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Weinstein approached me ‘Jew to Jew’: Jodi Kantor opens up on the ‘She Said’ movie’s Jewish moments
(JTA) — When the New York Times journalist Jodi Kantor was reporting the 2017 Harvey Weinstein sexual assault story that earned her a Pulitzer prize, the powerful Hollywood producer and his team tried to influence her by using something they had in common: They are both Jewish.
“Weinstein put [Jewishness] on the table and seemed to expect that I was going to have some sort of tribal loyalty to him,” Kantor told the Jewish Telegraphic Agency on a video call from the New York Times newsroom. “And that was just not going to be the case.”
Now, that exchange has been immortalized in “She Said,” a new film adaptation of the nonfiction book of the same name by Kantor and her collaborator Megan Twohey that details their investigation into Weinstein’s conduct, which helped launch the #MeToo movement.
The film, directed by Maria Schrader with stars Zoe Kazan as Kantor and Carey Mulligan as Twohey, is an understated thriller that has drawn comparisons to “All the President’s Men” — and multiple subtle but powerful Jewish-themed subplots reveal the way Kantor’s Jewishness arose during and at times intersected with the investigation.
In one scene, the Kantor character notes that a Jewish member of Weinstein’s team tried to appeal to her “Jew to Jew.” In another, Kantor shares a moving moment with Weinstein’s longtime accountant, the child of Holocaust survivors, as they discuss the importance of speaking up about wrongdoing.
Kantor, 47, grew up between New York and New Jersey, the first grandchild of Holocaust survivors — born “almost 30 years to the day after my grandparents were liberated,” she notes. She calls her grandmother Hana Kantor, a 99-year-old Holocaust survivor, her “lodestar.” Kantor — who doesn’t often speak publicly about her personal life, including her Jewish background, which involved some education in Jewish schools — led a segment for CBS in May 2021 on her grandmother and their relationship. Before her journalism career, she spent a year in Israel on a Dorot Fellowship, working with Israeli and Palestinian organizations. She’s now a “proud member” of a Reform synagogue in Brooklyn.
Kantor spoke with JTA about the film’s Jewish threads, the portrayal of the New York Times newsroom and what Zoe Kazan’s performance captures about journalism.
This interview has been edited and condensed for clarity and length.
JTA: How did you feel having Zoe Kazan, who is not Jewish, play you? Kazan has played some notably Jewish characters before, for example in the HBO miniseries “The Plot Against America.”
JK: I feel Zoe’s performance is so sensitive and so layered. What I really appreciate about her performance is that she captures so many of the emotions I was feeling under the surface in the investigation. You know, when you’re a reporter and especially a reporter handling that sensitive a story, it’s your responsibility to present a really smooth professional exterior to the world. At the end of the investigation, I had the job of reading Harvey Weinstein some of the allegations and really confronting him. And in dealing with the victims, I wanted to be a rock for them and it was my job to get them to believe in the investigation. And so on the one hand, you have that smooth, professional exterior, but then below that, of course you’re feeling all the feelings. You’re feeling the power of the material, you’re feeling the urgency of getting the story, you’re feeling the fear that Weinstein could hurt somebody else. You’re feeling the loss that these women are expressing, including over their careers. And so I think Zoe’s performance just communicates that so beautifully.
What Zoe says about the character is that there are elements of me, there are elements of herself, and then there are elements of pure invention because she’s an artist, and that’s what she does.
I think the screenplay gets at a small but significant line of Jewish sub-drama that ran through the investigation. It went like this: Harvey Weinstein and his representatives were constantly trying to approach me as a Jew. And they’ve done this more recently, as well. There have been times when Harvey Weinstein was trying to approach me “Jew to Jew,” like almost in a tone of “you and I are the same, we understand each other.” We found dossiers later that they had compiled on me and it was clear that they knew that I was the grandchild of Holocaust survivors, and they tried to sort of deploy that. So speaking of keeping things under the surface, I privately thought that was offensive, that he was citing that. But your job as a reporter is to be completely professional. And I wasn’t looking to get into a fight with Weinstein. I just wanted to find out the truth and I actually wanted to be fair to the guy. Anyway, even as he was approaching me “Jew to Jew” in private, he was hiring Black Cube — sort of Israeli private intelligence agents — to try to dupe me. And they actually sent an agent to me, and she posed as a women’s rights advocate. And she was intimating that they were going to pay me a lot of money to appear at a conference in London. Luckily I shooed her away.
To some degree I can’t explain why private Israeli intelligence agents were hired to try to dupe the Hebrew speaking, yeshiva-educated, granddaughter of Holocaust survivors. But it’s not my job to explain that! It’s their job to explain why they did that.
Then the theme reappeared with Irwin Reiter, Weinstein’s accountant of 30 years, who kind of became the Deep Throat of the investigation. I quickly figured out that Irwin and I were from the same small world. He was the child of survivors, and had also spent his summers at bungalow colonies in the Catskills just down the road from mine. I don’t bring up the Holocaust a lot. It’s a sacred matter for me, and I didn’t do it lightly. But once I discovered that we did in fact have this really powerful connection in our backgrounds, I did gently sound it with him – I felt that was sincere and real. Because he was making such a critical decision: Weinstein’s accountant of 30 years is still working for the guy by day and he’s meeting with me at night. And I felt like I did need to go to that place with him, saying, “Okay, Irwin, we both know that there are people who talk and there are people who don’t. And we both grew up around that mix of people and what do we think is the difference? And also if you know if you have the chance to act and intervene in a bad situation, are you going to take it?”
We didn’t talk a lot about it, because I raised it and he didn’t want to fully engage. But I always felt like that was under the surface of our conversations, and he made a very brave decision to help us.
That was a very powerful scene in the film, and it felt like a turning point in the movie that kind of got at the ethical core of what was motivating your character. Was that a scene that was important to you personally to include in the film?
What Megan and I want people to know overall is that a small number of brave sources can make an extraordinary difference. When you really look at the number of people who gave us the essential information about Weinstein, it’s a small conference room’s worth of people. Most of them are incredibly brave women, some of whom are depicted, I think, quite beautifully in the film. But there was also Irwin, Weinstein’s accountant of all these years, among them. It’s Megan and my job to build people’s confidence in telling the truth. And as we become custodians of this story for the long term, one of the things we really want people to know is that a tiny group of brave sources, sometimes one source, can make a massive difference. Look at the impact that these people had all around the world.
Did you feel the film captured the New York Times newsroom? There’s a kind of great reverence to the toughness and professionalism in the newspaper business that really came through.
Megan and I are so grateful for the sincerity and professionalism with which the journalism is displayed. There are a lot of on screen depictions of journalists in which we’re depicted as manipulative or doing things for the wrong reasons or sleeping with our sources!
We [as journalists] feel incredible drama in what we do every day. And we’re so grateful to the filmmakers for finding it and sharing it with people. And I know the New York Times can look intimidating or remote as an institution. I hope people really consider this an invitation into the building and into our meetings, and into our way of working and our value system.
And we’re also proud that it’s a vision of a really female New York Times, which was not traditionally the case at this institution for a long time. This is a book and a movie about women as narrators.
“Harvey Weinstein and his representatives were constantly trying to approach me as a Jew,” Kantor said. (The New York Times)
There have been comparisons made between this movie and “All the President’s Men.” One of the striking differences is that those journalists are two male bachelors running around D.C. And this film has scenes of motherhood, of the Shabbat table, of making lunches. What was it like seeing your personal lives reflected on screen?
It’s really true that the Weinstein investigation was kind of born in the crucible of motherhood and Megan and my attempt to combine work with parenting. On the one hand, it’s the most everyday thing in the world, but on the other hand, you don’t see it actually portrayed on screen that much. We’re really honored by the way that throughout the film you see motherhood and work mixing, I think in a way that is so natural despite our obviously pretty stressful circumstances.
I started out alone on the Weinstein investigation, and I called Megan because movie stars were telling me their secrets but they were very reluctant to go on the record. So I had gone some way in persuading and engaging them, but I was looking to make the absolute strongest case for them. So I called Megan. We had both done years of reporting on women and children. Mine involved the workplace more and hers involved sex crimes more, which is part of why everything melded together so well eventually. I wanted to talk to her about what she had said to female victims in the past. But when I reached her, I could hear that something was wrong. And she had just had a baby, and I had had postpartum depression myself. So we talked about it and I gave her the name of my doctor, who I had seen. Then she got treatment. And she not only gave very good advice on that [initial] phone call, but she joined me in the investigation.
I think the theme is responsibility. Our relationship was forged in a sense of shared responsibility, primarily for the work – once we began to understand the truths about Weinstein, we couldn’t allow ourselves to fail. But also Megan was learning to shoulder the responsibility of being a parent, and I had two kids. And so we started this joint dialogue that was mostly about work, but also about motherhood. And I think throughout the film and throughout the real investigation, we felt those themes melding. It’s totally true that my daughter Tali was asking me about what I was doing. It’s very hard to keep secrets from your kid in a New York City apartment, even though I didn’t tell her everything. And Megan and I would go from discussing really critical matters with the investigation to talking about her daughter’s evolving nap schedule. It really felt like we had to get the story and get home to the kids.
And also, we were reporting on our own cohort. A lot of Weinstein victims were and are women in their 40s. And so even though we were very professional with this and we tried to be very professional with the sources, there was an aspect of looking in the mirror. For example, with Laura Madden, who was so brave about going on the record, it was conversations with her own teenage daughters that helped her make her decision.
We didn’t write about this in our book because it was hard to mix the motherhood stuff with this sort of serious reporter-detective story and all the important facts. And we didn’t want to talk about ourselves too much in the book. But the filmmakers captured something that I think is very true. It feels particular to us but also universal. When Zoe [Kazan] is pushing a stroller and taking a phone call at the same time, I suspect lots of people will identify with that. And what I also really like is the grace and dignity with which that’s portrayed.
It must have been surreal, seeing a Hollywood movie about your investigation of Hollywood.
I think part of the power of the film is that it returns the Weinstein investigation to the producer’s medium, but on vastly different terms, with the women in charge. Megan and I are particularly moved by the portrayals of Zelda Perkins, Laura Madden and Rowena Chiu — these former Weinstein assistants are in many ways at the core of the story. They’re everyday people who made the incredibly brave decision to help us, in spite of everything from breast cancer to legal barriers.
Working with the filmmakers was really interesting. They were really committed to the integrity of the story, and they asked a ton of questions, both large and small. Ranging from the really big things about the investigation to these tiny details. Like in the scene where we go to Gwyneth Paltrow’s house and Megan and I discover we’re practically wearing the same dress — those were the actual white dresses that we wore that day. We had to send them in an envelope to the costume department, and they copied the dresses in Zoe and Carey’s sizes and that’s what they’re wearing. There was a strand of extreme fidelity, but they needed some artistic license because it’s a movie. And the movie plays out in the key of emotion.
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Donald Trump actually faced a few tough questions on ’60 Minutes.’ So, why does Marine Le Pen get a pass?
Last Sunday, the news show “60 Minutes” hosted an outgoing president of one country and, quite possibly, the incoming president of another. While falsehoods and fatuities flowed from President Donald Trump, his interviewer, Ross Douthat frequently, if futilely, tried to push back. Yet when Marine Le Pen, running for the presidency of France, also fibbed or fudged the truth, her interviewer, Trevor Phillips, did little more than arch an eyebrow.
This split-screen experience was unsettling for a few reasons. First, it reminded us that our president’s famous “weave” reflects a mind that is declining as surely as his poll numbers. A glance at the interview transcript reflects the deepening incoherence of the man who occupies the world’s most powerful office. This made all the most startling the cogency of his reply to a question Douthat posed at the end of the interview: whether he could stop hating his enemies if that was the price to enter heaven. To a flabbergasted Douthat, Trump replied, “I probably cannot do that, no, because I do hate some of my enemies and I always will.”
While no one can say whether Trump is destined for heaven or hell, Le Pen’s remarks in her interview suggest that she will make life hell for those men and women who fail to qualify, in her eyes, as French.
Yet, in his interview, Trevor Phillips, formerly of The (London) Times and a recent Bari Weiss recruit, failed to make this as clear as a Mike Wallace, a Dan Rather, or a Scott Pelley would have. Nattily dressed and well-spoken, Phillips presented a segment on the violence that has “erupted in Paris’ romantic boulevards” where “the scent of warm croissants and fresh baguettes has been overwhelmed by the whiff of tear gas.”
Overwhelmed by the weight of silly clichés, Phillips could not help but add “They used to call Paris la ville de l’amour — the City of Love. But there hasn’t been much amour on show lately.” While Phillips does not state who “they” are — given the hoariness of the clichés, perhaps they asked to remain anonymous — he should think twice about his assertion that there is not much love. Of course, the protestors are expressing their anger towards the government of President Emmanuel Macron, but they are also expressing their deep attachment, even love, to the republican tradition that has made Paris la ville de la révolution.
More important than his potted account of the social upheavals in Paris, however, was Phillips’ problematic interview with Le Pen. “In 2011,” he explained, “Le Pen took over leadership of what was then a fringe movement from her father, a tough army veteran convicted and fined for Holocaust denial and hate speech.” Yet nine years earlier, in 2002, Jean-Marie Le Pen, the candidate of this “fringe party” then called the National Front, made it into the second round of the presidential election. Though Le Pen failed to make it into the second round in 2007, that more than 4 million French voted for him suggests that his party and person were hardly fringe. It is also odd that while Phillips noted Le Pen’s Holocaust denialism, he omitted Le Pen’s confession that he had tortured Algerian captives while serving in French Algeria.
No less stunning was Phillips’ description of Marine Le Pen’s decision to banish her father from the party in order “to rid it of its stain of bigotry.” If only it were mere bigotry. The National Front was founded, in part, by former members of the French division of the Waffen SS and sympathizers of the wartime collaborationist regime of Vichy. While the daughter has largely succeeded in removing these elements from the party, which she rebranded as the National Rally, she has not removed the “stain” of antisemitism. Little more than a month ago, the French newspaper Mediapart revealed that Le Pen’s second-in-command, Jordan Bardella, was trafficking in antisemitic bilge even after he joined the party as a teenager.
Time and again, Phillips posed questions but had not adequately prepared for Le Pen’s predictable replies. When he asked, in his opening question, “What is happening in Europe? Has politics here just become more radical?” Le Pen answered that “the extreme left creates chaos. They generate violence against people.” If Phillips had done his due diligence, he would have confronted Le Pen with the recent study by the historian Nicolas Lebourg revealing that while six murders in France since 1986 were “generated” by the extreme left, nearly sixty were “generated” by the extreme right. Phillips might also have mentioned last month’s mass killing and wounding of French Muslims in the town of Trappes by an individual who marinated in the literature of the extreme right.
Finally, when Le Pen made the jaw-dropping claim that “discrimination does not exist in France” and, moreover, is “the least racist country in the world,” Phillips did, in fact, raise an eyebrow while repeating her words. But it would have been more effective, perhaps, to raise the findings of various organizations, like the Defenseur des droits, which concluded in 2024 that the “perceived origin” of a job applicant weighs more than any other factor in hiring decisions in France.
As for his lack of follow-up questions to Le Pen’s assertion that France is the world’s least racist country, Phillips’ professional malfeasance was made fully manifest. In every presidential campaign, Le Pen has committed to establishing the law of national priority, which in effect would constitutionalize a racist agenda. Based on the extreme rightwing hobbyhorse of the “great replacement” — namely, that France’s white population is deliberately being replaced by third world immigrants — the law will limit employment opportunities, social and housing benefits to French citizens. Such a law not only runs counter to the laws of the European Union, but also to the humanist and universalist grounding of France’s constitution.
Phillips failed to contest this claim. Ironically, he closed the interview with Le Pen’s assurance that “French people have got to know me.” If only Phillips had done so, as well.
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The post Donald Trump actually faced a few tough questions on ’60 Minutes.’ So, why does Marine Le Pen get a pass? appeared first on The Forward.
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Israel’s parliament sworn in as leaders scramble to form a government
(JTA) — JERUSALEM – Israel’s 26th Knesset, or parliament, was sworn in on Tuesday, even as national elections two weeks ago produced no clear winner or indication of who will be Israel’s next prime minister.
On Sunday, President Isaac Herzog officially tasked former IDF chief and political novice Gadi Eisenkot with forming the government after a majority of newly elected lawmakers said they would prefer him as prime minister.
Incumbent Prime Minister Benjamin Netanyahu lost his parliamentary majority in the vote, even though his party, Likud, remained the largest of those entering the Knesset with 27 seats in the 120-member parliament.
Netanyahu has called on Eisenkot to join him in forming a national unity government, but in his ceremonial toast in the Knesset on Tuesday he ended up pushing Eisenkot’s change bloc even further away from the idea of a unity government under his leadership by casting suspicions on all of their potential partners in a future government.
Eisenkot and his bloc of four parties – his own Yashar Party, B’Yachad headed by former prime ministers Naftali Bennett and Yair Lapid, Avigdor Liberman’s Yisrael Beitenu, and the Democrats led by Yair Golan – have campaigned on a promise to change the current government and the prime minister. Following Netanyahu’s speech, Eisenkot said in a statement that now he was even more certain that change was needed.
Eisenkot’s bloc garnered 48 seats in the election, and since then has drawn additional support from the two Arab parties, which together hold 19, and an expression of support from United Torah Judaism, an ultra-Orthodox party previously aligned with Netanyahu. The extra support gives him a shaky majority in the Knesset.
Eisenkot has reiterated that any party, including Likud, is welcome to join him as long as they embrace his four conditions: Recognition of Israel as a Jewish and democratic state, acceptance of the values of the Declaration of Independence, mandatory military or civilian service for all, and recognition of Hamas as a terrorist organization.
Ilana Shpaizman, a senior lecturer in the Department of Political Studies at Bar-Ilan University, told the Jewish Telegraphic Agency that even though a new government has not yet been formed, “the Knesset can act on everything.”
“The Knesset can do oversight, the same thing as it did before; it can also pass legislation… but only private legislation and not government legislation,” she said, adding that the current government under Netanyahu will continue to function until it is replaced, just without the majority it had previously.
Shpaizman added that even if Eisenkot does not succeed in forming a government, and the country goes to another election, the Knesset sworn in on Tuesday will have at least six months to legislate as it chooses.
“This is a lot of time to legislate, so this is very important, and especially things like the finance committee, which can control the budgetary transitions of the government,” she pointed out.
Opening the Knesset swearing-in ceremony, Herzog called on the new Knesset members to “do everything possible to avoid another round of elections.”
“The people who chose you long for routine, security and tranquility,” the president said, outlining many of the challenges that Israel has faced over the past three years.
“The people you represent here yearn to see an outstretched hand that will bring unity to the nation and hope,” Herzog said. “A people that carries within it pain, devotion, and sacrifice longs to see you translate those strengths into cooperation, into unifying dialogue, and into listening.”
He added: “I ask of you: be measured toward one another. Reach out a hand for compromise, even between rivals. Look upon one another with generosity. There is much work to be done here, and it requires the ability and experience found in every part of this House.”
Before the swearing-in ceremony, each of the 11 elected parties held its first faction meeting in the Knesset. Eisenkot took the opportunity to announce that his bloc had reached agreements on nominations for key Knesset positions.
Former minister and incoming MK Matan Kahana from Yashar is slated to be the next Knesset speaker, a powerful position that sets the Knesset plenum’s daily agenda. MK Roy Folkman, also from Yashar, will be nominated as chairman of the Arrangements Committee, which is responsible for organizing the Knesset’s work at the beginning of its term.
In addition, Liberman will take over as chairman of the Foreign Affairs and Defense Committee, and MK Liran Avisar Ben-Horin from B’Yachad, will be nominated head of the Finance Committee, another powerful role.
As soon as the swearing-in ceremony concluded, Eisenkot’s party announced that it had submitted a series of bills that would reverse some of the more controversial laws passed by the previous government, including those relating to the judicial overhaul plan.
In addition, a bill was submitted calling for the establishment of a State Commission of Inquiry to investigate Hamas’s Oct. 7 massacre and how it was allowed to happen.
Of the 120 Knesset members sworn in on Tuesday, 46 are new to the parliament and roughly one in ten members has buried a loved one lost to terror or war, including Eisenkot whose son and two nephews were killed in combat.
According to statistics shared by Herzog in his speech, the most veteran Member of Knesset is Netanyahu, who has served in 15 Knessets since 1988, while MK Yonatan Shalev, a member of B’Yachad, is the youngest MK. At 24 years old, Shalev breaks a 66-year-old record.
In addition, the 5050 Initiative of the Centers for Social Justice, an Israeli non-profit, said in a statement that the new Knesset would set “an all-time record for the number of women serving in the Knesset: 33.”
“Today is a very good day for democracy because the new Knesset is being sworn in,” Shpaizman said. “It means that the election was fair and was peaceful.”
“I think the previous Knesset got to a point where the trust in it as an institution was the lowest ever, so it is a very good thing that new people are entering, new people who come in good faith from both sides who want to bring change and to make Israel better,” she added.
This article originally appeared on JTA.org.
The post Israel’s parliament sworn in as leaders scramble to form a government appeared first on The Forward.
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Evan Gershkovich survived the terrors of prison in Putin’s Russia. Not every journalist was equally lucky.
This Cursed Beautiful Land
By Evan Gershkovich
Crown, 432 pages, $34
In Evan Gershkovich’s memoir This Cursed Beautiful Land, the Wall Street Journal reporter relives his ordeal to give readers a firsthand account of how Russia’s prisons and its repressive legal system operate under Putin’s wartime regime.
Gershkovich survived 491 days in the Russian prison system and was released as part of the largest prisoner exchange between Russia and the West since the end of the Cold War. His story echoes the way in which Dostoevsky escaped death by firing squad at the last minute. Tsar Nicholas I had already commuted his death sentence to four years of hard labor in Siberia, followed by military service, but ordered the execution to be staged anyway, right up until the soldiers took aim (one of the men condemned along with Dostoevsky lost his mind as а result). In July 2024, after a closed trial, Gershkovich was convicted of espionage and sentenced to 16 years, only to be freed less than two weeks later.

In February 2022, when Russia launched its full-scale war in Ukraine, Gershkovich was at a high point in his career. He had just joined The Wall Street Journal and, he writes, “was itching to get into the action.” Russia can be especially cruel to this kind of daring.
Gershkovich calls his work as a foreign correspondent a kind of “voyeurism” — and his time in captivity “the ultimate voyeurism” — and admits that he was addicted to the adrenaline. The notion that he was being tailed by Russia’s security service felt energizing. The more action happened around him, the more alive he felt.
In his memoir, he describes how the Russian authorities’ attitude toward reporters for foreign media outlets changed drastically. For years, he writes, the unspoken rule was that foreign reporters could cover topics Russian journalists couldn’t, and would be safe doing so. After Russia’s invasion, the government passed a whole raft of new laws against free speech; independent Russian journalists had three options: go underground and work anonymously (and many are still doing exactly that despite all the personal risks), leave the country, or go to prison.
An ‘undesirable’ journalist
For my part, I tried to stay in Russia for as long as I could. I worked anonymously as a reporter for the investigative outlet Proekt, the first Russian media outlet labeled an “undesirable organization” (this status means that anyone who takes part in its work can be prosecuted and face up to four years in prison). While all my colleagues had already been forced to leave the country, I stayed to report from the inside of Russia on the corruption inside Putin’s inner circle and among the elites that supported the bloodbath in Ukraine. I also reported on the human and economic cost of the war for other Russian banned media.
As a volunteer, I tried to help Ukrainian war refugees, collecting and driving donated clothes, medications, hygiene products and other essentials in the temporary shelters, where people were forced to live with no money and no way to rent housing or find proper work.
On Feb. 4, 2023, I found my name on a Moscow court’s website: An administrative case had been opened against me for “discrediting” the Russian army. The evidence, I learned later, was an interview I had given to TV Rain, Russia’s last independent TV channel, which was banned by the authorities. I had gone on air to encourage more people to help refugees, and I talked about my anti-war tattoo, which I got as a reminder that “love and friendship are stronger than war” – those very words discredited the Russian army, according to the case files. A second such case led to a criminal charge that could have resulted in up to five years in prison. I knew I had done enough as a journalist to be charged under a whole range of other articles, including treason. By 5 a.m. the next day, I was in Tbilisi, Georgia. Less than two months later, Gershkovich was arrested.
‘How could I be so naive?’
Gershkovich writes that he believed he “had a responsibility to carry out since Russian citizens could no longer do the kind of reporting he could” and that the Russian authorities would more likely expel than arrest him: “The fact that I didn’t have a Russian passport gave me added confidence,” he says.
In early 2023, the WSJ reporter was working on several stories at once, including one on whether Russia’s war machine could sustain a long war, and another on Yevgeny Prigozhin, the Kremlin caterer-turned-warlord, whose Wagner Group had been recruiting prisoners into its ranks and posed a threat to the state’s monopoly on violence.
Gershkovich’s arrest in March 2023 officially marked the end of the period when foreign reporters could consider themselves immune. In wartime, they are seen as enemy spies and potential pawns in hostage diplomacy. As FSB (Putin’s trusted security service and the successor to the Soviet-era KGB) investigator Dmitry Sapunkov told Gershkovich, if they hadn’t gathered enough evidence to arrest him, they would have simply “poisoned” him: “In every country there are enemies that need to be put in prison or be eliminated,” an FSB investigator said.
That was no idle threat: Putin’s regime has a long history of poisoning its enemies. Alexei Navalny, Russia’s most prominent opposition leader, was poisoned twice — the second time fatally, in a penal colony above the Arctic Circle.
The FSB alleged that Gershkovich had been gathering classified information “on instructions from the CIA” about Uralvagonzavod, a major Russian defense plant that manufactures and repairs military equipment.
According to Gershkovich, union activist Pavel Sergienya had told him that he might be able to get information about the factory’s projects. They met at a steakhouse in Yekaterinburg, an industrial city in the Urals, and Sergienya showed Gershkovich notes about the increase in tank production. Moments later, a group of men in balaclavas descended on Gershkovich, handcuffed him, pulled a black sack over his head and forced him into a van. He tried to explain that he was a journalist, but one of them cut him off: “What would your government think if our journalists were working on this kind of article in your country?” they asked.
At the closed trial, as Gershkovich describes it, Sergienya, the prosecution’s key witness, testified that he had begun cooperating with the security service before meeting Gershkovich. In September 2025, the independent Russian media Mediazona identified Sergienya, a Uralvagonzavod employee and representative of the trade union Solidarity, as an FSB provocateur: He was also a key figure in the “terrorism” case against Andrei Vogel, a 65-year-old opposition activist from Nizhny Tagil.
Gershkovich berated himself for trusting Sergienya. “How did I not see it? How could I be so naive?” he asked himself. “‘’You can’t tell the story if you’re dead,’ a colleague had once told me,” he writes, “and now I thought of a coda: You can’t tell the story if you’re in prison either.”
Fortunately, he managed to tell it.
‘A valuable commodity’
Gershkovich is the son of Jewish immigrants who left the Soviet Union in the 1970s. His great-grandfather vanished after he was arrested in 1937, during Stalin’s Great Terror.
Among Russian journalists there is a shared understanding: In prison, you are of no use as a journalist; you become a burden and source of constant pain for your loved ones. Gershkovich shares similar thoughts from Lefortovo prison, where he is consumed with doubts about whether he’ll ever be swapped. He realizes that he might never again see his mother, who managed to provide him with kosher food (ahead of the start of Passover) even though he was “in a prison cell in the country she had chosen to leave.” “In that moment, I felt like I had done something unspeakably cruel,” he writes.
Gershkovich quotes Vasily Grossman on how an oppressive regime can dwarf a person: “Only people who never felt such force themselves can be surprised that others submit to it.” The WSJ reporter couldn’t be absolutely certain an exchange would ever happen or how many years he might have to spend in the prison cell; he was aware of the fate of Paul Whelan, a former US marine, convicted of espionage (charges he denied) and waiting for a swap since 2018.
In his small cell, the reporter is caught in the grip of a thousand-eyed Leviathan that keeps peering in at him: “With time, I would learn to recognize the eyes of each guard checking in on me, six times an hour, more than a hundred times a day.” Yet Gershkovich manages to reveal the human faces behind the function they play in the repressive system; he even makes conversation with his FSB investigator about the corruption of the Russian political system.
To protect the identities of his cellmates, he merges them into a composite character he calls “Seryoga,” who was accused of running an illegal weapons shop and had admitted his guilt. “On the outside, we would never have been friends,” Gershkovich writes. “But here, in these circumstances, we got along and he made me laugh.”
Seryoga, who considers himself an alpha male, tries to educate Gershkovich about the proper way to enter a cell (or khata in Russian prison jargon, which is also the Ukrainian word for a house): Never step over the threshold without wiping your feet on the rag by the door (hygiene is essential; as Seryoga put it, “we shit where we eat”), and be ready for the first questions: “What’s the trouble?” or “Is everything even in your life?” Both phrases mean “What are you in for?” That is, which article of the Russian Criminal Code were you charged under? The “uneven” articles, the so-called 130s, cover sex crimes such as rape and child sexual abuse. They automatically put a prisoner at the very bottom rung of the prison: Most likely, he will eat last and be subjected to sexual violence.
Seryoga also teaches his American cellmate the saying at the heart of the prison brotherhood in Russia: “From the soul, soulfully, into the soul. Hugged you, picked you up, and put you back down.” Gershkovich already knew the phrase “from the soul” when he was on the outside. It is shorthand for “thanks” — a vivid example of how prison slang has seeped into the Russian language and culture.
Gershkovich understood that in state custody he was seen as a “valuable commodity,” and that he hadn’t faced any real FSB interrogations: no beatings, no electrocutions, no waterboarding, no stringing up, no harassment. “They want to present a humane face to the world. They took a journalist who they know will write about the experience, so in the meantime they will treat him well,” he remembers thinking.
Gershkovich was kept safe because he was seen as leverage to secure the release of Vadim Krasikov, an FSB assassin, convicted for life in Germany of shooting dead an exiled Chechen rebel commander in a Berlin park in August 2019. In the last part of the memoir, Gershkovich that he felt “guilty” that because of him Krasikov was now free, and Putin was able to show the security services that if they committed to executing dangerous operations for him, he would have heir back.
Not every journalist swallowed up by Russia’s repressive machine is as lucky as Gershkovich. Ukrainian journalist Viktoriia Roshchyna was tortured to death in Russian custody. When her body was returned to Ukraine, her eyeballs, brain and part of her larynx were missing.
Another brick in the wall
Gershkovich calls Russia both “cursed and beautiful” and the country undoubtedly means a great deal to him. It’s where he found love (his girlfriend, Maria, is a well-known Russian journalist), made close friends, and did some very good reporting.
A Russian journalist would never tell an FSB interrogator that “people will rally in their support,” as Gershkovich did, but fortunately, he turned out to be absolutely right.
His defense lawyers, Tanya, Maria and Andrei, went through every procedural step, even though they knew a guilty verdict was a foregone conclusion. “What’s the point?” Gershkovich once asked them.
“One day all of this will come crumbling down,” Andrei told him. “Right now, we’re trying to preserve some semblance of a foundation from which to rebuild.” The stubborn work of the lawyers was a powerful form of a protest — perhaps the only one possible, without being locked away, in a dictatorship.
Maybe Gershkovich’s book will be one of the bricks in that rebuilding, too.
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