Features
Astonishingly good debut novel by former Winnipegger Sandy Shefrin Rabin

By BERNIE BELLAN
One of the great joys of being in the position of editor of a Jewish newspaper is being on the receiving end of what seem to be a never-ending series of well-written books, either by current Winnipeggers or former Winnipeggers.
In the past three months I’ve had the pleasure of reading books by Allan Levine, Jack London, and Mira Sucharov. I would recommend any of them to readers of this paper – as I have in previous issues.
But, when I was contacted by another former Winnipegger by the name of Sandy Shefrin (whose married name is Rabin) some time back, when Sandy told me that she had written a book and was looking for a good publisher, I must admit that while I remembered Sandy’s name as someone who had grown up in Winnipeg around the same time as me, unlike the three aforementioned writers, I had no idea whether Sandy was a good writer or not.
If truth be told, when Sandy had also written in her email to me that what she wanted to publish was her first novel, as someone who has also received many first-time novels, my expectations were not all that great.
And so, when Sandy contacted me again recently to say that she had published her novel – and had followed up my advice to contact Friesen’s Publishers – a company which I knew had a reputation of being a quality publisher, I replied to her that I would get to her book once I finished reading some other books whose authors I had promised I would review.
I shouldn’t have waited.
From the moment I began reading the first chapter of “Prairie Sonata” I realized that Sandy was a writer of immense talent. Her descriptive language was breathtakingly beautiful – not overly laden with the kind of flowery prose that one might have anticipated reading when a first-time writer wants to show off how expansive his or her vocabulary is, but so evocative that I could picture her scenes as vividly as if I were right there with her characters.
And, what should “Prairie Sonata” turn out be about, but a story set in a fictitious Manitoba town called “Ambrosia”, beginning in 1948. Ambrosia actually is a thinly-veiled version of Winnipeg in so many respects (and if you read the following article, in which I ask Sandy why she didn’t just use the real Winnipeg as the location for her novel, you’ll read the answer to that question).
The book opens with the narrator, an 11-year-old girl by the name of Mira, wistfully recalling her childhood:
“And I would go back there if I could. Despite the freezing winters and piercing winds. If I could be in the same house and look out of the same windows at the long, arching tree branches laden with snow and watch the feathery snowflakes waft down from the sky like fairy dust. And if I could hear my mother in the kitchen, the rhythmic tapping of her wooden spoon against the sides of the bowl as she turned flour and shortening into a delicious cherry pie, so delicious it was almost like a miracle.”
As the story develops we learn that Mira has what we might consider an idyllic childhood, surrounded by loving parents – her father the town surgeon, her mother a thoroughly competent homemaker who always seems to find the right thing to say to Mira, and her little adoring brother Sammy, who is three years younger than Mira.
Into this tableaux of happy characters enters “Chaver B”, as he is known – a new teacher in the Peretz School (a name familiar to anyone who grew up in Winnipeg’s Jewish community). Chaver B, or Ari Bergman, which is his full name, is a survivor of the Holocaust and, as one might anticipate, he carries an extremely heavy burden within him.
As it also turns out, Chaver B is an accomplished violinist, but for some reason he does not play the violin himself any more. He is invited to the Adler home for Sabbath dinner and, while there, he discovers that Mira is also studying violin.
He offers to give Mira violin lessons when he is told that her former violin teacher has left Ambrosia. What develops though is not just a warm relationship between student and teacher, it is an opportunity for Mira to learn about life and for Chaver B to have someone to whom he can open up about what has happened to him.
There are many insertions of Yiddish phrases, often whole sentences throughout the book, and while the author does provide translations for many of them, some are undoubtedly included just to add a flavour to the time and place in which the story is set. While it would undoubtedly help to be able to understand Yiddish in order to appreciate the precise aptness of a certain expression, as someone whose knowledge of Yiddish is rather limited myself, by sounding out the words in my mind I was taken back to a time when my own grandparents spoke Yiddish between themselves. I would think that even someone who knows no Yiddish at all can get a sense of the cadence of that wonderful language in reading the Yiddish in this book.
While there have been more books written about the Holocaust than any other subject in history, “Prairie Sonata” is not really another Holocaust book. It forms a major component of the story but, as Mira grows from a bright and cheery 11-year-old to a mature 15-year-old, we get a full sense of what life was like in a bygone era, not too long after the end of the Second World War (which, by the way, precedes Sandy Shefrin’s own childhood by several years; this is not an autobiography, as Sandy explained to me.)
Each chapter of the book begins with a quote from something written by a host of well-known writers – and although they reveal the extraordinarily eclectic breadth of the author’s acquaintance with a vast number of literary works, trying to understand the significance of each quote is a bit of a puzzle. I’ll leave it to others who have far more refined literary tastes than my own to figure that out – and perhaps get back to me with an explanation.
One other wonderful element to the story is the explanation of musical terms that may be familiar enough, but whose actual origin is likely known only by music students themselves. In one vividly drawn chapter, Chaver B explains to Mira how a sonata is actually structured. In doing so, the author is also explaining to the reader why her book is structured the way that it is.
Music plays such a central role in “Prairie Sonata” that I often had to stop reading to go and listen to an actual piece of music that is referenced so that I might understand why that particular piece would elicit the type of reaction that it does from Mira when she first hears it played.
To reveal too much of the plot would be a disservice to readers. Suffice to say that, as Mira learns more from Chaver B about what happened to him during the war, she begins to understand the meaning of anti-Semitism. Having grown up in a rather sheltered environment in Ambrosia she is really quite innocent, even though she would have been a young girl during World War II. Discovering the unparalleled cruelties of what happened to Europe’s Jews through Chaver B’s story is something that will resonate with anyone of any age – not just someone close to Mira’s age.
While “Prairie Sonata” might be considered a work of juvenile fiction, and it is definitely recommended for young readers – perhaps even pre-teens if they would be interested in a coming of age story, I would say that this book – if word of its brilliance spreads, will find an audience especially among Winnipeggers and former Winnipeggers who remember a time when life was somewhat simpler – without all the technological distractions that nowadays seem to combine to rob young people of the pleasures that come with encountering the world without having to experience it through social media.
Our community has produced a number of talented female writers whose books are intended for a young audience, including Carol Matas, Eva Wiseman, and Harriet Zaidman. While we can now add Sandy Shefrin’s name to that list, I would suggest that “Prairie Sonata” can fit into so many different categories of fiction that it will appeal to readers of all ages. And, at a time when so many of us are looking for something that will help take us through what, for most of us, is the most difficult period in history, I could recommend nothing more absorbing than taking your mind off what we are going through than this book.
Prairie Sonata
By Sandy Shefrin Rubin
Friesen Press, published 2020
267 pages
Currently available on Amazon in either print or Kindle format
Sandy Shefrin on growing up in Winnipeg and how she came to write “Prairie Sonata”
By BERNIE BELLAN
When I was first contacted by Sandy Shefrin Rabin quite some time ago, I told her that I remembered the name Sandy Shefrin from long ago – when we both were teenagers. When she went on to tell me that she was a first-time novelist, well – I’ve heard from a fair number of writers over the years asking me whether I’d like to read their books, so I can’t say that I was in any rush to read her book.
At the time that she contacted me I didn’t ask Sandy for any information about her background. It was only after I heard from her again not too long ago to tell me that her book was actually published – and she wondered whether I would like to read it, that I became interested in finding out more about her. I asked her to send me some biographical information.
So, in addition to her book, which she sent me as a pdf, she also sent me a picture of the book jacket. The back of the book jacket contains the following biographical information:
“Sandy Shefrin Rabin grew up in Winnipeg, Manitoba, in a community much like Mira’s. She holds both a B.A. in English and an M.D. degree from the University of Manitoba. She completed an Internal Medicine residency at McGill University and her Neurology residency at the New York Hospital Cornell Medical Center in Manhattan. She currently practices Neurology in Marin County, near San Francisco.
“Sandy has written for the Marin Independent Journal and has been published in several medical journals. She lives in Mill Valley, California, with her husband and has three sons. Prairie Sonata is her first novel.”
In a subsequent email I asked Sandy to expand some upon her educational background and how she ended up where she is.
Here’s what she wrote back:
“I grew up in north end Winnipeg on Inkster Blvd. I am a graduate of I. L. Peretz Folk School and St. John’s High. I earned a B.A. in English from the University of Manitoba and my M.D. degree from the University of Manitoba.” (She later told me she left Winnipeg after graduating from medical school, when she was 25.)
A neurologist, I thought – with a very impressive CV. So, why did she decide to become a novelist I wondered –and, to be honest, since I knew that we are close in age (and I’m not exactly a spring chicken), why did she wait until now to turn out her very first novel?
So, I asked Sandy that question. Here’s what she wrote back:
“I wrote the book for a few different reasons. I had just written an article about my mother in remembrance of the fourth anniversary of her passing, and although I felt good about having remembered her that way, I was left with an uneasiness; after a couple of generations, who would remember her, and who would remember my father who died almost fifty years ago? They would become no more than people in photographs or videos. Who would remember their essence?
“So I decided to write a story set on the Manitoba prairies and use my parents as prototypes for the main characters. I created a fictional town, Ambrosia, since my mother was born and grew up in Winkler. In the end, neither my father nor my mother became any one character in particular, but you can see glimpses of them in several of the characters throughout the novel.
“I feel privileged to have had a wonderful childhood growing up in the north end of Winnipeg. Much of what I create in the novel is based on the Winnipeg Jewish community – especially Peretz School – fictionalized and transplanted to Ambrosia. Peretz School was a unique and wonderful place with caring teachers, and I wanted to capture that experience and hope that I have done so in a positive way.
“Another impetus for the novel was the state of the world at the time I began writing. I started writing in early 2016 when ISIS was at its peak, and we were able to witness their atrocities on television. I was shocked that the world had descended to this level of barbarism, and it made me wonder if civilization had advanced at all over the ages. While growing up, I remember thinking that the world was definitely going to become a better place over the years, but it certainly seemed to be falling very short of that goal. Little did I know at that time that the next four years were going to bring even more turmoil — and not just Covid-19 – but also division among people and worsening racism and anti-Semitism around the world. These last four years serve as a lesson in how quickly a society can change when presented with misinformation and lies, and how we all need to remain vigilant against bigotry and hatred, issues that my novel addresses. Mira, my main protagonist, struggles not only to cope with the random uncontrollable things that happen in her life but also to understand why one human being would willfully perpetrate evil on another. Out of these ideas grew Mira’s journey from innocence to experience.
“There are various themes in the book, both timely and timeless, and I think it would be a great addition to high school and college reading lists, and book clubs. I’ve included a Discussion and Study Guide at the end. I hope people enjoy reading it.”
Once I finished reading the book – and, if you read my adjoining review, you’ll see that I was simply floored at how good it was, I had so many more questions for Sandy. (By the way, as I write this, I’ve handed the book to my wife, who is also an avid reader. She herself said she was astonished at how good the book was when she had only finished the first few chapters.)
I asked Sandy whether she still had any relatives in Winnipeg?
She wrote back: “I still have relatives in Winnipeg from both sides, Shefrin and Danzker. My mom’s maiden name was Clara Danzker and she married my dad, Sam Shefrin. I have a sister, Myrna Shefrin, who now lives in Vancouver and a brother, Hersh Shefrin, who lives near me in Palo Alto. He won the distinguished alumnus award from the University of Manitoba in 2019. He’s an economist.” (We had an article by Myron Love in our May 29, 2019 issue about Hersh Shefrin’s receiving that award, by the way. You can find it on our website jewishpostandnews.ca if you enter the words “Hersh Shefrin” in our search engine.)
Although “Prairie Sonata” is labeled a work of fiction, there are so many passages that will remind quite a few of our readers of their own experiences, especially for anyone who had ever attended Peretz School, that I asked Sandy how much of the novel is based on her own experience?
She replied: “Good question. Prairie Sonata is a work of fiction; it’s not a memoir. Like many authors, my novel is informed by my own experiences, but it’s not autobiographical. I am not Mira. I never had a teacher like Chaver B nor did I ever have a relationship with a teacher even remotely similar to Mira’s and Chaver B’s relationship. “I was the youngest of three, not the oldest of two. My parents were not professionals. I studied piano for most of my youth, and learned a little violin in Junior High School, although one of my sons plays the violin. However, I did go to Peretz School, and I definitely wanted to capture the uniqueness and character of the school.
“Although I grew up in the 60s, the story takes place in the late 40s and early 50s, and the historical events that I describe took place during that time period, or some even earlier. Even some minor things were not part of the 60s. For example, there was no Yiddish theatre in Winnipeg in the 60s, as far as I know. The Friday night get-togethers at Peretz School were long gone by then. So I hope that anyone who attended Peretz School “would identify with the book.”
Something that I kept wondering as I made my way through the book was: Why did Sandy create a fictitious town – Ambrosia, when so much of what happens would be so familiar to anyone who grew up in Winnipeg’s Jewish community?
Her answer was that “I debated that for a long time, and you may be right, perhaps I should have, but ultimately I came to the decision to not set the story in Winnipeg for a few different reasons. I initially thought I would model the protagonist after my mother, who grew up in Winkler, although in the end Mira turned out to be her own character. I was interested in a setting closer to nature, and believed I could best accomplish that in a rural setting. I didn’t want a “city” book; I wanted a “country book,” a book about all that the fields and sky and the landscape evokes. Natural imagery is a big part of the novel, both mirroring and contrasting with what the characters are experiencing, and the landscape almost becomes a character in of itself.
“Someone suggested that I use a real place, such as Altona or Winkler, but I didn’t want to do that either, because I really knew very little about them and didn’t believe that I could accurately portray them in that time period, and would likely receive criticism for my inaccuracies. As I said, the book is not autobiographical, and I thought that if it were set outside of Winnipeg, people would be less likely to view it as a memoir.
“The novel is about Mira’s journey from innocence to experience. Ambrosia is defined as “the sweet nectar of the gods.” I thought that was the perfect name for a place that embodies the sweetness of innocence, in particular Mira’s innocence.
“Overall, I believed that a fictitious town would make the story more universal. So, I don’t consider the town of Ambrosia to be a façade, and I hope others don’t either. I wanted to create a work of fiction, and I thought that was the best way to accomplish that goal.”
Finally, I asked Sandy about her married name. How did she end up marrying someone with the name “Rabin” I wondered- and, was this really her first novel? (which I found so hard to believe because it’s so beautifully polished from beginning to end).
Sandy responded: “Rabin is really my married name. Funny you asked about a nom de plume, because my husband often said I should take one. I was never sure if he was serious. As far as I know, it was just shortened from Rabinowitz, but we haven’t talked about it in a while, so I’ll ask him again tomorrow.
“This is my first novel. I think my last short story was in grade six about the Mystery of Cornelia Hilltop — the mystery being that she had a twin, and then I wrote a short story that I sent into Chatelaine when I was about 14 that was rejected. I don’t even remember what that was about. I wrote a poem when Bobbie Kennedy died and sent it to the family, to which they graciously replied, but no novels.
“I know I’ve said already many times that this is not an autobiography, but I did have to get into my 11 and 12 year old head to write the book, and once I did, it just seemed to take off. I often wonder if I could write the same book again, or any other for that matter. I hope I can and will, but once I got going, it just seemed to flow. It was a lot of fun to write.”
Features
Winnipeg’s Jewish Community and the Question of Online Casino Bonuses: What Manitoba Players Should Know
A reader wrote in last month asking a simple question: is it legal to play online casino games in Manitoba, and if so, what’s actually a fair deal? It’s the kind of practical, money-conscious question this paper’s readers tend to ask before spending anything, the same instinct that shapes how the community shops, budgets for the High Holidays, or decides which shul renovation appeal to support. Manitoba’s online gambling landscape has changed enough in the last few years that the old assumptions no longer hold, and it’s worth walking through what’s actually there now.
Manitoba’s Online Casino Landscape in 2026
Manitoba doesn’t have an open, competitive online casino market the way Ontario does. Since April 2022, Ontario has allowed private operators to apply for licences and compete for players directly. Manitoba still runs a single-operator model: Manitoba Liquor & Lotteries (MLL), the Crown corporation that also runs the province’s Liquor Marts and lottery products, operates the one legal online casino for Manitoba residents, PlayNow.com. That’s the whole regulated market in this province. Outside that single option, Manitobans who search for online casinos will find dozens of sites willing to take their money and their information, a pattern this paper’s own Local/Canadian News coverage has tracked as provinces across the country adjust their approach to regulated gambling. Some are licensed elsewhere, Malta, Curaçao, the UK, and operate in a legal grey zone for Canadian players; enforcement against them has been inconsistent for years. None of them answers to Manitoba’s regulator, and none of them contributes a dollar back to this province.
How Casino Welcome Bonuses Are Structured and Regulated
A welcome bonus is usually presented as free money: deposit $50, get $50 in bonus funds, sometimes with free spins attached. What matters is the fine print attached to it. Wagering requirements determine how many times you must play through the bonus amount before you can withdraw any winnings; a 30x requirement on a $50 bonus means $1,500 in total wagering before that money is really yours. Game weighting matters too: slots typically count 100% toward that requirement, table games often count 10% or less, which punishes anyone who prefers blackjack over slot spins. Time limits, usually 7 to 30 days, and maximum bet sizes while a bonus is active, round out the list of terms most players skip past. On PlayNow.com, these terms are published in plain language and reviewed by a provincial Crown corporation with community accountability baked into its mandate, the same mandate that funds Manitoba’s healthcare and education budgets. That’s a meaningfully different relationship than the one an offshore site has with a Manitoba customer.
The Difference Between Licensed Canadian Operators and Offshore Alternatives
This is where the practical stakes are highest. A licensed Canadian platform is subject to specific consumer protections: verified game fairness, dispute resolution through a regulator you can actually reach, and deposit-limit tools that work. An offshore operator answers to a foreign licensing body, if it answers to anyone at all. Winnipeggers who’ve had a withdrawal disputed by an offshore casino know how limited the recourse actually is; there’s no Manitoba office to call and no local regulator with jurisdiction. Across the country, players comparing regulated options increasingly start by checking a best casino bonus Canada comparison rather than relying on whichever ad appears first. It’s a reasonable way to sort a legitimate Canadian-licensed platform from an offshore look-alike before depositing anything.
Responsible Gambling Resources Available in Manitoba
This part matters more than the bonus terms. MLL runs Informed Gambling, its dedicated responsible-gambling program, which includes deposit and time-limit tools, self-exclusion options, and educational material aimed at helping players recognize when a habit has become a problem before it becomes a crisis. Manitobans concerned about their own gambling, or a family member’s, can call the Manitoba Addictions Helpline, toll-free at 1-855-662-6605, for confidential support. Shared Health, formerly the Addictions Foundation of Manitoba, also provides professional counselling free of charge to anyone who needs it, regardless of ability to pay. For a community that has always taken care of its own, through the Chesed Shel Emes, through synagogue-run support networks, through the kind of quiet checking-in that happens after a funeral or a hard year, these resources are worth knowing before they’re needed, not after. Chasing a Canadian online casino bonus isn’t worth it if the wagering requirements are already causing strain. That’s a conversation worth having, honestly, inside families and inside the community, before it becomes a private one.
Where to Compare Current Casino Bonus Offers Across Licensed Platforms
None of this is an argument against playing. It’s an argument for playing somewhere accountable, with terms you understand, and for a modest amount you’ve already decided you can afford to lose. Manitoba’s single-operator model makes that comparison simpler than Ontario’s crowded market, but it also means doing the homework on wagering requirements and licensing status matters just as much, if not more, when there’s only one legal option and a long list of unregulated ones competing for the same click. Ask the question before depositing, not after; that’s the same advice this community gives about most things worth being careful with.
Features
Embracing your femininity in Tishrei
By ELENA KNIGHT Rosh Chodesh Sameach! This month, Tishrei, is a time of beginnings; we observe Rosh Hashanah, Yom Kippur, Sukkot, Shemini Atzeret, and Simchat Torah, we celebrate humanity’s creation, and we celebrate the seventh month since the Exodus from Egypt with shofar and festivities.
Though all Jewish people celebrate the head of the month, traditionally, women are rewarded for not participating in the sin of the Golden Calf, and many women take the day to honour the Shechinah, the feminine mystical aspect of the divine. Literally meaning “dwelling,” the Shechinah relates to G-d’s close and relational presence amongst people, such as in the Temple. In Kabbalah, since the word is grammatically feminine, the Shechinah is seen as the feminine aspect of G-d, representing a nurturing, compassionate presence, an almost motherly form of the divine. But how can we honour the Shechinah specific to Tishrei?
Rosh Hashanah provides a straightforward answer: New Year’s resolutions. A tradition observed across the globe, by people of all traditions and faiths, we can apply the idea to our New Year, and think of ways to improve in the year 5787. Make a resolution to join a women’s group at your synagogue or JCC, support woman-owned businesses (the SHE-Canada directory can help you find them!), read up on feminist theory or history, or mentor a young girl in your community. And, like traditional resolutions, don’t kick yourself if you slip up!
While we listen to the shofar, recall that its sound awakens the soul, mystically preparing us all for the Shechinah’s manifest presence on Yom Kippur, when it comes to earth to bring realignment and forgiveness.
Yom Kippur, the Day of Atonement, also offers a way to embrace your feminine side. On this day, we are prohibited from all work, and physical pleasures; though it may sound counter-intuitive, this is the perfect day to be aware of your womanhood in its most natural state. No adornments, no makeup, no perfume, no fancy shoes, no gold jewelry. This is a day when we can see who we are without the extras, as G-d made us, and be aware of the beauty in our creation as is. Also, for any women who are pregnant, nursing, or otherwise exempt from the holiday restrictions, isn’t it amazing to know that our Creator values our health over all?
Sukkot offers a time to appreciate the bounty that G-d has provided over the past year, but what I want to call attention to is the Four Kinds. The etrog has both taste and aroma, the lulav’s fruit, the date, has taste but no aroma, the hadas has aroma but no taste, and the aravah has no taste nor aroma; at some point in our life, and likely at some point in the month, we are all like one of the Four Kinds. The Midrash drew a comparison between taste and Torah learning and between aroma and good deeds. Sometimes, we have etrog moments, when we have a perfect balance between learning and doing, we are in harmony. Sometimes, we have lulav moments, when we prioritize learning over worldly involvement. Sometimes, we have hadas moments, when we prioritize action over enlightenment. And sometimes, we have aravah moments, when we have no energy for learning nor doing. All of these are necessary for living, and during the month of Tishrei, we can appreciate each of these moments. As we sit in our Sukkah, we are wrapped in the wings of the Shechinah, and experiencing its divine protection as we celebrate the Festival of Ingathering.
Shemini Atzeret begins our prayers for rain, and here’s where I get a little extra mystical. Rain is connected to femininity through its association with the womb of creation, fertility, and gentle power which renews life. In Genesis, G-d creates the world from a formless void, using language which conveys ideas of a cosmic womb, a life-generating space which G-d filled with his purpose to design our world. As humanity was created in G-d’s image, the womb metaphor is solidified. As rain comes, it revives the earth, making it fertile, restoring the feminine principles of creativity, emotional depth, and spiritual renewal in the very land we walk on. Rain comes most often as a gentle power, one which arrives calmly, sustaining all life.
Simchat Torah is the time when we celebrate finishing the annual cycle of reading the entire Torah and beginning again. Here, we are brought back to Rosh Hashanah and its new beginnings, with an added layer of holiness and celebration. On this day, it is tradition to dance and revel in the joy of our peoplehood, our identity, our Jewishness, and, let’s add, our femininity. G-d has given us a remarkable gift by making us women. While we revel in the holiness of Torah, let us also revel in the holiness of womanhood.
Features
The tragedy of Clara Haber
By DAVID TOPPER This story of the sad and short life of a remarkable woman, Clara Haber, should be better known. I hope this essay is a step in that direction. Her legacy deserves it.
She was born Clara Helene Immerwahr on June 21, 1870 to two Jewish parents. Interestingly, the German surname breaks down into: immer (always, forever, still) and wahr (true, real, right). Take your pick. I like: Still real.
Being smart and hardworking, she was the first woman to obtain a doctorate in Chemistry from the University of Breslau, part of Germany at the time (today it’s in Poland). This was in 1900. Several years before that, she had converted to Christianity. A year later, 1901, she married Fritz Haber, who also had a doctorate in Chemistry. (He was from Breslau too; they met at a dance.) He was two years older than her, and he also had converted to Christianity, in the early 1890s.
This act of conversion – starting in the early 19th century, when, on the heels of the French Revolution, Jews came out of their ghettos – was more common among European Jews than you might think. There were about 2000 conversions per year throughout the century. Some famous ones are: the poet Heine, the mathematician Kronecker, and the composers Mendelssohn and Mahler. In most cases it was the only road to prestigious appointments, otherwise restricted to Christians.
On June 1, 1902 Clara gave birth to what would be their only child, Hermann. The job of raising Hermann was given to her, Fritz being too busy with his important work in his Chemistry Lab – thus ignoring her work in Chemistry. He put in 18-hour workdays, barely leaving time for dinner (if he ate at home) and some sleep. Plus, Hermann was a sickly child, and hence Clara spent all her time raising him – without Fritz. In letters she spoke of her unhappiness in the marriage: especially “Fritz’s oppressive way of putting himself first in our home and marriage, so that a less ruthlessly self-assertive personality was simply destroyed.” These are harsh and powerful words, expressing her extreme disillusionment and frustration with her married life. Yet it was true; her potentially successful career in Chemistry was dead. She never accomplished anything after her degree. The family and household took all her time and energy.
What, therefore, was this important work that kept Fritz busy and out of the home? He was the Director of the Institute for Chemistry in Berlin. His first major discovery was synthesizing ammonia from nitrogen gas and hydrogen gas, which revolutionized the production of fertilizer. The result was higher yields in agriculture throughout Europe and eventually the world. (Even today, it’s been estimated that food produced from this process supports almost half of the world’s population.) For this Haber was seen as a hero, alleviating otherwise mass starvation. In 1918 he got the Nobel Prize in Chemistry for this work.
But there was a flipside to all this: the fertilizer could also be used to make explosives. This too Fritz explored, especially with the start of the First World War in August 1914. Out of this work came poison gases, and thus the creation of chemical warfare.
Fritz was a staunch German patriot and nationalist, supporting the War from the beginning. For example, he signed the “Manifesto of the Ninety-Three,” with other German intellectuals in support of the War. (Incidentally, Albert Einstein, who was living in Berlin at this time – they were good friends – refused to sign the document.)
Fritz not only worked in the lab producing the chemical, he was also involved in supervising their deployment on the war front. Thus, he was in Ypres (near Flanders), Belgium on April 22, 1915. As one historian has drolly put it: “The small Belgium city of Ypres is to chemistry what Hiroshima is to physics.” Indeed, this was the first use of chemical weapons in military history. They released around 170 tons of poison gas across a 4-mile front. There were an estimated 800- 1400 immediate deaths among the French and Algerian troops. Fritz left before the battle was over. During the entire so-called Second Battle of Ypres, from April 22 to May 25 – there were over 67,000 casualties among the French, Canadian, and British troops.
(As an aside: this battle was commemorated by John McCrae, who wrote “In Flanders Fields,” a poem recited every Remembrance Day here in Canada.)
Leaving Belgium, and after a brief stay at home, Haber immediately went to the Eastern Front to oversee gas released against the Russian Army. For all this work, he was given the rank of Captain by the Kaiser.
Meanwhile, Clara, usually alone, was raising Hermann, and taking care of the household, not having time to explore all the chemistry she would like to do. In letters she says that her husband’s work with poison gases is a “perversion of the ideals of science” and “a sign of barbarity, corrupting the very discipline which ought to bring new insights into life.” She also witnessed the accidental death of a former classmate, who was in Fritz’s lab working with these chemicals. To make matters worse, she was hearing rumours of Fritz’s involvement with other women. (Humm, it seems he found time for that!)
When Fritz returned home from Belgium (I don’t know the exact date), and before he left for Russia on May 3rd, there was a celebration at their home on the success of the gas attack. There are reports of arguments between Fritz and Clara, but we don’t know the details. What we do know, as a fact, is this. On the following morning, May 2, 1915, Clara took Fritz’s military pistol and walked into their garden. She shot into the air (presumably to test the gun) and then, pointing it into her chest – she pulled the trigger. Hermann heard the shots, ran into the garden – and his mother died in his arms. The following morning, Fritz left for Russia, to supervise the gas attack on the Eastern Front.
At this point in my story, Clara is gone. But there’s more to tell, and – if she knew the rest – I’m sure she would want the reader to know it too. Especially this.
During the final weeks of the First World War, on the Western Front, the Allies now launched a series of gas attacks in the district of Ypres on the Germans. On the night of October 13-14, 1918, just south of Ypres, in the town of Wervik (or Werwick), the British forces used mustard gas on the 16th Bavarian Reserve Infantry Regiment. One German corporal serving as a messenger in the army was caught in the attack, and was partially blinded. He was able to stagger to safety and eventually was taken to a military hospital in Germany to recover. We know about this because he wrote about it in his 1925 book, Mein Kampf. Adolph Hitler recalled: “I stumbled and tottered back with burning eyes…. [M]y eyes were turned into glowing coals; it had grown dark around me.” He was still in hospital at the end of the War on November 11, 1918, at the signing of the Armistice with Germany’s surrender. While lying blinded, he says he had a vision to enter politics to “save” Germany. How much this is true and how much perhaps psychosomatic, due to the shock of the mustard gas – or just plain hyperbole – we will never know. But it led to his myth of Germany’s “stab in the back” – and all that followed with the rise of the Nazi Party.
In 1933, when the Party took over the country, Fritz was still alive. During the 1920s he had a staff at the Kaiser Wilhelm Institute developing more gases, such as the cyanide gas formulation, Zyklon A, which was used as an insecticide to spray on plants. In the spring of 1933, with the passing of Hitler’s law of removing all Jews in professional jobs throughout the country, Fritz was stunned. But it was worse. Fritz not only lost his job: but all his awarded metals, his many accolades, the staunch patriotism and nationalism, his service to the country, even the conversion to Christianity – it all came to naught, since he was a Jew by birth. Thus: his legacy was completely erased from all records, in all German history – as if he never had even existed.
And so, in August, he left the country. He first went to Paris, then to Spain, England, and finally Switzerland. He even took a brief trip to Palestine, where he bequeathed his private Library to the nascent Weizmann Institute, and was offered a position there. He accepted it, but never fulfilled it. He died of severe coronary sclerosis in Basel, on January 29, 1934 at the age of 65.
A major outcome of the Nazification of Germany, as we know, was World War Two. And with that – the Holocaust. Both Clara and Fritz died before all that; but not members of their families.
Most of Clara’s families were assimilated Jewish professionals and intellectuals, which was no buffer to the Nazi plague. Most of the Immerwahrs died in Auschwitz or Theresienstadt. Only a few had fled to France and then the USA. None was in Germany in post-1945.
As for Fritz’s family, he had a younger half-sister, Frieda. She fled to Jerusalem and survived the war. But her children and grandchildren all died in Auschwitz.
Also, after Clara died, Fritz later married Charlotte Nathan. They had two children: Eva and Ludwig. Just before he died, Fritz sent them to Switzerland; from there all three went to England, surviving the Holocaust.
Then there is Hermann, the only child of Clara and Fritz. After the Nazi party took over Germany, Hermann immigrated to the USA. There he married and had a child, Claire, who became a chemist. Not surprisingly, he had episodes of depression over his adult life, eventually committing suicide in 1946. Sometime later, Claire did the same.
As a final point in this part of my story, I note the following fact. The pesticide gas, Zyklon A from Faber’s lab contained an odorant – to warn users. When the Nazis took over Faber’s lab in the Institute, they removed the odorant, producing Zyklon B, the gas used in the mass murders in the gas chambers during the Holocaust.
As a coda to this story, I wish to compare Clara’s story with Mileva Marić, Einstein’s first wife. The reason for this will be seen below.
In brief, here’s Mileva’s story. Born in 1875 to a Christian Orthodox Serbian family, she had a dislocated hip that resulted in her walking with a limp all her life. Although this isolated her as a child growing up, she had a very loving and doting father who encouraged his very bright daughter in her school work (she was especially good at math) and was proficient at the piano. Moreover, she was the first girl to attend high school physics courses in the entire Austro-Hungarian Empire.
After graduation, she applied to the prestigious Zurich Polytechnic, since (as we saw) Switzerland admitted women to all classes. She passed the entrance exam and majored in Mathematics. With all this potential, it seemed that the future was hers to make, even as a woman. Then, in a small Physics course, she met Einstein. They quickly became a couple. Except for the time they spent together, Mileva still did her school work and passed all her courses over the first three years.
In her fourth year she started on a thesis, hoping to get a PhD. But she failed her final exams. She repeated them, but still didn’t pass. What happened? I find it hard to believe that this sudden change in her performance was due to the tests being too tough for her – after all that she achieved up to this time. The thing that was different – and which I believe was the source of her predicament – is this: she was pregnant with a child fathered by Albert. With the baby in her belly, she just couldn’t concentrate on the tests.
She went home to her parents and the child was born (a girl, they named Lieserl). Being illegitimate, Lieserl was left with her parents (who were very supportive) and Mileva went back to live with Albert. They married in January 1903, in a small civil ceremony. Neither set of parents was there. And so, Mileva became a housewife – and eventually the mother of two boys. Like Clara, all the earlier promises came to naught. Mileva didn’t even get a university degree – let alone her aspiration of a PhD.
By around 1909 Albert was being noticed by the physics community for his publications on relativity (a subject he essentially created) and quantum physics. Mileva wrote to her closest friend that Albert “lives only for his work” and that the family “is unimportant to him.” This strain on the marriage came to a peak in the spring of 1914 when they moved to Berlin, where he had accepted a prestigious position in the Physics section of Kaiser Wilhelm Institute.
For this we need to come back to Fritz and his friendship with Einstein. In many ways their friendship was unexpected, since (except for being born Jewish) they had little in common – opposite on the topics of nationalism, patriotism, war (Albert was a pacifist). Even in dress: Fritz was meticulous in his three-piece suits, and Albert sloppy in dress with his hair all over the place. Yet, when they first met in September 1911 at a scientific society meeting in Karlsruhe, they quickly became close friends. In particular, Fritz was so impressed that he became the chief orchestrator to draw Einstein to the position in physics at the Berlin Institute.
Thus, late in 1913, Einstein was offered a position, and he accepted it. But Mileva was reluctant to leave Switzerland. One main reason: Albert had a divorced cousin in Berlin, Elsa, who Mileva knew Albert was visiting when attending meetings in the city. She even suspected (correctly) that it was an intimate relationship.
Nonetheless, around Christmas 1913, Mileva traveled to Berlin to look for a place to live. She stayed with Fritz and Clara, and – not surprisingly, from all we know about them – the two women quickly and deeply bonded. They certainly had lots to talk about: given their similar situations regarding their stifled careers and abusive husbands. Mileva found an apartment, and in April 1914 she, Albert, and their two boys moved to Berlin.
They were not there for even a month, and the marriage entered a new phase. Albert demanded a series of rules for their relationship. Mileva was to do the laundry, prepare him three meals a day, and keep his office clean – all without any personal relations, no intimacy, and never being seen in public together. It was degrading and cruel; she was reduced to being a maid and a cook.
Mileva tried to accept all this, but quickly found that she couldn’t endure the humiliation. Fritz and Clara knew about all this. Clara consoled Mileva. Fritz acted as a mediator, as the marriage completely broke down. Fritz was a witness, signing the separation agreement. In July 1914 Mileva packed up her things, and she and the two boys went back to Switzerland, where she lived for the rest of her life. The following month was the start of the War – and, ultimately, in May 1915, Clara’s suicide.
There it is: Clara’s sad story, and how it overlapped with Mileva Einstein’s story – with ultimately their short, but profound, friendship.
I hope all this helps bring to light the legacy of this potentially brilliant, surely fascinating, and ultimately tragic woman.
Clara Helene Immerwahr Haber is long gone. Yet, for me, she is: Still real.
- *
Readings:
For Albert’s abusive treatment of Mileva, see: David Topper, “The Dark Side of Albert: Einstein and Mileva Marić, his First Wife,” published in The Academy of the Heart and Mind, February 7, 2025.
For the quotation comparing Ypres and Hiroshima, see: Jörgen Neffe, Einstein: A Biography (2005), p. 252.

