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Where to celebrate Passover in NYC: seders, art and matzah pizza
(New York Jewish Week) — Passover is practically here! This year the eight-day holiday begins with the first seder on the evening of Wednesday, April 5 and ends the evening of Thursday, April 13.
Passover celebrates the Israelites’ departure from Egypt and is celebrated with one or two nights of seders where guests retell the Exodus story, drink four cups of wine, eat elaborate meals and send the kids on a hunt for the afikomen, a piece of matzah set aside for “dessert.. Whether your favorite part of the holiday is testing different matzah or flourless cake recipes, singing at the seders or spending time with family, there is plenty to do (and to prepare for, before the week begins).
In case you don’t have plans for first or second night seders — or are interested in events going on throughout the week — read on for the New York Jewish Week’s holiday guide to celebrating Passover in the city.
City Winery’s 30th Annual Downtown Seder
On Sunday, April 2 at 1:00 p.m., join a cohort of celebrity New Yorkers like Dr. Ruth, comedian Modi Rosenfeld, Mayor Eric Adams and musician David Broza for City Winery’s Annual Downtown Seder, which takes place at their flagship location at Pier 57 (25 11th Ave). Tickets start at $85 and include four glasses of wine, a vegetarian meal and “15 musicians, comedians, [and] political thinkers.” The event can also be live streamed for free. Register here.
Seder in the Streets for Housing Justice
Join the left-leaning activist organizations Jews for Racial & Economic Justice and T’ruah for a pre-holiday celebratory meal and seder. The groups will be gathering in Tompkins Square Park on April 3 at 6:00 p.m., where they will share a meal and celebrate the holiday with houseless people in New York’s community, as well as talk about housing justice in the city. Find more information and register here.
Ohel Ayalah’s First Night Passover Seder
Ohel Ayalah will host a first night seder, customized for those in their 20s and 30s and ideal for New Yorkers who don’t have a regular synagogue membership. The community seder will be held in Prince George Ballroom (15 E. 27th Street) on April 5 at 6:30 p.m. with a wine tasting before at 6:00 p.m. Tickets are $96. Register here.
NYC Young Professionals Seder
Chabad Young Professionals will host seders on both nights starting at 8:00 p.m. on April 5 and 8:45 p.m. on April 6. Each seder will be an “interactive and meaningful experience with no prior Hebrew or Jewish knowledge necessary” and includes wine and four-course dinner. Tickets start at $100, or $200 for both nights. Location to be announced. Register and check for more information here.
Bonus: Find a Chabad seder in a neighborhood near you through their online portal.
Second Night Seder with Jewish Community Project Downtown
JCP Downtown is hosting a second night seder on Thursday, April 6 at 5:30 p.m in Tribeca at 146 Duane St. The seder will be led by Rabbi Deena Silverstone and includes wine, matzah and a kosher dairy meal. The seder will follow the fun, modern haggadah “Don’t Fuhaggadahboudit,” which attendees are welcome to take home with them afterwards. Open to all ages, tickets begin at $72. Register here.
Second Night Online Seder with My Jewish Learning
Rabbi Moishe Stiegmann and My Jewish Learning will host “A Night to Remember,” a second night online seder on Thursday, April 6 at 6:30 p.m. Tickets for the interactive, three-hour seder begin at $18. Register and find more information here.
Intergenerational Community Seder and Israeli Folk Dancing at 92NY
Rabbi Samantha Frank and Rebecca Schoffer will host 92NY’s community seder on Thursday, April 6 at 5:00 p.m. The seder, open to all ages and religious affiliations, will focus on singing and storytelling. Tickets start at $125 and include a full dinner, wine and dessert; the event will take place at the Y’s Buttenweiser Hall (1395 Lexington Ave). Find more information here.
Bonus: On Saturday, April 8, bring the family to the Y for a Passover Israeli Folk Dance Party, which will teach circle, partner and line dances. Tickets are $20, register here.
Asian Jewish Passover with the LUNAR Collective
The LUNAR Collective is partnering with Brooklyn’s Congregation Beth Elohim to host a Passover Shabbat meal the day after the seders on Friday, April 7 at 6:30 p.m. The program, which takes place at CBE (274 Garfield Pl.) will include an Asian Jewish fusion meal and a reading from an Asian Jewish Haggadah. The in-person event is pay-what-you-can. Click here to register.
Passover Pop-Up Exhibit at the Met
This fifteenth-century illuminated Hebrew manuscript copy of the Mishneh Torah will be on view during Passover at the Metropolitan Museum of Art. (Courtesy Metropolitan Museum of Art)
Join gallery curators at the Metropolitan Museum of Art (1000 Fifth Ave.) for a Passover pop-up exhibition on Monday, April 3 and Monday April 10, at 11 a.m. The gallery talk will feature two illuminated Hebrew manuscripts that date to the 15th-century Italian renaissance: the Mishneh Torah of Maimonides and the Rothschild Mahzor. The gallery talk is free with the price of admission. Find more information here.
Matzah Pizza Party for 20s and 30s
What’s better than a pizza party? A matzah pizza party! The Marlene Meyerson JCC Manhattan (334 Amsterdam Ave.) is hosting a matzah pizza party on Monday, April 10 at 7:00 p.m. for young professionals. The event is open to the public and features kitchen torches, kosher ingredients and wine. Tickets are $10; register here.
Looking for more choices? Find a local in-person or virtual seder through UJA Federation’s online portal, or check out the options curated by our partners at My Jewish Learning.
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The post Where to celebrate Passover in NYC: seders, art and matzah pizza appeared first on Jewish Telegraphic Agency.
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They told Willy Loman he was everything; ’twas a great American lie
The great innovation of Shakespeare’s King Lear is that its patriarch has no sons. This problem — Lear has a vast estate, and only daughters to inherit it — marks the onset of a disaster. Because the king has no obvious heir, he is able to remake his world as he sees fit. But his choice to split his kingdom between his three daughters, based on the degree of fealty they express toward him, is catastrophic. It can be argued that Lear suffers from an excess of liberty. Without a rulebook to follow, he wreaks destruction on the country he had hoped to preserve in his image.
Arthur Miller’s Death of a Salesman is a kind of American Lear. In the midcentury United States, every man can be his own king, leaving Willy Loman suffering from a version of Lear’s affliction. Willy has arrived at a time in life at which he is keen to secure his own legacy. Unlike Lear, he has only sons, and is painfully committed to having his first-born take on his mantle. But in the land of the free, he has perversely and perhaps unconsciously spent his life glorying in his ability to make the wrong choices.
Spoilers: Willy’s choice of how to bequeath his kingdom, such as it is, will work out almost as tragically as Lear’s.
A new Broadway production of Death of a Salesman, starring an excellent Nathan Lane as the archetypal failed American father, leans into the quasi-Biblical nature of this story. It is a tale for Americans to pray over: May we become wiser and stronger as a people by learning from our forefather’s mistakes. And it is a tale to atone over, as well. Just shy of eight decades since the play’s debut in 1949, there is a great and ever-mounting body of evidence to suggest we have done very little learning at all.
Death of a Salesman follows two days in the life of the Loman family, who live in Brooklyn and have, at long last, very nearly paid off their mortgage. But they have perhaps never felt more insecure. Bills are piling up. Willy’s job as a traveling salesman has stopped paying him a salary. In his 60s, he is beginning to feel his age, and as he works for scant commissions, he’s started to exhibit a faltering grasp on reality, and an increasingly vigorous drive toward self-destruction. His wife Linda — played by Laurie Metcalf, who is, as always, stellar — senses terrible possibilities just around the corner.
Meanwhile, adult sons Biff (Christopher Abbot) and Happy (Ben Ahlers, although I caught Jake Silbermann in a fine understudy performance) are in the midst of the sort of drawn-out coming-of-age crisis that each generation seems to invent anew. They don’t know who they are. They can’t see a way toward making enough money. They’re unwilling to commit to anything or anyone. They yearn for big American lives — cattle ranches, an endless stream of available women, the dream of finally pulling one over on the boss — and are only just beginning to question whether that yearning has anything to do with the big American emptiness they feel.
The pressure created by the family’s unfulfilled dreams — of financial security, a sense of purpose, a bit of rest — turns most explosive between Willy and Biff. Willy yearns for his eldest son, once a promising boy who idolized his father, to become the business bigshot he never quite managed to become himself. But, at 34, Biff no longer seems able to stand anything about his father — up to and including the flashy American brilliance Willy sees himself as bequeathing. The tension between the father with a dream, and the son who refuses to fulfill it, comes to tragedy.
In this way, Willy’s problem is an inversion of Lear’s: His obsession with his firstborn son drives him and his family to a kind of ruin. (Youngest child Happy’s story is the quietest tragedy in Death of a Salesman; he is an overgrown boy, developmentally frozen by his desire for Willy’s never-forthcoming approval, or even attention.) And as Shakespeare’s great tragedy illustrated certain formative flaws in the English national character — I cannot recommend James Shapiro’s The Year of Lear enough — so Willy’s obsession casts a damning light on the country that created him.
Willy is all-American: He loves cars, football, fantastic get-rich-quick schemes and womanizing. He sees his chosen profession as evincing great American values: “respect, and comradeship, and gratitude,” not to mention the glory of the open road.
He’s also an individualist who has abundantly reaped the costs of that posture. He has exactly one friend, a neighbor called Charley, whom he appears not to actually like. He sees himself in constant competition with his fellow man, and carries a strain of exceptionalism that borders on the delusional. His conviction that he lives in a land of boundless opportunity has poisoned him against reality. He understands, on some level, that he hasn’t completely succeeded in achieving glory, but he can’t let himself accept that understanding. As it turns out, he would rather die.
These flaws are particularly painful to encounter at this moment, when the country has less a president than a salesman-in-chief. Willy’s preoccupation with a certain kind of smoke-and-mirrors business success now seems less like a reflection of the country Miller knew than a prediction of the ways in which it would decline. The fallacy that liberty is inherently tied to financial success has warped the nation, just as it warped Willy himself.
Biff rejects the exceptionalist mindset Willy strives to instill in him: “Pop, I’m a dime a dozen, and so are you!” he rages in a climactic argument. But Happy buys into his father’s worldview, celebrating him as a great possessor of “the only dream you can have — to come out number-one man.” When Happy insists that he will follow in Willy’s footsteps and “beat this racket” — the obscure American system that seems to keep the common man down, despite the country’s promise — the audience can easily imagine what will follow: a lifetime of disappointed entitlement, and, in the end, a legacy as meager as his father’s.
Willy might see it as an insult for Happy, whom he’s always treated as an afterthought, to seize the title of his true heir. Like Lear, his preoccupation with the question of what he’ll leave behind, and who will treasure it, has prevented him from understanding the truth about his children and himself. Lear is too attached to the concept of his own majesty to bother with effective governance; Willy is so devoted to his false idol of success that he departs the world without knowing much about it. In both cases, the playwrights understood what their characters couldn’t: that children, like countries, learn by example.
The post They told Willy Loman he was everything; ’twas a great American lie appeared first on The Forward.
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UK Counterterrorism Police Investigate Arson at Jewish Memorial Wall
An Orthodox Jewish man walks by at a wall showing pictures of protesters killed during anti-government demonstrations in Iran, in Golders Green, London, Britain, March 7, 2026. Photo: REUTERS/Jack Taylor
Police said on Tuesday they were investigating suspected arson at a memorial wall in a part of north London that is home to a large Jewish community, amid a recent spate of such incidents in the British capital.
London’s Metropolitan Police said the investigation was being led by Counter Terrorism Policing, though it was not being treated as a terrorist incident. They said no arrests had been made.
The incident occurred on Monday at the site of a memorial wall dedicated to people killed in Iran in a bloody crackdown after anti-government protests spread across the country in January. Police said the memorial wall had not been damaged.
“We recognize that this incident will heighten concerns in the Golders Green area, where residents have already faced a series of attacks,” Detective Chief Superintendent Luke Williams said in a statement.
Over the last month, counter–terrorism officers have arrested more than two dozen people as part of investigations into attacks on Jewish-linked premises, including the torching of ambulances belonging to the Jewish volunteer emergency service Hatzola in Golders Green on March 23.
Police said after an arson attack at a synagogue this month that they were investigating possible Iranian links to the incidents. A pro-Iranian government group has said it was responsible.
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Ukraine in Diplomatic Tussle With Israel Over Grain Kyiv Says ‘Stolen’ by Russia
A farmer operates a combine during the start of the wheat harvesting campaign in a field near the town of Starobilsk (Starobelsk) in the Luhansk Region, a Russian-controlled area of Ukraine, July 9, 2025. Photo: REUTERS/Alexander Ermochenko
Ukraine and Israel traded diplomatic blows on Tuesday as President Volodymyr Zelenskiy condemned what he said were grain purchases from occupied Ukrainian territory “stolen” by Russia and threatened sanctions against those attempting to profit from it.
Kyiv considers all grain produced in the four regions that Russia claims as its own since invading Ukraine in 2022 as well as Crimea, annexed by Russia in 2014, to be stolen and has protested over its export to other countries.
Russia calls the regions its “new territories,” but they are still internationally recognized as Ukrainian. Moscow has not commented on the legal status of grain collected in them.
“Another vessel carrying such grain has arrived at a port in Israel and is preparing to unload,” Zelenskiy said on X, adding: “This is not – and cannot be – legitimate business.”
“The Israeli authorities cannot be unaware of which ships are arriving at the country’s ports and what cargo they are carrying,” added Zelenskiy.
Ukraine on Tuesday summoned Israel‘s ambassador over what Kyiv described as Israeli inaction in allowing shipments of grain to enter the country from Russian-occupied Ukraine.
Ukraine‘s foreign ministry said in a statement it handed the ambassador a “note of protest.”
Israeli Foreign Minister Gideon Saar said that Kyiv has not provided any evidence for its claims.
“The vessel has not entered the port and has yet to submit its documents. It’s not possible to verify the truth of the Ukrainian claims,” he told a news conference in Jerusalem.
Saar said Ukraine had not submitted any request for legal assistance and rejected what he called “Twitter diplomacy.”
“Israel is a state that abides by the rule of law. We say again to our Ukrainian friends, if you have any evidence of theft submit it through the appropriate channels,” he said.
Ukrainian foreign ministry spokesman Heorhii Tykhyi told reporters that Kyiv has provided “extensive information and proof” that the cargo was illegal before going public. The foreign ministry published a timeline of its actions and contacts with Israeli authorities.
“We will not allow any country in any geography to facilitate illegal trade with a stolen grain that finances our enemy,” Tykhyi said.
Kremlin spokesman Dmitry Peskov declined to comment on Tuesday, saying Russia would not get involved. “Let the Kyiv regime deal with Israel on its own,” he said.
Traders have told Reuters that it is impossible to track the origin of wheat once it is mixed.
UKRAINE PREPARING SANCTIONS PACKAGE
Anouar El Anouni, EU foreign affairs spokesperson, said the bloc had taken note of reports that a “Russian shadow fleet vessel” carrying stolen grain had been allowed to dock at Haifa. He said the European Commission had approached Israel‘s foreign ministry on the issue.
“We condemn all actions that help fund Russia‘s illegal war effort and circumvent EU sanctions, and remain ready to target such actions by listing individuals and entities in third countries if necessary,” he said.
Zelenskiy said Ukraine was preparing a sanctions package against those transporting the grain and the individuals and legal entities attempting to profit from the scheme.
Zelenskiy said Kyiv has taken “all necessary steps through diplomatic channels,” but the ship had not been stopped.
“Russia is systematically seizing grain on temporarily occupied Ukrainian land and organizing its export through individuals linked to the occupiers,” Zelenskiy said.
“Such schemes violate the laws of the State of Israel itself,” he added.
Ukraine expected Israel to respect Ukraine and refrain from actions that undermine bilateral relations, he added.
