Connect with us

Uncategorized

With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds

(JTA) — Running a not-so-Zagat-rated deli, dropping into a Chinese restaurant for Christmas Eve dinner and acting out a bat mitzvah that involves a vampire — for contemporary board game fans, those can be all in an evening’s play.

That’s because a crop of new games aims to merge Jewish ideas and experiences with the aesthetics and language of games such as Dungeons & Dragons. Dream Apart places players in a fantastical reimagining of a 19th-century shtetl, for example, while J.R. Goldberg’s God of Vengeance draws inspiration from the Yiddish play of the same name. In the games in Doikayt, a collection released in 2020, players can literally wrestle with God.

Known as tabletop role-playing games because they ask players to take on a character, these games and their creators imagine exciting new worlds, subvert classic tropes in fun and irreverent ways, and reinterpret Jewish history and identity.

Tabletop role-playing games like Dungeons & Dragons and Call of Cthulhu have exploded in popularity over the past several years, with many — including at least one group of rabbis — picking up the Zoom-friendly hobby during the height of the COVID-19 pandemic. But the new Jewish games aim to do more than just provide a diversion or even an escape.

“Depending on your family, depending on your synagogue, depending on your community, you may have gotten more or fewer options of what Jewishness could mean in your imagination,” said Lucian Kahn, who created a trilogy of humorous Jewish role-playing games. 

“What some of these games are doing is opening that up and pointing to alternate possibilities of imagining Jewishness, not as a way of converting anyone to anything else, but just as a way of showing the tradition is enormous,” he added.

Kahn is the creator of If I Were a Lich, Man, a trilogy of humorous games whose name is a mashup between a “Fiddler on the Roof” song and an undead character, the lich, that frequently appears in fantasy fiction and games. In the title game, players are Jewish liches — spellcasters whose souls, in the lore of Dungeons & Dragons, are stored in phylacteries, the Greek word for tefillin used by Jews in prayer. Representing the four children of the Passover seder, they debate how their community should address the threat of encroaching holy knights.

In some cases, the association of Jews with monsters has given rise to charges of antisemitism — the goblins of “Harry Potter” offer a prime example. But Kahn said he sees Jewish-coded monsters, and queer-coded villains, as figures of resistance.

“There’s a long tradition of looking at the monster and seeing that the reason why these are monsters is because the people who have oppressive power have decided that these are going to be the enemies of the ‘good’ oppressive powers,” Kahn explained. “But if you don’t agree with their ideology, if you’re seeing yourself as being a member of a marginalized community and being in opposition to these oppressive powers, then you can look at the qualities assigned to these monsters and some of them are qualities that are good.”

For Kahn, Jewish-coded monster characters also provide more of an inspiration than the archetypes of more traditional games.

“Maybe somebody thinks they’re insulting me or insulting Jews,” he said. “My response is: I like vampires and liches and trolls and goblins and think they’re much more interesting than bland white muscular humans running through the fields with a cross on their chest hacking at the same things with a sword over and over again.”

Kahn’s outlook has resonated in the tabletop role-playing game community. In February, he and Hit Point Press launched a Kickstarter to fund production of If I Were a Lich, Man. The campaign smashed its $5,000 goal, raising $84,590, enough to hit one of the campaign’s stretch goals of funding a grant to support independent zines about tabletop role-playing games.

The successful campaign means that Kahn’s three games will go into production. In addition to the game about liches, the trilogy includes Same Bat Time, Same Bat Mitzvah, in which players act out a bat mitzvah where one guest has been turned into a vampire, and Grandma’s Drinking Song, inspired by how Kahn’s Jewish great-great grandmother and her children survived in 1920s New York City by working as bootleggers during Prohibition. 

In Grandma’s Drinking Song, players write a drinking song together as they act out scenes. Kahn, the former singer/songwriter and guitarist for Brooklyn Jewish queercore folk-punk band Schmekel, wanted to carry over elements of music into this game.

A throughline in all three games is the power of creative resistance to authority — a narrative that Kahn said strikes him as particularly Jewish.

“There are all these stories in Jewish folklore that are really overtly about finding trickster-y or creative ways of fighting back against oppressive and unjust governmental regimes, evil kings, bad advisors,” Kahn said. “One of the first stories I ever heard in my life was the Purim story, so it’s very embedded in my mind as a part of Jewish consciousness, when evil rulers come to power and try to kill us all, we’re supposed to find these outside-the-box ways of preventing that from happening.”

For some Jewish creators, Jewish holidays are an explicit inspiration. Like many Jewish kids of the ‘80s and ‘90s, Max Fefer, a civil engineer by day and game designer by night, grew up loving the picture book “Herschel and the Hanukkah Goblins,” which remains a popular festive text. But as Fefer notes, goblins are often associated with antisemitic stereotypes. Fefer’s first Jewish game, Hanukkah Goblins, turns the story on its head — players interact as the jovial goblins, who are here not to destroy but to spread the spirit of Hanukkah to their goblin neighbors.

Last year, Fefer launched a successful Kickstarter for another Jewish holiday-inspired tabletop role-playing game, Esther and the Queens, where players assume the roles of Esther and her handmaidens from the Purim story, who join together to defeat Haman by infiltrating a masquerade party as queens from a far-off land.

Esther and the Queens channels Fefer’s Purim memories and includes carnival activities, including Skee-Ball; a calm, relaxing Mishloach Manot basket-making; and a fast-paced racing game. 

“All of our holidays, they’re opportunities for us to gather as a community in different ways,” Fefer said. “Watching this satirical, comedic retelling of the story of Purim and the Esther Megillah and coming together into a theater, in a synagogue, to watch these spiels and laugh together and spin the graggers when we hear Haman’s name — all of those things help us build identity and community, and I think games in particular surrounding identity, that’s a great way for a Jewish person themselves to feel seen in a game and reinforce their identity, and share their background with friends.” 

Another pair of Jewish game creators, Gabrielle Rabinowitz and her cousin, Ben Bisogno, were inspired by Passover. 

“The seder is kind of like an RPG in that it’s a structured storytelling experience where everyone takes turns reading and telling, and there’s rituals and things you do at a certain time,” Rabinowitz said. “It’s halfway to an RPG.”

The game became a pandemic project for the two of them, and alongside artist Katrin Dirim and a host of other collaborators, they created Ma Nishtana: Why Is This Night Different? — a story game modeled on their family’s seder. The game follows the main beats of the Exodus story, and in every game, there will be a call to action from God, a moment of resistance, a departure and a final barrier — but different characters and moments resonate depending on the players’ choices. 

As an educator at the Museum of Natural History, Rabinowitz said she is often thinking about how to foster participation and confidence, and she wanted to create a game-play mechanic to encourage players to be “as brazen as her family is.” The result was an in-game action called “Wait! Wait! Wait!” — if players wish to ask a question, make a suggestion, disagree with a course of action or share a new perspective, they can call out “Wait! Wait! Wait!” to do so.

The game also includes a series of scenes that are actively roleplayed or narrated, and each includes a ritual — one that can be done in-person or an alternate remote-friendly version. For example, at one point each player must come up with a plague inspired by the new story they’re telling together, and in the remote version, players go camera-off after reciting theirs. 

“The fact that it was created during the pandemic and a way for us to connect and other people to connect with each other is really the soul of the game,” Rabinowitz said. “After each person tells a plague, by the end, all the cameras are off and everyone stays silent for another minute. It’s a hugely impactful moment when you’re playing remotely. The design is interwoven in the game itself.”

Rabinowitz said by playing a story of a family undergoing these trials, the themes of family and identity deepen every time she plays the game. 

“A lot of people say, ‘Wow, I’ve never felt more connected to this story,’” she said. “Embodying these characters gave me a feeling of relevance and that makes it feel important as a Jewish precept.”  

For other creators, that deep connection comes in more lighthearted scenarios. Nora Katz, a theatremaker, game designer and public historian working at the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL) by day, created the Jewish deli-centered game Lunch Rush, which was included in the Doikayt anthology.

“There’s also types of institutions that come up a lot in [tabletop role-playing games], especially sort of high fantasy,” she said. “Everyone meets in a tavern, there’s an inn, things like that. So the idea of a deli as a central gathering place in a world like that felt fun to me.”

An important element of Lunch Rush is that players must be eating while playing, so for Katz’s first round with friends, they got together with chocolate chip ice cream and dill pickle potato chips. She said the deli is a shared language, and her fellow players were all bringing in their own favorite things about delis they loved into the fictional place they were building together. 

Tabletop role-playing games “at their core are about collaboration and relationships and storytelling and community, and for me, all of those things are also what Jewishness is about, to me they totally go hand in hand,” Katz said.

The games are not meant to be for Jewish players only. Rabinowitz said the guidebook for Ma Nishtana includes essays to encourage people to further engage with the narrative. 

“Jewish players, non-Jewish players, priests, non-religious people, all different people have played it and almost all of them have told us it’s given them a new way of thinking of how they relate to religious tradition, and I didn’t really set out to do that,” Rabinowitz said. “I feel really privileged to have helped create that space.”

Rabinowitz and Bisogno also commissioned other creators to build alternate backdrops for their game, so it can be repurposed to telling the story of another oppressed people’s fight for freedom. Players can interact as embattled yaoguai, spirits from Chinese mythology; explore a Janelle Monáe-inspired Afrofuturist world; play as Indigenous land defenders; or unionize as exploited workers at “E-Shypt.”

Fefer, who has been amplifying the work of other Jewish creators in the tabletop role-playing game space, said the harm of stereotyping and reinforcing negative tropes is still present in the industry, and not just for Jewish people. For example, fans recently criticized Dungeons & Dragons publishers Wizards of the Coast for reinforcing anti-Black stereotypes in the descriptions of a fantasy race, the Hadozee. 

“I think it’s a process of talking to people who are from these groups and bringing them onto your teams and making sure you’re incorporating their perspectives into, in the example of Dungeons & Dragons, a hundred-million-dollar industry, being intentional about that design and looking at things from lots of different angles,” Fefer said. “How could our branding, our games be reinforcing something we’re not even aware of?”

Fefer hopes people who play Hanukkah Goblins and Esther and the Queens feel seen and have moments of shared joy, and also that they learn something from these games — about the antisemitic tropes in fantasy, or about underrepresented groups within the Jewish community. With Esther and the Queens, Fefer collaborated with a writer and artist, Noraa Kaplan, to retell the Purim story from a queer and feminist lens, drawing on Jewish texts that the pair said shows the long presence of queer and trans people in Jewish tradition.

“We have a lot of richness within Judaism to share our culture and share our upbringing but also just be representation,” Fefer added. “We’re living in a time of heightened antisemitism and the world being a gross place to be at times, and we can really bring the beauty of Judaism into game design and create experiences for people that are both representative of Judaism and also just very Jewish experiences.”

But for all the important conversations and learning experiences that can come from Jewish tabletop role-playing games, Katz said the goofiness and joy is important, too.

“We live in such a horrendous society that is of our own making,” she said. “If you can, for a little while, enjoy an anticapitalist fictional deli that you and your friends live in, I think that’s great.”


The post With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

Minneapolis synagogue targeted with antisemitic, pro-Hamas graffiti on Oct. 7 anniversary

(JTA) — Graffiti targeting “zionists” and praising Hamas was spray-painted on the preschool wing of a Minneapolis synagogue on Tuesday night, the second anniversary of Hamas’ Oct. 7, 2023, attack on Israel.

Rabbi Marcia Zimmerman said she was notified by one of Temple Israel’s neighbors about the vandalism. She said her first reaction was outrage and pain.

“This does not solve any problem, and blaming American Jews in Minnesota for what’s happening globally is hate speech, it’s antisemitism. It’s nothing different than that,” she said. “It’s not about political differences. It’s about hate.”

On the building was spray-painted “Watch out Zionists,” “Fuck Zionism,” and “Al-Aqsa Flood,” Hamas’ code name for the Oct. 7 attack. There were also 14 inverted red triangles spray-painted on the building — a symbol associated with Hamas, which has used it in videos produced by its military wing to signify Israeli targets. The symbol has appeared in other graffiti of Jewish institutions during theIsrael-Hamas war.

Zimmerman said a report has been filed with the Minneapolis Police Department and video footage has been turned over for the investigation. E-mails to the MPD seeking comment were not returned.

Steve Hunegs, the executive director of the Jewish Community Relations Council of Minnesota and the Dakotas, called the incident “harrowing.”

“It’s targeted and consciously imitating the mass terrorism of Oct. 7,” he said. “It doesn’t get much more antisemitic and violent than that, other than the actual perpetration of the horrific acts.”

Hunegs said the incident represents an escalation of anti-Israel rhetoric.

“We’re seeing that someone would take the time to, in the middle of the night on Oct. 7, to vandalize the synagogue with the most incendiary, venomous message you could possibly find,” he said. The perpetrators, Hunegs said, decided “terrorism against Jews is worthy of celebration, and [they’re] going to take that message to an iconic synagogue in the heart of Minneapolis.”

Zimmerman said that she heard from Gov. Tim Walz and Minneapolis Mayor Jacob Frey, who is Jewish and has attended services at Temple Israel. He said in a tweet that the vandalism was “a reminder that hate still tries to find a foothold” but that it would not find on in the city.

“People are reaching out and in that, you feel a connection and camaraderie and support,” Zimmerman said. “Which is very helpful, but it doesn’t take away the horror of the message. It does help to not feel so alone.”

Zimmerman said she is a proud Zionist who also wants to see an end to suffering in Gaza — something that she said whoever spray-painted the graffiti did not understand.

“If you do understand the nuance and the complicated realities of the world and see each other as human, then you don’t do this. It’s disregarding the humanity of others by promoting hate and promulgating hate,” she said. “But it’s not going to stop us from continuing to do our work and to do interfaith work and to move forward in being proud of being Jewish and teaching about Israel and making sure that we work towards peace and towards the mission of being in the city and supporting the city.”

This story originally appeared on TC Jewfolk, an independent publication covering Jewish life in Minneapolis.

The post Minneapolis synagogue targeted with antisemitic, pro-Hamas graffiti on Oct. 7 anniversary appeared first on The Forward.

Continue Reading

Uncategorized

Loudest Anti-Israel Voices in US Congress Silent on Gaza Ceasefire, Hostage Deal

US Sen. Bernie Sanders (I-VT) and US Rep. Alexandria Ocasio-Cortez (D-NY) are seen before a press conference on Capitol Hill in Washington, DC, on March 21, 2024. Photo: Craig Hudson/Sipa USA via Reuters Connect

Many of Israel’s most vocal critics in the US Congress have been silent following Wednesday night’s announcement that Israel and Hamas agreed to the first phase of a US-brokered ceasefire and hostage-release deal to end the war in Gaza.

As of Thursday afternoon, outspoken anti-Israel lawmakers such as Reps. Alexandria Ocasio-Cortez (D-NY), Rashida Tlaib (D-MI), and Ayanna Pressley (D-MA) and Sens. Chris Van Hollen (D-MD) and Bernie Sanders (I-VT), among others, have not released public statements regarding the peace agreement between Israel and the Palestinian terrorist group Hamas.

The silence is striking as each of these lawmakers has, for at least the past several months, consistently called for a ceasefire while accusing Israel of war crimes or “genocide” in Gaza. 

Under the deal reached on Wednesday, Hamas will release the remaining Israeli hostages it kidnapped on Oct. 7, 2023, while Israel will withdraw troops in Gaza to a fixed line and free about 2,000 Palestinian prisoners in exchange. The agreement, brokered through indirect talks in Egypt with the help of Qatar, Turkey, and other mediators, is slated to take effect once Israel’s government formally ratifies it on Thursday night.

Observers have noted that many questions remain over Gaza’s future and reconstruction, especially regarding the plan’s call for Hamas to disarm and for Gaza to be totally demilitarized. However, leaders around the world cheered the development as a step toward peace.

Ocasio-Cortez, Tlaib, Pressley, and Sanders have all erroneously accused Israel of committing a “genocide” in Gaza, claiming that the Jewish state has indiscriminately targeted civilian population centers and inflicted a famine in the beleaguered enclave. Van Hollen has also accused Israel of purposefully withholding food from Palestinian civilians and lying about well-documented claims that Hamas has stolen humanitarian aid. Sanders and Van Hollen have both spearheaded legislation to block offensive weapons transfers from the US to Israel.

However, Rep. Ilhan Omar (D-MN), one of the most strident opponents of Israel in Congress, acknowledged the ceasefire deal while simultaneously accusing Israel of “genocide” and calling for Israeli officials to be punished for “war crimes.”

For the sake of humanity, let’s hope this will be a lasting and permanent ceasefire. While this is a hopeful step, we must demand accountability for every war crime committed during this genocide and continue to call for an end to the occupation,” Omar said in a statement.

Rep. Marjorie Taylor Greene (R-GA), the lone congressional Republican to accuse Israel of committing a genocide, also welcomed the news of the ceasefire deal. 

“Thank you, President Trump!!” Greene wrote in response to the announcement.

Israel says it has gone to unprecedented lengths to try and avoid civilian casualties in Gaza, noting its efforts to evacuate areas before it targets them and to warn residents of impending military operations with leaflets, text messages, and other forms of communication.

Another challenge for Israel has been Hamas’s widely recognized military strategy of embedding its terrorists within Gaza’s civilian population and commandeering civilian facilities like hospitals, schools, and mosques to run operations and direct attacks.

Continue Reading

Uncategorized

California Gov. Gavin Newsom Signs K-12 Antisemitism Bill on Oct. 7 Anniversary

California Gov. Gavin Newsom speaks on Aug. 14, 2025. Photo: Mike Blake via Reuters Connect

California Gov. Gavin Newsom has signed a bill into law which requires the state to establish a new Office for Civil Rights for monitoring antisemitism in public schools at a time of rising anti-Jewish hatred across the US.

“California is taking action to confront hate in all its forms,” Newsom said in a statement issued on Tuesday, the second anniversary of Hamas’s Oct. 7, 2023, massacre across southern Israel.

The Oct. 7 atrocities perpetrated by Hamas-led Palestinian terrorists unleashed a global surge in antisemitic incidents, which have reached record levels in the US and other Western countries over the last two years.

“At a time when antisemitism and bigotry are rising nationwide and globally, these laws make clear: our schools must be places of learning, not hate,” Newsom added in his statement.

As previously reported by The Algemeiner, the bill confronted Newsom, a Democrat rumored to be interested in running for US president in 2028, with a politically fraught decision, as it aims to limit the extent to which the state’s ideologically charged ethnic studies curricula may plant anti-Zionist viewpoints into the minds of the 5.8 million students educated in its public schools.

With Newsom’s signature, state officials may now proceed with establishing an Antisemitism Prevention Coordinator, setting parameters within which the Israeli-Palestinian conflict may be equitably discussed, and potentially barring antisemitic materials from reaching the classroom. However, the measure has been lambasted by anti-Israel partisans and key constituents of the Democratic Party.

Pro-Hamas groups, left-wing nonprofits, and teachers unions have emerged to denounce the legislation, which passed the California legislature last month, even as it declined codification of the widely recognized International Holocaust Remembrance Alliance’s (IHRA) definition of antisemitism — the exclusion of which constitutes a significant compromise for Jewish and pro-Israel activists. Additionally, it remains to be seen what the law’s ultimate effect on ethnic studies will be.

Amid these challenges and uncertainties, the bill’s supporters praised the news of Gavin’s signing as an indication of progress in the fight against antisemitism.

“StandWithUs is grateful that Gavin Newsom has signed AB 715, a bill to fight antisemitism in K-12 schools. We are proud to be part of the largest coalition of Jewish organizations ever to support a California state bill,” said StandWithUs, a Jewish civil rights advocacy group. “Much remains to be done if California is going to earn back the trust of Jewish students, families, and educators. Going forward, we will continue to use all tools at our disposal to fight antisemitism in K-12 public schools across the state.”

Maya Bronicki, education director of the Bay Area Jewish Coalition, added, “With the signing of this bill, California’s leaders publicly recognize that antisemitism is a grave problem in our schools and have taken an important step towards protecting Jewish students and other protected groups.”

Antisemitism in K-12 schools has increased every year of this decade, according to data compiled by the Anti-Defamation League (ADL). In 2023, antisemitic incidents in US public schools increased 135 percent, a figure which included a rise in vandalism and assault.

In September 2023 some of America’s most prominent Jewish and civil rights groups sued the Santa Clara Unified School District (SCUSD) in California for concealing from the public its adoption of ethnic studies curricula containing antisemitic and anti-Zionist themes. Then in February, the school district paused implementation of the program to settle the lawsuit.

One month later, the Louis D. Brandeis Center for Human Rights Under Law, StandWithUs, and the ADL filed a civil rights complaint accusing the Etiwanda School District in San Bernardino County, California, of doing nothing after a 12-year-old Jewish girl was assaulted, having been beaten with stick, on school grounds and teased with jokes about Nazi leader Adolf Hitler.

In other California news, a court recently cleared the way for students and their parents to sue school districts across the state over the adoption of ethnic studies curricula containing antisemitic components which discredit Jewish self-determination in Israel while promoting harmful tropes.

The Algemeiner was notified of the decision by The Deborah Project, a legal nonprofit that filed the lawsuit which precipitated the ruling. In that case, the organization sued the Berkeley Unified School District (BUSD) over its using ethnic studies materials, which fostered aggressively discriminatory beliefs about Israel and the Jewish community, without offering parents the chance to review and approve of its contents.

The Superior Court of California, Alameda County ruled that the materials could be discriminatory and illegal to the extent that they violate civil rights laws, establishing what The Deborah Project described as a “landmark” precedent for future litigation.

“Jewish parents have been waging battle against antisemitic ‘instructional materials’ and instructors that expose their children to harm and hated,” Deborah Project legal director Lori Lowenthal Marcus said in a statement. “This is the first judicial decision addressing claims that the use of biased material violates the law. Now it’s clear: indoctrinating kids that Jews are evil oppressors discriminates against Jews; districts can be held to account and forced to stop doing it.”

Follow Dion J. Pierre @DionJPierre.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News