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How hard is it to talk about Israel? We asked 4 Jewish teens

(JTA) — In addition to juggling school, extracurriculars and trying to fit in, American Jewish teens have the added challenge of trying to foster a relationship with Israel in an increasingly hostile environment. Proposed judicial reforms by Israel’s far-right government and terrorist attacks and reprisals have led to a sense of crisis within Israel and its supporters and critics abroad. Discussions in America about the United States’ continued support for the state are front and center on the political stage, and teens have noticed. 

The Jewish Telegraphic Agency gathered four teens from across the country to talk about their relationship with Israel. Their thoughts are uniquely influenced by their experiences as American Jewish teens who are constantly surrounded by those who often challenge their support and connection to a country where many have family or friends. They are also hesitant to voice their views about Israel due to fear of backlash from critics of Zionism or being told that they are not pro-Israel enough by its fiercest supporters. An edited transcription of their discussion is below.

JTA: How would you describe your relationship with Israel? 

Gayah Hampel, 15, HoustonI have a lot of family in Israel, and I haven’t been there since I was 8 years old, but I really, really want to go again. The trip was a very important part of my life, even though I don’t remember much from it. Israel’s history is very important to me, and I really want to go back to take in all the religious stuff there and all the history, because that really fascinates me. 

N.Z.,15, Los Angeles (N.Z. asked that their full name not be used because they do not share that they are Jewish and are concerned about antisemitic attacks): I have some family in Israel, but I only visited there once before COVID started. I’m not totally connected to it, because I don’t really talk to my Israeli cousins a lot since they live so far away and the time zones are far. I don’t really have a huge connection to it.

Avi Wolf, 14, Cleveland: I go to a school that’s based on Zionism, and we learn a lot about Israel and Israeli history in our school. We have a ton of teachers who are from Israel, and I visit every Passover along with keeping in touch with my Israeli friends a lot, so I have a very strong connection to Israel.

Emmie Wolf-Dublin, 15, Nashville: I write a lot about Israel for my local paper. I’ve never been, but I have a lot of family there. It’s really important to have a connection to that land, and I feel like it’s definitely important to me. One thing that I’ve thought a lot about, is the whole idea: Would you go fight for your country, for Israel, if there was some war to happen? I think I would. 

JTA: If you had to describe your biggest concern about Israel in one or two words, what would it be? 

Wolf: Probably safety. 

Hampel: The growing terrorist attacks.

N.Z.: Safety and reputation. 

Wolf-Dublin: Reputation, publicity.

JTA: What do you mean when you say reputation? 

Wolf-Dublin: My personal belief is that it’s not so much about Israel’s actions, but the way that Hamas and Palestine and the Palestinian Authority present them to the world. We would have a lot fewer issues on our hands if we were more careful about that and [would have] a lot more allies on our side if we made different choices in that sector.

N.Z.: Jewish people are already hated enough, especially in America, just for believing in Judaism. Having the addition of making it seem like we’re stealing this land away from Palestinians, people just find more and more ways to be antisemitic towards us and be like, “Oh, well, we have a reason.” So, the more bad things happen and the more things that get blamed on Israel, the worse antisemitic attacks will become.

JTA: Avi and Gayah, you both talked about safety. Is that safety from terrorism within the country or safety from foreign countries? Or both? 

Hampel: I would say both, but mainly, what’s happening inside the country because a lot of people living in Israel are also doing the terrorist attacks and physically attacking army personnel and citizens. So [I’m mainly worried about attacks from the] inside because it’s destroying us from inside, which is much scarier than from outside.

Wolf: It’s mainly that there’s a lot of terror attacks. There are a lot of other countries, like Iran, Syria and Lebanon, who surround Israel. They’re very big enemies with Israel, and they have a lot of power, so it’s always scary for the people inside but also [Israel is] the only Jewish state in the world. It’s the one place that all Jews can go and know they’re safe. If Jews don’t have a homeland anymore, it’d be a big issue.

JTA: What is your opinion on equating anti-Zionism with antisemitism? If someone is anti-Zionist, does that necessarily make them antisemitic? 

Wolf: In the past, anti-Zionism and antisemitism were very different things before the creation of Israel, but now, in our modern times, there are Jews who are very anti-Zionist and don’t believe Jews should have Israel. If you’re not a Jew, and you’re just a person who’s anti-the State of Israel, which is the only state of the Jews, you can’t antagonize Israel or be anti-Zionist without being antisemitic, even if it’s indirect. 

Wolf-Dublin: I agree, and I would honestly say that denying Israel’s right to exist and denying the Jewish connection, I think Jewish connection to Israel even more so, but Israel’s right to exist too. I feel like they’re both outright antisemitism.

JTA: Have you ever experienced anti-Zionism or antisemitism against you? 

N.Z.: I haven’t personally experienced antisemitism because I don’t share that I’m Jewish at my [public] school. I do see a lot of Israel-Palestine stuff online, and people are like, “get the Jews out, give it to Palestine.” We had a basketball game at this Jewish school that some of my old classmates went to a week or two ago, and they played against a non-Jewish school and they were holding up photos of the Palestine flag and swastikas and screaming Kanye West at some of the kids. It was really bad. I don’t know all the details because I wasn’t there, but I heard it was bad.

Wolf-Dublin: I live in Nashville, and Nashville does not have a big Jewish population. It’s in the south, there’s a lot of anti-Israel stuff, especially at school, but there’s also been Holocaust denial. It’s really everywhere, and I’m also really linked in the Jewish community, so I feel like it’s part of that. I had a teacher who had family in Palestine, and she got into this entire fight with me about it. She left earlier on in the year, so that was a win. I don’t understand how you can do that and still call yourself a professional. So I stopped paying attention in that class because why should I pay respect to someone who can’t respect my heritage?

Hampel: I haven’t personally directly towards me, but in seventh grade, a few years ago, when there were rockets firing every day from Hamas into Israel, like non-stop, there were Jews in my grade who were saying, “Israel is in the wrong, they need to stop attacking,” or “they need to stop attacking the innocent Palestinians.” It wasn’t directed towards me, but I still felt like they were, in a way [being anti-Zionist]. It was indirectly affecting me. I do know of Jews who have experienced antisemitism before.

JTA: How comfortable do you feel sharing your attitudes about Israel when around Jews?

Wolf: I feel extremely comfortable sharing all my opinions about Israel, regardless if it is a Jew or not. In Cleveland, most Jews believe in Israel and think the Jews should have a state. I have very strong attitudes towards Israel, and I don’t mind sharing my attitude with other Jews, even if they don’t believe in Israel or think what Israel is doing is wrong because I believe in it. There’s real history, and you can look in the Tanakh (the Hebrew Bible), and you can see the real claims to Israel and everything. That’s why I’m very comfortable sharing with other Jews.

Hampel: I’m extremely comfortable sharing my opinions about Israel with other Jews and also non-Jews as well because I think it’s important. I’ve noticed that there are so many people who don’t know what’s actually going on [in Israel], and the story behind it. It’s important to me that I share that history, and I share my side of [what’s happening in Israel], especially having people in Israel who are very close to me. I’m very comfortable sharing my views on Israel, for that reason. Also it’s part of my personality so even if I don’t mention it, in our friendship, you’ll most likely hear me saying something about Israel.

Wolf-Dublin: I’m sort of both. In terms of Jewishness, I’m always open to talking about that. In terms of talking about Israel with my Jewish friends, I might bring it up, but I’m not always super-wanting to. I don’t know that I generally do pose [questions]. I’m sure I’ve done it before, but with non-Jews, if somebody brought it up to me, I would not be shying away from the conversation. However, I don’t know that I would personally bring it up myself.

N.Z.: I don’t love sharing my opinion of Israel because I’m afraid I might say something wrong, and then people will come after me for it. Sometimes, when I’m not really confident in what I’m saying, I don’t like sharing my opinion because I’m afraid people will try to shame me for it, especially on something so touchy as a subject like this.

JTA: N.Z., you feel that way even around Jews?

N.Z.: Even around Jews, especially. I feel like talking about this kind of stuff would be even more awkward because if I don’t share the same views as them, I feel like they’d be like, “Oh, well, are you trying to say you’re antisemitic or something?”

JTA: How comfortable do you feel sharing your attitudes about Israel when around non-Jews? 

Hampel: I’m comfortable sharing my views about Israel with non-Jews. I personally don’t want to bring it up myself, like Emmie said because if they do disagree with me, I don’t like starting arguments. It’s not something that I seek to do, and so if it becomes an argument, and I started it, that doesn’t sit with me right. However, if it comes up, I will definitely, definitely not back down, and I will defend my opinion. 

Wolf: I also feel very comfortable sharing with non-Jews, but as opposed to what Gayah said, I feel comfortable bringing it up. I don’t mind if someone wants to argue with me about Israel or its attributes. I would obviously want to make sure to show the proper facts, but I feel very comfortable and confident with non-Jews because it’s the Jewish homeland, and I want to fight for what I believe in.

N.Z.: I guess if I’m really, really being pressured to share my opinion, I would, but it’s definitely not something I’d bring up because I don’t really like getting into fights about such touchy subjects.

JTA: Some of you said that you don’t want to express your attitudes about Israel, because you’re worried about starting fights. Has that happened to you?

Wolf: I’ve definitely gotten into arguments, but it has been with Jewish people. It was very interesting because they were talking about stuff, but I could tell it was from the news, but the media was twisting it. It’s like, “Israel attacks the Gaza Strip and fired a missile at an apartment building.” Yeah, it’s true, but they were just doing it after Hamas had killed a bunch of their civilians.

HampelThat has happened before. It started not as a conversation about Israel, but it morphed into that, and it was very disappointing to me because it was such a twisted version of Israel that I definitely had not seen before. I definitely don’t believe it at all, any bit of it, and it was also with a Jew. 

JTA: To change topics slightly, what have you heard about Israel’s new government?

Hampel: To be completely honest, I do not follow Israeli politics. It’s not that I don’t want to, but I just don’t. It’s more important to me to know about the events that happen, the dangers that happen, I want to know of that, or the good things that happen too, but the politics, I don’t keep up with that at all. 

Wolf: I’m pretty involved in the politics and everything. In our Hebrew class, we had a whole week, just learning about the Israeli government, how it works, and my teacher presented to us all the political parties during the election. We learn about it, some good, some bad, and I know there’s a lot going on in the media. It’s kind of hard to get the correct sources since I’m not living in Israel.

N.Z.:  I really don’t keep up with politics in general, but I haven’t heard anything about the new Israeli government at all. 

Wolf-Dublin: I’m not very happy about it. I’m pretty into politics in general, but I definitely don’t agree with 90% of the things they’re doing. There’s a bill on drag queens in Tennessee right now that’s probably about to get passed that will outlaw anybody performing in drag. That’s the kind of thing that’s alarmingly similar [in Israel, whose new government includes opponents of LGBTQ rights], and I can see that happening in Israel, and that’s not something I want to see.

JTA: Emmie, you’re seeing trends in Tennessee that are similar to what the new Israeli government is proposing?

Wolf-Dublin: Everybody can have their own opinion, but I have a lot of issues with the current government, and I have a lot more issues with what they’re doing with the judicial system.

JTA: Where do you get your info about the Israeli government?

Wolf-Dublin: Either from my dad or just reading.

JTA: Among the political issues that you think are most important. Where would you rank Israel? This can be compared to hot-button issues, like reproductive rights, the economy, immigration, climate change, LGBTQ rights and concerns about democracy. Where on that list, would you rank Israel?

Hampel: I would say for me that it’s pretty high. I wouldn’t say it’s the highest, but it’s pretty high for me, because even if I wasn’t Jewish, Israel produces a lot of things that everyone uses and has so many inventions that we all use. It’s important to keep that safe, and it’s still a democracy. That’s very important in today’s society. It’s not at the top of my list, but it’s pretty high up. 

N.Z.: I’m not really a political person, so it’s not really the top thing on my mind, but it’s definitely an issue that I read up about every now and then. 

Wolf-Dublin: I don’t know that I have a clear ranking. I don’t think I could clearly rank it, but I would say it’s important, but its politics are only as important to me as a citizen of the world and not so much. Its existence is important to me.


The post How hard is it to talk about Israel? We asked 4 Jewish teens appeared first on Jewish Telegraphic Agency.

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How Hezbollah Terrorists Became ‘Local Residents’ in the Media

Lebanese army members stand on a military vehicle during a Lebanese army media tour, to review the army’s operations in the southern Litani sector, in Alma Al-Shaab, near the border with Israel, southern Lebanon, Nov. 28, 2025. Photo: REUTERS/Aziz Taher

During an operation earlier this month, the IDF reportedly clashed with Hezbollah operatives and “civilians” in the Lebanese village of Nabi Chit, leaving 41 people dead and another 40 injured.

At least, that is what CNN, the Associated Press (AP)Sky NewsBBC, and The Guardian all reported.

But not a single outlet actually questioned who these “civilians” were that clashed with the IDF, or why there were clashes in the first place.

The operation was carried out in an attempt to return the remains of Ron Arad, an Israeli navigator who has been missing since his fighter-bomber was shot down over Lebanon in 1986. He was believed to have originally been captured by the Amal Movement and handed over to Hezbollah, before being presumed dead.

As is the protocol with any missing person or soldier, the State of Israel works to recover every body for a proper and dignified burial in their homeland.

Based on intelligence, the IDF believed Arad’s body to be buried in a cemetery in Nabi Chit, a village located close to the Lebanese-Syrian border in the Beqaa Valley.

On Friday, March 6, well before the operation began, the IDF issued an evacuation warning, urging innocent civilians to leave.

The village has long been a stronghold of Hezbollah, with several past leaders, including the second secretary-general, Abbas al-Musawi, born there. Being that Hezbollah has systematically embedded its infrastructure and operatives into the town itself, many — presumably including a significant number affiliated with or supportive of Hezbollah — appeared to defy the evacuation orders, staying in their homes.

Late Friday evening, Israeli commandos entered the village, hoping to quickly locate the body of Arad and leave without disturbance. According to some reports, the IDF forces arrived undercover. Had the IDF been seeking a battle, it would have entered openly rather than disguised, indicating that the goal was a targeted retrieval mission, not a confrontation.

However, soon after the IDF’s arrival, a firefight broke out between Israeli forces and Hezbollah operatives. This is precisely where international media coverage begins — and where the crucial context disappears.

Hezbollah operatives are suddenly grouped in with the “civilians” or “local residents” who supposedly rushed out to defend their homes against an Israeli invasion, leaving their houses with guns to engage in battle with the IDF.

But the IDF had entered the village on a limited mission: to retrieve the remains of a fallen soldier. There was no broader offensive and no threat to civilian homes. That raises a fundamental question: why did so many outlets lead with descriptions of “residents” or “local fighters” joining Hezbollah in “defending their homes,” when their homes were clearly not under threat?

Following the ensuing battle between the IDF commandos and Hezbollah, the Israeli Air Force provided air cover through targeted strikes to ensure the safe extraction of all troops. Sadly, they were unsuccessful in locating the body of Arad.

By the time the operation ended, the Lebanese health ministry reported that 41 people had been killed and 40 wounded. Yet, when reporting these casualties, the media failed to acknowledge the obvious likelihood that many of those casualties were Hezbollah operatives — or what Sky News and AP described as “local fighters.”

The narrative that Israel intentionally killed innocent civilians was not limited to the international media, but quickly spread across social media.

Posts circulating online framed the operation as a reckless mission designed to target civilians with no clearly defined operational purpose. This is despite the IDF’s clear intention to limit civilian harm while preserving the dignity of all Israeli soldiers, no matter how long ago they fell in battle.

Hezbollah’s strategy of embedding its infrastructure and operatives within civilian areas has long blurred the line between civilians and combatants, resulting in armed terrorists who attack Israeli forces being framed in media coverage as innocent “local residents.” The IDF’s operation in Nabi Chit and the ensuing battle illustrate this strategy in full, exposing just how effectively Hezbollah has manipulated the media.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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In the work of 21 artists, 49 different ways to be Jewish

As I walked through the exhibit, Envisioning the Sacred: Modern Art from the Collection, at the Derfner Judaica Museum and Art Collection,  I wondered aloud which was the more defining element in these 20th and 21st century paintings, drawings, prints and linoleum cuts. Was it the modernist sensibility, which encompassed figurative, abstract, symbolic and metaphorical approaches? Or was it the Jewish-themed content?

In the 49 pieces by 21 artists (including two etchings by Marc Chagall), there were illustrated Biblical characters and stories; depictions of traditions and rituals; and a fair number of the works employed the Hebrew alphabet to evoke emotion and inspire the composition.

“The exhibit shows how artists use a modern visual language to express their Jewish identities,” said Susan Chevlowe, chief curator and museum director who guided me through the light-filled gallery, which is part of the Hebrew Home at Riverdale and set on a shallow hill that slopes down to the Hudson River.

“It’s hard to separate the two elements or say which is more defining,” Chevlowe said. “The majority of these artists were artists early on in their lives, drawing and sketching as children. Some grew up steeped in a Jewish tradition and others came to their Jewish identity later in life, especially in the post-Holocaust years. Percival Goodman is an example. An agnostic, he was best known as a modernist architect. But in the post-Holocaust years he became interested in Biblical figures.”

Percival Goodman’s ‘Rebekah and Jacob’ Courtesy of Derfner Judaica Museum + Art Collection. Gift of Naomi Goodman

Chevlowe pointed to Goodman’s painting “Rebekah and Jacob,” presenting two large, sharply drawn flat heads. The bold colors outlined in stark black stripes summon forth figures that border on the cartoonish, yet are also strikingly beautiful. Here, the matriarch Rebekah beams at her younger son Jacob with whom she is scheming to steal her older son Esau’s birthright.

A number of the works reflect, in subtle and layered ways, Jewish traumas coupled with homage and pride and in some instances a touch of the elegiac.

Adam Muszka’s “Sabbath Meal,” painted in the 1960’s is a nostalgic look back at the lively Polish shtetl that he grew up in and that no longer exists. With its sentimental tone, the painting evinces distortion. Two figures in the foreground are over-sized, while the homes in the background are shrunken and lopsided — an indication, perhaps, that this is a falsely rosy memory.

In the seemingly more realistic 2003 painting, “Choral Synagogue, St. Petersburg, Russia,” one of the more recent works on display, Joyce Ellen Weinstein brings to life the massive temple entrance and the decorative gate in front of it, “which is slightly off kilter,” Chevlowe pointed out. “Notice the barbed wire on top of the gate. The painting suggests the dignity of the synagogue and its people and also the difficult position of Russian Jews throughout history.”

Chevlowe was hard pressed to pick a favorite, though she admitted a special fondness for Jane Logemann’s 1996 “Alphabet,” a series of pale blue and purple ink wash panels adorned with repeated pairs of Hebrew letters, in pen and ink, which create a vertical pattern from the top of the page to the bottom. The series is poetic, lyrical.

Mark Podwal’s ‘Dreidel Hanukkia’ Courtesy of Derfner Judaica Museum + Art Collection. Gift of Dr. Richard Charney and Family in honor of Maxine Charney

“Logemann is interested in patterns and structures of nature,” said Chevlowe. “Some letters are large, others small. There’s a randomness here. Her choices are intuitive. For many artists the abstract is spiritual. For some mysticism and spiritual quest are essential in their work.”

One of the better known artists in the group is Mark Podwal. In his 2002 “Dreidel Hanukkia,” an acrylic painting, we see a menorah balanced on a dreidel and on the opposite side of the page there’s a less readily definable bench lamp.

“It’s modern and old and very playful,” said Chevlowe. “And each Hanukkah light, the menorah and the bench lamp, is cut off by the frame, cut off by the rest of the world. It’s a fragment. We often see that in Degas too.”

Some of the painters are more deeply embedded in or influenced by particular schools of art than others. In Jacques Yankel’s joyful and expressionistic “Torah,” one can see the Marc Chagall and Chaim Soutine lineage. Yankel’s emigre artist father lived in Paris and was very much part of the Paris school of art, which included Chagall and Soutine.

Abraham Rattner’s ‘Moses,’ 1955. Courtesy of Derfner Judaica Museum + Art Collection. Gift of June Poplack

In New York, Ben-Zion, a Russian-born painter who arrived in the United States in 1920, was a recognized member of “The Ten,” abstract painters that consisted of, among others, Mark Rothko and Adolph Gottlieb, though curiously enough Ben-Zion was never really an abstract painter.

Moses was a frequent subject of his. In his 1962 “Moses Looking Down to the Promised Land,” our title character is viewed from the back, an imposing, heavily draped figure perched on a rocky terrain. He is staring out at Jericho, at once so close to and yet so far away from The Promised Land.

Abraham Rattner also employed Moses as the central figure and theme in his vibrant Picassoesque “Moses,” which features the Prophet clutching two blank tablets, devoid of the commandments or, indeed, any writings. His head twisted to the side and an integral element in a wild abstract design is as unsettling as it is thrilling. It is perhaps my favorite in the collection.

“I would like viewers to appreciate the richness in stylistic range and to be aware that these are highly trained, skilled and knowledgeable artists who come from a rich cultural tradition that includes all of art history,” Chevlowe told me. “At the same time they create something that’s original, authentic and beautiful.”

The post In the work of 21 artists, 49 different ways to be Jewish appeared first on The Forward.

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Forverts podcast, episode 8: Israeli voices

דער פֿאָרווערטס האָט שוין אַרויסגעלאָזט דעם נײַנטן קאַפּיטל פֿונעם ייִדישן פּאָדקאַסט, Yiddish With Rukhl. דאָס מאָל איז די טעמע „ישׂראלדיקע שטימעס“.

אין דעם קאַפּיטל וועט איר הערן צוויי אַרטיקלען: מיכאל קרוטיקאָווס רעצענזיע פֿון שירי שאַפּיראַס בוך דערציילונגען, וואָס אַנטפּלעקן דאגות פֿונעם „מילעניאַל“ דור, וואָס איר קענט אַליין לייענען דאָ, און בני מערס פּערזענלעכן עסיי, „דאָס אײַנפּאַקן אַ טאָרבע פֿאַרן לויפֿן אין שוצקעלער האָט עפּעס דערוועקט אין מיר“, וואָס איר קענט לייענען דאָ.

צו הערן דעם פּאָדקאַסט, גיט אַ קוועטש דאָ.

שירי שאַפּיראַס דערצײלונגען

The post Forverts podcast, episode 8: Israeli voices appeared first on The Forward.

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