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The White House celebrates Hanukkah in the shadow of rising antisemitism

WASHINGTON (JTA) — Two mezuzahs at the vice president’s residence. A custom-built menorah for the White House. A Biden grandson in Hanukkah pajamas.

The Biden administration’s celebration of Hanukkah this year was suffused with grief over reports of burgeoning antisemitism but leavened with words, rites and symbols meant to assure American Jews that this was their permanent home.

Monday night’s Hanukkah party at the White House event included the unveiling of the first menorah to be added to the White House collection. Resident carpenters crafted the elegant slab of weathered wood from lumber left over from a 1950 renovation of the mansion.

As the White House explained in a backgrounder, “Once an item has been added to the White House collection, it is forever a permanent fixture of the White House archives and cannot be removed from the archives by a future administration or Residence Staff.”

“Other menorahs have been borrowed before -— borrowed — beautiful, significant and meaningful ones,” First Lady Jill Biden told the crowd of mostly Jewish guests in the White House’s Grand Foyer, sparkling with gold-themed Christmas decorations, before Monday’s menorah-lighting. “But the White House has never had its own menorah until now. It is now a cherished piece of this home, your home.”

The president picked up on the theme in his remarks after the candles were lit. “You know, to celebrate Hanukkah, previous administrations borrowed a menorah with a special significance of survival, hope, and joy,” he said. “This year, we thought it was important to celebrate Hanukkah with another message of significance: permanence. Permanence.”

 It didn’t hurt either Biden’s messaging that just days earlier the cameras caught them crossing the White House grounds holding hands with their Jewish grandson. Beau, whose parents are Hunter Biden and Melissa Cohen, sported a puffy blue coat, a knapsack, and Hanukkah-themed blue pajama pants, emblazoned with white menorahs. 

Jews as a permanent part of the American fabric featured the night before at another first: A public lighting of a menorah at the residence of Vice President Kamala Harris, presided over by her Jewish husband, Doug Emhoff. Emhoff pointed out the house’s mezuzahs, the small cases affixed to the doorposts of Jewish homes.

“There’s two of them, affixed to our door frames. And as you can see the menorah in the window, all for the first time,” Emhoff said. He likened the moment to the first Hanukkah he and Harris celebrated as a couple, when she embraced his traditions.

“Flash forward to when I met this beautiful woman over here,” Emhoff said, after describing the American Hanukkahs he enjoyed as a child in New Jersey. ‘She bought me a menorah for our first Hanukkah together when we were first setting up our home in Los Angeles, because it was important for her to know that we had a menorah to illuminate this home that we were building together — this life that we were building together because she knows it’s important to me. It’s important to me as a Jew and all of us as part of our religion and our culture. And as she said, as the first Jewish person married to a president or a vice president, I understand the weight of that responsibility, the obligation that that brings.”

Emhoff was referring to his work convening a round table earlier this month to solicit strategies for countering antisemitism. At that event, he personalized the struggle, saying “I’m in pain right now, our community is in pain.”

The word “scourge” kept coming up at the events. “I’ve launched a new effort to develop a national strategy to counter the scourge of antisemitism and convene the first-of-its-kind White House summit on combating hate-fueled violence,” Biden said during his remarks, referring to the task force he launched a week after Emhoff’s event.

Monday’s candle lighters included Bronia Brandman, a Holocaust survivor who met with Biden on International Holocaust Remembrance Day in January; Michèle Taylor, the ambassador to the U.N. Human Rights Council, who is a daughter and granddaughter of Holocaust survivors; and Avi Heschel, whose grandfather, Rabbi Abraham Joshua Heschel, fled Nazi-occupied Europe and joined with Martin Luther King in a Black-Jewish alliance during the civil rights movement.

Saying the blessing was Rabbi Charlie Cytron-Walker, the rabbi in Colleyville, Texas, who freed himself and his congregants from a hostage taker last January. “Antisemitism may be on the rise, and thank God that people are standing at our side,” he said. “We have had such overwhelming love and support, especially from our President and from Dr. Biden.”

On Sunday, the first night of Hanukkah, Attorney General Merrick Garland, who is Jewish, spoke at the lighting of the massive “National Menorah” placed on the Ellipse in front of the White House by Chabad-Lubavitch.

He described how his grandmother found refuge in the United States and how two of her siblings perished in the Holocaust. “The protection of the rule of law is the foundation of our system of government,” he said at the lighting. “As attorney general, I will never stop working to guarantee that protection to everyone in our country. All of us at the Department of Justice will never stop working to confront and combat violence and other unlawful acts, fueled by hate.”

The message of permanent refuge was a welcome one, but the degree to which it sank in varied.

Wiliam Daroff, the CEO of the Conference of Presidents of Major American Jewish Organizations, contrasted Biden’s warm welcome with President Franklin Delano Roosevelt’s could shoulder to the rabbis who arrived at the White House in 1943 to appeal on behalf of Jews in Nazi-occupied Europe. “We’re standing here in the citadel of freedom and democracy, where the entire White House is focused on the Jewish people, on the Jewish story of survival,” Daroff said, “where the food is kosher. “

After Monday’s event, celebrants met for an after-party organized by the Jewish Democratic Council of America in the basement of the storied Hamilton hotel. They ate kosher-style sushi, slurped up cocktails (“The Gelty Pleasure”, a mix of Bailey’s, Kahlua, Demerara syrup and cold brew coffee was $14.99) and shared anxieties about America’s uncertain future, particularly in the wake of former President Donald Trump’s recent dalliance with open antisemites Kanye West and Nick Fuentes.

“Despite what we saw in the White House tonight, antisemitic incidents are on the rise in this country and not just those hateful comments that we hear,” Rep. Kathy Manning, a Jewish Democrat from North Carolina told the partygoers, “but violent attacks in synagogues, in Jews on the street across the country and frankly, throughout Europe.”

 


The post The White House celebrates Hanukkah in the shadow of rising antisemitism appeared first on Jewish Telegraphic Agency.

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Trump administration says 2nd phase of Gaza ceasefire is underway, despite Israeli hostage remaining

(JTA) — Middle East envoy Steve Witkoff announced on Wednesday the beginning of the second phase of the U.S.-brokered ceasefire deal between Israel and Hamas, which includes a transitional Palestinian committee to oversee Gaza’s governance.

The announcement drew alarm from the family and advocates of Ran Gvili, a police officer murdered on Oct. 7, 2023, who is the final Israeli hostage remaining in Gaza.

“Moving to phase two at this moment, while the efforts to return Ran have yet to be exhausted, is a loss of the most significant leverage and may be a sentence of eternal disappearance for Ran,” Gvili’s mother, Talik, said in a statement. “Until Ran is returned, the State of Israel will not be able to close its most bloody wound and will not be able to begin the rehabilitation and healing that it so desperately needs. Phase two must not be implemented as long as Ran has not returned home.”

Israeli officials have reportedly assured the family that the advance in the U.S.-engineered plan for Gaza does not undercut pressure to return Gvili’s body. The second phase was supposed to start as soon as all living and dead hostages had been returned, which the original agreement struck in October said should happen immediately.

Witkoff’s announcement follows repeated signals from President Donald Trump that the second phase was imminent, despite allegations of truce violations from both Israel and Hamas.

“Today, on behalf of President Trump, we are announcing the launch of Phase Two of the President’s 20-Point Plan to End the Gaza Conflict, moving from ceasefire to demilitarization, technocratic governance, and reconstruction,” Witkoff wrote in a post on X.

Witkoff said the second phase established a “transitional technocratic Palestinian administration in Gaza,” and would begin the “full demilitarization and reconstruction of Gaza.” The leader of the administration is a former Palestinian Authority deputy minister named Ali Abdel Hamid Shaath.

In a joint statement, the other mediators of the ceasefire deal — Egypt, Turkey and Qatar — wrote that the second phase was an “important development … aimed at consolidating stability and improving the humanitarian situation in the Gaza Strip.”

The details of how Hamas will be disarmed — a requirement for a permanent peace — remain unclear. Hamas has not agreed to lay down its arms, and fighting in Gaza has continued in fits and starts, including in areas controlled by Israel.

Last month, Israeli Prime Minister Benjamin Netanyahu met with Trump at his Mar-a-Lago estate where the president said that Hamas would be given “a very short period of time to disarm.”

Witkoff indicated in his post that the move to phase two did not preclude consequences for Hamas. He did not specify any, but Israeli officials are reportedly preparing for a potential major Gaza City operation this spring.

“The US expects Hamas to comply fully with its obligations, including the immediate return of the final deceased hostage,” Witkoff wrote. “Failure to do so will bring serious consequences.”

Israeli officials offered a muted response to Witkoff’s announcement, which comes as Israel is preparing for a possible new confrontation with Iran. Netanyahu reportedly sought to cast the announcement as symbolic only.

Some liberal pro-Israel groups offered cautious praise while emphasizing that more needed to be done for a lasting peace.

Brian Romick, the president and CEO of the Democratic Majority for Israel, called the second phase a “welcome step,” but called for the return of Gvili’s remains and increased aid in Gaza. He also called for Hamas to be “fully disarmed” and have no role in Gaza’s governance.

“The Trump administration and the international community must remain focused on enforcing demilitarization, supporting responsible governance, and ensuring that this effort delivers lasting security for Israel and the region,” Romick said.

The president of the liberal Zionist advocacy and lobby group J Street, Jeremy Ben-Ami, also welcomed the announcement in a statement, but called for “prioritizing civilian protection, ensuring the steady flow of humanitarian aid and establishing accountable governance and security arrangements.”

“We support the plan’s focus on Hamas’ demilitarization, Palestinian technocratic governance and reconstruction, and believe that serious diplomacy and international cooperation are essential to saving lives and keeping open a path toward a better future for Israelis and Palestinians rather than endless war,” said Ben-Ami.

The post Trump administration says 2nd phase of Gaza ceasefire is underway, despite Israeli hostage remaining appeared first on The Forward.

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A Yale student returns to class, with a Jewish question (and answer) about why she’s there

“We’re back with the books, in silent rooms, where the world is made of words, like so many before us — and I can’t stop wondering why,” writes Mia Rose Kohn, a cartoonist, journalist and junior studying at Yale University.

In this first installment of a graphic column for the Forward, she draws from the great works of the Jewish Enlightenment to theorists of the modern era, as she asks herself — and us — “If education is a Jewish value, what does Jewish thought have to say about why we’re here?”

The post A Yale student returns to class, with a Jewish question (and answer) about why she’s there appeared first on The Forward.

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He works at a Holocaust museum by day. How’d he end up in ‘Marty Supreme’?

Heading into his audition for Marty Supreme, Isaac Simon was nervous. But not for the reasons you’d expect.

“I was taking a long lunch break from the museum,” he said, “and at the time I was three or four months into my job.”

Appearing in a Josh Safdie movie was something Simon, who runs internship programs at the Museum of Jewish Heritage, had genuinely never dreamed of. He wasn’t an actor, or an aspiring one. He’d never taken an acting class or been in front of a camera.

But two years after he was scouted at a baseball card convention, Simon was invited to try out for the role of Roger, a cocksure amateur who gets hustled on the ping-pong table by Timothée Chalamet’s Marty Mauser. Standing 6-foot-9 with ice-blue eyes, low eyebrows and flowing brown hair, Simon had the look, the paddle skills and, clearly, the temperament to land a pivotal part in an Oscar-bound — and richly Jewish — cinematic hit.

“I don’t get starstruck,” Simon, 31, said. “I get excited.”

Isaac Simon wore a Museum of Jewish Heritage pin to the premiere. Photo by Theo Wargo/Getty Images

The slew of non-actors who feature in Marty Supreme alongside A-listers like Chalamet, Gwyneth Paltrow and Tyler, The Creator has already become part of the film’s lore. Safdie and veteran casting director Jennifer Venditti have a penchant for casting street regulars; among the first-timers in the movie are basketball legend George Gervin, viral TikTok and YouTube personas and the guy from Shark Tank.

But perhaps none had as personal a connection to the film’s story of post-war Jewish striving as Simon, a native New Yorker whose graduate study at Queens College focused on the development of Holocaust studies in the U.S. In Marty Supreme, which is loosely based on the story of real-life midcentury table tennis star Marty Reisman, one of the protagonist’s best friends is a Holocaust survivor; one of the film’s most arresting scenes is an Auschwitz flashback.

Simon’s day job is, of course, at the largest Holocaust museum in New York. The fateful coincidence of his casting, Simon said, was “like a bizarre lottery ticket I was able to cash in.”

A fateful encounter

The story of Simon’s star turn begins in the summer of 2022, when Venditti spotted him at a baseball card show in Long Island. Venditti was there with Safdie; Simon — then still in grad school — was there with his dad.

Venditti said they was there to cast extras and non-actors for a baseball-related movie, and asked if she could take a two-minute video of him talking about himself. He obliged, and in the recording told her where he was from (New York City) and what he was doing at the show (chasing the famously rare T206 tobacco card series).

“I thought to myself, ‘Wow, could I really have been at the right place and the right time for something I wasn’t even expecting?’” Simon recalled. Then two years passed, and the run-in faded from memory.

It was not until the summer of 2024 that he received an email from Venditti: “Isaac Simon audition opportunity – scouted at card show.” No script was provided and nothing about the project was disclosed — just a date and a location.

On his elevator up to the audition, he heard the hollow bouncing of a ping-pong ball. Having seen a headline about Chalamet being attached to a Reisman biopic a few days earlier, he realized what the next few minutes might entail.

“The first audition was a total blur,” Simon recalled. “I remember playing ping pong with the assistant casting director and he was like, ‘Oh you’re good!’” At a subsequent callback, he played out a few improv scenarios — some light trash talking, or being cheated in a game. A few weeks later, he got called in for costume fittings.

He hadn’t solicited any acting tips, or studied film prior to his audition. But his work at the museum, where he trains educators on how to teach the Holocaust in 90 minutes, had prepared him.

“Because teaching is a performance, there is sort of an inherent performative quality to the work I do,” Simon said. “And so I think that that lent itself well — or at the very least, it didn’t hurt — to the work I was being asked to do for Josh.”

“Marty Supreme” director Joshua Safdie (R) gives direction to Tyler, The Creator at the bowling alley where Simon’s scene was filmed. Courtesy of A24

‘Cast for a reason’

Having run through his lines with his dad and his girlfriend, Simon headed upstate that fall to play Roger — and play opposite Chalamet. (This time, he took two days off of work.)

Roger, the reigning hotshot at a humdrum bowling alley, features in two scenes. In the first, he’s goaded into wagering $40 against Marty, who’s feigning amateurism, and loses. He reappears a few minutes as Marty fills up at a nearby gas station, realizing he was hustled by the reigning American champion; he and his pals want their money back.

Walking into the converted Bowlero where they shot the first scene, Simon was floored by the set. “Each individual looked like they were from the 1950s, and yet their outfit was distinctly their own,” he recalled. Miyako Bellizzi, the costume designer, had fitted him in a striped button-up and faded blue work pants; Simon’s hair was slicked back and to the side.

He hadn’t met Safdie before he got to set, and his cues from the Uncut Gems co-director were limited.

Over the course of his scenes, there were times when he wasn’t sure he was doing what Safdie wanted. Here, it was his inexperience that Simon drew on. “I kept reminding myself that I was cast for a reason, and I was cast as a non-actor for a reason,” he said, “and what I’m bringing to this experience is inherently different than what a trained actor would be. Therefore, if I were a trained actor, I would not be what Josh was looking for in the scenario.”

He didn’t have too much time to banter with the film’s stars during the shoot; most of his time on set was spent with other bit-players. But when the camera was shooting other actors, Safdie wanted to keep the sound of live table tennis in the background, so he had Chalamet and Simon play each other off-camera.

As to who had the upper hand? “We’re probably about even,” Simon said.

“Marty Supreme” casting director Jennifer Venditti has a penchant for scouting non-actors in public places. Courtesy of A24

Jewish mythmaking

Even after the shoot, Simon couldn’t quite believe it was real. He told almost no one outside his family, superstitious that the scene would get cut. But then the premiere arrived. “It was surreal,” he said.

He’s now seen the film nine times — yes, all the way through — indulging friends who want to see it with him. And his acting has won some praise, with one X post calling it an “incredible underrated performance” liked more than 2,000 times.

Simon likes the movie, if you couldn’t tell, echoing its director and star in calling it a love letter to New York. The film, Simon said, touches on Jewish identity in a way that reminds him of his own family and their experience in this country.

“The way in which it captured intergenerational relationships in Jewish homes in post-war America, in New York specifically, felt very autobiographical for the way that my relatives talked amongst each other,” he said. “There’s a love there that transcends.”

As a Holocaust educator, Simon felt the movie handled that theme appropriately. He found the honey scene — an Auschwitz flashback too intense to explain here — moving, and the Holocaust humor tactfully dispatched. He loved the yiddish.

Yet Simon still couldn’t wrap his head around his own involvement in such a fitting project. His work passing on the history and memory of the Holocaust to future generations was already meaningful before he got an IMDB page.

“So to be cast in a film and have a speaking line,” he said, “and it just so happens that that film is also this incredibly Jewish film — which has direct references in the scene at Auschwitz — is equally bizarre, but also really beautiful, and oddly perfect.”

The post He works at a Holocaust museum by day. How’d he end up in ‘Marty Supreme’? appeared first on The Forward.

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