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“Magical Meet Cute” – new novel imbues age-old “golem” theme with romance…and mystery

Review by BERNIE BELLAN I’d never read what would be considered a romance novel before, so when I received an email from a publicist for Harper Collins inviting me to read what was described as a new “rom-com,” I admit I was somewhat hesitant to accept the offer.
But – the premise of the novel, as described in that email was somewhat enticing. Here’s what it said:
“Ettel Resnick is a proud Jewitch woman. After being dumped by her fiancé of seven years, she recreated herself, selling her successful legal practice in Manhattan to open Magic Mud Pottery in Woodstock, New York. But everything changes on the fateful night Ettel returns from yet another singles event at the synagogue—and finds her town papered with antisemitic flyers.

“Desperate for comfort, she turns to the only thing guaranteed to soothe her Jewitch soul. Pottery. Heading to her studio, she gets super drunk, and crafts a golem. Ettel pours her heart into that little clay creature. She gives it everything she’s ever wanted in a partner, etching words onto his body—some sensible, some esoteric—before getting totally naked and burying that golem doll in her backyard.

“But when her ideal man turns up the very next day—and checks every detail inscribed on her clay man’s belly, including loving to play Scrabble and reading her books—she’s left wondering if she’s falling in love with the real deal, or if she’s truly summoned a golem.

“This laugh out loud romantic comedy explores witchcraft from a Jewish angle, fighting back against the anti-Semitic way Jewish witches have been portrayed throughout history. It also features a woman dealing with anti-semitism in her town and turning to the ancient Jewish protector—the golem.”

There are several things wrong with what that publicist wrote, however: First, the main character’s name was not Ettel Resnick, it’s Faye Kaplan. (That mistake alone made me wonder where the publicist got her information. Obviously, she hadn’t read the book.)
But second – and perhaps this is more important, to describe “Magical Meet Cute” as a rom-com is a disservice to a book that is far more than a rom-com.
Yes, it contains some of the elements of a romance novel and it does have some good laughs, but as the book develops it takes on a far more serious tone – and turns into a rollicking good mystery.


After reading something about the author, Jean Meltzer, I discovered that she had just about completed writing the book, but then October 7 happened and it cast a giant shadow over what she had mostly written. As a result, she now says that there is a much more serious overtone to her book than what she had anticipated in writing it.
A good part of “Magical Meet Cute” has to do with antisemitism and how completely shocked so many Jews are when it comes to having to deal with overt displays of antisemitism. In the book, Faye fights back, but others in the Jewish community are less willing to confront the threat posed by a group known as “the Paperboys.”


As the press release noted, the action in the book takes place in the very real town of Woodstock, New York (although I have no idea whether the Woodstock described here bears much resemblance to the real town.)
As for the reference to “witchcraft,” I admit that threw me off somewhat. I have encountered the notion of Jewish witches previously, especially in Alice Hoffman’s brilliant “The Dovekeepers,” but as I read “Magical Meet Cute,” I became much more aware of the notion of “Jewitches” which, in this book, is treated in a positive manner.
But, add to that the introduction of the theme of the “golem” in this novel, and you get something quite a bit more complex than what many readers might expect to find in a typical “rom-com.”
Yes, Faye Kaplan does drunkenly fashion a golem out of clay early on in the novel – and then the very next day a character appears who certainly does seem to tick off all the right boxes as a real golem. But, that’s where this book takes a very interesting turn, as the author explores the notion of the golem in Jewish history.


The theme of antisemitism and how ordinary Jews – just leading their everyday lives, are taken so completely by surprise when they encounter direct – and often vicious antisemitism, is especially hard hitting in “Magical Meet Cute.” And, because the notion of the golem as a magical defender of Jews has been around for centuries (as the author explains), it serves as a very convenient – and enticing device around which to develop a modern-day novel, especially in a time of rampant antisemitism.
That’s also where the book veers from romance to thriller – and Jean Meltzer does a fabulous job of injecting tremendous suspense – and trepidation, into the latter part of what is actually quite a long novel (over 480 pages).


In fact, I could have done with less of the romance and more of the thriller. When Faye Kaplan does meet – and fall in love with the character, who we come to know as “Greg” – who may or not be a real golem, I suppose it would have ruined the story for the two of them to go to bed right off the hop. But Meltzer describes Faye as quite beautiful, while Greg is what I would think would be almost any woman’s fantasy of a perfect male.
Not only is he gorgeous, he’s absolutely devoted to Faye. I won’t let you know whether they consummate their relationship, but there is an entire subplot revolving around Faye’s abandonment issues which prevents her from trusting Greg that is really quite sad, although totally credible.


As I made my way through “Magical Meet Cute,” I kept asking myself: Would someone who isn’t Jewish enjoy this book quite as much as someone who is? After all, there are so many references that, if you weren’t Jewish, you’d be wondering just what the heck they mean?
One that comes to mind off the top though – and it’s one I’ve never encountered previously, is Faye’s repeated use of the expression “Haman’s hat,” which she says whenever she’s quite surprised by something. I did a bit of reading on the subject but I simply couldn’t find an explanation why someone would say “Haman’s hat” as say, a substitute for something like “holy s_it.” (Maybe someone will enlighten me.)


Something else that intrigued me was Faye’s predilection for “hard kosher salami.” I realized early on it was her go-to comfort food, but aside from how unhealthy it is to eat, I couldn’t help but think of its phallic overtones. (By the way, Meltzer does enjoy using the term “shvantz” as a term of endearment in describing a certain part of Greg’s anatomy. I would have thought she might have resorted to the more commonly used “schmeckle.”)


When Meltzer introduces the group terrifying the Jews of Woodstock as “the Paperboys,” it’s obviously a not-too-thinly veiled reference to one of Donald Trump’s favourite white supremacist groups, “the Proudboys.” (I apologize if I’ve offended any Trump lovers. After all, there were “many good people on both sides,” as Trump suggested, during the white supremacist march through Charlottesville in 2017, weren’t there?)


“Magical Meet Cute” does have so much more to offer than simply a romance, but if I do have one qualm about the book it is that it so very long. It could have been cut down to no more than 300 pages but, having said that, I applaud the author for combining two quite different genres into quite the good read.
By the way, the book is slated for release August 27, but it’s available online right now from Amazon.

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Is this Apple TV thriller hasbara — or societal critique?

AppleTV+’s new thriller Unconditional has the trappings of so much streaming content.

A young woman disappears into hostile territory. Her mother, already juggling a family health crisis, does her own sleuthing to get her daughter back. People die, twisty alliances emerge. It’s all part of the suspense boiler plate, and it sizzles just enough to keep your interest. What makes the show, airing May 8, different from every other show is the early response.

Sight almost entirely unseen, the internet was in an uproar. The show is Israeli, and the announcement trailer showed the character Gali (Ronn Talia Lynne) in her IDF uniform. Pro-Palestine accounts were quick to shout “hasbara” or “overt ziopropaganda” for a show whose premise is ostensibly a sympathetic story of an Israeli taken prisoner by the evil, Putin-era Russian state. (The trailer makes no mention of Palestinians or a war in Gaza. The show doesn’t either.)

The online response alone proves the challenging optics for anything Israeli, but the show actually has quite a bit to say about the Jewish state’s propaganda apparatus — within the country and without.

On a layover in the Moscow Airport, Gali and her mother, Orna (Liraz Chamami), are taken in for questioning. Security claims to have found drugs in Gali’s backpack — an echo of the Naama Issacher affair from 2019 — and she’s summarily sentenced to seven years in a Russian jail.

Orna returns to Israel and hires a PR handler to plead Gali’s case. Together they curate a specific image to sell to the state media.

Gali is a “happy, good-hearted girl. She served in the army, like everyone” and even extended her service, Orna says in radio and television interviews. The file photo for news segments is exactly what so many outside of Israel would object to: Gali in uniform. In Israel it tugs heart strings. Abroad, it makes the abductee a war criminal who had it coming.

It’s probably not giving much away, given that the hands behind this show are the creators of Hatufim, which became a hit in the U.S. as the antihero-forward War on Terror commentary Homeland, that Gali is not a perfect victim. This is a strange sort of hasbara, if one Israel often produces, the kind that’s peopled by problematic characters operating in the society’s gray zones. (See streaming hit Fauda, following a morally-dubious undercover unit made up of trigger-happy adulterers exploiting their Palestinian contacts.)

What’s surprising, given the premise, is how much time the show spends not in Russia or Israel, but in India, where Gali and Orna were touring before their fateful missed connection in Moscow. It’s here we’re given entree into the Ugly Israeli abroad, a stereotype that is growing increasingly common thanks to reports of poor behavior — stealing money from temples, creating chaos in hospitals and restaurants — in the global East. (On the flip side, many Israelis, like a couple at a noodle shop in Vietnam, are being harassed by other tourists for no reason other than their country of origin and some feel the need to hide their identity while traveling.)

Gali sings the praises of an Indian gastropub that will give you dysentery. “We are so lucky because for the last three months the kitchen has been condemned by the health department,” she smirks. “But yesterday some truck driver hit a wild boar, so they gave them an exemption. So it won’t be a waste.”

In a later episode, one of Gali’s companions wisecrack about the pestilential heat and jibe that prisons in India are particularly atrocious. (This must ring alarm bells for those aware of Israel’s carceral system for Palestinians.)

Russia is equally backward. Unlike in Israel, “not everyone here is happy to work with a woman,” a Russian arms dealer weighs in. If you didn’t get it, these countries are backward. Israel has its problems, but at least it has women in power!

Watching, I was reminded of social media posts by Indians complaining about racism and drug use from IDF veterans on the so-called “Hummus trail.” One post by AJ+ said the soldiers come there to “detox” from “carrying out a genocide in Gaza.”

Unconditional is under no illusions that Israelis can be a disruptive presence. If anything, it pushes the concept to new places. These Sabras ruin mindfulness workshops and start shoot-outs in hotel lobbies. It’s not great for the brand.

But then again, we live in a climate where simply acknowledging the existence of Israelis — as seen in a recent ballyhoo surrounding author R.F. Kuang — can prove controversial or politically-loaded, no matter how neutral the depiction.

Why Apple would give their imprimatur to an Israeli project today, when public opinion of the Jewish state has fallen off a demographic cliff, is a valid question likely explained by the positive reception of another Israeli import on the streamer, the show Tehran, about an IDF hacker stuck in Iran. From within the silos it’s hard to tell if audiences will cancel their subscriptions, as some have threatened.

Maybe, like Gali’s uniform, the show is a Rorschach. BDS types may boycott, yet the show seems to echo many of their talking points about Israel’s overzealous campaign in Gaza after Oct. 7 — at least by way of metaphor.

In a late episode, Orna tells her government companion Rita (Evgenia Dodina) about a time a classmate broke Gali’s arm, and the teacher excused his actions because his mother was in the hospital.

“You’re exactly like the teacher,” Rita tells Orna. “You give me a thousand excuses for Gali. ‘It’s because of me. It’s not her fault. Poor thing.’ It doesn’t matter she didn’t understand what she was getting into, and it doesn’t matter she didn’t mean to.”

Orna says it’s different with Gali — because it’s her daughter. One can overlook a lot when it’s your family, or, for that matter, your country.

The post Is this Apple TV thriller hasbara — or societal critique? appeared first on The Forward.

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Israeli man indicted in attack on Catholic nun in Jerusalem’s Old City

(JTA) — An Israeli man was indicted on Thursday in connection to the violent assault of a Catholic nun in Jerusalem last month, after prosecutors said he targeted her over her Christian identity.

Yona Schreiber, 36, from the West Bank settlement of Peduel, was arrested last week and has since been indicted on charges of “assault causing actual injury motivated by hostility ​toward the public on the grounds of religion, as well as simple ​assault,” the state attorney’s office said in a statement.

According to the indictment, Schreiber, who is Jewish, attacked the nun just outside of the Old City in Jerusalem because he identified her as a Catholic nun. Schreiber allegedly pushed and then kicked the nun as she was lying on the ground and also attacked a passerby who attempted to intervene.

The nun, a researcher at the French School of Biblical and Archeological Research, suffered bruises on her face and leg due to the attack, the state attorney’s office said.

The attack, which drew condemnation from Catholic leaders as well as faculty at the Hebrew University of Jerusalem, comes amid mounting concern over hostility toward Christian clergy and holy sites in Israel.

Cases of Jews harassing Christians have risen sharply in recent years. Last month, the IDF punished a soldier who was filmed bludgeoning a statue of Jesus in southern Lebanon. This week, the IDF also announced that it would discipline a different soldier who was seen placing a cigarette into the mouth of a statue of the Virgin Mary in a photo posted on social media.

Israel’s attorney general asked the Jerusalem Magistrate’s Court, where the indictment was filed, to hold Schreiber ​in detention for the duration of the legal proceeding.

The assault carries a maximum prison sentence of three years, which could increase to six years if prosecutors prove the attack was motivated by religious bias.

The post Israeli man indicted in attack on Catholic nun in Jerusalem’s Old City appeared first on The Forward.

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Jewish real estate magnate Steven Roth likens Mamdani’s ‘tax the rich’ rhetoric to ‘from the river to the sea’

(New York Jewish Week) — Jewish real estate mogul Steven Roth compared New York City Mayor Zohran Mamdani’s “tax the rich” rhetoric this week to racial slurs and pro-Palestinian rhetoric on an earnings call for his company, Vornado Realty Trust.

“I consider the phrase ‘tax the rich’ when spit out with anger and contempt by politicians both here and across the country, to be just as hateful as some disgusting racial slurs and even the phrase, ‘from the river to the sea,’” Roth said, referring to the phrase commonly used at pro-Palestinian protests that many Jewish groups consider antisemitic.

The remark by Roth, who has long been a notable philanthropist to Jewish causes, adds to mounting tensions between New York business leaders and Mamdani over his recently announced “pied-à-terre” tax on second homes valued at more than $5 million.

During the call Tuesday, Roth also expressed support for Ken Griffin, the CEO of Citadel, whose $238 million dollar penthouse was featured in a video by Mamdani announcing plans for the tax last month.

“We are all shocked that our young mayor would pull this stunt in front of Ken’s home and single him out for ridicule,” Roth said. “The ugly, unnecessary video stunt is personal for Ken and sort of personal for me.”

Roth’s comments touched on a longstanding source of friction between Mamdani and some New York Jewish leaders, who have criticized the mayor over his views on Israel and his previous defense of the phrase “globalize the intifada,” another common pro-Palestinian slogan viewed by some as a call to violence against Jews.

In the wake of Mamdani’s election, some Jewish business leaders, including Dave Portnoy, the Jewish founder of Barstool Sports, said that they planned to leave the city altogether, citing the mayor’s fiscal policies and concerns about antisemitism under his leadership.

In a statement responding to Roth’s comments, Mamdani’s office said that he wanted all New Yorkers to succeed, including “business owners and entrepreneurs who create good-paying jobs and make this city the economic engine of America.”

“That does not negate the fact, however, that our tax system is fundamentally broken. It rewards extreme wealth while working people are pushed to the brink,” the statement continued. “The status quo is unsustainable and unjust. If we want this city to become a place that working people can afford, we need meaningful tax reform that includes the wealthiest New Yorkers contributing their fair share.”

The post Jewish real estate magnate Steven Roth likens Mamdani’s ‘tax the rich’ rhetoric to ‘from the river to the sea’ appeared first on The Forward.

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