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The Sassoons are having a moment. Here’s why that matters.
(JTA) — The Sassoon family is having a moment. The Baghdadi Jewish dynasty that made its fortune in trade across the Indian subcontinent and East Asia is the subject of the current exhibit at the Jewish Museum in New York, titled “The Sassoons.” Joseph’s Sassoon’s book, “The Global Merchants: The Enterprise and Extravagance of the Sassoon Dynasty,” was published last year. Last month’s highly publicized auction of the Sassoon Codex for over $38 million focused attention on the Sassoon heir who once owned the 1,100-year-old Hebrew Bible. The Sassoon Family Archive at the National Library of Israel has been newly digitized.
The Sassoon dynasty is the epitome of the cosmopolitan transnational Jewish families I retrace in my book “Baghdadi Jewish Networks in the Age of Nationalism”: intrepid merchants who transcended empires, continents and cultures. Starting with David Sassoon (1792-1864), who left Baghdad in 1828, eventually settling in India, the Sassoon empire would, at its height, extend from China to England. The transnational networks they and their contemporaries established, tied together disparate Jewish communities and laid the foundation for present-day philanthropies dedicated to the plight of world Jewry.
The Sassoon family cannot be reduced to a stereotype of wealthy Jewish collectors who assimilated into European culture, nor can they be seen simply as “The Rothschilds of the East” — although they mingled with Rothschilds and held similar riches gained through business. They were their own phenomenon quite apart from the Rothschilds. Too often modern Jewish history is presented from an Ashkenormative (Eurocentric) perspective. Elevating the histories of families like the Sassoons and the communities who benefitted from their philanthropy, highlights the diversity and complexity of the modern Jewish experience.
The Jewish Museum exhibit is laden with dreamy family portraits by Thomas Gainsborough and John Singer Sargent and the 18th-century European art the family acquired. This might give the mistaken impression that the Sassoons abandoned Baghdad, adopted European social and cultural tastes and never looked back to the Middle East. Fortunately, this visual narrative is balanced by the manuscripts, marriage contracts and Judaica that speak to the family’s deep connections to the Middle East and their Jewishness. “The Sassoons” exhibit, with its comfortable and opulent objects, subtly raises awareness of the diversity of Jewish experience.
The late 19th and 20th century world of the Sassoons is, in short, a gateway to understanding the specifically dynamic transnational Jewish networks of modern Middle Eastern Jewish history. The exhibit offers hints of the Baghdadi heritage of the family and the cosmopolitan religious, business and philanthropic networks in which they participated. Examples include the beautiful silver tikim (Torah cases) and a haftarah scroll, both commissioned by Flora (in Arabic, Farha) Sassoon (1859-1936), who was born in India and later emigrated to England. Flora was admired for both her erudition and business acumen, and her commissions are vivid examples of her religiosity and her concomitant global network: The silver for the tikim was smithed in Shanghai and styled in a Middle Eastern motif; the scrolls were written by a sofer, or scribe, in Baghdad, and the whole Torah was assembled in her hometown of Mumbai. During Flora’s lifetime both Shanghai and Mumbai were important nodes in the Sassoon business empire, and as a result had small but flourishing Baghdadi Jewish communities beyond the Sassoon family itself.
Installation view of “The Sassoons” at the Jewish Museum, New York, March 3-Aug. 13, 2023. (Kris Graves)
Similarly, the manuscripts on display in the exhibit, many acquired by David Salomon Sassoon (1880-1942), Flora’s son, illustrate the family’s interests in multilingualism and their Jewish material heritage. David collected over 1,000 manuscripts, and many of the rarest pieces in his collection were acquired during his trips back to Iraq. His close connection to the Jewish community in Baghdad despite his birth in Mumbai and adulthood in Britain, his proficiency in Judeo-Arabic (that is, Arabic written in Hebrew script and inflected with Hebrew and Aramaic loan-words) and his fluency in Judeo-Baghdadi (the spoken dialect of Iraqi Jews) enabled the acquisition of these rare and varied manuscripts. While many of the pieces on display seem to speak to the”Europeanness” of the Sassoons, they also underscore that the Sassoons remained a part of Iraqi society, and that these two societies were not mutually exclusive.
The inclusion of a 1946 photograph (by Arthur Rothstein) of Jewish refugees reading a list of Holocaust survivors in the exhibit points to yet another critical role of the Sassoons as important philanthropists for Jewish transnational causes. By 1939 over 20,000 Jews fleeing Europe had found their way to one of the few locations that did not require a visa, Shanghai. Arriving with little means and few, if any, connections, they were welcomed by a well-established Baghdadi Jewish community for whom the Sassoons had been — throughout the 19th and 20th centuries — the primary contributors to Jewish life, endowing schools, synagogues, and charities there as they did across the Baghdadi diaspora and the Middle East itself.
Philanthropy and communal leadership are essential components of the Sassoon legacy, helping us see a broader community beyond the beautiful and durable objects which are easiest for curators to display and which attract visitors for their inherent qualities.
If you happen to be in New York before Aug. 13, visit the exhibit to luxuriate in the wonders of wealth and prestige which the Sassoon family possessed. While you are there, pay special attention to the dual cosmopolitan and communal approach to Jewish history that is exemplified by many of the pieces on display. View the many artifacts and documents as an invitation to explore the global cultural, economic and philanthropic contributions of Middle Eastern Jewry, an enduring and rich legacy of a remarkable family.
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YouTuber Ms. Rachel Apologizes for ‘Accidentally’ Liking Instagram Comment Calling to ‘Free America From Jews’
Ms. Rachel. Photo: Wiki Commons.
Children’s educator and YouTuber Ms. Rachel admitted on Wednesday that she “accidentally” liked an antisemitic comment on Instagram that called for America to be “free from the Jews.”
The YouTube star, who creates toddler learning videos, apologized for the apparent mistake after a social media user privately messaged her on Instagram and pointed out that Ms. Rachel liked the antisemitic comment left on one of her posts. The private message promoted Ms. Rachel, 43, to issue a public apology in a video that she posted Wednesday on Instagram for her 4.8 million followers.
The YouTuber, whose real name is Rachel Griffin Accurso, explained that she thought she deleted the hateful comment but accidentally hit “like and hide” instead. The avid critic of Israel, who has shared online posts accusing the Jewish state of “genocide” and has 18.6 million subscribers on her YouTube channel, got emotional in an Instagram video while explaining what happened.
“I thought I deleted a comment, and I accidentally hit ‘like’ and hide,’” she said in an Instagram video. “I don’t know how or why. I’ve accidentally liked comments before. It happens. I’m a human who makes mistakes. I would never agree with an antisemitic thing like the comment. We have Jewish family, a lot of my friends are Jewish. I delete antisemitic comments.”
The issue reportedly began when Ms. Rachel shared a statement from her notes app on Instagram that read “Free Palestine, Free Sudan, Free Congo, Free Iran.” A social media user who replied to the post wrote, “Free America from the Jews” and the comment garnered four likes including from Ms. Rachel, according to screenshots cited by the New York Post.
The children’s YouTube star insisted she was “so broken over” the incident.
“I feel like we can’t be human anymore online,” she complained in the video. “And I’m so sorry for the confusion it caused. I’m so sorry if anyone thought that I would ever agree with something horrible and antisemitic like that. I don’t.”
“I want to say that it’s OK to be human and it’s OK to make mistakes and I’m old, so I am not as good with touching things online, I guess. I have liked things by accident before,” she added. “Everyone who knows me knows I would never like that.”
In an earlier Instagram post about the incident, Ms. Rachel wrote that “people are allowed to make mistakes” and that she was “super sorry for any confusion it caused.”
“I delete antisemitism ANY time I see it. I am against all forms of hate including antisemitism against the Jewish people,” she added.
The watchdog group StopAntisemitism.org has previously accused Ms. Rachel of spreading Hamas propaganda and false information about Israel’s military actions in the Gaza Strip during the Israel-Hamas war.
Ms. Rachel lives in New York City and her husband is Broadway music director and composer Aron Accurso.
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Discussion: Growing up Hasidic in Vienna
זונטיק דעם 25סטן יאַנואַר וועט אויף זום פֿאָרקומען אַ שמועס מיט איידל מלובֿיצקי (מאַלאָוויצקי), אַ צאַנזער־רביש אייניקל וואָס איז געבוירן און דערצויגן געוואָרן בײַ אַ חסידישער סלאָנימער משפּחה אין ווין, עסטרײַך.
אלי בענעדיקט, וואָס וועט פֿירן דעם אינטערוויו און איז אַליין פֿון אַ חסידישער משפּחה, האָט געזאָגט אַז איידל מלוביצקי „טראָגט אין זיך אַ לעבעדיק לעבנבילד פֿון אַ חסידישער וועלט אין אַ מאָדערנער שטאָט. אין איר דערציילן פֿאַרבינדן זיך פּערזענלעכע זכרונות מיט קהילות־געשיכטע, און ייִדיש בלײַבט די שליסלשפּראַך פֿאַר ביידע.“
די דיסקוסיע ווערט געשטיצט פֿון דער ייִדיש־ליגע.
איידל מלובֿיצקי איז הײַנט אַ ייִדיש־לערערין און קולטור־פֿיגור, אַקטיוו אין פֿאַרשידענע אינסטיטוציעס — צווישן זיי: דער ווינער אוניווערסיטעט, „יונג־ייִדיש־ווין“ און „ייִדיש־זומער־ווײַמאַר“. זי איז אויך אַ וועגווײַזערין און גיט לעקציעס וועגן דער ייִדישער געשיכטע פֿון ווין, וועגן דער חסידישער געשיכטע בכלל, און די געשיכטע פֿון דער חסידישער קהילה אין ווין בפֿרט. בקרובֿ וועט אויך אַרויס אַ דאָקומענטאַר וועגן די בית־יעקבֿ־שולן, וווּ זי ווערט אויך אינטערוויוירט.
דער שמועס, וואָס איז פֿרײַ פֿון אָפּצאָל, וועט פֿאָרקומען זונטיק, דעם 25סטן יאַנואַר, 2 אַ זייגער נאָך מיטאָג ניו־יאָרקער צײַט. כּדי זיך צו רעגיסטרירן גיט אַ קוועטש דאָ.
The post Discussion: Growing up Hasidic in Vienna appeared first on The Forward.
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Australia PM Albanese ‘Profoundly Sorry’ for Failing to Prevent Bondi Beach Attack
Australian Prime Minister Anthony Albanese speaks at the Sydney Opera House during a National Day of Mourning for the victims of the Dec. 14, 2025, mass shooting at a Jewish Hanukkah celebration at Bondi Beach, in Sydney, Australia, Jan. 22, 2026. Photo: REUTERS/Jeremy Piper
Australian Prime Minister Anthony Albanese said on Thursday he was “profoundly sorry” for his failure to prevent the Bondi Beach mass shooting, as the country observed a day of mourning for the victims of the attack.
Police say a father and son opened fire at an event celebrating the Jewish festival of Hanukkah on Dec. 14, killing 15 people in Australia‘s worst mass shooting in decades.
They say the two men were inspired by Islamic State to carry out the attack, which the government has called an act of terrorism against Jewish people.
Flags were flown at half-mast across the country ahead of a memorial event at Sydney’s iconic Opera House, where Albanese apologized to the relatives of the victims in the audience.
“You came to celebrate a festival of light and freedom and you left with the violence of hatred. I am deeply and profoundly sorry that we could not protect your loved ones from this evil,” Albanese said to sustained applause in his speech at the event.
Last month, the prime minister said he was “sorry for what the Jewish community and our nation as a whole has experienced” – an apology that some relatives said was insufficient.
A minute’s silence, including on the country’s main television channels, was held across the nation just after 7 pm in Sydney (0800 GMT) as the memorial event began.
Event attendees lit candles and heard speeches from other lawmakers, as well as Jewish prayers and video tributes.
Buildings across the country, including cricket stadiums in Melbourne and Perth, were also illuminated, while play was paused during the Australian Open tennis tournament to observe the minute’s silence.
The Bondi attack shocked the nation and led to calls for tougher action on antisemitism and gun control, with critics of Albanese saying he had not done enough to crack down on a spate of attacks on the Jewish community in recent years.
The government disputes this, and has already passed legislation tightening background checks for gun licenses, as well as separate legislation that would lower the threshold for prosecuting hate speech offenses.