between aunt and niece, with attendant revelations. But Ruth is intent on concealment. On a visit to Germany after her mother’s death, she and another brother, Hans, burn a cache of family papers. She dies having kept her secrets.

Kuehn’s narrative weaves back and forth between the history itself and her quest to discover and decipher it. She reports deeply on the intricacies of espionage and counterespionage in Hawaii, relying largely on FBI files. Her structure and style are clear and effective. But it is really the improbability of the tale that hooks readers.

Its precipitating events take place in Berlin, where Ruth, like the rest of the family, is immersed in Nazi culture. Encountering Goebbels, a vicious antisemite who is also a charming womanizer, she succumbs, and for a while he does, too. But it turns out that her biological father is not Otto Kuehn, a failed businessman trying to rise in Nazi ranks, but a Jewish architect with whom Friedel was involved before the marriage. That, of course, is a problem.

Otto Kuehn’s own history includes missteps and near-misses. One family anecdote has him loaning the financially strapped Rudolph Heydrich, his competitor for a top SS post, train fare to get to the job interview. Heydrich beats Kuehn out for the position, later becoming Gestapo head and a key architect of the Holocaust.

Meanwhile, Otto works as a secret agent, first for the Weimar-era German navy and then for the Nazis. So, drafting him, in 1935, for Hawaiian espionage makes a certain sense. But in his granddaughter’s telling, he is “vain, grandiose, a risk-taker,” a less than superlative spy. He and Friedel are too ostentatious, parlaying cash windfalls from their Japanese handlers into real estate purchases and lavish parties. Ruth is seemingly more subtle in prying military information from U.S. naval officers charmed by her. “Dating was the perfect cover,” Kuehn writes.

At one point, Ruth becomes engaged to a German steel executive living in Tokyo, a man who happens to be the family’s Japanese handler. But when Friedel travels to Japan to collect money owed to the Kuehns, she finds Ruth’s fiancé living with another woman.

Here, the story (which evokes the great FX spy thriller The Americans) becomes stranger still. The FBI and U.S. military intelligence have by now grown suspicious of the Kuehns. An FBI operative, Robert L. Shivers, is assigned to Honolulu in 1939 to stake out the family, as well as other suspected spies. A cat-and-mouse game of surveillance and surreptitiousness erupts.

One of Otto’s principal contributions to the attack on Pearl Harbor was devising a code that involved using light signals to broadcast U.S. ship movements to the Japanese military. Cables from the Japanese consulate to Tokyo describing the signals were intercepted by American intelligence, but not decoded or translated until after the attack.

Kuehn describes the terror of Pearl Harbor, with its massive American casualties and damage to the U.S. Pacific fleet — and what happened to her family next: imprisonment, separation, wandering, exile, a Biblical level of catastrophe. Otto, convicted of espionage by a military tribunal, barely escaped a firing squad. But imprisonment with hard labor broke him, and his subsequent life — first in Argentina; then in Germany, with Friedel – was unhappy. It cannot have helped that after leaving the United States he never saw his son Eberhard again.

While there is no climactic confrontation with Ruth, Christine does find some closure by traveling to Germany. There, long-lost cousins share documents and photos and help her collate the family history. Lisa, who had reached out to her, is the daughter of Otto’s brother. “We are very excited for you to tell the story,” she tells Christine, marking the end of an intergenerational conspiracy of silence.

 

 

 

The post The Nazis sent them to Hawaii to spy for the Japanese appeared first on The Forward.

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How Billy Wilder and B&H Dairy birthed ‘The Only Living Pickpocket in New York’

Noah Segan’s crime thriller The Only Living Pickpocket in New York has drawn comparisons to NYC auteurs Spike Lee, Elaine May and John Cassavettes. While the writer-director is far from anxious about these influences, he notes another, less obvious touchpoint: a Billy Wilder comedy.

“There’s a line in The Apartment, where the very kindly Jewish neighbor doctor says to Jack Lemmon’s character, after he’s been through all of this meshugas with his apartment,” Segan, wearing a shirt that reads “I [Image of a heart-shaped pretzel] New York,” said in a Zoom interview.

The neighbor advises Lemmon’s befuddled, hyper-gentile character to “be a mensch.” In explaining what it means, he says, “just be a person.”

In Pickpocket, Harry Lehman (John Turturro), the titular gentleman thief, calls his neighbor across the hall a mensch for looking out for his wife. Her response: “I’m just being a person.”

While the film, about what happens when an old-school filcher accidentally lifts a high-tech MacGuffin, has its share of grit and cynicism for an increasingly impersonal, online world, its open-hearted menschlikeit shines through.

I spoke with Segan about the film, his sophomore feature after his 2022 Jewish vampire romp Blood Relatives, about Yiddish, B&H Dairy and whether Turturro is the GOAT of non-Jewish actors playing Jews. The following conversation has been edited for length and clarity.

How did you arrive at this idea of an ode or elegy to a Luddite New Yorker?

I looked in the mirror. (Laughs) I’m sort of a Luddite New Yorker — at heart. But a realist, I guess.

It started with a character. It started with Harry. You go, “OK, what is he going through? How is he functioning? What are his challenges?” And then you go, “Oh man, this guy is New York. And this can happen in New York. And I’m from New York.” You’re looking for patterns, you’re looking for the thing that works for you — but is it a chicken and the egg? Is it New York? Is it Harry? Are they the same thing? But once you get those two aspects, the rest of it can blossom naturally.

Your embodiment of New York is an old Jewish guy. 

The embodiment of me is an old Jewish guy! (He fishes out a chai necklace from under his collar.) I got my little chai. Represent for the Forward.

Noah Segan on the set of Pickpocket. Courtesy of Sony Picture Classics

In your previous film, Blood Relatives, you were a Jewish vampire. You said in an interview you were thinking about the fear of “otherness.” I’m wondering if there’s something in that choice of making Harry Jewish. Someone with community, but kind of on the margins. Obviously, in New York we don’t think of ourselves as being marginal, but maybe it’s indicating a change.

I think for the first film, part of the conversation was how to discuss otherness through both a realistic lens: that of a Jew, and through a cinematic lens, that of a vampire. The more you think about things like blood libel, the more you think about things like how Jews were murdered, all of that colors that dynamic. In Pickpocket, it’s a little bit different because Harry isn’t really an “other” he is one of. Not just because there are lots of Jews in New York, but there’s lots of everybody in New York!

I think that New York is often unified less based on religious and racial lines, much more so on socioeconomic lines, which of course is something this movie talks about.

Part of the texture there is Yiddish as a kind of lingua franca. We have Giancarlo Esposito and Lori Tan Chinn — older, non-Jewish characters. They all use it. I know we all say “schlep,” but I teach kids at City College, they don’t all know the word “mensch.” Is that a disappearing part of New York for you, in the same way Harry is recognizing his obsolescence? 

To me, it’s not a disappearing part because I run into it all the time, and I think most New Yorkers know a little bit of Yiddish, just like most New Yorkers know a little bit of Spanish and that’s how you get by.

You’ve spoken of the Jewish-Italian handshake, a principle in casting that lets Robert DeNiro play Ace Rothstein and James Caan play Sonny Corleone. I have long maintained that John Turturro is probably the greatest living non-Jewish portrayer of Jews.

I think the idea with John is that he embodies New York to such a degree, that he truly does get to do any version of a New York character. This is a guy who just is New York, and so if you let him be a New York-coded character, it is what it is. It is whatever it needs to be. That man knows more about Philip Roth than anybody I’ve ever met, which makes me feel like that makes him definitely an honorary Jew.

Harry’s doorpost has a mezuzah and he goes to visit his daughter and there’s a wreath on the door. I was wondering about that bit of set dressing.

The mezuzah on the door — it’s like painted over. The idea that it had been there a long time was really important to me. That this is a matter of fact of one’s life. There is probably a question of how much Harry’s culture and religion influenced his daughter, who he left at a young age, and her choices to identify or not with that. Obviously, who knows who she married and how they practice. There are Jews who feel jolly and put a wreath on their door, so there’s no rule about that. But I do think that it is safe to say that there were historic, cultural, ethnic identifying aspects that Harry did not pass on. And that is part of the tragedy, of course, of leaving one’s family.

Did you shoot the film before the death of the MetroCard, and do you think Harry would have been able to figure out OMNY? I feel like the transition from tokens might have been difficult for him.

The transition from tokens was definitely difficult for him. We still had MetroCards when we shot the movie. I think it was a combo. But he doesn’t have a phone to tap! So what’s he gonna do? He’s gonna get an OMNY card and load it up? I mean, I guess that’s sort of like having a MetroCard.

The other day my phone died, so I just used my credit card. So you could do that in theory. 

I don’t know if Harry has a credit card.

He deals in cash.

I think what he’s doing is he’s just waiting for somebody to open the emergency door for him. And then he passes them a couple bucks.

How do you think he would feel about Mamdani and the Knicks championship?

I don’t know if Harry votes. I think he likes to stay off the rolls. The more off-the-grid he could be, the better. But I do think that he would be very pleased about the Knicks. I don’t know if he’d be as pleased as John is. But I think he would be very pleased about the Knicks.

We feel that the days of Harry and his analog life are numbered, but there’s also a glimmer of hope when we see him mentoring a younger guy in the old ways of the five-finger discount.

All hope is never lost, especially in New York. New York is a hopeful place. Because it is sarcastic and cynical and has a sense of humor and it’s very fast. People think that that somehow makes it not an optimistic or hopeful place. But no. New Yorkers are the most resilient people on earth — that’s why the all the Jews move here!

Any there other Jewish tidbits that you’re not going to get a chance to to speak about with the general press? 

You picked up on B&H right?

I don’t know if I did!

The first scene with Harry, he’s having his matzo brei at B&H.

Oh! I wasn’t thinking of B&H Dairy. I was thinking of B&H Photo.

There used to be a whole cottage industry of these places that that showed up at the turn of the century called B&H, and people go, “Well, why is it called B&H.” It’s Baruch Hashem. It wasn’t anybody’s name. It was just like, ‘Well, I guess thank God we opened up a store.’

(Author’s Note: Regrettably, in the case of the dairy establishment, this tidbit, while widely believed, appears to be apocryphal; the founders of B&H, who catered to Yiddish actors on Second Ave. were named Abie Bergson and Jack Heller and gave their initials to the enterprise.)

B&H is such a great example of New York because it is still kosher. It is still signed off on by a rabbi. The rabbi puts the stamp on it. Remains kosher. It is run by a Catholic Polish lady, her Muslim-Egyptian husband, and the head chef is Mexican. And if you buy the T-shirt, the T-shirt says “Challah por favor.”

It is a great New York, multi-ethnic, multicultural institution, and I’m very proud that we got to shoot there.

The post How Billy Wilder and B&H Dairy birthed ‘The Only Living Pickpocket in New York’ appeared first on The Forward.

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A synagogue and Jewish-owned shops damaged in French riots

(JTA) — PARIS – Jewish-owned shops in Marseille were set ablaze and a synagogue in Paris was vandalized as part of widespread property damage caused by riots across France Saturday and Sunday, according to the Jewish Community Protection Service.

It is too early to assess the full extent of the riots protesting the rising cost of living and the damage they’ve caused, but various elements in the media have described them as civil unrest and chaos.

From Lille in the north to Marseille in the south and in the major cities in between, media estimate that nearly 800,000 people took to the streets and some 2,000 shops were vandalized or looted. Public buildings were set on fire, and hundreds of people or more were injured, including 150 police officers, with thousands arrested.

The riots followed a student uprising that blocked entrances to high schools across the country in recent weeks. Palestinian flags and keffiyas have been a recurring motif in most of the violent protests, acts of vandalism and looting.

But according to SPCJ, known as the Service de Protection de la Communaute Juive in French, there was no evidence that Jewish institutions or businesses were deliberately targeted.

Vandals broke into the Ohalei Yaakov synagogue in Paris’ 19th district overnight between Saturday and Sunday. On Sunday morning, members of the Jewish community discovered that their temporary place of worship had been broken into. The permanent synagogue building is currently undergoing renovations.

Inside the sanctuary, prayer books, tefillin, and various objects — taken from boxes and cupboards — were found scattered on the floor. The rabbi’s office was also searched. Despite the mess, the Torah scrolls appeared to be unharmed.

According to a member of the synagogue committee, the incident primarily points to an attempted theft. The suspects may have been looking for money, but nothing was believed to be missing.

This article originally appeared on JTA.org.

The post A synagogue and Jewish-owned shops damaged in French riots appeared first on The Forward.

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How much will Trump’s endorsement help Netanyahu?

(JTA) — JERUSALEM – Within minutes of President Donald Trump endorsing Prime Minister Benjamin Netanyahu in a post on Truth Social Sunday, Netanyahu’s campaign team had released a 30-second clip showing all the times Trump has lavished praise on the Israeli leader over the past few years.

With polls showing that Netanyahu and his governing coalition are slipping in their struggle to retain power in the upcoming Oct. 27 election and lag behind the opposition bloc, an endorsement from the president of the United States is a powerful statement.

But is it enough to tip the scales?

“I don’t think it will change anything,” said Ilana Shpaizman, a senior lecturer in the Department of Political Studies at Bar-Ilan University.

Of course, she said, “Netanyahu will say this is the proof that I’m a leader and all that, and I can speak to Trump … But so what? His followers already know that and they believe in him. They don’t need the endorsement.”

Those who oppose him, Shpaizman continued, “know that Trump forced him (Netanyahu) to accept the ceasefire in Gaza and accept the hostage deal, and that Trump runs the show around Iran. So they also don’t need the endorsement either,” Shpaizman said.

Some pundits speaking on Israeli news outlets criticized Trump for “interfering” in Israel’s election, while others put it down to the fact that Trump does not want America to return to fighting Iran alone if Netanyahu, who is hawkish on Iran, is replaced by someone less willing to act militarily. If Netanyahu loses, that is a scenario that could play out.

“This is the first time ever that the president, at least publicly, endorses a candidate in Israel’s election,” Bushinsky, a political commentator and former adviser to Netanyahu, told the Jewish Telegraphic Agency.

Bushinsky said he remembered Netanyahu complaining about U.S. intervention in previous elections in 1999 and 2001, when presidents less enamored of him were in office. He even pushed for an initiative that would block foreign funding for election campaigns.

Now, Bushinsky said, “I guess he is not complaining,” adding that the endorsement serves Netanyahu in two ways.

First, it signals that Trump thinks that Netanyahu is the most suitable guy for the job. Second, it puts Netanyahu’s election campaign back on track, refocusing attention on an issue where Netanyahu is strong – Iran.

“It lets him say ‘I can now finish a job, and I can finish a job with Trump,’ and ‘without Trump or without me, the job will not be finished,’” said Bushinsky.

He said that in the last few days, the political debate had pivoted to other issues such as Ashkenazim vs Sephardim, the draft law and the contentious efforts by the outgoing government to overhaul the judiciary.

“This [endorsement] is the ultimate campaign boost for Netanyahu,” Bushinsky said.

But that boost might not be enough.

Most of the polls taken in recent days show the opposition bloc led by former IDF chief Gadi Eisenkot pulling ahead of Netanyahu’s ruling coalition, but give neither bloc enough seats to gain the necessary 61 of 120 seats in Israel’s parliament, the Knesset, to form the next government.

“I think this might give Netanyahu one more seat, one more mandate, but not more than that,” said Bushinsky.

Prof. Tamar Hermann, director of the Israel Democracy Institute’s Viterbi Center for Public Opinion and Policy Research, said that the timing of Trump’s support for Netanyahu in this election race had come both “too late and too early.”

“It’s too late because people have already decided electoral preferences. They may shift within each bloc, but will not move between the blocs because of this,” she said. “And it’s too early because there are nine days to go to the elections, and we can already see other American leaders spilling some cold water over what he said, even on the Republican side of the aisle.”

This criticism, Hermann continued, will be transmitted to Israeli voters, and they will see that Trump is facing a huge battle in the upcoming midterm elections.

“The image of President Trump has deteriorated significantly since April 26, when he started the negotiations with Iran,” she said, pointing to one of the IDI’s recent public opinion surveys that found the president’s popularity had plummeted after he stopped the war with Iran without totally removing the threats against the State of Israel.

According to that poll, the Israeli public’s confidence in Trump as someone dedicated to Israel’s security fell from around 70% to just 42%.

“In my view, the endorsement will not make a big change,” Hermann added. “It will just strengthen Netanyahu’s political supporters, who will see it as a sign that he is still the internationally known figure that even the president of the United States is endorsing.”

She concluded, “The meaning of endorsement in Israel is totally different than in the United States … we are not that used to this kind of move, and it will not make people change their minds.”

This article originally appeared on JTA.org.

The post How much will Trump’s endorsement help Netanyahu? appeared first on The Forward.

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