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With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds
(JTA) — Running a not-so-Zagat-rated deli, dropping into a Chinese restaurant for Christmas Eve dinner and acting out a bat mitzvah that involves a vampire — for contemporary board game fans, those can be all in an evening’s play.
That’s because a crop of new games aims to merge Jewish ideas and experiences with the aesthetics and language of games such as Dungeons & Dragons. Dream Apart places players in a fantastical reimagining of a 19th-century shtetl, for example, while J.R. Goldberg’s God of Vengeance draws inspiration from the Yiddish play of the same name. In the games in Doikayt, a collection released in 2020, players can literally wrestle with God.
Known as tabletop role-playing games because they ask players to take on a character, these games and their creators imagine exciting new worlds, subvert classic tropes in fun and irreverent ways, and reinterpret Jewish history and identity.
Tabletop role-playing games like Dungeons & Dragons and Call of Cthulhu have exploded in popularity over the past several years, with many — including at least one group of rabbis — picking up the Zoom-friendly hobby during the height of the COVID-19 pandemic. But the new Jewish games aim to do more than just provide a diversion or even an escape.
“Depending on your family, depending on your synagogue, depending on your community, you may have gotten more or fewer options of what Jewishness could mean in your imagination,” said Lucian Kahn, who created a trilogy of humorous Jewish role-playing games.
“What some of these games are doing is opening that up and pointing to alternate possibilities of imagining Jewishness, not as a way of converting anyone to anything else, but just as a way of showing the tradition is enormous,” he added.
Kahn is the creator of If I Were a Lich, Man, a trilogy of humorous games whose name is a mashup between a “Fiddler on the Roof” song and an undead character, the lich, that frequently appears in fantasy fiction and games. In the title game, players are Jewish liches — spellcasters whose souls, in the lore of Dungeons & Dragons, are stored in phylacteries, the Greek word for tefillin used by Jews in prayer. Representing the four children of the Passover seder, they debate how their community should address the threat of encroaching holy knights.
In some cases, the association of Jews with monsters has given rise to charges of antisemitism — the goblins of “Harry Potter” offer a prime example. But Kahn said he sees Jewish-coded monsters, and queer-coded villains, as figures of resistance.
“There’s a long tradition of looking at the monster and seeing that the reason why these are monsters is because the people who have oppressive power have decided that these are going to be the enemies of the ‘good’ oppressive powers,” Kahn explained. “But if you don’t agree with their ideology, if you’re seeing yourself as being a member of a marginalized community and being in opposition to these oppressive powers, then you can look at the qualities assigned to these monsters and some of them are qualities that are good.”
For Kahn, Jewish-coded monster characters also provide more of an inspiration than the archetypes of more traditional games.
“Maybe somebody thinks they’re insulting me or insulting Jews,” he said. “My response is: I like vampires and liches and trolls and goblins and think they’re much more interesting than bland white muscular humans running through the fields with a cross on their chest hacking at the same things with a sword over and over again.”
Kahn’s outlook has resonated in the tabletop role-playing game community. In February, he and Hit Point Press launched a Kickstarter to fund production of If I Were a Lich, Man. The campaign smashed its $5,000 goal, raising $84,590, enough to hit one of the campaign’s stretch goals of funding a grant to support independent zines about tabletop role-playing games.
The successful campaign means that Kahn’s three games will go into production. In addition to the game about liches, the trilogy includes Same Bat Time, Same Bat Mitzvah, in which players act out a bat mitzvah where one guest has been turned into a vampire, and Grandma’s Drinking Song, inspired by how Kahn’s Jewish great-great grandmother and her children survived in 1920s New York City by working as bootleggers during Prohibition.
In Grandma’s Drinking Song, players write a drinking song together as they act out scenes. Kahn, the former singer/songwriter and guitarist for Brooklyn Jewish queercore folk-punk band Schmekel, wanted to carry over elements of music into this game.
A throughline in all three games is the power of creative resistance to authority — a narrative that Kahn said strikes him as particularly Jewish.
“There are all these stories in Jewish folklore that are really overtly about finding trickster-y or creative ways of fighting back against oppressive and unjust governmental regimes, evil kings, bad advisors,” Kahn said. “One of the first stories I ever heard in my life was the Purim story, so it’s very embedded in my mind as a part of Jewish consciousness, when evil rulers come to power and try to kill us all, we’re supposed to find these outside-the-box ways of preventing that from happening.”
For some Jewish creators, Jewish holidays are an explicit inspiration. Like many Jewish kids of the ‘80s and ‘90s, Max Fefer, a civil engineer by day and game designer by night, grew up loving the picture book “Herschel and the Hanukkah Goblins,” which remains a popular festive text. But as Fefer notes, goblins are often associated with antisemitic stereotypes. Fefer’s first Jewish game, Hanukkah Goblins, turns the story on its head — players interact as the jovial goblins, who are here not to destroy but to spread the spirit of Hanukkah to their goblin neighbors.
Last year, Fefer launched a successful Kickstarter for another Jewish holiday-inspired tabletop role-playing game, Esther and the Queens, where players assume the roles of Esther and her handmaidens from the Purim story, who join together to defeat Haman by infiltrating a masquerade party as queens from a far-off land.
Esther and the Queens channels Fefer’s Purim memories and includes carnival activities, including Skee-Ball; a calm, relaxing Mishloach Manot basket-making; and a fast-paced racing game.
“All of our holidays, they’re opportunities for us to gather as a community in different ways,” Fefer said. “Watching this satirical, comedic retelling of the story of Purim and the Esther Megillah and coming together into a theater, in a synagogue, to watch these spiels and laugh together and spin the graggers when we hear Haman’s name — all of those things help us build identity and community, and I think games in particular surrounding identity, that’s a great way for a Jewish person themselves to feel seen in a game and reinforce their identity, and share their background with friends.”
Another pair of Jewish game creators, Gabrielle Rabinowitz and her cousin, Ben Bisogno, were inspired by Passover.
“The seder is kind of like an RPG in that it’s a structured storytelling experience where everyone takes turns reading and telling, and there’s rituals and things you do at a certain time,” Rabinowitz said. “It’s halfway to an RPG.”
The game became a pandemic project for the two of them, and alongside artist Katrin Dirim and a host of other collaborators, they created Ma Nishtana: Why Is This Night Different? — a story game modeled on their family’s seder. The game follows the main beats of the Exodus story, and in every game, there will be a call to action from God, a moment of resistance, a departure and a final barrier — but different characters and moments resonate depending on the players’ choices.
As an educator at the Museum of Natural History, Rabinowitz said she is often thinking about how to foster participation and confidence, and she wanted to create a game-play mechanic to encourage players to be “as brazen as her family is.” The result was an in-game action called “Wait! Wait! Wait!” — if players wish to ask a question, make a suggestion, disagree with a course of action or share a new perspective, they can call out “Wait! Wait! Wait!” to do so.
The game also includes a series of scenes that are actively roleplayed or narrated, and each includes a ritual — one that can be done in-person or an alternate remote-friendly version. For example, at one point each player must come up with a plague inspired by the new story they’re telling together, and in the remote version, players go camera-off after reciting theirs.
“The fact that it was created during the pandemic and a way for us to connect and other people to connect with each other is really the soul of the game,” Rabinowitz said. “After each person tells a plague, by the end, all the cameras are off and everyone stays silent for another minute. It’s a hugely impactful moment when you’re playing remotely. The design is interwoven in the game itself.”
Rabinowitz said by playing a story of a family undergoing these trials, the themes of family and identity deepen every time she plays the game.
“A lot of people say, ‘Wow, I’ve never felt more connected to this story,’” she said. “Embodying these characters gave me a feeling of relevance and that makes it feel important as a Jewish precept.”
For other creators, that deep connection comes in more lighthearted scenarios. Nora Katz, a theatremaker, game designer and public historian working at the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL) by day, created the Jewish deli-centered game Lunch Rush, which was included in the Doikayt anthology.
“There’s also types of institutions that come up a lot in [tabletop role-playing games], especially sort of high fantasy,” she said. “Everyone meets in a tavern, there’s an inn, things like that. So the idea of a deli as a central gathering place in a world like that felt fun to me.”
An important element of Lunch Rush is that players must be eating while playing, so for Katz’s first round with friends, they got together with chocolate chip ice cream and dill pickle potato chips. She said the deli is a shared language, and her fellow players were all bringing in their own favorite things about delis they loved into the fictional place they were building together.
Tabletop role-playing games “at their core are about collaboration and relationships and storytelling and community, and for me, all of those things are also what Jewishness is about, to me they totally go hand in hand,” Katz said.
The games are not meant to be for Jewish players only. Rabinowitz said the guidebook for Ma Nishtana includes essays to encourage people to further engage with the narrative.
“Jewish players, non-Jewish players, priests, non-religious people, all different people have played it and almost all of them have told us it’s given them a new way of thinking of how they relate to religious tradition, and I didn’t really set out to do that,” Rabinowitz said. “I feel really privileged to have helped create that space.”
Rabinowitz and Bisogno also commissioned other creators to build alternate backdrops for their game, so it can be repurposed to telling the story of another oppressed people’s fight for freedom. Players can interact as embattled yaoguai, spirits from Chinese mythology; explore a Janelle Monáe-inspired Afrofuturist world; play as Indigenous land defenders; or unionize as exploited workers at “E-Shypt.”
Fefer, who has been amplifying the work of other Jewish creators in the tabletop role-playing game space, said the harm of stereotyping and reinforcing negative tropes is still present in the industry, and not just for Jewish people. For example, fans recently criticized Dungeons & Dragons publishers Wizards of the Coast for reinforcing anti-Black stereotypes in the descriptions of a fantasy race, the Hadozee.
“I think it’s a process of talking to people who are from these groups and bringing them onto your teams and making sure you’re incorporating their perspectives into, in the example of Dungeons & Dragons, a hundred-million-dollar industry, being intentional about that design and looking at things from lots of different angles,” Fefer said. “How could our branding, our games be reinforcing something we’re not even aware of?”
Fefer hopes people who play Hanukkah Goblins and Esther and the Queens feel seen and have moments of shared joy, and also that they learn something from these games — about the antisemitic tropes in fantasy, or about underrepresented groups within the Jewish community. With Esther and the Queens, Fefer collaborated with a writer and artist, Noraa Kaplan, to retell the Purim story from a queer and feminist lens, drawing on Jewish texts that the pair said shows the long presence of queer and trans people in Jewish tradition.
“We have a lot of richness within Judaism to share our culture and share our upbringing but also just be representation,” Fefer added. “We’re living in a time of heightened antisemitism and the world being a gross place to be at times, and we can really bring the beauty of Judaism into game design and create experiences for people that are both representative of Judaism and also just very Jewish experiences.”
But for all the important conversations and learning experiences that can come from Jewish tabletop role-playing games, Katz said the goofiness and joy is important, too.
“We live in such a horrendous society that is of our own making,” she said. “If you can, for a little while, enjoy an anticapitalist fictional deli that you and your friends live in, I think that’s great.”
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The post With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds appeared first on Jewish Telegraphic Agency.
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Janet Mills Drops Out of Maine Senate Democratic Primary, Clearing Path for Anti-Israel Candidate Graham Platner
Democratic US Senate candidate Graham Platner speaks at a campaign town hall meeting in Ogunquit, Maine, US, Oct. 22, 2025. Photo: REUTERS/Brian Snyder
Maine Gov. Janet Mills on Thursday announced that she is ending her campaign in the Democratic primary for US Senate, a move that effectively clears the path for progressive challenger Graham Platner to secure the nomination in a high-stakes race against incumbent Republican Sen. Susan Collins.
In a statement, Mills cited the financial demands of a competitive statewide campaign, acknowledging she lacked the resources to continue. Her withdrawal came after weeks of trailing Platner in grassroots fundraising and momentum, despite support from establishment Democrats.
“While I have the drive and passion, commitment and experience, and above all else — the fight — to continue on, I very simply do not have the one thing that political campaigns unfortunately require today: the financial resources,” Mills said.
“That is why today I have made the incredibly difficult decision to suspend my campaign for the United States Senate,” she continued.
The development represents a sharp ideological shift in the Democratic field. Mills, a two-term governor, had been viewed by party leaders as a pragmatic candidate with broad appeal and a traditionally strong stance on US alliances, including support for Israel. Mills’s candidacy failed to gain traction in the state, with observers pointing to a Democratic primary electorate that is both incensed and deeply desirous for a shakeup from the status quo.
Platner, in contrast to Mills, has built his campaign on an anti-establishment message and drawn increasing scrutiny in part for his rhetoric on the Middle East. Some of his past statements criticizing Israel have alarmed more centrist Democrats and foreign policy observers, who argue his framing downplays Israel’s security concerns and risks alienating key constituencies in a general election.
Platner has repeatedly accused Israel of “genocide” in Gaza and vowed to vote against further military assistance to the Jewish state. Earlier this month, Platner accused Israel of “exterminating” people in Gaza and refused to clarify his stance on whether Israel should remain a Jewish state. Most of his criticisms of Israel’s military conduct in Gaza omit any mention of the Hamas terrorist organization, framing Israel as an aggressor with intent of wiping out the Palestinian population.
Further, Platner came under scrutiny last year after it was revealed that the Democratic insurgent possesses a tattoo of a Totemkopf — a symbol historically used by Nazi military units. Though Platner has emphatically denied any knowledge of the tattoo’s connections to Nazism, skeptics have pointed out that the oyster farmer identifies as a military historian, raising serious doubts about his claims.
Concerns about Platner’s conduct and Totemkompf tattoo are already emerging as a potential liability in a race Democrats had hoped to make competitive. Collins, a moderate Republican with a long record of electoral success in Maine, has historically attracted independents and crossover voters, groups that could be wary of candidates perceived as ideologically extreme.
Mills’s exit also highlights a broader dynamic within the Democratic Party, as insurgent candidates in several primaries continue to gain traction over more traditional figures. While that energy has reshaped races across the country, it has also raised questions about general election viability in closely divided states.
Many observers have argued that Platner’s ascendance in the Democratic Party serves as another signal that the party is shifting further away from Israel and becoming more tolerant of antisemitism. Across the country, support for Israel has emerged as a litmus test within Democratic primary competitions, with candidates vowing to curtail support for Israel and being pressured to condemn the Jewish state as a perpetrator of “genocide.”
Despite Platner’s vulnerabilities and personal baggage, he has racked up a bevy of endorsements from Democratic power-players such as Rep. Ro Khanna (CA) and Sen. Elizabeth Warren (MA). On Thursday, the Democratic Party officially endorsed Platner as the nominee to take on Collins.
As of now, polling indicates a close race in the Maine general election, with several polls showing Platner with a narrow lead over Collins. However, the Republican National Committee (RNC) has not yet aired ads against Platner, and the Republicans are expected to weaponize Platner’s history of controversial commentary in the lead-up to Election Day in November.
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Analysis: As Democrats unite behind Platner, Schumer’s future as leader faces tests
National Democrats on Thursday moved swiftly to unite behind Graham Platner — a progressive candidate whose past Nazi-linked tattoo and sharp criticism of Israel have alarmed some Jewish groups — after he became the presumptive nominee for Maine’s Senate seat.
The move made political sense. Platner, a Marine veteran and oyster farmer, had already been leading in polls against Gov. Janet Mills, who dropped out of the race on Thursday, citing fundraising struggles. Once Platner became the de facto Democratic nominee against incumbent Republican Sen.Susan Collins, party unity was all but automatic.
But that unity comes with serious risks.
Joel Rubin, a Democratic commentator and foreign policy expert, called Platner’s candidacy for a much-desired seat a “nightmare scenario” for the party.
“For Jewish Democrats, wanting to defeat Collins, to have a candidate who makes them very uncomfortable on Jewish issues could potentially dampen support for him,” Rubin said in an interview. “Typically, Jewish Democrats are the most enthusiastic of democratic constituencies for Democratic candidates.”
Senate Democratic leader Chuck Schumer, who had recruited Mills to run, is focused on winning back the majority, and Maine is a must-win in the pursuit to flip at least four Republican seats. “After years of allowing Trump’s abuses of power, Senator Collins has never been more vulnerable and we will work with the presumptive Democratic nominee Graham Platner to defeat her,” Schumer said in a joint statement with Sen. Kirsten Gillibrand of New York, who heads the Democratic campaign arm.
Schumer navigates new tensions
Schumer could play a pivotal role in mobilizing national donors, including Jewish donors, to support the Platner campaign.
Nonetheless, Schumer, who has seen his popularity decline since he supported a Republican spending bill to avert a shutdown last year, may be helping build a majority that won’t back him, as his longtime support for Israel increasingly becomes a liability in a party where many voters object to the United States providing funds to the Jewish state.
Platner has aligned himself with a new guard of candidates who could emerge from competitive primaries ready to challenge Democratic leadership — as well as the longstanding Democratic consensus in support of Israel.
Abdul El-Sayed, a U.S. Senate candidate from Michigan rising in the polls, and Zach Wahls, a progressive candidate from Iowa, have both said they oppose Schumer as leader.
These insurgents could also alienate moderate and pro-Israel Jewish voters in closely contested races in the fall. Figures like Platner and El-Sayed have adopted language and positions that would have been politically risky — if not disqualifying — in earlier cycles. Now, those stances are survivable.
And even if they win their races in the general election and Schumer stays on as leader, his role is getting harder to maintain as the party’s base has shifted, especially amid the wars in Gaza and Iran.
For years, Schumer has cast himself as an institutional anchor on issues important to the Jewish community, including support for Israel. In a speech for Jewish audiences, he bragged about preserving Democratic unity on Israel aid. In 2024, he told the Forward that “having a majority leader who’s committed to Israel is vital for Israel’s relationship with the U.S.”
But shifting dynamics suggest the balance may be slipping.
Earlier this month, 40 Senate Democrats voted to block $295 million for the transfer of bulldozers — used by the Israeli military to demolish homes in the West Bank and Gaza — and 36 of them also supported a measure to block the sale of 1,000-pound bombs to the Jewish state. Those counts shattered a previous high of 27 Democrats who backed a similar pair of resolutions last year.
Schumer was in the minority of his party on both votes.
If a future roster of Democratic senators includes more legislators elected on platforms critical of Israel and skeptical of party leadership, Schumer’s ability to manage internal divisions could be tested in ways it hasn’t been before. Schumer came under fire from progressives in February after telling a Jewish group that he will keep “fighting” for military assistance to Israel.
In a recent interview with Politico, Sanders asserted he has now become the leader for Senate Democrats on Israel policy. “I mean, we got 40 votes, and Schumer got seven,” he said. “We have more support for our position than Chuck has for his.”
What Jewish Democrats are watching
For many Jewish voters, Platner’s rise and the party’s embrace of him are another signal of changes many are finding hard to swallow.
Platner faced backlash last year after acknowledging that a black skull-and-crossbones tattoo on his chest resembled a Nazi symbol. He has since covered it up. In past Reddit posts, Platner made incendiary comments, including in defending a man with a Nazi SS lightning bolt tattoo who impersonated a federal officer at a Black Lives Matter protest in Las Vegas in 2020.
Last month, Platner accused Israel of committing genocide in Gaza and suggested the U.S. should cut off all aid to Israel.
Platner has done some outreach to the Jewish community across Maine. Recently, his campaign hosted a Passover Seder in Bath, Maine with some 50 community members, during which he discussed rising antisemitism. It was co-hosted with Steven Koltai, the state chair of the progressive Jewish political fundraising group J Street, who is a key Platner supporter.
For now, Democrats have little choice but to unite behind the presumptive nominee. But if candidates like Platner help deliver a majority, the real test will be holding it together.
The post Analysis: As Democrats unite behind Platner, Schumer’s future as leader faces tests appeared first on The Forward.
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Hamas Exploits Gaza Ceasefire to Tighten Civilian Control, Rebuild Military Power as Second Phase Talks Stall
Palestinians displaced during the two-year Israel-Hamas war shelter at a tent camp in Khan Younis in the southern Gaza Strip, Feb. 10, 2026. Photo: REUTERS/Ramadan Abed
As the second phase of the Gaza ceasefire agreement remains stalled, Israeli officials warn that the Palestinian terrorist group Hamas is quietly exploiting the pause in fighting to tighten its control over civilian life while simultaneously rebuilding its military capabilities behind the scenes.
Under the leadership of military wing commander and de facto Gaza ruler Izz ad-Din al-Haddad, Hamas is reinforcing its authority across the enclave, further undermining already fragile efforts to advance the truce.
Al-Haddad is said to be operating three parallel systems intended to secure the terrorist group’s survival and restore its military capabilities, according to a report by the Israeli news outlet Walla, which cited security sources.
The first line of effort seems to focus on reestablishing Hamas’s civilian governance and restoring its authority across the war-torn enclave, with its presence still visibly entrenched through checkpoints, strict regulation of goods, and the takeover of key civilian institutions, including hospitals.
Under the ceasefire, the Israeli military currently controls 53 percent of Gaza, while Hamas remains entrenched in the nearly half of Gazan territory it still controls, where the vast majority of the population lives.
The Palestinian terrorist group has also been reactivating internal security mechanisms to enforce day-to-day order while carrying out extensive intelligence operations aimed at identifying alleged collaborators with Israel and any opposition.
Hamas’s second line of effort has been focused on a violent internal campaign against armed militias and local gangs, particularly in southern Gaza, as the group seeks to reassert control and shore up its weakened position by targeting Palestinians it labels as “lawbreakers and collaborators with Israel.”
With its security control tightening, Hamas’s brutal crackdown has escalated, sparking widespread clashes and violence as the group seeks to seize weapons and eliminate any opposition.
A third line of effort reportedly centers on rebuilding military capabilities, including recruiting new operatives, conducting training both in the field and at command sites, restoring intelligence and surveillance systems, and rebuilding underground infrastructure and weapons stockpiles.
Israeli officials estimate that Hamas’s military wing, the al-Qassam Brigades, is rebuilding its forces, with its ranks now totaling roughly 27,000 members.
Despite Israeli intelligence assessments that Hamas’s smuggling capabilities have been significantly degraded, the group is reportedly seeking to rebuild its arsenal through local means by recovering Israeli Air Force munitions remnants and converting them into improvised explosive devices.
The Islamist group is also attempting to revive rocket and mortar production using makeshift materials, while reorganizing stockpiles buried under rubble or left largely intact.
Israeli officials have repeatedly warned that Hamas’s ongoing rebuilding efforts are allowing the group to retain control over much of the war-torn enclave and steadily sustain its influence despite over two years of military conflict.
According to a report by the Arabic newspaper Asharq Al-Awsat, a new draft proposal has been presented to Israel and Hamas, with talks potentially beginning this week on moving forward with the second phase of US President Donald Trump’s Gaza peace plan.
Earlier this year, the US-backed plan to end the war in Gaza hit major roadblocks after proposals surfaced that would allow Hamas to retain some small arms.
Israel has previously warned that the Islamist group must fully disarm for the second phase of the ceasefire to move forward, pointing to tens of thousands of rifles and an active network of underground tunnels still under the terrorist group’s control.
If Hamas does not give up its weapons, Israeli officials have vowed not to withdraw troops from Gaza any further or approve any rebuilding efforts, effectively stalling the ceasefire agreement.
The new draft allegedly proposes creating an “Implementation Verification Committee,” to be formed under Nickolay Mladenov, the high representative for Gaza on Trump’s Board of Peace, bringing together guarantor states, the International Stabilization Force, and a Peace Council to ensure compliance by all parties.
Under this proposed draft, the Peace Council would be granted authority over Gaza’s governance, reconstruction, and development until a reformed Palestinian Authority is able to resume its responsibilities.
The document also reportedly states that Hamas and other extremist Palestinian factions would have no role in governing the Gaza Strip, and that governance would be based on “one authority, one law, and one weapon,” as all armed groups would cease military activity and a phased disarmament process would transfer weapons to the incoming body.
By this framework, Israel’s withdrawal would take place in stages under an agreed timetable, contingent on verifiable progress in the process of disarmament.