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Jews in Today’s South Africa Feel Embattled
By HENRY SREBRNIK Since the Gaza war began last year, South African Jews feel like they are cats on a hot tin roof.
While South African Jews have risen to prominence and helped build the country, there is a deep-seated fear of the current government and for the community’s safety, because for the ruling African National Congress (ANC), the Palestine issue is a deeply felt ideological cause.
South African public opinion is vehemently pro-Palestinian. This was already the case before the current war, and since then, tensions have only increased. In the immediate aftermath of Hamas’ Oct. 7, 2023, attacks on Israel, South Africa’s International Relations Minister Naledi Pandor held high-level discussions with senior members of Hamas, a move that was met with criticism.
South African Chief Rabbi Warren Goldstein condemned the government at a pro-Israel rally. After Pandor’s diplomatic outreach to Hamas, Goldstein changed the Prayer for the Republic of South Africa, said regularly at congregations across the country, from asking God to protect “the president and the deputy president all members of the government,” to asking for protection for “all the people of this country,” a measure, he wrote in a letter to South African rabbis, that was taken in “extreme situations, for government violations of morality so grotesque they undermine the integrity of praying.”
To the estimated 60,000 South African Jews, their government appears to have shown little empathy for the Jewish victims of terror. The South African Jewish Board of Deputies (SAJBD), the umbrella organization that represents the country’s Jewish community, has noted a sharp increase in antisemitism.
Since then, the South African government, with broad popular support, has accused Israel of genocide before the International Court of Justice (ICJ). For many Jewish groups in the country, the decision to side against Israel was seen as evidence of antisemitism.
Now, the city of Johannesburg plans to rename the road on which the American consulate is located after Palestinian terrorist Leila Khaled. It was proposed by a former mayor, Thapelo Amad. Sandton Drive, its current name, is a central artery in Johannesburg, and Sandton, the neighbourhood in which the road is located, is home to many of South Africa’s Jews. The area is also home to at least four synagogues among other Jewish institutions.
Khaled, a member of the Popular Front for the Liberation of Palestine, who is now 80 years old, gained infamy in 1969 when she was part of a group who hijacked a Trans World Airlines flight on a journey from Rome to Tel Aviv, Israel. She became known as the first woman to hijack a plane.
“We stand with Hamas, Hamas stands with us, together we are Palestine and Palestine will be free,” Amad posted online. “With our souls, with our blood, we will conquer Al Aqsa.”
All of this is now reshaping how many South African Jews view themselves, their place in the country and their relationships with their fellow citizens. It is in this crucible that they are now forced to reconcile their own complex history in South Africa with the reality of a country whose national identity is increasingly built in opposition to a foreign country, Israel, that they hold dear.
Indeed, most Jewish institutions in South Africa today are oriented toward Israel. Herzlia, the primary Jewish school in Cape Town, is named after Theodor Herzl, and its motto (“Im Tirtzu”) is based on the famous Zionist line about willing Israel into existence.
The school has been the center of controversy, as the hard-left Economic Freedom Fighters political party last year called for it to be deregistered with the government, a move that would cause it to lose funding, for being too “pro-Israel.” Among other issues, the party cited the high number of Herzlia graduates who move to Israel and join the Israeli military. The exact number of Herzlia alumni who do so is unclear, but that hasn’t stopped it from becoming a highly contentious topic.
The rhetoric reached a boiling point last December, when a speaker at a large pro-Palestine rally in Cape Town targeted Herzlia directly, saying, “We know where the murderers come from — they come from Herzlia, here in Cape Town.” After the rally, the foreign ministry said it would investigate if any citizens were serving in the Israeli military and arrest any that had. These events were used by Jewish authorities as evidence of their threatened status in South Africa.
The South African Jewish community traces its lineage almost exclusively to the Lithuanian Jews who fled Europe before and during the Holocaust. They arrived in a country where they were greeted with skepticism. There were undeniable pockets of support for Nazism among some political parties at the time.
When the Afrikaner-led National Party took power in 1948, however, it didn’t elevate these views into the political discourse. Instead, the party focused on creating the apartheid system of minority rule and gaining the full support of all white citizens, including Jews.
Jews were significantly over-represented in the struggle against apartheid, with many in the ANC, but most lived with it. Not until 1985 did Jewish community leaders condemn it outright. As Cyril Harris, chief rabbi from 1987 to 2004, later told the Truth and Reconciliation Commission: “The Jewish community benefited from apartheid and an apology must be given.”
Many South African Jews today, though, fear that the country may fall into economic ruin. Israel has always been viewed as an exit plan thanks to its Law of Return, which grants them automatic Israeli citizenship.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”