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YIVO digitizes writer Chaim Grade’s archive, a Yiddish treasure with a soap opera backstory

(JTA) — Years ago, when I worked at the Forward, I had a cameo in a real-life Yiddish drama.

A cub reporter named Max Gross sat just outside my office, where he answered the phones. A frequent caller was Inna Grade, the widow of the Yiddish writer Chaim Grade and a fierce guardian of his literary legacy. Mrs. Grade would badger poor Max in dozens of phone calls, especially when a Forward story referred kindly to the Nobel laureate Isaac Bashevis Singer. Grade’s widow described Singer as a “blasphemous buffoon” whose fame and reputation, she was convinced, came at the expense of her husband’s.

As Max explains in his 2008 memoir, “From Schlub to Stud,” Mrs. Grade “became a bit of a joke around the paper.” And yet in Yiddish literary circles, her protectiveness of one of the 20th century’s most important Yiddish writers was serious business: Because Inna Grade kept such a tight hold on her late husband’s papers — Chaim Grade (pronounced “Grah-deh”) died in 1982 — a generation of scholars was thwarted in taking his true measure. 

Inna Grade died in 2010, leaving no signed will or survivors, and the contents of her cluttered Bronx apartment became the property of the borough’s public administrator. In 2013, Chaim Grade’s personal papers, 20,000-volume library, literary manuscripts and publication rights were awarded to the YIVO Institute for Jewish Research and the National Library of Israel. They are now stored in YIVO headquarters on Manhattan’s W. 16th Street.

This week YIVO and the NLI will announce the completion of the digitization of “The Papers of Chaim Grade and Inna Hecker Grade,” making the entire archive publicly accessible online. When the folks at YIVO invited me to come and look at the Grade collection, I knew I had to invite Max, not just because of his connection to Inna Grade but because he has become a critically acclaimed novelist in his own right: His 2020 novel “The Lost Shtetl,” which imagines a Jewish village in Poland that has somehow escaped the Holocaust, is in many ways an homage to the Yiddish literary tradition.

We met on Thursday with the YIVO staff, who were tickled by the T-shirt Max was wearing, which had a picture of Chaim Grade and the phrase “Grade is my homeboy.” (Max said his wife bought it for him, although neither could imagine the market for such a shirt.)

Stefanie Halpern, director of the YIVO archives, and novelist Max Gross discuss a thick file containing news clippings relating to the late Yiddish novelist Chaim Grade at YIVO’s Manhattan offices, Feb. 2, 2023. (New York Jewish Week)

The Grade papers — manuscripts, photographs, correspondence, lectures, speeches, essays — are stored in folders in gray boxes, whose neatness belies the years of effort that went into putting them in order. Jonathan Brent, executive director and CEO of YIVO, described for us the Grades’ apartment, which he visited shortly after Inna’s death.

“It was like a combination of my grandmother’s apartment and a writer’s home,” he said. “Everything was books, books to the ceiling. You open a drawer in the kitchen where you think there’ll be knives and forks, there are books, there are manuscripts. You open the cabinet in the bathroom, there are more manuscripts and books and books…. But the thing I remember most is that at the top of a shelf there was that much dust.” He held his fingers about two inches apart. 

Inna Grade was Chaim Grade’s second wife. The writer was born in Vilna (now in Lithuania) in 1910. He was able to flee east during the Nazi occupation, leaving behind his mother and his first wife under the assumption that the Germans would only target adult men. It was a tragic miscalculation, and their deaths would haunt Grade the rest of his life. Inna Hecker was born in Ukraine in 1925, and met Grade in Moscow during the war. Married in 1945, they immigrated to the United States in 1948. 

Chaim Grade had already established a reputation as a poet, playwright and prose stylist before the war; English translations of his novels “The Agunah” and “The Yeshiva” and serial publication of his novels in the Yiddish press brought him recognition in America for what the Yiddish scholar Ruth Wisse calls a “Dostoyevskian talent to animate in fiction the destroyed Talmudic civilization of Europe.” Columbia University professor Jeremy Dauber, in a YIVO release, says that Grade was possessed “by the spirit of the yeshiva world he’d left behind; then possessed by the spirits and memories of those who’d been murdered by the Nazis.”

Stefanie Halpern, director of the YIVO archives, showed us the physical evidence of that possession: Grade’s notebooks, in which he wrote down ideas and inspiration in a careful Yiddish script; manuscripts for at least two unpublished dramatic works, “The Dead Can’t Rise Up” and “Hurban” (“Sacrifice”); a photograph of Grade standing amidst the ruins of Vilna during his only visit after the war; pictures of the Bronx apartment taken when the couple was still alive, book-filled but still tidy. 

Halpern also showed us the Yiddish typewriter recovered from the apartment, with what is believed to be the last page he worked on still rolled in its platen.

Chaim Grade’s typewriter, preserved in the condition it was found when the Yiddish author died in 1982, contains what are apparently the last lines he ever wrote. (New York Jewish Week)

The archivists are also careful to give Inna her due. After arriving in America she studied literature and received a master’s degree from Columbia, and often translated her husband’s work. Thanks to her, hundreds of clippings of Grade’s work and articles about him have survived. 

Her correspondence reflects the lengths she went to protect her husband’s legacy during and after his lifetime, including a bizarre and lengthy letter to the Vatican complaining about Singer. “She was a brilliant and creative person, devoted in a way only a widow can be,” said Brent. “And perhaps devoted to a maddening extent.”

If all that sounds like the stuff of Jewish fiction, it is: In 1969, Cynthia Ozick wrote a novella called “Envy; or, Yiddish in America,” about Yiddish writers very much like Grade consumed with envy for a writer very much like Singer. “They hated him for the amazing thing that had happened to him — his fame — but this they never referred to,” wrote Ozick. “Instead they discussed his style: his Yiddish was impure, his sentences lacked grace and sweep, his paragraph transitions were amateur, vile.” 

Halpern showed us a mailgram from Inna to the Forward that makes it clear that she and her husband read and hated the story. In it she describes Ozick as “no less grotesque than evil.”

For all of the gothic Yiddish aspects of its retrieval, “this is probably the single most important literary acquisition in YIVO’s postwar history,” Brent said of the archive. He described publishing projects already underway with Schocken Books and other publishers that will draw on the material. 

Max and I discussed what it felt like to see what had become “a bit of a joke” around the Forward office placed at the center of an epic exercise in literary preservation. Max was struck by the way Inna’s personality came through in the papers. “This was her,” he said. “Her obsession, her struggle, all these things. It was definitely remarkable to see that.”

I recalled overhearing his conversations with Inna, and how her behavior could seem funny and exasperating, but also admirable and more than a little sad — in that her devotion to her husband’s reputation may also have prevented scholars from doing the work that would have made him better known. 

“Exactly, but that’s one of the reasons why you get into Yiddish literature, because all of these things are true at the same time,” said Max. “Those kinds of scores, rivalries, feuds within Yiddish literature is what is so great about it. It is great to see that somebody really cared and that literature was taken so seriously. And the pettiness was something you couldn’t quite divest from the rest of it.”


The post YIVO digitizes writer Chaim Grade’s archive, a Yiddish treasure with a soap opera backstory appeared first on Jewish Telegraphic Agency.

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New record label boasts young (and female) singers of cantorial music

Khazonim, or cantors, like Yossele Rosenblatt and Gershon Sirota — once household names that commanded massive respect and even bigger paychecks — have lost their luster since their heyday in the “Golden Age” of the early 20th century.

To the dismay of fans of khazones — the unique blend of traditional prayer and classical opera that once dominated the Ashkenazi synagogue and stage — few people today have the specialized cultural knowledge required in passing the musical tradition down from teacher to student.

Another traditional Jewish musical genre once found itself in a similar situation: klezmer music. Then, in the 1970s, the Balkan Arts Center of New York City, which later became the Center for Traditional Music and Dance, became the focal point for a remarkable klezmer revival. They recorded legends like Dave Tarras who taught new generations of musicians, and became a supportive ecosystem for a genre that had been nearly discarded.

Following this example, Jeremiah Lockwood and Judith Berkson, founders of the new Brooklyn-based record label Khazones Underground, are using a combination of recordings, concerts and community organizing to achieve a revival for this genre as well. They are well-qualified for this massive undertaking: Lockwood is the grandson of khazn Jacob Konigsberg, and a scholar. He is also the long-time frontman of the khazones-infusedrock group The Sway Machinery. Berkson is a cantor, composer and teacher.

Aside from a symposium and concert at the upcoming Yiddish New York festival, they have been teaching and writing about khazones, cultivating a new generation of dedicated performers from diverse backgrounds.

As part of their efforts, Lockwood and Berkson are officially releasing three albums on Dec. 1 that includes a reissue of an album of contemporary Hasidic cantors; an album from The Sway Machinery which uses surreptitiously-taken “bootleg” recordings of Golden Age cantors as jumping-off points, and perhaps most excitingly — an album of all-female cantors, or khazntes.

The album, The Return of the Immortal Khazntes featuring Judith Berkson, Riki Rose, Rachel Weston and Shahanna McKinney-Baldon, draws on the history of female cantors who used to perform on the theater stage. Berkson noted in an interview that what made this album special was that their inspiration is the sound of the old khazntes.

“A lot of women cantors now are trained to sing quite high, in a soprano range,” Berkson said. But these four khazntes sang in a wider range, including alto, imitating the often baritone ranges of their male counterparts.

Berkson opens the album with “V’hu Yashmiyeynu,” accompanied by San Francisco’s renowned Kronos Quartet. The piece, originally performed by the cantor and Yiddish actor Moishe Oysher, is, as Lockwood describes it, “an amazing kind of knock-’em where it hurts, showstopper piece.”

Riki Rose, originally from the Satmar Hasidic community, expressed a similar kind of revelatory feeling. Even though she didn’t hear women singing this kind of music earlier in her life, it seemed very natural to her to sing in a lower register.

The other two featured cantors have equally interesting backgrounds: McKinney-Baldon is researching Madame Goldie Steiner, the only known African American woman performer of khazones in the Golden Age; and Weston is a British cantor trained extensively in Yiddish music.

The album, The Dream Past, is, on the face of it, aggressively different from “The Return.” Lockwood, reviving The Sway Machinery, which once toured the world inserting khazones themes under the guitar and drums, is now more revealing about the Jewish background of its pieces. Each song begins with an introduction from a “bootleg” recording of live prayer as a jumping-off point.

Golden Ages: Brooklyn Chassidic Cantorial Revival Today is a reissue from 2022, but it’s every bit as notable for bringing in modern Hasidic cantors. Interestingly, even the deeply traditional Hasidic community had abandoned khazones, leaving the few remaining Hasidic fans of the genre feeling marginalized by their own community.

Singer Yanky Lemmer, whom Lockwood met while observing Brooklyn’s Hasidic khazones singing circles, will be part of the performance at Yiddish New York — a truly remarkable occurrence due to the well-known chasm between the Hasidic and Yiddishist worlds.

Lockwood says that this current trio of records is just the beginning. Archival recordings are coming next, as well as various events and gatherings. He definitely sees positive signs that Khazones Underground could uplift this kind of music. “I wouldn’t say that’s an institution yet, but we have aspirations that it can support this kind of work,” he said.

 

 

The post New record label boasts young (and female) singers of cantorial music appeared first on The Forward.

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Syrian Security Forces Use Gunfire to Disperse Rival Protests in Alawite Heartland

Alawites gather during a protest to demand federalism and the release of detained members of their community, in Latakia, Syria, Nov. 25, 2025. Photo: REUTERS/Stringer

Syrian security forces used gunfire on Tuesday to break up two rival groups of demonstrators in the coastal town of Latakia, heartland of the country’s Alawite minority, witnesses and officials said.

Syria has been rocked by several episodes of sectarian violence since longtime leader Bashar al-Assad, who hails from the Muslim Alawite minority, was ousted by a rebel offensive last year and replaced by a Sunni-led government.

Witnesses said hundreds of Alawite protesters had gathered to demand a decentralized political system in Syria and the release of men they say were unjustly detained by the country’s new authorities. Supporters of the government then gathered and began shouting insults at the Alawites.

About an hour into the Alawites’ rally, gunshots were heard in Agriculture Square, one of two town squares where the protesters had gathered, according to two witnesses and videos verified by Reuters. One of the verified videos showed a man lying motionless on the ground with a wound to the head.

There was no immediate official word on casualties.

Noureddine el-Brimo, the head of media relations in Latakia province, told Reuters security forces had fired into the air to disperse the rival protesters, and added that unknown assailants had also fired on civilians and on the security forces.

He gave no further details but witnesses said both protests had broken up by the afternoon.

‘THERE’S NO MORE SECURITY’

The rally had been called for by the head of the Supreme Alawite Islamic Council, Ghazal Ghazal, on Monday. He urged Alawites to protest peacefully.

“We demand to live in security, to go to school safely without kidnapping. This was the only place we used to feel security. Now there’s no more security and we’re exposed to kidnapping and fear,” said Leen, who attended the protest but declined to give her last name out of security concerns.

Nearly 1,500 Alawites were killed by government-linked forces in March after Assad loyalists ambushed state security. Reuters reported that dozens of Alawite women were later kidnapped, though authorities deny they were abducted.

Syria‘s President Ahmed al-Sharaa, a former militant Islamist, has vowed to rule for all Syrians but the country’s nearly 14-year civil war and the bouts of violence over the last year have prompted fears of further instability.

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Zelenskiy Says Ukraine Ready to Move Forward With US-Backed Peace Plan

A rescuer walks next to a body of a resident killed by a Russian missile strike at a compound of the supermarket warehouse, amid Russia’s attack on Ukraine, in Kyiv, Nov. 25, 2025. Photo: Press service of the State Emergency Service of Ukraine/Handout via REUTERS

Ukrainian President Volodymyr Zelenskiy said on Tuesday that Kyiv was ready to move forward with a US-backed peace deal, and that he was prepared to discuss its sensitive points with US President Donald Trump in talks he said should include European allies.

In a speech to the so-called coalition of the willing, a copy of which was seen by Reuters, Zelenskiy urged European leaders to hash out a framework for deploying a “reassurance force” to Ukraine and to continue supporting Kyiv for as long as Moscow shows no willingness to end its war.

Ukraine had signaled earlier in the day support for the framework of a peace deal with Russia but stressed that sensitive issues needed to be fixed at a meeting between Zelenskiy and Trump.

Kyiv’s message hinted that an intense diplomatic push by the Trump administration could be yielding some fruit but any optimism could be short-lived, especially as Russia stressed it would not let any deal stray too far from its own objectives.

US and Ukrainian negotiators held talks on the latest US-backed peace plan in Geneva on Sunday. US Army Secretary Dan Driscoll then met on Monday and Tuesday with Russian officials in Abu Dhabi, a spokesperson for Driscoll said.

US and Ukrainian officials have been trying to narrow the gaps between them over the plan to end Europe’s deadliest and most devastating conflict since World War II, with Ukraine wary of being strong-armed into accepting a deal largely on the Kremlin’s terms, including territorial concessions.

Ukraine – after Geneva – supports the framework’s essence, and some of the most sensitive issues remain as points for the discussion between presidents,” a Ukrainian official said.

Zelenskiy could visit the United States in the next few days to finalize a deal with Trump, Kyiv’s national security chief Rustem Umerov said, though no such trip was confirmed from the US side.

White House press secretary Karoline Leavitt said on X that over the past week the US had made “tremendous progress towards a peace deal by bringing both Ukraine and Russia to the table.” She added: “There are a few delicate, but not insurmountable, details that must be sorted out and will require further talks between Ukraine, Russia, and the United States.”

Oil prices extended an earlier decline after reports of Ukraine potentially agreeing to a war-ending deal.

Underlining the high stakes for Ukraine, its capital Kyiv was hit by a barrage of missiles and hundreds of drones overnight in a Russian strike that killed at least seven people and again disrupted power and heating systems. Residents were sheltering underground wearing winter jackets, some in tents.

ZELENSKIY: WILL DISCUSS SENSITIVE ISSUES WITH TRUMP

US policy towards the war has zigzagged in recent months.

A hastily arranged summit between Trump and Russian President Vladimir Putin in Alaska in August raised worries in Kyiv and European capitals that the Trump administration might accept many Russian demands, though the meeting ultimately resulted in more US pressure on Russia.

The 28-point plan that emerged last week caught many in the US government, Kyiv, and Europe alike off-guard and prompted fresh concerns that the Trump administration might be willing to push Ukraine to sign a peace deal heavily tilted toward Moscow.

The plan would require Kyiv to cede territory beyond the almost 20% of Ukraine that Russia has captured since its February 2022 full-scale invasion, as well as accept curbs on its military and bar it from ever joining NATO – conditions Kyiv has long rejected as tantamount to surrender.

The sudden push has raised the pressure on Ukraine and Zelenskiy, who is now at his most vulnerable since the start of the war after a corruption scandal saw two of his ministers dismissed, and as Russia makes battlefield gains.

Zelenskiy could struggle to get Ukrainians to swallow a deal viewed as selling out their interests.

He said on Monday the latest peace plan incorporated “correct” points after talks in Geneva. “The sensitive issues, the most delicate points, I will discuss with President Trump,” Zelenskiy said in his nightly video address.

Zelenskiy said the process of producing a final document would be difficult. Russia‘s unrelenting attacks on Ukraine have left many skeptical about how peace can be achieved soon.

“There was a very loud explosion, our windows were falling apart, we got dressed and ran out,” said Nadiia Horodko, a 39-year-old accountant, after a residential building was struck in Kyiv overnight.

“There was horror, everything was already burning here, and a woman was screaming from the eighth floor, ‘Save the child, the child is on fire!’”

MACRON WARNS AGAINST EUROPEAN CAPITULATION

Russian Foreign Minister Sergei Lavrov said an amended peace plan must reflect the “spirit and letter” of an understanding reached between Putin and Trump at their Alaska summit.

“If the spirit and letter of Anchorage is erased in terms of the key understandings we have established then, of course, it will be a fundamentally different situation [for Russia],” Lavrov warned.

A group of countries supporting Ukraine, which is known as the coalition of the willing and includes Britain and France, was also set to hold a virtual meeting on Tuesday.

“It’s an initiative that goes in the right direction: peace. However, there are aspects of that plan that deserve to be discussed, negotiated, improved,” French President Emmanuel Macron told RTL radio regarding the US-proposed plan. “We want peace, but we don’t want a peace that would be a capitulation.”

In a separate development, Romania scrambled fighter jets to track drones that breached its territory near the border with Ukraine early on Tuesday, and one was still advancing deeper into the NATO-member country, the defense ministry said.

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