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Amid Escalation in Lebanon, Hamas Is Killing Opponents in Gaza and Stealing Aid
By EADO HECHT (Algemeiner) In terms of Israel-Hamas negotiations, not much has changed since my last article.
The negotiations continue, with rumors abounding about supposed changes in Israel’s or Hamas’s positions. But every time the smoke clears, it becomes evident that with regard to the central issue, nothing has changed: Hamas still demands a total cessation of Israeli operations and total withdrawal of all Israeli troops from the Gaza Strip, with international guarantees that Israel will not resume its offensive. Israel continues to refuse to accept these conditions.
The following are Hamas’s terms for a ceasefire as posted on the group’s internet site:
We emphasize that any agreement must include:
A total ceasefire of the aggression against the Palestinian nation,
A complete withdrawal from the Gaza Strip including the Philadelphi Corridor,
Return of all the displaced people to their homes,
Aid for our people and rebuilding of what the conquerors [Israel] have destroyed,
A serious and true deal for exchange of prisoners.
An interesting point that is not mentioned in the above official Hamas post, but appears in another document apparently found by the IDF in a Hamas underground command post, is that Hamas wants an inter-Arab military force placed on Gaza’s border with Israel as a guarantee that Israel will not renew its offensive later on.
This force would protect Hamas as it reconstitutes its military forces in preparation for a future war.
The fighting in the Gaza Strip continues at the same reduced pace and with the same methods on both sides. The IDF is deliberately setting the pace, slowly combing through the Rafah area against small pinprick ambushes and raids by Hamas and other groups. IDF units are operating both above and below ground.
IDF units in the Netsarim Corridor, which separates Gaza City from the rest of Gaza, are also continuing to conduct raids and defensive operations. The corridor is held almost exclusively by IDF reserve units that are rotated every couple of months.
Most of the Hamas Rafah brigade command hierarchy has been killed or wounded, and about 2,000 of its original 4,500 personnel are estimated to be killed or wounded. Others have fled and are hiding in the safe haven area. Thirteen kilometers of tunnels were exploded by the IDF after having been reconnoitered.
Four Israeli soldiers, including a female paramedic, were killed when a building was exploded on top of them by remote control.
In another incident, a helicopter landing at night to evacuate a seriously wounded soldier crashed, killing two of the casualty rescuer team and wounding seven others, including the pilot. Apparently the combination of dark, a dust cloud, and a complicated landing site (chosen to prevent Hamas from shooting at the helicopter) confused the pilot, causing them to make a mistake and crash into the ground.
Hamas continues to fire a few rockets every once in a while into Israel, mostly at villages near the border, and occasionally at towns farther away, such as Ashkelon. So far, none has caused casualties or damage.
Hamas continues to use schools, hospitals, mosques, and UNRWA sites as command posts and storage facilities. The IDF locates and strikes these locations using small-caliber guided munitions. Every time Israel takes out a Hamas position, Hamas claims that all casualties were civilians, until the IDF publishes the names and functions of those killed.
One example from the past two weeks was the attack on the al-Ja’ooni school in Nusayrat. This time, in addition to claiming the killed were all civilians, Hamas said they included UNRWA personnel.
The IDF then published the names of nine Hamas personnel killed there, including UNRWA employee Yassir Ibrahim Abu Shrar, whose day job at UNRWA — while simultaneously serving on the Hamas Emergency Committee (see below) — was as a member of one of Hamas’ internal security apparatus, which is responsible for population control.
Inside Gaza, in addition to fighting Israel, Hamas is busy asserting its dominance over the other Palestinian factions. One method of doing this is to take control of humanitarian aid convoys and distribute or sell the supplies according to Hamas’ needs (one of the missions carried out by the Hamas Emergency Committee).
In some cases, the IDF intervenes and directs fire at the Hamas teams that are doing this, but that often results in claims that the IDF itself is attacking the convoys.
In addition, there are reports by Gazans on social media of executions, abductions, and beatings of critics or members of other factions that have taken a too-independent stance (another mission usually carried out by the Hamas Emergency Committee).
Hamas of course labels all these victims “collaborators with the Zionists.” For all the talk of “the day after,” there can be no day after so long as Hamas remains the most powerful force in Gaza.
On the left: snapshot from a news video (al-Arabiya) of a Gazan criticizing Hamas. On the right: The same man in the hospital a few days later, after having been beaten up by Hamas personnel. (These photos were downloaded from the individual’s social media account by Israeli blogger Abu Ali Express)
Another critic was less fortunate. According to reports in Palestinian social media, an engineer working for UNRWA since 2021, who criticized Hamas on social media (“After being released from prison, Sinwar should have received ‘treatment’ and not been given control over 2.5 million people“) was shot and killed by Hamas.
In the first week of September, 1.26 million polio vaccines were sent into Gaza via Israel. Since then, 560,000 Gazans have been vaccinated, thus ending the first phase of the vaccination program. A second round of vaccinations is planned to begin within a couple of weeks.
Another health program is the supply of prosthetic arms and legs from Jordan to Gaza, together with a team of specialists to attach them. An interesting facet of this operation is that so far, the photographs that have been published of patients receiving the prosthetics show only men of military age.
Dr. Eado Hecht, a senior research fellow at the BESA Center, is a military analyst focusing mainly on the relationship between military theory, military doctrine, and military practice. He teaches courses on military theory and military history at Bar-Ilan University, Haifa University, and Reichman University and in a variety of courses in the Israel Defense Forces. A version of this article was originally published by The BESA Center.
The post Amid Escalation in Lebanon, Hamas Is Killing Opponents in Gaza and Stealing Aid first appeared on Algemeiner.com.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
