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These NYC college students want to kickstart a Jewish arts renaissance
(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name.
Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.
Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country.
“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”
Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)
The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”
“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”
By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.
The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website.
Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.”
While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.
The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”
“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.
With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues.
In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.”
“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”
The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.
“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram.
Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.
On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.
According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause.
“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.
“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.”
Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)
As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.
“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”
Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor.
“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”
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The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.
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Trump nominee for Kuwait ambassador, grilled at confirmation hearing, loses support over Israel views
(JTA) — After Amer Ghalib became the most prominent Muslim politician in the country to endorse Donald Trump for president last year, he did so on pro-Palestinian grounds. And he was rewarded with a plum position: the administration’s ambassadorship to Kuwait.
But the mayor of Hamtramck, Michigan, had to get through Senate approval first. And at Thursday’s confirmation hearing before the foreign relations committee, multiple Republicans broke rank and took Ghalib to task for his past social media posts and actions about Jews and Israel.
“It appears you have a deep-felt and passionate view about the Middle East,” Texas Sen. Ted Cruz told Ghalib. “But it is a view that is in direct conflict with the policy positions of President Trump and this administration.”
Cruz grilled the Yemen-born mayor on Hamtramck becoming the first American city to adopt a boycott, divestment and sanctions policy against Israel; on his previous “liking” of Facebook posts comparing Jews to monkeys; and on his past stances opposing the Abraham Accords.
He wasn’t the only Republican to take issue with Ghalib. Sens. David McCormick of Pennsylvania and Pete Ricketts of Nebraska also harshly questioned the mayor on his views on Jews and Israel.
Ghalib did not disavow any of his past stances or posts. The BDS resolution, he said, had been drafted by the anti-Zionist group Jewish Voice for Peace and approved unanimously by the city council. “It wasn’t my idea,” he said. “We don’t have any companies that deal with Israel in our city.” He said he had no power to remove a city council official who had said the Holocaust was advance punishment for Israel.
He “liked” the Facebook post about monkeys, he said, because he used to “like” every post on his feed before becoming mayor. “The person who wrote it is mentally challenged in our community,” he said of the post, later adding, “It’s definitely antisemitism, but clicking on it doesn’t mean I endorse that.”
“Actually, ‘like’ means exactly that,” Cruz retorted.
In response to a question from McCormick about whether he would “accept President Trump’s view that Israel is and should be the national home of the Jewish people,” Ghalib dodged. “I think we can coexist in the region and that’s the answer, that everybody has the right to exist now,” he said. “I trust the president’s policies and I will support his policies.”
At the end of the hearing, Cruz said he would vote no on confirming Ghalib, putting the mayor’s appointment on shaky ground.
Ghalib had endorsed Trump after previously siding with the “Uncommitted” movement that had targeted President Joe Biden’s support for Israel. In a meeting with Trump prior to his endorsement, the mayor said the two had discussed the possibility of a ceasefire in Gaza. Michigan, which has a large Arab population, wound up swinging to Trump.
A separate nominee at the same hearing, South Africa ambassador hopeful Leo Bozell, pledged to push the country to end its genocide charge against Israel in front of the International Court of Justice.
The post Trump nominee for Kuwait ambassador, grilled at confirmation hearing, loses support over Israel views appeared first on The Forward.
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The best Shabbat I ever kept, or how to dodge the biggest World Series spoiler ever
This time a year ago, with Sukkot ending and the World Series upon us, I and many other Shabbat-observant Jews were coming apart at the spiritual seams.
Naturally, I wrote about it: The New York Yankees and the Los Angeles (formerly Brooklyn) Dodgers were facing off in the Fall Classic for the 12th time in their storied rivalry and the first time in 43 years. But because the first two games overlapped with Shabbat — falling on Friday and Saturday evenings — thousands of diehards in the two biggest Jewish communities in the U.S. couldn’t watch.
Or could we?
When I asked those fans about the quandary, a few of them told me they’d found ways to watch: A friend’s apartment, the in-laws downstairs, little loopholes with which I was well-versed. (When I was a kid, the dry cleaner’s flatscreen usually sufficed.) Others who couldn’t or wouldn’t watch planned to learn the outcome through the grapevine the next day.
No one I spoke to, however, planned to record the game and watch it after Shabbat ended. Sure, starting a replay of Game 1 on Saturday night meant you couldn’t join Game 2 in progress. But the bigger reason was also kind of funny: In a community that insists on unplugging for 25 hours, finding out a sports score — even inadvertently — was generally seen as inevitable. The only person who believed it was possible to avoid World Series spoilers and watch the whole thing, start-to-finish, 24 hours after the fact, was me.
I also just wanted my precious Shabbat left alone. On the job, I am regularly contending with a firehose of information — much of it discouraging — and the intensity hardly lessens when I’m off the clock. When people ask me whether it’s hard to turn off my phone on Friday afternoon, my answer is that it’s really not. The challenge — the imperative — is protecting the feeling of rest that comes with it. So: No sports fandom, either.
Now, the problem of spoilers is close to my heart. I once wrote an article for this publication about a Harry Potter spoiler that became the most devastating Camp Ramah prank of all time. I now believe that Jewish law actually regards ruining an ending without consent as an act of theft — one called g’neivat da’at (literally, “theft of knowledge”). Of course, the harder a person works to avoid spoilers, the more easily something is spoiled; friends know not to text me asking if I watched the game because that means it ended!!!
Staying out of the loop would be difficult, but I’d spent half a lifetime watching Saturday games on tape delay. In case you weren’t aware, streaming apps are all apparently hell-bent on revealing the outcome of a game that’s just happened before you watch it, by, to take one infuriating example, making the thumbnail image a picture of one of the teams celebrating. In the face of this adversity, I’ve developed the specific muscle of keeping my eyes just focused enough to find the game I want and put it on. These ocular reps would surely prepare me for the World Series.
The Saturday morning after Game 1, I walked to shul with my sister. Well, I was headed to shul; she was headed first to the shul security guard, that singular oracle of contemporary American Orthodox Judaism, who would have the scoop. I escaped that spoiler by skipping ahead as we approached, but my plan faced some resistance in the pews. Everyone else knew what had happened and wanted to discuss it. And I’ll never forget the look of sheer annoyance one in-the-know friend had when I explained my choice. “You’re just gonna go the whole day not knowing?” Sir, that was the whole point.
Several hours later, I was pacing in front of the television in my apartment. There were two outs, bases loaded, bottom of the 10th inning, Dodgers down one. All of it had already happened, and yet none of it had, when I watched Freddie Freeman limp to the plate. You don’t need me to tell you what happened next.
A walk-off grand slam. Reader, I was screaming. I started a replay of Game 2 a few minutes later.
Now, I titled this column “the best Shabbat I ever kept,” but the truth is I don’t really remember too much about that Shabbat. I probably spent it like most others — whiling away a few hours in shul, seeing family and friends, nodding off on the couch. I’m sure only that it wasn’t spoiled. Dodgers history awaited me after Havdalah.
The post The best Shabbat I ever kept, or how to dodge the biggest World Series spoiler ever appeared first on The Forward.
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Are you a Good Witch or a Bad Witch? Or a Jewitch?
When I was a little girl, I played Witch all the time. I was The Grande Madame — the Queen of all the Witches. I even wrote spooky musicals for the neighborhood kids. We set up lawn chairs in my friend Susie’s backyard in Queens, and made our parents watch. If I had been more business minded, I would have sold tickets.
Now I teach music and something must have stayed with me, because October is my favorite month — Witchy Music Month. This week, I put on my pointy hat, plugged in my spooky orange lights, and played some scenes from The Wizard of Oz and Snow White for the kiddos.
Then I noticed something.
Both witches had big, hooked noses. What they used to call “Jewish Noses.” The noses that kept New York surgeons busy when we hit 18. Many of us got nose jobs. It wasn’t a secret. It was expected.
My mother said no, so I couldn’t get one, but it didn’t stop me from kvetching. (I also asked to be sent to a Swiss Finishing School — again, no.)
I looked it up. A big study in 1914 debunked the theory that Jews actually had big noses — 14% aquiline, compared with 10% of the regular population. Considering that Jews are a people sometimes “bottlenecked from geographic diversity” in a more modern study in 2022, meaning that we weren’t allowed to live anywhere we wanted, and definitely meaning that we inbred, it doesn’t sound like we owned Big Nose.
Tell everybody.
Still, the “hook-nosed” Jewish stereotype remains. Hard to get rid of stereotypes, and harder to get rid of what most people find conventionally attractive. Especially when Disney adds to the Big Hooked Nose in Snow White’s witch — with some well-placed warts.
The most famous Jewish Witch story was when King Saul wanted to go to battle with the Philistines and consulted the Witch of Endor. She summoned Prophet Samuel’s Spirit for the King. Alas Samuel prophesied Doom, and King Saul and his son Jonathan were killed the next day.
The irony was that King Saul had banned all witches, until he needed one himself.
And do you remember what TV writer Sol Sacks named Samantha’s mother in the TV series, Bewitched? Yes, Endora. I bet Sacks’ Hebrew School teacher was proud.
My son, Aaron, is most like me, and I guess most susceptible to my witchiness. He really believed when he was little, and I remember once picking him up from his second grade class. As I bent down to tie Aaron’s shoe, I felt 100 little eyes on me. When I straightened up, I was surrounded by a solemn crowd. A little girl pointed and said, “Aaron, she doesn’t look like a witch.”
I have to admit, I was a little insulted.
I also have to admit that I did use my powers on Aaron and I am a little ashamed. When he was six, he hated Shabbos because of its restrictions. No TV, no piano, no trips in the car to the 7-Eleven for Slurpees; and endless synagogue.
But this happened on a Wednesday night. He was in a mood and was smashing all her plastic swords and yelling, and I was on the phone trying to accept a music gig with a bride and groom. I told the couple I’d call them right back.
“Aaron,” I looked at him. “If you don’t stop right now — I’m gonna make it SHABBOS!”
He dropped his swords in petrified horror. “C-c-can you really DO that?”
And then I did something I’m even more ashamed of. I smiled.
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