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With 1.6M followers, TikTok influencer Miriam Ezagui teaches the masses about her Orthodox lifestyle
(JTA) — “Hi my name is Miriam,” the video begins. “I’m an Orthodox Jew, and I share what my life is like.”
So opens a typical TikTok post from Miriam Ezagui, a 37-year-old Brooklyn-based labor and delivery nurse who has amassed 1.6 million followers on the social media platform. Users who make their way to “JewTok,” as the Jewish corner of TikTok is known, have likely encountered Ezagui’s videos, which cover everything from purchasing a sheitel to making matzah ball soup to a makeup tutorial with her daughter.
Since starting her account in May 2020, Ezagui has cemented herself at the top of the searches for “Jewish” and “Orthodox Jewish” thanks to her warm demeanor, easy humor and information-based approach. But she didn’t set out to become a Jewish influencer.
“I didn’t originally start as a Jewish account,” Ezagui told the Jewish Telegraphic Agency. Instead, it was a way to be productive while on maternity leave for her fourth child: “It gave me an excuse to get dressed and not just walk around in pajamas all day.”
“I never would have imagined that it would be where it is today,” Ezagui said of her TikTok account. “It’s been a little life-changing.”
These days, Ezagui gets invited to numerous events and Jewish product launches: she’s received free clothes thanks to collaborations with local retailers; tickets to see the off-Broadway play “The Wanderers” in exchange for an ad on her account, as well as discounts at the well-known Shani Wigs store in Brooklyn. Ezagui, who collaborates with both Jewish and non-Jewish influencers, said she’s often recognized as she goes about her day-to-day life.
Ezagui, who is Hasidic and whose four daughters range in age from 18 months to 9 years old, began her account as a way to share tips on the best ways to safely and comfortably hold a baby using woven wraps. But that all changed in late January 2022, when comedian and “The View” host Whoopi Goldberg said on air that “the Holocaust isn’t about race.”
As the granddaughter of Holocaust survivors, Ezagui said she questioned how someone with as much of a platform as Goldberg had such a lack of understanding about the Holocaust — so she decided to speak up and create a video that debunked Goldberg’s claims.
“I really had a long, hard think about whether I wanted to come out as being openly Jewish online because I was really scared of hatred and antisemitism because it’s so easy for people to do that online because they can just be a blank profile or screen,” Ezagui explained of why she was initially skeptical to post. “I never hide the fact that I’m Jewish, but I was not a social media personality … I share things personally but not with the world.”
Ezagui made her first explainer video in February 2022, breaking down why the Holocaust was an attempt to eliminate the Jewish people because the Nazis viewed them as a lesser race. “I feel like I have an obligation as a Jewish woman,” she said in the three-minute clip. “As the granddaughter of not one, but two, Holocaust survivors, I feel like my voice needs to be heard.”
“The Nazi movement wanted to eradicate Jewish people from the world. They saw us as subhuman, they saw us as inferior, something that the world needed cleansing of,” she added. “If you read the Nuremberg Laws, they refer to us as the Jewish race. They racialized us, they slapped stars on our arms, put us in concentration camps, sent us to gas chambers because we were Jewish — our whiteness didn’t save us.”
Though the video got positive feedback from her followers, the video only received around 350 likes. But her account started attracting a large following in April 2022, when she featured her grandmother, Lilly Malnik, who discussed her memories of the Holocaust. The video, titled “Meet my Bubby,” racked up over 30,000 likes.
In the next four months, several of Ezagui’s videos began to rack up anywhere from tens of thousands to millions of likes and views. In one particular TikTok from June 2022, Malnik discusses how she lost her menstrual cycle while in Auschwitz. The clip garnered 3.1 million likes and 23.4 million views.
Along the way, Ezagui began producing more Judaism-focused content. Within two months of her first Jewish video, half of Ezagui’s content had become talking about the Jewishness of her day-to-day life. These days, she posts a mix of storytimes (a popular type of TikTok video in which creators recount a story about their lives), explainer videos on Orthodox customs and scenes from her days as a mom and nurse.
“It’s a lot about multitasking or it’s a lot about me just filming my everyday life,” she added, explaining how she manages to fit between one and four hours of filming each day, except on Shabbat. “You know, ‘OK, I’m making some chicken matzah ball soup. Let’s take out the camera.’”
It’s a mixture that’s clearly working for her. Fans say that it’s Ezagui’s authenticity — her children are often yelling in the background, for example — is what sets her apart. “I like Miriam so much because I feel like she embodies the idea of an influencer staying true to themselves,” said Alyssa Cruz,19, of Toledo, Ohio. “She does not apologize for living her life a certain way, but she also handles hate and criticism with grace and respect. You can tell her what her true intentions are, and she never tries to be anyone but herself.”
“I like that she’s not as much of an ‘influencer’ as some other similar types of TikTok channels,” said Rachel Delman Turniansky, 57, from Baltimore. “I get that there are people who have been able to monetize their accounts, and good for them, but it’s kind of a nice break from that to see someone who isn’t doing it for that reason.”
“Miriam is a friend of mine, so it’s been fun to watch her grow,” said Shaina, a 25-year-old in Wellington, Florida, who knows Ezagui personally and did not want to share her last name for privacy reasons. “I’m also an Orthodox nurse, and I love seeing the way she runs so many different parts of her life — work, family, religion, TikTok, her own hobbies, etc. — in such a great rhythm. She doesn’t hide behind filters, and set ups. What you see is her real day to day life.”
Though Ezagui’s approach is often no-nonsense and educational, her videos are occasionally livened up with her unique blend of sarcasm and cheekiness — something her fans lovingly call “spicy Miriam.”
“I love Miriam’s humor — it’s mom humor so it reminds me of my own mother,” said 22-year-old Los Angeles native Alexa Hirsch. “I love her sexual innuendos because they’re so lighthearted and cute! I love how she manages to maintain her family friendly persona while also normalizing discussions about personal and private aspects of Orthodox Judaism.”
When asked whether Orthodox Jews can have sex on Shabbat, Miriam responded that the practice is “actually encouraged,” then boldly calls for her husband to help her push the beds together, raising her eyebrows and smirking.
Replying to @greysanatomyfanatic is making a baby allowed on shabbos? #babymaking #shabbos #religion #jewishtiktok #husbandwife
♬ original sound – Miriam Ezagui
As her internet fame has grown, so, too, has the amount of antisemitic comments Ezagui has received on her accounts. Perhaps not surprisingly, she has found that her posts about Judaism have received the most hate. “When people are trolling my account, I’m not afraid to call them out, but I don’t want to make it [my account] all about that,” she said. “But when I do call out, I like to do them in a tasteful way.”
For example Ezagui, in response to a comment saying “go in the oven jew,” Ezagui filmed a video in which she superimposed the comment over a video in which she says: “For thousands of years Jews have been persecuted. Great empires have tried to extinguish our flame, but we survive. We. Will. Always. Survive! Your hatred has no power over me.”
Ezagui emphasized how important it is for her account to be a safe space for all people, regardless of their race, gender or religion. She consistently features content creators and also man-on-the-street videos of people of all backgrounds — in one video, she and a Muslim friend discuss why they cover their hair, and in another she discusses topics like why Purim costumes should not appropriate other cultures.
“I welcome everyone to my channel,” she said. “ I accept people as they are, I think it makes them feel comfortable.”
“She’s all about education, and in a world filled with falsehoods and stereotypes about Jews, it’s nice to see someone actively combatting it and engaging with people’s questions,” said Olivia, a 21-year-old living in Morningside Heights who declined to provide her last name. “There are so many people in the world who have never met anyone Jewish in their lives, and to them, Jews are almost fictitious, mythical, evil creatures rather than just real people. It’s really difficult to be so visible as a Jewish person, especially an Orthodox one, yet she does it anyway, and I think that’s really brave and commendable.”
When the busy mom isn’t on camera and or at work, she enjoys reading, experimenting in the kitchen and getting some much needed R&R at the nail salon.
In the future, Ezagui hopes to bring the birthing classes she runs in the Orthodox community to a wider audience, or even to start a podcast. Both ideas are still in their early stages but would continue her TikTok account’s mission of education.
“A lot of people don’t know Orthodox Jews, and there’s a lot of antisemitism surrounding Jews from a place of not, like, extreme hatred,” Ezagui said. “I’m not here to change anybody’s mind if they hate us for no reason, just to hate. But there’s a lot of people that hate Jews, just because of stereotypes that are not real or because there’s a lack of information.
“One of the things that I hope to accomplish with my account is that people can learn from a Jewish person directly,” she added. “And that has a positive impact.”
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The post With 1.6M followers, TikTok influencer Miriam Ezagui teaches the masses about her Orthodox lifestyle appeared first on Jewish Telegraphic Agency.
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University of Sydney Fires Staff Member Over Antisemitic Abuse of Students
Illustrative: An anti-Israel protest at the University of Sydney in Australia, April 26, 2024. Photo: Dean Lewins via Reuters Connect
The University of Sydney in Australia has dismissed an employee who was filmed shrieking at Jewish students over their support for Israel, a tirade in which she described them as “depraved” and inhuman.
“They’re shredding children!” staff member Rose Nakad screamed at the students in October, repeating pro-Hamas propaganda Hamas falsely accusing Israel of targeting Palestinian children in Gaza. “You are a f—king filthy Zionist. Nothing to do with being a Jew, you disgusting, depraved person.”
On Monday — just one day removed from the Bondi Beach massacre in which gunmen opened fire on Jews celebrating the start of Hanukkah in Sydney, hospitalizing dozens of people in addition to the 15 individuals who were murdered — the university denounced Nakad’s conduct as “distressing and utterly unacceptable.” It had previously suspended Nakad, signaling its appreciation of the gravity of her misconduct amid a global surge in antisemitism.
“The behavior that took place on our campus in October this year was deeply distressing and utterly unacceptable. We immediately suspended the staff member pending a formal process and have now terminated their employment on the grounds of serious misconduct,” the university said in a statement.
“This decision followed careful consideration in line with our clear expectations of behavior and our obligation to make sure our campuses are safe and welcoming for all,” the university continued. “Hate speech, antisemitism, and harassment have no place at our university and when our codes of conduct are breached, we do not hesitate to take disciplinary action.”
It added, “We continue to work on making our campus safe for all and if our codes are breached, we do not hesitate to take disciplinary action.”
In footage obtained by Sky News, Nakad approached several students celebrating the Jewish holiday of Sukkot. She asked if they were “Zionists” and continued to harass them as they asked her to leave.
“A Zionist is the lowest form of rubbish,” Nakad said to the students, according to the video. “Zionists are the most disgusting thing that has ever walked this earth.” The staff member described herself as an “indigenous Palestinian,”
Australia had seen its share of antisemitic outrages before the Bondi Beach shooting, as previously reported by The Algemeiner.
In December 2024, for example, the home of Lesli Berger, former president of the New South Wales Jewish Board of Deputies, was vandalized, having been graffitied with a swastika. Next to the infamous Nazi symbol the vandal spray-painted the words “Jordan Gayter,” believed to be a misspelling of the German phrase for “Juden Gatter,” or “Jewish Gate.”
In November 2023, mere weeks after Hamas’s Oct. 7, 2023, massacre across southern Israel, a Jewish man was assaulted by an anti-Israel mob because he took down an advertisement of a pro-Palestinian rally. Someone then thumped him on the back of his head, knocking him to the ground. Then three men joined in and proceeded to punch and kick him while calling him a “pro-Jew dog” among other names.
The onslaught concussed the man and, causing other injuries, fractured his spine. He reportedly spent four days in the hospital and later told a local media outlet that he is “very lucky” to be alive.
In one notorious episode in the immediate aftermath of the Oct. 7 attack, hundreds of pro-Hamas protesters gathered outside the Sydney Opera House chanting “gas the Jews,” “f—k the Jews,” and other epithets.
The explosion of post-Oct. 7 hate also included vandalism and threats of gun violence. For example, a male assailant repeatedly punched a Jewish man while screaming “dirty rotten Jew c—t”; a group of young men jumped a Jewish boy, whom they called a “dirty Jew”; and pro-Hamas protesters “spat on, threatened, and kicked” an elderly Jewish woman during a demonstration held to raise awareness of antisemitism.
Anti-Israel sentiment has also led to vandalism. In June 2024, the US consulate in Sydney was vandalized and defaced by a man carrying a sledgehammer who smashed the windows and graffitied inverted red triangles on the building. The inverted red triangle has become a common symbol at pro-Hamas rallies. The Palestinian terrorist group, which has ruled Gaza for nearly two decades, has used inverted red triangles in its propaganda videos to indicate Israeli targets about to be attacked. According to the Anti-Defamation League (ADL), “the red triangle is now used to represent Hamas itself and glorify its use of violence.”
Now, in the closing weeks of 2025, antisemitism in Australia has led to the deadliest terrorist attack in the country’s history.
Australian officials said they identified the mass shooters at Bondi Beach as Sajid Akram, 50, who was killed at the scene, and his son Naveed Akram, 24, who was in critical condition in a hospital. The younger suspect reportedly came to the attention of Australia’s domestic intelligence agency in 2019 for his ties to a Sydney-based cell of the Islamic State (ISIS) terrorist group.
Follow Dion J. Pierre @DionJPierre.
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Tributes Pour in for Jewish Director Rob Reiner, Wife After Couple Found Dead, Son Arrested on Murder Charges
(From left) Rob Reiner, Michele Singer, Romy Reiner, Nick Reiner, Maria Gilfillan and Jake Reiner attend the Los Angeles Premiere of ”Spinal Tap II: The End Continues” at The Egyptian Theatre in Los Angeles, California, US, Sept. 9, 2025. Photo: REUTERS/Aude Guerrucci
Dozens of people in Hollywood have expressed profound sadness following the news that visionary Jewish filmmaker Rob Reiner and his wife, Michele Singer Reiner, were found dead in their Los Angeles home on Sunday night and that their middle son is being charged with murder.
Reiner, 78, was born in the Bronx, New York, in 1947. In the 1970s he co-starred in the sitcom “All in the Family” before becoming the famous director behind movies such as “This Is Spinal Tap,” “Stand by Me,” “The Princess Bride,” “When Harry Met Sally…” and “A Few Good Men.” Earlier this year, Reiner released the sequel, “Spinal Tap: The End Continues.” He also directed the 2015 film called “Being Charlie,” inspired by his son Nick’s longtime battle with heroin addiction and the impact that his substance abuse had on the family.
On Sunday, Reiner and his wife, 68, were found dead by what police described as an apparent homicide at their home in Brentwood, California. Their middle son, Nick, is being held at Los Angeles’ Twin Towers Jail, having been arrested on murder charges in connection with their deaths. The 32-year-old reportedly has his bail set at $4 million. “As a result of the initial investigation, it was determined that the Reiners were the victims of homicide. The investigation further revealed that Nick Reiner, the 32-year-old son of Robert and Michele Reiner, was responsible for their deaths,” the Los Angeles Police Department (LAPD) said in a statement on Monday.
“I saw them night before last looking healthy and happy,” Jane Fonda wrote in an Instagram post. “I am reeling with grief. Stunned.” She shared a photo of the late couple on Instagram and wrote that they were “wonderful, caring, smart, funny, generous people, always coming up with ideas for how to make the world better, kinder.”
Fonda also said the couple had recently been helping her to relaunch the Committee for the First Amendment, a group that champions freedom of expression from government censorship.
“My heart is broken,” Zooey Deschanel said in a tribute to Reiner, who played her father on the show “New Girl.” She called Reiner “the absolute warmest, funniest, most generous of spirits. A truly good human being. An incredible artist and such a playful and fun collaborator.”
“I cherish the time we spent working together and the many films he made that have shaped who I am,” she added. “Rob and his lovely wife Michele were always so kind and it brought me so much joy any time I was lucky enough to see them. I’m absolutely devastated. Sending so much love to their family and friends.”
The estate of Norman Lear, the legendary producer who created “All in the Family,” released a statement remembering the close relationship between the two men. “Norman often referred to Rob as a son,” the statement said. “The world is unmistakably darker tonight.”
Jerry Seinfeld said Reiner had one of the biggest influences on his career aside from Larry David, who co-created “Seinfeld,” and the late George Shapiro, who was Seinfeld’s manager and a producer on the renowned sitcom. Reiner also helped save “Seinfeld” from almost being canceled, Seinfeld said. He shared a photo of himself alongside Reiner and his father, the late actor Carl Reiner.
“Our show would have never happened without him. He saw something no one else could,” Seinfeld explained in an Instagram post. “When nobody at the network liked the early episodes, he saved us from cancellation. That I was working with Carl Reiner’s son, who happened to be one of the kindest people in show business, seemed unreal.”
“I was naive at the time to how much his passion for us meant,” Seinfeld added. “Rob and Michele married right as our show was starting and they became an imprint for me of how it’s supposed to work, each one broadening the other. Their death, together, is impossibly sad.”
Kathy Bates, who won an Oscar for her leading role in Reiner’s 1990 horror “Misery,” said in a statement to Entertainment Weekly that Reiner was a “brilliant and kind, a man who made films of every genre to challenge himself as an artist.”
“I’m horrified hearing this terrible news. Absolutely devastated. I loved Rob,” she added. “He changed the course of my life … My heart breaks for them both. My thoughts are with their family.” She also said the late director was someone who “fought courageously for his political beliefs” and praised his wife as a “gifted photographer.”
Novelist Stephen King, who wrote the books that inspired Reiner’s films “Stand by Me” and “Misery,” praised the late director in a post on X as a “wonderful friend, political ally, and brilliant filmmaker.”
“You always stood by me,” King added.
Paul Feig, the director of “Bridesmaids,” posted a photo of himself and Reiner at Comic-Con and wrote that the latter “was my true hero.”
“One never knows if it’s proper to post during something as tragic as this,” Feig said. “But I just want the world to know what so many of us know in the industry. Robert was the best.”
Reiner and his wife are survived by two sons Jake and Nick, and their youngest daughter Romy, who reportedly called 911 on Sunday after discovering the bodies of her parents.
Rob and Nick allegedly got into a “very loud argument” on Saturday night while attending a Christmas party hosted by former talk show host Conan O’Brien, People magazine reported, citing multiple sources. Rob and his wife were found dead at their home the next day.
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After Bondi Attack, the West Must Face the Reality of ‘Migration Jihad’
A woman keeps a candle next to flowers laid as a tribute at Bondi Beach to honor the victims of a mass shooting that targeted a Hanukkah celebration at Bondi Beach on Sunday, in Sydney, Australia, Dec. 16, 2025. Photo: REUTERS/Flavio Brancaleone
“They don’t move from the Arab world to Europe. They move the Arab world to Europe.” So said Professor Mordechai Kedar when he spoke to me for an extended interview as part of my podcast series. That episode was published the very day the Hanukkah celebration at Bondi Beach in Sydney, Australia, was attacked. The massacre only confirmed his words. Migration, as he described it, does not merely transfer people from one place to another. It carries cultures, ideologies, and systems of meaning with it, and those systems do not remain inert; they spread and even flourish.
Kedar’s claim is not about ethnicity or private belief. It describes the movement of social order, of moral assumptions, of ideas about authority and legitimacy. People do not arrive empty-handed. They bring with them ways of organizing life, ways of resolving conflict, ways of defining who belongs and who does not. When those systems collide with liberal societies uncertain of their own boundaries, pressure accumulates.
The Bondi shooting especially matters because it strips away the last remaining comfort. This was not Gaza, not the West Bank, not a contested border. It was a beach, during a religious festival, in a country geographically and politically distant from the Middle East. A symbol of Australia, freedom, liberty. The perpetrators identified by law enforcement, a Muslim father and son, who had taken part in “military-style training” in the Philippines in the month leading up to the attack, targeted Jews.
Kedar warned me how this form of conquest moves through ideology, through repetition, through intimidation, through the slow reshaping of public space by force and intimidation — a “migration jihad.” Islam is not a private creed, but an all-encompassing framework. As Kedar puts it, it is “not only religion … Islam is also politics, economy, and every aspect of public life.” When that framework relocates, it seeks expression. When it meets hesitation, it expands.
Europe has been living inside this dynamic for years. Jews are often the first target, but the pattern rarely ends with us. Concerts, campuses, cultural events, and public squares have become the battlefields of this unconventional war. Yet political leadership responds with ritual rather than authority: candle lighting, moments of silence, interfaith theater. Expressions of sorrow, memorial gestures, and carefully chosen metaphors replace enforcement and deterrence. In Britain, demonstrations containing explicit antisemitic incitement have been tolerated for months without clear red lines. Around the world, the language of concern circulates freely while responsibility for combating poisonous ideologies and organized dangerous networks is shirked.
Paris has just canceled its traditional open-air New Year’s Eve concert on the Champs-Élysées because authorities judged the security risks too high to safely host such a large crowd of around a million people. The event will be replaced by a pre-recorded broadcast and fireworks only. Christmas markets and other festive sites have also been flagged as high-risk targets and subject to fortified security.
So, it’s not just Jews who are under threat. In Australia the terrorists came for Hanukkah, but they’ve been targeting Christmas for years. In Berlin in December 2016, a Muslim attacker, Anis Amri, drove a lorry into the Christmas market at Breitscheidplatz, murdering 12 people and injuring dozens more in one of the deadliest jihadist attacks in Germany.
In Strasbourg in December 2018, a Muslim attacker inspired by ISIS opened fire near the city’s Christmas market, killing five people, in an assault explicitly framed by French authorities as Islamist terrorism.
And last week federal authorities in the US arrested several people in connection with a planned New Year’s Eve bombing plot in Southern California. The FBI and Department of Justice say the group responsible is “pro-Palestinian” in its outlook as well as anti-law-enforcement and anti-government. The individuals were allegedly preparing improvised explosive devices (IEDs) to be used in coordinated bomb attacks across Los Angeles on New Year’s Eve.
But the response is weak. These days, order is no longer asserted; risk is managed. Jewish institutions are advised to remain calm while accepting abnormal levels of private security as a permanent feature of everyday life. An arrangement that should register as failure is absorbed as routine. Trust erodes this way.
Bondi shows that Europe is no longer the outer boundary of this phenomenon. Australia is now inside it. America, too, is discovering the same pressures through campus unrest, ideological intimidation, and violence that increasingly treats Jewish life as a proxy target for the wider freedoms and values it represents. The geography changes. The structure holds.
What Professor Kedar described was not prediction but trajectory. When people do not simply arrive but bring whole systems with them, the question facing Western societies ceases to be one of tolerance alone. It becomes a question of whether they still possess the clarity and resolve to defend the civic order and freedoms they inherited.
Jonathan Sacerdoti, a writer and broadcaster, is now a contributor to The Algemeiner.
