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Roger Waters uses Anne Frank’s name at German concerts, prompting calls for punishment from Jewish groups
(JTA) — Roger Waters projected Anne Frank’s name at recent concerts to draw comparisons between Israel and Nazi Germany, leading Germany’s Orthodox rabbinical association to call for a ban on Waters performances in the country.
Observers told the Jewish Telegraphic Agency that Waters, the former Pink Floyd frontman known as a leader in the boycott Israel movement, has lumped Anne Frank together with Palestinian Al Jazeera journalist Shireen Abu Akleh in on-screen projections at concerts on his current tour. Abu Akleh was killed on an assignment in the West Bank last year.
The screen at Waters concerts also frequently shows a pig-shaped balloon emblazoned with the logo of an Israeli armaments firm. He reportedly at times dons an SS uniform and symbolically shoots a machine gun into the crowd.
Some say the 79-year-old rocker plays with antisemitic stereotypes, going beyond political criticism into incitement of hate. German media “went into the shows and were disgusted by them; it is such blunt and disgusting propaganda they are hearing, and the music is really in the background,” said Sacha Stawski, Frankfurt-based pro-Israel activist and founder of Honestly Concerned.
Waters, who won many hearts in Germany through Pink Floyd’s live “The Wall” concert in 1990, recently performed concerts in Berlin and Munich and was on to Frankfurt, where he had successfully appealed a court order to ban the event. That concert is scheduled for May 28.
The city of Frankfurt had called Waters “one of the most widely spread antisemites in the world,” over imagery and Israel critique at his past concerts, in its attempt to ban him from playing there. Munich’s mayor had also unsuccessfully attempted to block a Waters show.
If they cannot stop him in the courts, opponents said they will continue to try to sway public opinion.
“My goal is to educate about his hatred, to make sure less and less people go into these concerts,” said Stawski, a main force behind efforts to challenge Waters in the Frankfurt court, which claim that Waters is antisemitic. Several German cities have passed legislation barring state-funded venues from hosting events for the Boycott, Divestment and Sanctions movement that Waters champions.
Charlotte Knobloch, head of the Jewish community of Munich and Upper Bavaria, said at a protest before Water’s concert last Sunday in her home city that she was frustrated by the courts.
“Since October 2022, there have been arguments about this concert. Legal motions and media headlines have been produced en masse — without yielding any result,” she said. “So that now, in May, we are standing here protesting against a concert that is taking place exactly as Roger Waters always wanted it to.”
Politicians joined in the protest with Knobloch, and even the management of the Olympia Stadium, on monitors ahead of the concert, explicitly distanced itself from the singer’s politics, according to the Suddeutsche Zeitung.
“What do the regular affirmations of ‘Never Again’ by politicians and statements that antisemitism has no place in Germany actually count for, if at the same time errant interpreters and intellectual arsonists are offered a public space to blatantly spread their hatred of Jews and Israel?” read the May 22 statement from the Orthodox Rabbinical Conference of Germany, led by Rabbis Avichai Apel, Zsolt Balla and Yehuda Pushkin. “It is deeply shameful that in no case in Germany has it so far been possible to ban the clearly antisemitic and anti-Israeli concerts of Roger Waters.”
The Belltower journalist Nicholas Potter, who observed the May 17 Berlin concert, argued that Waters promoted antisemitic language.
In speech bubbles on an LED screen in the Mercedes-Benz Arena, Waters blamed the world’s troubles on “THE POWERS THAT BE,” which Potter described as “an ominous, overpowering elite that is not explicitly named — this is an antisemitic blueprint on which many conspiracy narratives work.”
Before the event, BDS supporters outside the arena handed out flyers and held up banners, one of which read, “Jews, Israelis and internationals all agree with the Roger,” added Potter, noting that the average concertgoer appeared to be white, German and around 60 years old.
Waters has had little new to say about the allegations of antisemitism and has not apparently changed his tune. According to the Suddeutsche Zeitung newspaper, hours before his concert in Munich, Waters posted a message on Facebook calling Israel a “tyrannical, racist regime.” He compared the BDS movement to Germany’s Nazi-era White Rose resistance movement, whose leaders, including siblings Hans and Sophie Scholl, were beheaded by the Nazi regime.
His remarks were in keeping with his comments in an interview with Spiegel Magazine in March. He denied that he had ever been an antisemite, and added that it was “bizarre that my career should now be attacked on the basis of allegations made by the Israel lobby.”
“For all I care, they can try to cancel every concert I do in Germany. I will fight them in court,” he told Spiegel. “It’s a tragedy for Germany that they even try. Because the message to the world is: We Germans don’t care about human rights and freedom of expression.”
People should take Waters at his word and stay away if they disagree with his politics, said Stawski, referring to the fact that Waters also tells Pink Floyd fans who don’t agree with him to “f*** off,” via the arena screen.
“If you are a fan of Pink Floyd but do not want to go along with the antisemitism, buy a CD of Pink Floyd and do not damn well go into these concerts,” Stawski said.
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A new musical wonders: What happened to solidarity with English Jews?
The Battle of Cable Street, a 1936 street scuffle off an obscure stretch of road in London’s East End, holds a totemic importance to the Jews of England, and, given how few they are in number, a correspondingly small significance in the larger British imagination.
The musical Cable Street, dramatizing that showdown between Jewish and Irish East Enders against Oswald Mosley’s fascist blackshirts, arrives Off-Broadway from London amid a spate of headlines about the safety of English Jews and a subsequent minimization of their fears. Only now, the political alignment of those defending or hectoring Jews has recalibrated from the days the play examines.
In his rhetoric and tactics, the anti-Islam “activist” Tommy Robinson, who antagonizes Muslim neighborhoods and marched through Central London in his “Unite the Kingdom” rallies, would appear to be the heir apparent to a Mosley, with the exception that he presents himself as a friend of the Jews. (Most Jews in the U.K. won’t have him; the Israeli far-right welcomed him to the Jewish state last October.)
On the left, the multicultural coalition has found a cause in Palestinian rights, which they march for like clockwork. Jews, who in the U.K. make up about .5% of the population but a whole 29% of recorded religious hate crimes, don’t count in their social justice calculus, comedian David Baddiel has argued. Evidence is mounting in that direction.
Police have surrendered to community leaders pushing to cancel an Israeli soccer club match, fabricating evidence with A.I. post facto to make it seem like the Israel fans will be the violent faction. A Panorama documentary from last month makes an earnest case for Jewish anxiety, but aired only after the BBC was made to review their standards over stories on Gaza following the network running a documentary that failed to disclose its narrator was the son of a Hamas minister. (This to my mind is nowhere near as egregious as the channel’s reluctance some years before to back down from blaming Orthodox children for their own abuse by mistranslating a word of Hebrew into an anti-Arab slur.)
Jews being gunned down outside shuls on Yom Kippur or stabbed in the streets – as they were just last week, two days before I saw this musical — don’t mobilize the masses. They do get the odd pundit condemning the violence, only to then to whatabout with the humanitarian disaster in Gaza or blame Jewish institutions’ efforts to conflate Jews and Israel, as if only when uncoupled will their targeting be truly horrendous.
British Jews are so much a rounding error they could hardly sway a council election. That fact scarcely moves the needle on the old libels of governmental control, as Labour responds to violence with crack downs on pro-Palestinian protests.
The development of Cable Street goes back years before the current bloodletting, yet it has hit on a rhyme in history.
The story provides a framing device of a present-day walking tour before jumping back in time to follow three youths and their families: Irish immigrant Mairead (Lizzy-Rose Essin-Kelly), who dreams of a writer’s life during her day job rolling bagels; Sammy Scheinberg (a dynamic Isaac Gryn), who wants to be a boxer against the wishes of his shmata business father; and Ron (Barney Wilkinson) a recent Lancashire transplant, underemployed, with hair the color of threshed wheat, ripe for recruitment by a band of populist nativists.
The show finds hope in an unlikely coalition of Irish dockworkers, Jews and Communists rallying to stop a police-escorted British Union of Fascists (BUF) march through London’s Jewish Quarter. The parable is so near to today’s headlines that it can make one’s head spin, and, in the particular case of a Jew, scan for allies. Better luck in New York, with the Brits Off Broadway festival, than across the pond, where this may be taken as a more general parable, with Jews as allegorical victims standing in for other marginalized groups. To read into the story the excesses of today’s protests, and what the authorities allow under the pretext of free speech, would surely be sacrilege, depending on which marchers it’s applied to and where your loyalties lie.

The music by Tim Gilvin has shades of what I’ll call Hebraic Hamilton (“Dream of making the dough, making the bread, baking the challah,” Sammy spits bars over a backbeat). There’s an Irish jig and a ballad that sounds like Coldplay, and “Only Words,” an elegiac plea from a Jewish father to his hothead son. (Jez Unwin plays the Scheinberg patriarch, a modern-day descendant and the leader of the Stepney BUF.) A ragtime number of chattering broadsheets sellers feeds us intermittent exposition.
The introduction of the BUF imagines them as a ‘90s boy band, making fun before they prove their menace. It works better downtown, when the Nazis in another British import, Operation Mincemeat, do their K-Pop number, as that show is an all-out farce.
Better by far is the play’s treatment of Jewish scenes, scripted by book writer Alex Kanefsky with deft direction by Adam Lenson. We hear a hamotzi, see a synagogue (with an implied women’s balcony) and hear a refrain of Sholem Aleichem and Sim Shalom integrated into musically layered sequences.
The indefatigable cast of 13 plays countless characters, switching allegiances from Mosleyites to Jews at the donning of an armband. This can lead to odd stage imagery, as when musician-actor Max Alexander-Taylor is togged up like a blackshirt while riffing on an electric guitar. (The rest of the band is on a top level, shielded in by the corrugated metal and chainlink of Yoav Segal’s set design.)
But there are moments of sublime stage work, après Les Miz, as the story’s action rises and the street mounts a defense with slogans borrowed from Spanish Republicans. The play, in its chilling wisdom, doesn’t stop at this high point. It allows room for what followed: The BUF’s membership only grew after the battle. Regrouping, they retaliated with a pogrom against the Jews. This time, no one showed up to defend them.
The cringey lyric of the battle song — “we’re not like the others, we won’t let you demonize our sisters and brothers” — is replaced with a more sober conclusion from Sammy’s sister in the wreckage of the attack.
After noting how “the rich blame the poor, the poor blame the rich and everybody hates the Jews,” Rosa Scheinberg (Romona Lewis-Malley) laments that “when the common enemy’s defeated, old wounds flare up, and old mistakes get repeated.” Solidarity was but a brief and shining moment.
As a concession to hope, the show doesn’t end there, but it very well might.
The musical Cable Street plays at 59E59 in New York through May 24. Tickets and more information can be found here.
The post A new musical wonders: What happened to solidarity with English Jews? appeared first on The Forward.
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Progress Without Power: The Limits of the Lebanon Ceasefire
Smoke rises following explosions in southern Lebanon, near the Israel-Lebanon border, as seen from northern Israel, April 27, 2026. Photo: REUTERS/Shir Torem
Last month’s announcement by President Donald Trump of a temporary extension to the Lebanon–Israel ceasefire, amidst ambassador-level Israeli-Lebanese talks in Washington, was greeted, in some quarters, with cautious optimism.
This is understandable.
Lebanon and Israel have been in a technical state of war for decades, with even basic engagement once unthinkable.
What’s more, rhetoric emerging from the Lebanese government of President Joseph Aoun — including unprecedented criticisms of Hezbollah, the heavily armed Iranian terrorist proxy which has dominated Lebanon for decades — provides even more reasons for optimism.
But that optimism collided almost immediately with reality. Soon after the extension was announced, Israeli troops came under attack from a Hezbollah drone strike, leaving six wounded and 19-year-old Sgt. Idan Fooks dead — the third Israeli soldier killed since the ceasefire began in early April.
Israel responded, as it was entitled to under the terms of the ceasefire agreement, with targeted strikes on Hezbollah positions and infrastructure. Retaliatory attacks have since continued.
These events expose the limits of the ceasefire.
The intentions may be honorable, and hopes may be real. But hope is not a strategy. And the situation in Lebanon is such that any positive hopes for an end to the violence cannot be fulfilled while an armed Hezbollah remains a decisive power in Lebanon.
Hezbollah has long operated as a state within a state — exercising power far beyond Lebanon’s elected government. Any agreement struck with Beirut is therefore inherently constrained, because the Lebanese government does not control much of its own territory, and does not currently have the ability to make Hezbollah stop firing at Israel, much less disarm. Indeed, Hezbollah openly says it will not be bound by any deal the Lebanese government makes with Israel.
This reality was laid bare in March, when Lebanon expelled the Iranian ambassador — only for him to simply refuse to leave.
To its credit, for the first time in years, Lebanon has shown signs of recognizing the problem, and trying to actually do something about it. For example, Lebanon has moved to end Hezbollah’s control over Beirut’s airport, taken steps against unauthorized weapons, and President Joseph Aoun has even accused Hezbollah of treason.
Meanwhile, Israeli forces continue to uncover Hezbollah weapons stockpiles — including in children’s rooms and underground bunkers within populated areas in southern Lebanon, which the Lebanese army claimed to have cleared of Hezbollah military bases and activity last year. All of this is in direct violation of the 2006 United Nations Security Council Resolution 1701, which calls for Hezbollah’s disarmament, as well as the ceasefire agreement that ended the Israel-Hezbollah war in 2024, in which Beirut promised to finally fulfill its obligation under 1701.
This is why the current ceasefire does not fully address the real sources of violence and instability, even as too many in the international community continue to confuse ceasefires with peace.
Reports indicate that Hamas is using the ceasefire in Gaza to rebuild capabilities and consolidate control there. Hezbollah has followed a similar pattern. So even if periods of calm emerge, they are unlikely to last long.
There is no question that Iran and its proxies have been weakened by the last two and a half years of war. But ideological regimes do not measure success in conventional terms. They do not concede defeat. And they do not abandon their objectives.
This is why the persistent focus by parts of the international community on ceasefires and “de-escalation” — with the demands directed mainly at Israel — risks overlooking the central challenge.
French President Emmanuel Macron continues to push for de-escalation, urging Israel to withdraw from Lebanese territory and calling for Hezbollah to cease its attacks. He also says Hezbollah must ultimately be disarmed by the Lebanese themselves.
Australian Foreign Minister Penny Wong echoes similar concerns, condemning Hezbollah’s attacks on Israel and calling for an immediate cessation. At the same time, she has condemned in the “strongest terms” Israeli strikes on Lebanon, without fully acknowledging that they have been targeted against Hezbollah infrastructure and operatives. She mentions in passing that Hezbollah should be disarmed.
Yet both leaders failed to address just how Hezbollah can be disarmed — which is the central question. Statements that Hezbollah “should” be disarmed are nothing but empty words.
When dealing with absolutist religious ideologies, diplomacy is not necessarily a strength. It can become a vulnerability — exploited by those who understand that the Western aversion to conflict can itself be weaponized.
The Israel-Lebanon talks are signs of progress. But progress without power is terribly fragile. And as long as Hezbollah remains armed and entrenched, hope is a dangerous strategy.
Justin Amler is a policy analyst at the Australia/Israel & Jewish Affairs Council (AIJAC).
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Israel Must Stop Handing Victories to Its Critics
A general view shows the plenum at the Knesset, Israel’s parliament, in Jerusalem, May 29, 2019. Photo: Reuters / Ronen Zvulun.
Are some of Israel’s own decisions undermining its future?
No one who cares about Israel wants to ask that question. No one who understands Jewish history, regional reality, or the relentless threats Israel faces wants to even entertain it. Yet concern is growing among many who support Israel deeply and sincerely. They are not questioning Israel’s right to exist — but they are questioning if Israel’s actions are harming the Jewish State in the long run.
Let me be clear from the start: Israel has every right to exist. Israel has every right to defend its citizens. Israel has every right to confront terrorism and prevent those who openly seek its destruction from succeeding. In a region where genocidal rhetoric is still common, self defense is not optional. It is essential.
But rights alone do not guarantee wisdom. A nation can be morally justified and strategically misguided at the same time.
Recent events surrounding attempts to breach the Gaza maritime blockade offer a telling example. Many of the activists involved are not neutral humanitarians. Some seek spectacle more than solutions. They understand that confrontation with Israel generates headlines and outrage, and that images travel quickly across the world. Provocation is often the point.
Yet Israel too often responds in ways that hand these provocateurs exactly what they want.
Stopping a vessel at sea may secure an immediate tactical objective. But if the result is another cycle of global accusations, another flood of hostile coverage, and another round of diplomatic damage, then a narrow operational success becomes a strategic failure.
Israel frequently wins the immediate encounter while losing the larger narrative.
That problem extends well beyond maritime incidents.
Many people around the world defend Israel in increasingly hostile environments. Diaspora Jews face intimidation on campuses and in public life. Christian allies speak out despite social pressure. Non-Jewish advocates challenge lies, distortions, and double standards at personal cost. They write, donate, organize, and absorb abuse.
Too many feel taken for granted.
Allies matter. Gratitude matters. Communication matters. Nations under pressure cannot afford to neglect those who stand with them. Support should not be treated as automatic or endless. It must be nurtured.
Another issue that troubles even committed supporters is the use of administrative detention and other extraordinary emergency powers. Israel undeniably faces real security threats. Some dangers cannot be handled through ordinary methods alone. But emergency measures that become routine create a moral and political burden.
When people are held for long periods without normal judicial processes, Israel’s critics seize on every case. More importantly, genuine friends of Israel become uneasy. They ask whether a state founded as a refuge for a persecuted people is drifting from the democratic principles it was meant to embody.
There is also a message for ordinary citizens in Israel — especially those on the far right.
Israel is judged by a harsher standard than most nations. That reality is unfair, often hypocritical, and sometimes openly antisemitic. But it is reality nonetheless. Every act of racist violence, every attack on innocent civilians, every mosque vandalized, every tree burned, every mob chanting hatred, every soldier filmed humiliating noncombatants without cause becomes a global symbol.
One reckless act by one person can damage an entire nation.
Israel does not have the luxury of indiscipline. It is not a quiet country insulated by geography and history. It carries the security of millions of Jews. It carries the memory of exile and extermination. It carries the burden of proving that Jewish sovereignty can be both strong and just.
That requires more than military power. It requires discipline, humility, gratitude, legal integrity, and strategic patience.
Israel’s enemies would love nothing more than to see the Jewish State become isolated, angry, careless, and morally confused. Their greatest victory would not come on the battlefield. It would come if Israel helped destroy its own legitimacy.
The answer, then, is not despair. It is course correction.
Think carefully before reacting. Think strategically before escalating. Think morally before normalizing emergency measures. Think politically before alienating allies.
Israel was built through courage, sacrifice, and vision. It should not be weakened by avoidable mistakes.
The gravest danger to Israel may not come only from those who seek to destroy it from without. It may also come from forgetting how to preserve itself from within.
Sabine Sterk is the CEO of Time To Stand Up For Israel.
