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With greater representation, an on-stage ‘Transparent’ musical looks to transcend the Amazon show’s rocky ending

(JTA) — When the Amazon series “Transparent” premiered in 2014, America had never met a family like the Pfeffermans on TV. 

The hit dramedy, following a Jewish family of three adult siblings whose parent comes out as a transgender woman in her 60s, was the first scripted series to center on a transitioning character. The show won eight Emmys out of 28 nominations, along with awards from GLAAD and the NAACP. It has been credited with paving a path for more leading trans characters in shows such as FX’s “Pose,” CW’s “Supergirl” and HBO’s “Euphoria.” 

“Transparent” was also called by many “the most Jewish show on TV.” Its Jewish characters range from mostly secular Los Angelenos to a rabbi to Weimar-era German counterculture pioneers (seen in flashbacks). In the fourth season, the main characters visit Israel-Palestine, where they attempt to understand both their faith and the occupation. 

But the show was criticized for casting straight cisgender actor Jeffrey Tambor as the transitioning matriarch Maura Pfefferman. And in 2017, after “Transparent” had been renewed for a fifth season, Tambor was accused of sexual harassment by two former on-set colleagues. He was fired, his starring character killed off in the finale. (Tambor has repeatedly denied the allegations against him.)

That finale took the form of a 100-minute musical film, which ended the series with a divisive show tune called “Joyocaust,” urging Jews to transform their DNA-rooted suffering into joy: “Take the concentration out of the camps, concentrating on some song and dance.”  

Now the entire series is getting the musical treatment, arriving on a real stage in Los Angeles. “A Transparent Musical” — adapted by “Transparent” creator Joey Soloway with music and lyrics by Faith Soloway, who also wrote for the TV series — debuts on Tuesday and runs through June 25 at the Mark Taper Forum. One of the goals: to put the spotlight squarely on LGBTQ actors.

“It’s like 75% trans and nonbinary people on stage,” said Faith. 

The siblings were originally inspired by their own family: Their parent, formerly known as Harry Soloway, came out as a woman, calling herself “Carrie,” at 75 years old. After they started making the show, Joey and Faith Soloway gradually also came out as  trans. Joey changed their name from Jill. Both siblings use the pronouns “they/them.”

They saw the musical medium as a way to freshen up the TV show’s explorations of Jewish and queer history, and the ways in which they interact. Their production will include songs like “Jewish and Queer” — a jubilant “Jewish drinking song,” said Joey — along with defiant anthems like “Deviant,” which celebrates uniting against hatred.

Before they understood their interest in gender, the siblings always imagined making a musical together.

“At the ages of 5, 6, 7 years old, you can picture us sitting on the carpet in our living room in the early ‘70s, listening to the cast albums of ‘Jesus Christ Superstar’ and ‘Hair’ and ‘Fiddler on the Roof,’ dreaming that one day this was where we were going,” said Joey. 

Joey said they did not realize that Tambor’s casting was “problematic” when the TV series debuted. They approached casting and hiring creatives for “A Transparent Musical” with a laser focus on representation, choosing trans actress Daya Curley for Maura’s role. They also centered the character of Davina — Maura’s trans friend, portrayed by Black actress and “RuPaul’s Drag Race” runner-up Peppermint — to intensify the musical’s focus on intersectionality.

Adina Verson, who identifies as nonbinary and featured in the show “Only Murders in the Building,” will play Ali Pfefferman, the family’s youngest sibling. 

“I’ve never seen a show with so many trans actors,” said Verson. “It’s an incredible room full of unique, incredible performers who honestly haven’t often been given the stage that they deserve.”

As someone who is married to a man and has a child, Verson said they “never felt queer enough”; meanwhile, growing up as a Reform Jew, they “never quite felt Jewish enough.” (In the series, Ali is played by non-Jewish actress Gaby Hoffmann.)

“It was so exciting to be able to bring that questioning to Ali’s journey, and through Ali, I feel like I’ve really found my footing,” they said.

At the same time as trans representation in popular culture has grown since Amazon premiered “Transparent,” trans identities have come under a coordinated political attack. This year alone, 20 states have passed 71 bills restricting healthcare, public accommodations and school activities for trans people, according to the Trans Legislation Tracker.

Last week, Florida Governor Ron DeSantis signed a slate of bills targeting drag shows, restricting the discussion of “preferred pronouns” in schools and enforcing the use of specific bathrooms at public facilities — from schools to prisons — based on “biological sex.” The laws also banned minors from accessing transgender medical treatments, such as puberty blockers or hormone therapy, and placed new restrictions on adults seeking treatment.

Joey Soloway said they were “in mourning” and “paralysis” over the legislation. They see “A Transparent Musical” as a form of protest, conveying “the relationship between how Jews are othered and trans people are othered” with a power that feels different on a theater stage.

“We’re amping up our ammunition beyond a one-on-one TV experience that you watch alone in your room, streaming on your iPad,” said Joey. “This is something you experience collectively, that lands in the body and allows you to go out into the world singing and dancing.”


The post With greater representation, an on-stage ‘Transparent’ musical looks to transcend the Amazon show’s rocky ending appeared first on Jewish Telegraphic Agency.

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Australia’s Jewish community is defined by Holocaust survivors, Yiddishkeit, and immigrants

An attack on a Hanukkah celebration at Bondi Beach in Sydney on Sunday killed 15 people and left Jewish communities reeling worldwide. The violence has also drawn attention to the resilience of Australia’s distinctive Jewish community, shaped by the world’s largest concentration of Holocaust survivors outside Israel, a growing Yiddish revival scene, and a large number of South African Jewish immigrants.

Demographics and culture

About 117,000 Jews live in Australia, according to 2021 Census figures adjusted for likely undercounting. The community is largely urban, with 84% living in either Melbourne or Sydney.

Just over half of Australian Jews were born in the country. Among those born overseas, the largest immigrant groups come from South Africa and Israel.

Religious practice within the community is diverse, with roughly 4% identifying as Haredi, 18% as Modern Orthodox, 33% as traditional or Conservative, 11% as Reform, and 21% as secular. In other respects, the community is uniquely cohesive: About half of children attend Jewish day schools — the highest rate for Jewish day school attendance outside of Israel.

In recent years, the revival of Yiddish language and culture in Australia has drawn significant attention, with young people who view it as a “language of protest” leading the charge. Yiddish is a required daily subject at Melbourne’s Sholem Aleichem College, a secular day school with roots in the Jewish Labor Bund. The annual Australian “Sof-Vokh Oystralye” retreat immerses attendees in 48 hours of speaking Yiddish exclusively, while Kadimah, a Jewish cultural center and library in Melbourne, stages plays in the language.

Being in the Southern Hemisphere, Australians celebrate Hanukkah during their summer, taking pride in being among the first in the world to light the holiday candles due to their early time zone.

A destination for refugees

The Australian Jewish population nearly tripled in size from 1938 to 1961. The influx was driven by Holocaust survivors, Hungarian refugees who arrived after the Hungarian Uprising of 1956, and British Jews who migrated under the “Ten Pound Poms” program, which allowed them to move to Australia for just 10 pounds.

In the aftermath of World War II, Australia accepted Holocaust survivors who were living in displaced persons camps, at a time when many countries either refused to take them or imposed strict quotas — including the United States.

Not only was Australia one of the few countries willing to accept survivors, it was also just about as far from Europe geographically as one could get, offering a sense of safety in its isolation.

Yet the acceptance of Jewish refugees was at times begrudging. Minister for Immigration Arthur Calwell sold large-scale immigration in the aftermath of World War II not as a humanitarian concern, but under the slogan “populate or perish,” reflecting the need for population growth to boost the economy and enhance national security.

Calwell also covertly introduced bureaucratic measures to limit the number of Jewish Holocaust survivors allowed to enter Australia, including restricting the number of Jewish survivors permitted on ships leaving Europe to a quarter of all passengers.

But Calwell’s efforts to limit Jewish immigration ultimately fell short. In the aftermath of the war, roughly 27,000 Holocaust survivors settled in Australia. As of 2023, about 2,500 of those survivors were still living.

One of those survivors, Alexander Kleytman, who immigrated to Australia from Ukraine, was killed in Sunday’s attack at Bondi Beach while protecting his wife.

Australia’s relationship with Israel

Relations between Israel and Australia have been increasingly strained in the past year. Prime Minister Anthony Albanese had been sharply critical of Israel’s conduct in Gaza, calling Israel’s “excuses and explanations” for blocking aid to Gaza “an outrage.”

Tensions further escalated in September, when Australia was one of about 150 countries that moved to recognize a Palestinian state. In response, Israel revoked the visas of Australian representatives to the Palestinian Authority.

Yet Australia and Israel have historically been strong allies. Australia’s first external affairs minister, Herbert Vere “Doc” Evatt, played a key role in the United Nations partition plan for Palestine and the creation of the Jewish state.

In 2017, Israeli Prime Minister Benjamin Netanyahu became the first incumbent Israeli leader to visit Australia, and former Australian Prime Minister Scott Morrison had said he was considering recognizing Jerusalem as the Israeli capital. But that position was reversed in 2022 after Albanese, a member of the Labor Party, took office.

Relations deteriorated further after an arson attack on a historic synagogue in Melbourne in December. Netanyahu sharply criticized Australia’s government, saying, “It is impossible to separate the reprehensible arson attack from the federal government’s extreme anti-Israeli position.”

Following the attack on a Hanukkah celebration at Bondi Beach, Netanyahu doubled down, saying he had warned Albanese that “your call for a Palestinian state pours fuel on the antisemitic fire.” Albanese rejected any link between the two, arguing that support for a two-state solution is a widely held position.

The post Australia’s Jewish community is defined by Holocaust survivors, Yiddishkeit, and immigrants appeared first on The Forward.

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Australia welcomed my family’s Holocaust survivors — and Bondi Beach soon became a symbol of renewal for me

Like so many Jewish Americans whose families immigrated prior to World War II, I grew up believing that none of my family had survived the Holocaust. When I would ask my older relatives, they would shrug. Only my grandfather shared anything about our relatives: He remembered how his parents would receive letters from Lithuania in the late 1930s and early 1940s, until one day they stopped coming.

As far as I knew, we were the only ones left. That is, until my uncle got a strange phone call from an elderly man who spoke with a hybrid German/Australian accent.

My uncle was skeptical; the person on the other end of the line claimed to be a cousin from the Australian branch of the Carvin family, despite the fact that my great-grandfather Max had invented the surname only after reaching the United States in the early 1900s.

The mysterious Australian said he was visiting Boston and asked if he wanted to meet. My uncle declined and ended the call, assuming it was a hoax or a scam.

My cousins, though, were curious. One of them began calling hotels across Boston asking for a Mr. Carvin until she tracked down the Australian. His name was Leo, and he graciously renewed his offer to meet for lunch.

When she arrived at the restaurant, she saw a man who looked much like her father, but older. And he was holding an envelope of letters written on my great-grandfather’s stationery from his home outside of Boston.

Over the course of an afternoon, my cousin learned more about my family history than any of us had uncovered in decades. Leo explained that his mother was one of my great-grandfather Max’s sisters, making Max his uncle. She and Max had continued to correspond during the interwar period; when the Nazis annexed Austria, her young adult children, including Leo, fled to Italy. Coming to the U.S. was no longer as straightforward as it had been for so many European Jews a few decades earlier, but Max tried to arrange visas for them. He suggested they begin using the surname Carvin rather than his sister’s married name, hoping it might increase the chances of obtaining visas.

It made no difference. Despite all of Europe being on the precipice of another world war, the United States would not take them in. But Australia would.

Leo and one of his brothers arrived in Freemantle, Western Australia in October 1938. To honor Max’s efforts to help them escape from Europe, they legally adopted the surname Carvin soon after their arrival. Eventually they found their way to Sydney, where they and their descendants would thrive.

In the years since Leo Carvin made that phone call to my uncle, we’ve gotten to know our Australian branch. They’ve traveled the east coast of the U.S. visiting my family multiple times; two of them crashed my wedding in Baltimore.

This clubhouse, founded by Australian veterans of World War II’s North Africa campaign, overlooks Bondi Beach. Photo by Andy Carvin

I’ve also visited them in Sydney on three occasions, and on each trip, we’ve repeated the same ritual: having drinks overlooking Bondi Beach at a clubhouse founded by Australian veterans of World War II’s North Africa campaign.

It would be wrong to say Bondi is unlike any other beach I’ve been to; in fact, it’s one of several beaches nestled in coves along the southeastern shore of Sydney, all equally inviting and picturesque. But Bondi is the one I will always think of as our family beach in Australia, and the veterans’ clubhouse as our local pub. It’s a place where I got to rediscover my family in a way that all too many Jewish Americans will never get to do, reuniting with the descendants of relatives who escaped the horrors of the Holocaust and found refuge in a new home.

My great-grandfather, an old-school Bundist, probably would have described our family’s immigration to Boston as doikayt, the Yiddish word for “hereness” that celebrates the diversity of the Jewish diaspora and our ability to thrive wherever we end up, often against difficult odds. I can’t help but think of doikayt whenever I think of Bondi Beach and the country that welcomed my extended family when other countries would not. It symbolizes more than just survival – it symbolizes renewal, prosperity, and resilience.

Bondi Beach may be 9,800 miles away from my current home — effectively on the opposite side of the world — but it will also be here for me. It’s become my home away from home, and a place for joyful reunions that defy all odds. And it would never have been possible if Australia had not opened its arms to my extended family.

The post Australia welcomed my family’s Holocaust survivors — and Bondi Beach soon became a symbol of renewal for me appeared first on The Forward.

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Sydney Opera House lit by giant menorah as vigils for Bondi Beach victims take place across Australia

(JTA) — The Sydney Opera House was illuminated by a large menorah Monday night, a solemn tribute to the 15 lives lost the previous day in an antisemitic terror attack that rocked Australia’s Jewish community.

The projected menorah, displayed on the iconic opera house’s largest sail, was called for by the premier of New South Wales, Chris Minns.

“Lighting the Opera House is a simple but powerful gesture: a message to the world that we cherish our Jewish community, that we honour their courage, and that we stand with them in solidarity and love,” Minns said in a statement. “Tonight, those candles are a symbol of resilience and a reminder that even in darkness, we choose to stand with one another.”

The light of the menorah was one of several acts of remembrance that sprung up across Australia on Monday, a day after two terrorists opened fire on a ChabadHanukkah event on Bondi Beach, killing 15 and injuring at least 40.

In an interview with the Australian broadcaster ABC on Monday, Australian Prime Minister Anthony Albanese said the two gunmen “weren’t part of a wider cell,” and had “engaged in this act of antisemitism, driven by ideology.”

Hundreds of bouquets were placed around a large menorah in front of the Bondi Pavilion on Monday, where more than 1,000 people gathered for a vigil, according to ABC.

“Yesterday was a tragic event, which words cannot explain,” Rabbi Yossi Shuchat told those gathered as he lit two candles to mark the second night of Hanukkah. “Lightness will always persevere; darkness cannot continue where there is light.”

At the vigil, a Jewish activist, Michelle Berkon, was removed by police for wearing a keffiyeh, the traditional Palestinian headscarf that has become a symbol of anti-Israel protest, according to The Australian.

In Sydney’s Hyde Park, hundreds also gathered for an interfaith ceremony where speeches were given by First Nation community members and spokespeople from the Jewish Council of Australia and the Australian Imams Council.

“So many in our Jewish community have received messages of love from leaders in different faith communities, from Palestinian friends and friends around this country, and in so doing, we are now learning we are all just flesh and blood, and we are all also the light,” said Rabbi Jeffrey Kamins from the Emmanuel Synagogue in Woollahra, according to ABC.

The Caulfield Shule, a synagogue in a suburb of Melbourne that serves a large Jewish community, was also packed to capacity by 2,000 people on Monday.

The post Sydney Opera House lit by giant menorah as vigils for Bondi Beach victims take place across Australia appeared first on The Forward.

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