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The radical Jewish photographers who fought injustice with their cameras
(New York Jewish Week) — A multi-generational group of people congregate on a building stoop on Hester Street; an African-American man leans on a lamppost; a gaggle of teenagers pile on top of each other at the beach in Coney Island; a hoard of children — in various states of undress — play with a broken mirror in the street.
These are only a few examples of the 150 black-and-white snapshots of New York City street life in the 1930s and ’40s that appear in the new book “Walkers in the City: Jewish Street Photographers of Midcentury New York” by historian and scholar Deborah Dash Moore. The photos are the work of the New York Photo League, a group of socially conscious street photographers whose aim was to showcase the living conditions of the city’s working class, as well as spotlight their everyday lives and relationships.
New York, ca. 1940. (Helen Levitt)
The Photo League operated in New York from 1936 until 1951; the cooperative of like-minded photographers ceased to exist after it was placed on a Department of Justice blacklist in 1947 on the suspicions that it had anti-American, communist associations. Most of the photographers in the league were left-wing and working class. Many of them were also Jewish — immigrants or the children of immigrants from Russia and Eastern Europe.
Members of the Photo League included well-known Jewish photographers like Sol Libsohn, Sid Grossman, Morris Engel, Harold Feinstein, Helen Levitt, Weegee (born Usher Felig) and a young Marvin E. Newman (who died this month at age 95). “Touched by left-wing radicalism that flourished among second-generation Jews in the 1930s, these photographers considered photography a social and political tool,” Dash Moore writes in the book’s prologue. “It could influence how people interpreted their conditions.”
In “Walkers in the City,” Dash Moore explores how these photographers’ Jewish sensibilities allowed them to capture both intimate and hectic moments of New Yorkers’ everyday lives. “A focus on their fellow New Yorkers affirmed the capability of photography to help them grasp their world,” Dash Moore writes. “And with understanding came the potential power to change society.”
The New York Jewish Week caught up with Dash Moore via Zoom from Ann Arbor, Michigan, where the New York City native is a professor of history and Judaic studies at the University of Michigan. We spoke about the genesis of the book, her favorite images from the collection and how the photographers’ Judaism had impacted their work.
This interview has been lightly edited for length and clarity.
Historian Deborah Dash Moore is the author and editor of several books, including “GI Jews: How World War II Changed a Generation” and “City of Promises: A History of the Jews of New York.” Her most recent book is “Walkers in the City: Jewish Street Photographers of Midcentury New York.” (Courtesy)
What drew you to this subject of documentary photography and the New York Photo League?
I co-authored a book — that was not a Jewish book — on New York that came out in 2001. It was called “Cityscapes: A History of New York in Images.” I could have used prints — my co-author, who had the earlier half of the book, used a lot of print sources and stuff like that — but I was intrigued with the photographs. However, we had no money — we had like $25 for permission to publish a photo. So we wrote this very nice letter to all these different photographers, and a bunch of them said, “You must be kidding,” and “no.”
But then there were others who said, “OK, where do you see my stuff?” I said, “Well, the New York Public Library, Museum of the City of New York.” They said, “Oh, that’s only a small piece of what I produce. You have to come to my studio.” So I started to go to these photographers’ studios. This would have been in the late 1990s, because the book came out in 2001. So we’ve got these studios and I’m seeing lots of great photos and after a while it’s dawning on me: “Oh, this one’s Jewish, that one’s Jewish, the other one is Jewish. These people, these photographers, they’re all so Jewish. That was sort of lodged in the back of my head.
Twelve years or so ago, I had a fellowship at the Frankel Institute for Advanced Judaic Studies at the University of Michigan. The theme that year was “Jews and the City” and it was at that point I thought, OK, let’s look at urban photography and Jews.
Hester Street, 1938. (Sol Libsohn)
The New York Photo League wasn’t specifically a Jewish group. Is this a new thesis that you’re offering, that their photos presented a very Jewish way of looking at the city? Or do you think they saw themselves that way?
No, they didn’t see themselves that way. They had far more conventional understandings of what it means to be Jewish: You had to be religious, you had to keep kosher. They didn’t fit any of those categories, so they did not see themselves that way. So yes, I am suggesting that this was basically a Jewish group. Now, does that mean that everybody there was Jewish? No, of course not. But it did mean that the non-Jews who joined the Photo League were comfortable in what was essentially a Jewish milieu. They were comfortable being around Jews. The Photo League was a Jewish organization in that way, in my terms.
The styles of talking about photographs, the way in which they decided what made for a good photograph, what was important to photograph — all these things were essentially inflected by Jewish concerns at the time in the 1930s and ’40s. Many of them were political concerns. This is the middle of the Great Depression — so they were about how you create a more just society in New York City. How do you deal with the incredible exploitation and inroads of capitalism that leave so many people impoverished?
“Soul of New York,” 1951-1952. (Louis Stettner)
Many of them, of course, came out of poor homes. They knew a lot of economic insecurity themselves. These were among their specific concerns. They also were very much aware that the standard pictures of New York City, which were produced by companies to make a lot of money, were pictures of the Empire State Building and of the Statue of Liberty and of the famous things like the skyline, et cetera. To them, that was not New York. New York, to them, was its people. So you had to figure out, how do you take pictures of the people of New York? One could be even more specific: It was the working-class people. These were the people who made New York.
Do you have a favorite photo in the book?
I love most of the pictures in the book, which is why they’re in the book. I really liked the cover picture. I think that [Morris] Engel’s photograph “East Side Sweet Evelyn” really captures New York in the late ’30s. But also it’s a real Photo League photo. I mean, how do you know it’s New York? Well, the guy is going down into the subway. The advertising has this great picture of “eyes examined” and this man looking at a woman. It speaks to the power that men have to look at women, which happens all the time on the streets of New York. It speaks to what I call “the circulation of gazes.” That also happens in New York. The woman, we can be pretty sure, knows she’s being looked at, although she looks straight ahead. This very much epitomizes New York. It says “the city” in so many different ways.
A woman passing by with a box labeled “Sweet Evelyn” catches the eye of a man making his way down subway stairs, New York, 1938. (Morris Engel)
The photographers themselves were really aware of what their presence meant, and aware of how they were capturing people’s experiences. When they took photographs, they wanted people to get a chance to see those photographs. So they often came back regularly to the neighborhood and they handed out prints to people. They felt that there was a reciprocity that was important. I think that piece, and the emotions connected with that, are really important. That was very much in the Jewish, New York, Photo League spirit. It’s not a candid that you’re snapping and that you’re never going to relate to that person again.
What are you hoping that non-Jews or non-New Yorkers will take away from your curation of these photos?
I hope that they take away a sense of the vibrancy of the time — of the ways in which people made connections and developed an appreciation of each other, and a sense of how this was fostered by the city. There’s so much anti-city stuff that exists. But the City of New York was a place that fostered this kind of interconnection, where you could learn about people who were different from you. Most of the photographs that these photographers took were not of Jews, but they were of New Yorkers. It was a way, in a sense, to come to understand your neighbors and how to be a neighbor.
So many people find cities frightening. They don’t know how to deal with the diversity of cities. They don’t know how to deal with differences. There’s fear and paranoia. Photographers said: “No, don’t be afraid.”
“Walkers in the City: Jewish Street Photographers of Midcentury New York” was published Sept. 15 by Cornell University Press. Dash Moore will be in conversation with Manhattan Borough Historian Robert W. Snyder at the Center for Jewish History on Thursday, Sept. 28.
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The post The radical Jewish photographers who fought injustice with their cameras appeared first on Jewish Telegraphic Agency.
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Surge of Antisemitic Incidents Rocks France Amid Growing Security Concerns
The Paris Holocaust Memorial, three synagogues, and a Jewish restaurant were all vandalized with green paint last weekend. Photo: Screenshot
France has been hit by a wave of antisemitic incidents in recent days, despite increased security at Jewish sites nationwide following last month’s antisemitic shooting in Washington, DC — prompting urgent calls from the country’s Jewish community for stronger government action amid growing fears of escalating violence.
On Friday, a French rabbi was violently assaulted by three drunken individuals in the town of Deauville, located in the Normandy region of northwestern France.
According to local police, Rabbi Eli Lemel — a prominent figure in French Jewry — was attacked around 3:30 pm by three men who approached him, repeatedly punched him in the stomach, and shouted antisemitic slurs.
French authorities have launched an investigation into the assault, but no arrests have been made so far.
After the incident, Lemel called on the Jewish community to draw spiritual strength amid the increasing hostility that Jews are facing across France.
“I’m deeply moved by the outpouring of support following the attack. Thank God, I’m okay,” the Jewish leader wrote in a post on X. “I was struck and verbally abused in a language I didn’t understand.”
In a separate incident, a 21-year-old man was arrested on Saturday after climbing a synagogue in the town of Conflans-Sainte-Honorine in north-central France, removing an Israeli flag from its façade, and attempting to set it on fire.
According to local media, the suspect — who was already known to authorities for prior offenses — confessed to committing the attack and admitted to being intoxicated at the time.
French police confirmed that the man is being charged with trespassing in a place of worship, theft by climbing, and causing damage to property on religious grounds.
The local Jewish community has voiced deep concern following this incident, viewing it as part of a broader surge in hostility targeting Jewish institutions across France.
Sandrine Dos Santos, the city’s mayor, expressed “[her] solidarity, as well as that of the city, toward the Jewish community directly targeted by these unacceptable antisemitic acts.”
“Faced with the increase in violence, our commitment against discrimination remains unwavering and will not waver. We repeat it loud and clear: no form of racism or rejection of others has a place in Poissy,” the French leader said.
In a separate incident on Saturday, three Serbs were arrested near Antibes in southeastern France, suspected of painting several Jewish community buildings green in Paris — an act currently under investigation as possible foreign interference.
Last weekend, the Paris Holocaust Memorial, three synagogues, and a Jewish restaurant were all vandalized with green paint in an incident denounced by the French government.
On Monday, an elementary school in Lyon, east-central France, was set on fire and defaced with antisemitic and pro-Palestinian slogans, as well as swastikas, marking one of the latest antisemitic incidents to impact France in recent days.
As the school had no direct connections to the Jewish community, local police have launched an investigation to determine the motive behind the attack.
French authorities reported that the fire was limited to the outdoor bathrooms, causing no significant damage to the school. They also found antisemitic graffiti and swastikas in three classrooms.
Yonathan Arfi, president of the Representative Council of Jewish Institutions of France (CRIF), denounced the attack, saying that “the Palestinian cause is used as justification for burning down a school” and that the “Nazification of Israel serves as fuel for crass antisemitism.”
“When a populist pro-Palestinian narrative is allowed to take hold, it is French Jews who ultimately pay the price,” Arfi wrote in a post on X. “The twisted use of the Palestinian cause is turning into a rallying cry of hatred against both Jews and the Republic itself.”
Voilà où nous en sommes !
La cause palestinienne sert de justification pour incendier une école
Quand on laisse gagner un discours populiste propalestinien, ce sont les Français juifs qui en paient le prix.… https://t.co/dMaQBnbfqi
— Yonathan Arfi (@Yonathan_Arfi) June 1, 2025
Beyond France, other European countries have also experienced a surge in antisemitic incidents in recent weeks.
On Monday, several headstones were vandalized at a Jewish cemetery in a suburb of Belgrade, located in north-central Serbia, marking the second such incident in the country in recent weeks.
The post Surge of Antisemitic Incidents Rocks France Amid Growing Security Concerns first appeared on Algemeiner.com.
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US Vetoes UN Security Council Demand for Gaza Ceasefire
Smoke rises from Gaza after an explosion, as seen from Israel, June 4, 2025. Photo: REUTERS/Amir Cohen
The United States vetoed a UN Security Council demand on Wednesday for an “immediate, unconditional, and permanent ceasefire” between Israel and Palestinian terrorist group Hamas in Gaza and unhindered aid access across the enclave.
“The United States has been clear we would not support any measure that fails to condemn Hamas and does not call for Hamas to disarm and leave Gaza,” Acting US Ambassador to the UN Dorothy Shea told the council before the vote.
“This resolution would undermine diplomatic efforts to reach a ceasefire that reflects the realities on the ground, and embolden Hamas,” she said of the text that was put forward by 10 countries on the 15-member council.
The remaining 14 council members voted in favor of the draft resolution.
Israel has rejected calls for an unconditional or permanent ceasefire, saying Hamas cannot stay in Gaza. It has renewed its military offensive in Gaza – also seeking to free hostages held by Hamas – since ending a two-month ceasefire in March.
The war in Gaza has raged since 2023 after Hamas terrorists killed 1,200 people in Israel in an Oct. 7 attack and took some 250 hostages back to the enclave.
The post US Vetoes UN Security Council Demand for Gaza Ceasefire first appeared on Algemeiner.com.
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Trump Picks Lawyer Who Called Oct. 7 Attack a ‘Psyop’ to Lead Federal Watchdog Agency
Paul Ingrassia. Photo: Screenshot
Paul Ingrassia, a 29-year-old lawyer who was recently nominated by US President Donald Trump to lead a federal agency dedicated to combating corruption and protecting whistleblowers, seemingly dismissed the Hamas-led Oct. 7, 2o23, invasion of and massacre across southern Israel as a “psyop,” or “psychological operation, in resurfaced social media posts.
“This ‘war’ is yet another psyop to distract Americans from celebrating Columbus Day,” Ingrassia wrote on X/Twitter on Oct. 8, 2023.
“I think we could all admit at this stage that Israel/Palestine, much like Ukraine before it, and BLM before that, and covid/vaccine before that, was another psyop,” he posted a week later. “But sadly, people fell for it. And they’ll fall for the next one too.”
On the actual day of the Oct. 7 massacre, Ingrassia compared illegal immigration into the US to the Hamas-led onslaught.
“The amount of energy everyone has put into condemning Hamas (and prior to that, the Ukraine conflict) over the past 24 hours should be the same amount of energy we put into condemning our wide open border, which is a war comparable to the attack on Israel in terms of bloodshed — but made worse by the fact that it’s occurring in our very own backyard,” he posted. “We shouldn’t be beating the war drum, however tragic the events may be overseas, until we resolve our domestic problems first.”
Trump announced last week that he picked Ingrassia to serve as head of the US Office of Special Counsel, a position that requires confirmation by the Senate.
The Office of Special Counsel is an independent federal ethics agency that works to ensure fairness and accountability within the government. Ingrassia’s role, if he is confirmed, would involve investigating claims of wrongdoing, such as retaliation against whistleblowers or improper political activity in the workplace. The official can recommend disciplinary action and reports serious findings to Congress, helping to protect federal employees and uphold the integrity of the civil service system.
Ingrassia also maintains a relationship with and defends alleged sex trafficker Andrew Tate, who has promoted antisemitic conspiracy theories on social media. Tate wrote on X/Twitter that he refuses to “listen to women, Mexicans, or Jews” and that Jewish people are “subverting Western populations into mass genetic suicide” by advancing what he described as misguided immigration policy. Tate has also accused Israel of committing a “genocide” in Gaza against Palestinians and engaged in Holocaust denialism.
The furor surrounding Ingrassia is the latest dustup the Trump administration has had regarding controversial personnel and antisemitism.
The Trump administration’s appointment of Kingsley Wilson as deputy press secretary at the Department of Defense also sparked widespread criticism due to her history of promoting antisemitic conspiracy theories and extremist views. Wilson, formerly associated with the Center for Renewing America, has a documented history of social media posts endorsing white supremacist ideologies, including claims about the 1915 lynching of Leo Frank — a Jewish man whose wrongful conviction and subsequent murder galvanized the founding of the Anti-Defamation League. In 2023, she tweeted that Frank “raped & murdered a 13-year-old girl,” a statement aligning with neo-Nazi narratives.
Late last month, the Pentagon announced that Wilson will be promoted and serve as the department’s new press secretary.
The post Trump Picks Lawyer Who Called Oct. 7 Attack a ‘Psyop’ to Lead Federal Watchdog Agency first appeared on Algemeiner.com.