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This Jewish studies professor won $60,000 on “Jeopardy!” — despite missing out on a question about Yom Kippur
(JTA) — The most notable message Melissa Klapper got during her four-night run this week on “Jeopardy!” didn’t come because the Jewish studies scholar was unable to answer a question about Yom Kippur. It also wasn’t an unkind note from a game-show stickler who believed she’d gotten credit for a wrong response.
Instead, it was an email from a past student who recognized herself in the story Klapper told as part of her self-introductory stage banter — a staple of the game show. Klapper, who teaches history at Rowan University in New Jersey, described accusing a student of having plagiarized her paper.
The student then replied, Klapper recalled, that she “didn’t know [it] was plagiarized when she bought it.” The anecdote yielded laughs from host Ken Jennings and the two co-contestants whom Klapper later defeated to notch her third win.
After the episode aired Wednesday night, Klapper heard from the former student, whose name she had previously forgotten.
“She watches ‘Jeopardy!’ and when she was watching that interview, she thought to herself, this is about me,” Klapper told the Jewish Telegraphic Agency. “And she wrote to me to apologize. She’s a teacher now and, I think, is more understanding of why what she did was really not good. And I really appreciated it. It was kind of brave of her to get in touch with me after all these years.”
The experience was a fitting highlight of Klapper’s run on the show, which ended Thursday with a third-place finish and total winnings of $60,100. She said it was her training as an educator — not her education in Modern Orthodox schools or her scholarship on Jewish women, immigrant children and more — that prepared her for success on the show.
“I’m up in front of people all the time,” said Klapper, who is active in the Association for Jewish Studies and whose most recent book, “Ballet Class: An American History,” was published in 2020. “I do not have stage fright.”
Klapper spoke with JTA about her Jewish background, her research interests and how her most religiously observant friends managed to watch her on TV.
This interview has been condensed and lightly edited for clarity.
JTA: First, I have to ask: Last night, did you end up with $1,800 on purpose? That’s a very Jewish number.
Klapper: No! That’s so funny. It didn’t even occur to me.
How are you feeling this morning? Any initial reflections on your appearance now that it’s over?
These shows were recorded in January, so I’ve had time to come to peace with what happened. I was disappointed not to win another game — or two. But Alec, the guy who won last night, was just unstoppable on the buzzer. Knowing the answers is not enough to do well in “Jeopardy!” You also have to have good hand-eye coordination, which I do not. I would say I knew the vast majority of answers but I often just could not get the buzzer in time. Once I knew I was going to be on the show, I did sort of sit at home and practice with a ballpoint pen, but it’s not the same.
I will say the fact that I couldn’t be fast enough to answer the Yom Kippur clue was pretty frustrating. [The clue was about a Jon Stewart quip about the Jewish day of atonement.] And I heard about that — I got a lot of fun teasing from some of my Jewish friends who were sending me helpful emails with links to the dictionary.com definition of Yom Kippur.
Can you share a little bit about your relationship with “Jeopardy!”, how you came to be on the show and your general reflection about your experience?
I grew up in a household where we watched “Jeopardy!” when I was kid. We had a “Jeopardy!” board game that I would play with my parents and my sister and I actually tried out for the teen tournament when I was in high school. Those were the days that you had to go in person, so my parents very kindly drove me into D.C. when we heard that there would be a tryout. I didn’t get past the first round — I didn’t know anything about sports, and I still don’t know that much, although I answered a surprising number of sports questions.
In the last few years I started to watch more regularly and it occurred to me, you know, I really think I could do OK on this show. I made it into the contestant pool the first time I took the online test, but I did not get called. The day after my 18 months [in the pool] ended, I started the process again, but I sort of assumed I would never hear from them again — especially because they asked you to write down dates when you can’t come and I had to write that I was not available during the semester — and, oh, also on Jewish holidays. But they called me for winter break.
They record five shows in a day, and all of mine were on one day. There’s about 10 minutes between shows when you change your top and can have a drink and then go right back onstage. It was just — really, it was all a blur. If you’d asked me at the beginning of this week what any of the categories were I would have been very hard-pressed to tell you.
You got some clues that seemed ready-made for a Jewish contestant such as one about Philip Roth’s “Portnoy’s Complaint” and another about Jack Antonoff, the Jewish musician and producer. What is your Jewish background like and were there moments where you felt like that gave you some kind of advantage?
Now I live in Lower Merion, Pennsylvania, which has a large observant Jewish community. My husband and I belong to a Modern Orthodox synagogue and we are involved in a partnership minyan, Lechu Neranena.
I went to Jewish day school my whole life, kindergarten through 12th grade, first at Akiba Academy of Dallas and then Bais Yaakov of Baltimore, which was the only girls high school and where I got a very solid education and was encouraged to pursue my intellectual ambitions. I went to Israel right after high school before I started college. So I have a very intensive Jewish educational background, and throughout my education and all the schools that I went to, I found a lot of encouragement for my innate nerdiness.
So I’m not sure I could draw a direct line, but what I will say is that in the Jewish educational environment I grew up in, matched by an extremely Jewish traditional home, there was just a huge, enormous value on reading and books and learning, and I think that makes a difference.
I will say I don’t think I knew about Jack Antonoff because he’s Jewish — I knew him because of Taylor Swift.
Were there Jewish highlights of your experience, either on the show or behind the scenes?
They do not pay for you to go out to L.A. You’re responsible for your own travel, but they do provide lunch. I asked if it would be possible to get me a kosher lunch, and they immediately said yes, which I appreciated. There was no question or back and forth about it. I got a salad with a ton of protein that could take me through the day.
And then this is a little funny, but I have friends from across the spectrum of Jewish practice, or lack thereof. Some of my more traditionally observant friends don’t own TVs and wouldn’t have TVs in their houses — but they have been watching the show on YouTube every day because they have no other way to watch.
Your scholarship in American history and Jewish studies has been wide-ranging, and you’ve written books about American Jewish women’s activism, American Jewish girlhood and, most recently, ballet. How did your work as a scholar and a teacher prepare you for your appearance or dovetail with it?
I’m a teacher. I’m up in front of people all the time. I do not have stage fright. I give a lot of public talks of various kinds, in academic venues or community settings. And so I did not have any problems speaking or talking to Ken [Jennings] during the short interview period — that is not a problem for me. And for some contestants, it really is. They’re not used to just speaking in public at all like that. My professional background prepared me very well.
I have to ask about the big controversy. [Some viewers believed Klapper offered “Gregor” rather than “McGregor” as the response to a clue about the actor Ewan McGregor.] What did you make of that, and what do you think it means for the “Jeopardy!” viewership to have such intensity of passion that they referee a professionally refereed show?
First, it’s not a controversy. It’s clear to everyone that I said McGregor on stage, including to my co-contestants who have spoken about this. There should not have been and there should not be any controversy.
That said, I don’t personally sort of participate in any kind of fandom, so the way that this sort of took off is a little alien to me. But I know not just in the “Jeopardy!” community people are really, I guess, just very invested. It’s hard for me to explain.
Has the response been hard for you?
I’m sure that everyone who appears on “Jeopardy!” gets some nasty emails because unfortunately fandom can be vicious and I’m very easy to find. But I do know that women who are on “Jeopardy!”, especially women who do well, really can be targeted. And I do think that is part of what happened. Some of the — most of the emails I got from strangers were extremely nice and positive and, you know, full of good wishes. And I appreciated that, but I also got some really misogynistic, nasty gendered messages.
It’s disappointing because in my mind the “Jeopardy!” community is one of the last nice spaces that exists. I’ve talked about that with other contestants over the years, who have said it’s a congenial space. And I’ve asked them — and now I’ll ask you — what do you think the Jewish community can learn from the “Jeopardy!” community?
As a historian, it’s sort of not in my nature to comment on the contemporary Jewish community. I do think there are shared values around knowledge and education.
I do think there’s a nice community of contestants. Even though we were all each other’s competitors, everybody was just really friendly and encouraging. It’d be nice if all communities would just be like that.
You teach women’s and gender studies. You mentioned one big gender dynamic related to being a “Jeopardy!” contestant. Were there others, or other connections to your scholarship, that jumped out during your time as a contestant?
Not so much gender, but my current research project is about American Jewish women who traveled abroad between the Civil War and World War II. It’s a research interest — I noticed as I was working on all my other projects that the Jewish girls and women I was writing about traveled a lot, way more than you would expect for the late 1800s and early 1900s — but it’s also because I love to travel myself. And that’s another way to learn. There were definitely questions on “Jeopardy!” that I knew because I’ve been there — like about the sculpture in the harbor in Copenhagen of the Little Mermaid. I thought: I’ve been there and I’ve seen that.
So you like traveling and you just won a little over $60,000. Do you have any specific plans for the winnings?
Well, first, I’ll have to deal with the IRS. I’m involved with a bunch of different charities and so I will certainly be giving some of this money to them. And my husband and I already have our big trip for the year planned in May — to the north of England, to Newcastle and Hadrian’s Wall — and so we are going to upgrade some parts of that experience a little bit.
And then let’s go back to the student who reached out to you. What do make of that?
Whatever they’re teaching, teachers really matter, for better or for worse, and that’s where my real impact is. I teach a lot of students a lot of different things and I really value my relationship with them. And as it says in Proverbs, right, I have learned a lot from my students, just like I hope they learned from me. Seeing how excited some of my students have been this week, I do think that, in a way, being on “Jeopardy!” was sort of part of my teaching practice and that it just shows, again, this value of education and knowledge. Yes, it’s trivia, but still it just makes you a better-rounded person. And it was nice to be able to demonstrate that.
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The post This Jewish studies professor won $60,000 on “Jeopardy!” — despite missing out on a question about Yom Kippur appeared first on Jewish Telegraphic Agency.
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From Buenos Aires to Warsaw, ‘The Bride’ comes home
For almost 100 years, “The Bride,” a magnificent painting by Polish Jewish artist Maurycy Minkowski (1881–1930), has been in exile.
In 1930, Minkowski traveled to Buenos Aires for an exhibition of more than 200 of his works. And then tragedy struck. As a child, he had lost his hearing due to an accident. While walking on the street shortly before the exhibit’s opening, he was struck by an oncoming vehicle whose approach he couldn’t hear. The paintings, which were exhibited posthumously, stayed in Argentina and were dispersed.
Since then, Fundación IWO — the Buenos Aires branch of the YIVO Institute for Jewish Research in Vilna — managed to acquire more than 80 of Minkowski’s paintings, some at auction and many through a coordinated effort during the 1940s to rescue 60 works that had been pawned or were on consignment with dealers trying to sell them.
IWO’s Minkowski collection, the largest in the world, was almost lost during the 1994 bombing of the AMIA building (the Buenos Aires Jewish community center), where IWO’s holdings were kept. A volunteer rescue team led by IWO’s academic director Ester Szwarc saved the paintings from the rubble. “The Bride” was among them.
POLIN Museum of the History of Polish Jews in Warsaw had long expressed strong interest in including this painting in its core exhibition. Already in 2007, Renata Piątkowska, Chief Curator of Collections, had proposed “The Bride” for the museum’s exhibit on the Jewish wedding and its transformations in the 19th century.
On Nov. 7, 2025, almost 20 years later, that dream came true. The painting arrived at POLIN Museum to great fanfare, as a landmark gift from IWO made possible by funding from philanthropist and POLIN Museum Council member, Ronald S. Lauder.
Maurycy Minkowski was born into a well-to-do Warsaw family. He attended a school for the deaf, which encouraged his artistic talent. Minkowski graduated from the Kraków Academy of Fine Arts with a gold medal in 1905 and returned to Warsaw. He was shaken by the bloody pogroms and devastation of the Jewish community that he witnessed there and elsewhere that year. This experience prompted him to shift his focus from landscapes and portraits to the trauma of Jews fleeing violence. Those powerful paintings capture the desperation of masses of Jews on the run with nowhere to go. He is best known for these works, although he was never fully appreciated in his lifetime, neither in Poland, nor in Argentina.
Minkowski moved to Paris in 1908 and in the years that followed turned to scenes of Jewish daily life, essentially in the shtetl. It was around 1920 that he painted “The Bride,” one of several of his works on this theme. The bride’s attire and that of the married women surrounding her recall the clothing of Jewish women more than a century earlier.
The married women are dressed in keeping with tsnies, modesty. Their short hair is covered with an elaborately embroidered bonnet, shimmering with metallic thread. There is also the hint of a shterntikhl, a bejeweled panel along the front of the head covering; a brusttukh, a decorative panel on their chest, and a helzl, a ruff, around their neck.
The bride’s hair has not yet been shorn and is not yet covered. All the women are holding a prayerbook — it was customary to give the bride a beautifully bound prayerbook as a wedding gift. Set in an exquisite wooden frame hand carved by Minkowski himself, the painting captures the solemnity of this moment, as the bride contemplates her future after the wedding. The lives of Jewish women — not only their dress and weddings — would be transformed beyond recognition in the decades that followed.
“This remarkable painting is a true testament to Maurycy Minkowski’s artistic talent and his deep connection to Jewish culture,” said Zygmunt Stępiński, Director of POLIN Museum, when the painting arrived. The work will be the centerpiece of a reimagined presentation in 2027 on the evolution of the Jewish wedding during the nineteenth century.
The post From Buenos Aires to Warsaw, ‘The Bride’ comes home appeared first on The Forward.
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Why Does the Palestinian Authority Still Promote Holocaust Denial? Because It Starts at the Top
Palestinian Authority President Mahmoud Abbas looks on as he visits the Istishari Cancer Center in Ramallah, in the West Bank, May 14, 2025. Photo: REUTERS/Mohammed Torokman
Official Palestinian Authority (PA) television recently aired yet another segment questioning the reality of the Holocaust.
On Oct. 8, 2025, PA TV brought on Tunisian journalist Sufian Al-Arfawi to claim that the Jewish “victim narrative” is collapsing, and the PA TV host added that even the gas chambers could be dismissed with “simple evidence.”
Tunisian journalist Sufian Al-Arfawi: “The moral issue that they [the Jews] were victims and the issue that they were subjected to extermination by Hitler allowed them to receive support and a global popular embrace, because there was sympathy. This [victim] narrative has begun to collapse and to go in the right direction…”
Official PA TV host: “There is the narrative that says that the [German] soldier used to drag the Jews to the crematorium while calmly eating a sandwich. How does someone drag a person into a crematorium that has toxic gas and isn’t harmed by it? Meaning, even the narrative can be undone with very simple evidence.” [emphasis adde]
[Official PA TV, Capital of Capitals – Tunis, Oct. 8, 2025]
According to the International Holocaust Remembrance Alliance’s working definition of Holocaust denial and distortion, “Holocaust denial may include publicly denying or calling into doubt the use of principal mechanisms of destruction (such as gas chambers, mass shooting, starvation and torture) or the intentionality of the genocide of the Jewish people.”
Given the ideology of the PA’s leadership, this denial is entirely predictable.
PA leader Mahmoud Abbas himself laid the groundwork for this narrative decades ago in his doctoral thesis, later published as The Other Side.
Abbas argued that Zionists intentionally inflated the number of Holocaust victims for political gain and that the real number of Jews killed was only “a few hundred thousand.” He even claimed that Jews were “offered up” to increase the victim count.
Having more victims meant greater rights and stronger privilege to join the negotiation table for dividing the spoils of war once it was over. However, since Zionism was not a fighting partner – suffering victims in a battle – it had no escape but to offer up human beings, under any name, to raise the number of victims, which they could then boast of at the moment of accounting …
It seems that the interest of the Zionist movement…is to inflate this figure so that their gains will be greater. This led them to emphasize this figure in order to gain the solidarity of international public opinion with Zionism. Many scholars have debated the figure of six million and reached stunning conclusions — fixing the number of Jewish victims at only a few hundred thousand.” [emphasis adde]
When the head of the PA has distorted the memory of the Holocaust throughout his life, such as when he suggested that Hitler killed Jews out of self-defense because “they caused ruin” and because of Jews’ “social role,” it is no surprise that PA TV echoes them.
This is not a new narrative; rather, it is a continuation of the Holocaust distortion that Mahmoud Abbas embedded into PA ideology and that its media still carries forward today.
Ephraim D. Tepler is a contributor to Palestinian Media Watch (PMW). Itamar Marcus is the Founder and Director of PMW, where a version of this article first appeared.
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Israel Exposed Hamas’s Terror Network Across Europe. Will UK Media Now Stop Treating Its Leaders With Kid Gloves?
Basem Naim, a senior Hamas official in Gaza, speaks during an interview with Reuters in Istanbul, Turkey, Oct. 16, 2024. Photo: REUTERS/Murad Sezer
Over the past two years, senior Hamas official Basem Naim has been granted multiple high‑profile interviews on UK platforms such as Sky News and the BBC — remarkable visibility for someone with a leadership position in a designated terrorist group. Now, in light of a startling disclosure by Israel’s intelligence agency Mossad concerning a Europe‑wide terror infrastructure attributed to Hamas, those media appearances demand re‑examination.
The Israeli Prime Minister’s Office released a statement this week on behalf of the Mossad saying the agency, in cooperation with European counterparts, has dismantled a network of terror cells across Germany, Austria, and beyond — cells that stockpiled weapons and stood ready to strike Jewish and Israeli targets on the continent.
Among the most striking details was a weapons cache seized in Vienna last September, consisting of pistols and explosives and traced to a certain Muhammad Naim, who was identified by Israeli intelligence as the son of Basem Naim. Investigators reportedly uncovered a meeting in Qatar between father and son, allegedly signaling leadership‑level approval of the European operation.
When one considers that Basem Naim has been treated in the UK media as a mainstream political figure, flattered with copious airtime, speaking from Istanbul and Doha, questions must be asked.
On Oct. 10, Sky News’ lightweight foreign news presenter Yalda Hakim interviewed Naim in Doha (perhaps she flew there on Sky News’ weather forecast sponsor Qatar Airways’ own fleet), where she didn’t once question Hamas’s international terrorism aimed at Jews. Instead, Naim was given time to claim Hamas was prepared to relinquish governing Gaza but would not agree to disarm.
Hakim’s three softball interviews of Naim never one challenged the terrorist and his organization’s evil, sadistic behaviors or ideology in as aggressive a way as she badgered me for doubting the discredited and disproven Hamas-supplied casualty figures during the Gaza war. Earlier, a BBC “HardTalk” session with Sarah Montague on Jan. 29 featured Naim on Gaza’s future, once again without evident interrogation of his organization’s international terror links.
I myself appeared on Hakim’s Sky studio show back in February 2024, immediately after another segment with Naim, and openly criticized the absurdity of the interview — from Turkey, during active warfare in Gaza — where no questions were asked about Hamas’s torture of its own people or its transnational terror ambitions. I pointed out that he had served as minister of health in the first government of arch-terrorist Ismael Haniyeh, only for the other guest, Baroness Sayeeda Warsi, to jump in and suggest that his willingness to perpetuate the suffering of Gazans while he was safe in Turkey was somehow akin to Yair Netanyahu, the son of the Israeli Prime Minister and a private citizen, living in the US. In conversion outside the studio, she insisted to me that Israel’s main problem was its democratically elected leader but, when challenged, couldn’t name a single other Israeli leader who she thought would act differently in the circumstances. I’m not sure she could name any other Israeli politicians at all. No criticism of Dr. Naim, though.
Having highlighted this at the time, I hope that now the mainstream media and establishment’s choice to confer legitimacy on Naim without substantive challenge on important issues is reconsidered. (I haven’t had the opportunity to ask Hakim or Warsi since then).
To dismiss Palestinian terrorism as only a local Israeli problem is to ignore how Hamas has long viewed itself: as a regional, even global, movement, and an offshoot of the Muslim Brotherhood — a transnational Islamic jihadist movement. Indeed, senior Hamas leadership in Gaza have, for years, framed their cause not simply as liberation of the enclave but as vanguard of a broader “resistance” spanning all of Israel, with their own founding charter clear on its views of Jews in general. They want us dead. To anyone who claims it’s all just rhetoric, the European arrests and weapon caches expose their ambitions in operational form.
The recent arrest in London of a British man accused of helping move firearms into Europe for attacks on Jewish and Israeli targets should dispel any lingering doubt about how far these networks extend.
German authorities say the suspect was detained in the UK on a German warrant after a monthslong investigation into a Hamas-linked cell operating across Germany and Austria. According to Germany’s Federal Prosecutor, he was a member of Hamas and twice traveled to Berlin over the summer to meet a German citizen referred to as Abed Al G, who was arrested earlier alongside two others described as “foreign operatives” alleged to have been seeking weapons for attacks on Jewish sites. During those arrests police seized an AK-47, several handguns, and quantities of ammunition. Prosecutors say the suspect had already taken delivery of five handguns and ammunition and transported them to Vienna for safekeeping.
The picture emerging is of a network that now reaches into Britain itself.
In this context, Britain’s recent decision to admit young Palestinian students from Gaza with fully‑funded scholarships — and dependent family members — is disturbing. On the face of it, the initiative is humanitarian. But when set against the backdrop of a terror network active on European soil, rooted into Hamas leadership and stretched into host‑countries, it smacks of policy naïveté, or worse, “suicidal empathy.”
Granting access to students and their families from a territory under Hamas control where generations have been educated to idolize terrorists and carry out attacks like the Oct. 7, 2023, invasion of southern Israel seems more than a little foolish. UK campuses are experiencing rising extremism as it is, and radicalization is a known problem without importing the children of a Gazan education system built on antisemitism and violence.
The threat, it seems, is not only on Israel’s doorstep — it may be on our own. And while compassion is a noble instinct, in a world of asymmetric warfare, porous borders, and subterranean terror networks, we risk opening doors without knowing what, or whom, may walk through.
When the media treats a senior Hamas figure as legitimate without challenge, when Western academic institutions open their doors to students from societies led by terrorist groups, and when intelligence agencies expose the apparatus of terror on our continent, can we still afford to view Palestinian terrorism as someone else’s problem? Or have we now become part of that problem ourselves?
Jonathan Sacerdoti, a writer and broadcaster, is now a contributor to The Algemeiner.