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Can Donald Trump “Fix” Higher Education in the United States?
By HENRY SREBRNIK When protests disrupted campuses nationwide in the United States last year celebrating the Oct. 7, 2023 attack on Israel, signs and chants demanded “Divest!” and “Cease-fire now!” This fall, much of the protest language has grown darker, echoing language used by Hamas, and declaring “Glory to the resistance!”
Some protesters now refer to them as the “al-Aqsa flood,” the name Hamas uses. “Oct. 7 IS FOREVER” has been spray-painted on walls at colleges. The shift is very apparent at Columbia University in New York, one of the main centres of the protests.
This new messaging has been noticed by Hillel chapters across the country, observed Adam Lehman, president and CEO of Hillel International. “The overall picture on campus,” he said, “has moved from a mass protest movement that embodied a diverse set of goals and rhetoric to this more concentrated and therefore more extreme and radical set of goals, tactics and rhetoric.”
President-elect Donald Trump has promised to crack down on these campus protests, and his allies expect the Department of Education to more aggressively investigate university responses to pro-Palestinian movements.
“If you get me re-elected, we’re going to set that movement back 25 or 30 years,” he told donors last May. Trump called the demonstrators part of a “radical revolution” that he vowed to defeat. He praised the New York Police Department for clearing the campus at Columbia University and said other cities needed to follow suit, saying “it has to be stopped now.”
In an Agenda47 policy video released last July, he asserted that “the time has come to reclaim our once great educational institutions from the radical Left, and we will do that.” Trump promised to axe federal support and accreditation for universities that fail to put an end to “antisemitic propaganda” and deport international students that are involved in violent anti-Israel campus protests. “As soon as they hear that, they’re going to behave.”
At a recent antisemitism event in Washington DC, he pledged to protect Jewish students on American campuses. “Here is what I will do to defeat antisemitism and defend our Jewish citizens in America,” he declared. “My first week back in the Oval Office my Administration will inform every College president that if you do not end antisemitic propaganda they will lose their accreditation and federal support.”
He announced that he “will inform every educational institution in our land that if they permit violence, harassment or threats against Jewish students the schools will be held accountable for violations of the civil rights law.
“It’s very important Jewish Americans must have equal protection under the law and they’re going to get it. At the same time, my Administration will move swiftly to restore safety for Jewish students and Jewish people on American streets.”
When back in the White House, Trump announced that he would direct the Department of Justice to pursue federal civil rights cases against schools that continue to engage in racial discrimination “under the guise of equity” and will advance a measure to have schools that continue these illegal and unjust policies fined up to the entire amount of their endowment.
Citing Trump’s campaign pledge to push for significant reforms, the Stand Columbia Society, which is dedicated to restoring the university’s “excellence,” has identified a handful of ways in which the federal government could pull financial support from Columbia, or any other university. They estimate Columbia could lose out on $3.5 billion in federal funding should they face government retaliation.
The most likely action, according to the group, would be for the government to slow down on issuing new research grants to the university, a move that would require no justification at all. The government could also squeeze the enrollment of international students by curbing issuance of student visas.
Columbia boasts upwards of 13,800 international students. Losing out on the cohort could cost them up to $800 million in tuition money. Neither one of these scenarios requires the administration to take legal action.
Moreover, the government could, additionally, push to withhold all federal funding should it determine that a university had violated Title VI of the Civil Rights Act. That statute bars recipients of federal funding from discriminating based on race, colour, or national origin. It was later clarified in 2004 by the then-assistant secretary for the Department of Education, Kenneth Marcus, that Title VI also protected the rights of ethnic groups that shared a religious faith, such as Jews.
Given the explosion of antisemitism that erupted on college campuses in the wake of Hamas’s attack, it doesn’t appear it would take much to make the case that Columbia, and a whole host of other universities, violated Title VI.
Columbia, for its part, already faces at least three Title VI lawsuits over campus antisemitism. (Among other major universities, Harvard faces two, and the University of California Los Angeles, University of Pennsylvania, New York University, and Massachusetts Institute of Technology are also on the list.)
“These problems have existed for some time,” a contributing member of Stand Columbia, Alexandra Zubko, who is a Columbia graduate, contends. “This might be the moment that administrators look in the mirror and decide that they can’t let them continue.”
“All we need to do is listen to what President Trump has said during his campaign to understand that this administration will be serious about enforcing anti discrimination laws in ways that could be problematic to those institutions that have been getting a free pass for too long,” Marcus has said.
With Trump promising to make higher education “great again” once he returns to office this coming January, American universities will face increasing pressure to comply with his administration, if they don’t want to lose billions in federal support.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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