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Tovah Feldshuh, Debra Messing and more Jewish stars perform at first-ever ‘Shabbat on Broadway’ show
(New York Jewish Week) — Nine a.m. on a Saturday morning might be one of the few times during the week that Times Square isn’t brimming with tourists, theater-goers and commuters. But when you bring in a few dozen Jewish Broadway stars and ask them to perform a Shabbat service inside a Broadway theater, the crowds will come.
This past Saturday, the St. James Theater, which most days is home to the Monty Pythn musical “Spamalot,” hosted “Shabbat on Broadway,” described by producer Henry Tisch as a “a non-denominational Shabbat service with a real Broadway twist.”
Led by two cantors, and featuring songs and prayers sung by Julie Benko, Adam Pascal, Tovah Feldshuh, Shoshana Bean and others, the service drew a near-capacity crowd to the 1,700-seat theater.
“We had this feeling that, in this very dark time in the world and in the Jewish world, we wanted to put together something that really had light to it and would be this beacon and a place to celebrate and to gather together in community,” said Tisch, who produced the Shabbat on Broadway service alongside Amanda Lipitz, who also directed.
The service felt “inevitable,” Tisch said. “Of course, there should be a Shabbat on Broadway. Certainly, there have been other gatherings of Jews in the theater world, but as far as we know, this is the first Shabbat service in a Broadway theater.”
Tisch and Lipitz began putting together the show just five weeks ago, and the tickets for the service — which were free and open to the public — ran out in just a day, they said.
The Shabbat they chose, Jan. 27, happened to be the perfect day for such an occasion. The Torah portion read on the day, Parshah Beshalach, includes the Song of the Sea, which the Israelites sang as they crossed the Red Sea from Egypt, and is known as “Shabbat Shirah” or “Shabbat of Song.” Jan. 27 also happens to be International Holocaust Remembrance Day.
Underneath a giant, golden Star of David that hung over the stage — a set piece normally used in the “You Won’t Succeed on Broadway” scene in “Spamalot” — celebrants interspersed traditional Shabbat prayers and straight musical numbers. Some prayers were sung to the tune of Broadway songs; the service opened with a pre-recorded video of a dozen New York City cantors singing “Hinei Matov” to the tune of “Oh, What a Beautiful Mornin,’” from Rodgers & Hammerstein’s “Oklahoma.” It closed with a group of children singing “Adon Olam” to the tune of “You’ll Be Back,” from “Hamilton.”
Both prayers were arranged by Cantor Azi Schwartz from Park Avenue Synagogue, who is known for setting Shabbat prayers to modern tunes.
However, most of the prayers were sung with traditional melodies. Feldshuh, who most recently played Rosie Brice in “Funny Girl,” sang “Mi Sheberach.”
“I’ve spent over 50 years with you,” Feldshuh said on stage, addressing the crowd. “This is my life,” she added, calling the event an “extraordinary, once-in-a-lifetime event.”
Among other performances, Shoshana Bean, who most recently starred in “Mr. Saturday Night,” sang “Etz Chaim;” Talia Suskauer, who played Elphaba in “Wicked,” sang the Shema; Jackie Hoffman, recently seen in the anthology series “Feud,” read the Amidah, the core prayer of every Jewish worship service and Debra Messing read a “Prayer for Our Country.”
The 90-minute service was led by cantors Jenna Pearsall from Central Synagogue and Mo Glazman from Temple Emanu-El, two of the city’s most prominent Reform synagogues. It also included a sermon by Rabbi Sharon Brous of IKAR Synagogue in Los Angeles, from her new book “The Amen Effect: Ancient Wisdom to Mend Our Broken Hearts and World,” which was read by actress Camryn Manheim.
“Broadway, growing up, for me was spiritual. It was a huge part of my life. So to mesh my career with a Broadway stage was a full circle moment for me. It was incredible,” Pearsall told the New York Jewish Week after the show. “It’s hard to get clergy involved on a Saturday, but I would love to do something like this again. There seems to be a huge demand for it.”
Indeed, a plethora of other prominent New York City clergy, including Rabbi Elliot Cosgrove from Park Avenue Synagogue, Rabbi Angela Buchdahl from Central Synagogue and Rabbi Sharon Kleinbaum from Congregation Beit Simchat Torah, had their own Shabbat services to lead, but appeared in pre-recorded video segments throughout the service.
“The theater is a holy place,” Kleinbaum said in her recording.
That idea — that the Broadway stage is a temple, and one influenced largely by Jews — was a throughline in the service both implicitly and explicitly.
“There are such current ties and historic ties between the theater community and the Jewish community. The history of the American musical theater is so tied to the contributions of so many Jews, so it felt really important to acknowledge that,” Tisch said. “Also given just how Jewish the theater community is today, it felt important to really provide this space and the sanctuary and celebration.”
“What a convergence of temples,” said Broadway singer Adam Kantor (“Rent,” “Fiddler on the Roof,” “The Band’s Visit”), before he sang a mashup of “Oseh Shalom” and Leonard Cohen’s “Hallelujah,” which he said he arranged in the days following Oct. 7.
“For a lot of people in this room, a Broadway theater might also have given maybe an escape from certain religious institutions where they were supposed to experience a certain spiritual catharsis but might have instead experienced a certain feeling that they weren’t invited into that space,” he added. “Today you are all invited.”
Audience members were pleasantly surprised by how the show balanced the Broadway values of humor and showmanship with the Shabbat values of community and rest.
“It was incredible how they were able to balance it. I was wondering going in, ‘Is it going to be Broadway tunes? Is it going to be a service? What is that gonna look like?’” said Nadine, who declined to share her last name. “I felt like I got a little bit of both, which was incredible.”
Another attendee, Donna, said she often attends synagogue and also loves Broadway shows. “The convergence of all this as part of what it means to be Jewish in this city was really very beautiful,” she said.
Julie Benko, who is currently starring in Barry Manilow’s “Harmony” on Broadway, performed “Tomorrow” from Annie.
“This event today was so special,” she told the New York Jewish Week. “I feel like I’ve never been in a space like this where I just felt like our whole community came together in this way, where I felt totally safe and connected, celebrating our community and just being together in a way that wasn’t related to ‘showbiz’ — and yet it still celebrated everything that we love in showbiz.”
“It was my favorite Shabbat service I’ve been to,” she added.
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The post Tovah Feldshuh, Debra Messing and more Jewish stars perform at first-ever ‘Shabbat on Broadway’ show appeared first on Jewish Telegraphic Agency.
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Why Does the Media Not Tell the Truth About Hezbollah’s Attacks on Israel?
Firefighters respond to a fire near a rocket attack from Lebanon, amid ongoing cross-border hostilities between Hezbollah and Israeli forces, near Kiryat Shmona, northern Israel, June 14, 2024. Photo: REUTERS/Ammar Awad
Last month, the BBC News website published a report by the BBC Jerusalem bureau’s Lucy Williamson under the headline “Fires in northern Israel fuel demands to tackle escalation with Hezbollah.”
The following day, the BBC News website published another report by the same journalist on the same topic titled “Israelis using gardening tools to fight wildfires sparked by Hezbollah rockets.”
A couple of weeks later, that pattern was repeated. On June 19, the BBC News website published a report by Williamson headlined “Israel and Hezbollah play with fire as fears grow of another war,” which was previously discussed here.
Late on June 22, the BBC News website published another report titled “Unable to back down, Israel and Hezbollah move closer to all-out war,” which is credited to “Lucy Williamson, Reporting from the Israel-Lebanon border.”
If one assumed that the reason for the appearance within days of a second report on the same topic by the same journalist was the emergence of new information concerning the situation on Israel’s northern border, one would be wrong.
A considerable proportion of Williamson’s second report (which was also translated into Swahili) consists of interviews with people on both sides of the border: Israelis from Kiryat Shmona and Malkiya, and two residents of southern Lebanese villages.
Failing to clarify that her interviewee lives in a town described as one of the “bastions of strong Hezbollah support” where a strike against a Hezbollah command center took place in March, Williamson tells her readers that:
Fatima Belhas lives a few miles (7km) from the Israeli border, near Jbal el Botm.
In the early days, she would shake with fear when Israel bombed the area, she says, but has since come to terms with the bombardments and no longer thinks of leaving.
“Where would I go?” she asked. “[Others] have relatives elsewhere. But how can I impose on someone like that? We have no money.”
“Maybe it is better to die at home with dignity,” she said. “We have grown up resisting. We won’t be driven out of our land like the Palestinians.”
Readers may recall that just days earlier, another BBC report from southern Lebanon promoted that same “Nakba” comparison.
Similarly failing to note Hezbollah’s presence and infrastructure in Mays al Jbal (also Meiss al Jabal), Williamson continues:
Hussein Aballan recently left his village of Mays al Jbal, around 6 miles (10km) from Kiryat Shmona, on the Lebanese side of the border.
Life there had become impossible, he said, with erratic communications and electricity, and almost no functioning shops.
The few dozen families left there are mainly older people who refuse to leave their homes and farms, he told the BBC.
But he backed the Hezbollah assault on Israel.
“Everyone in the south [of Lebanon] has lived through years of aggression, but has come out stronger,” he said. “Only through resistance are we strong.”
Williamson fails to remind her readers that Israel withdrew from southern Lebanon 24 years ago, and that the only “aggression” has been in response to attacks by Hezbollah and other terrorist groups, such as the cross-border attack that sparked the war in 2006.
As in her previous report, Williamson portrays the events resulting from the Lebanese terror group’s decision to attack Israel on October 8 as “tit-for-tat”:
But as the tit-for-tat conflict grinds on, and more than 60,000 Israelis remain evacuated from their homes in the north, there are signs that both Israel’s leaders and its citizens are prepared to support military options to push Hezbollah back from the border by force.
Also, as in her own previous reports and in most other BBC content, Williamson fails to explain to her readers that according to UN Security Council Resolution 1701, Hezbollah should be nowhere near the border with Israel ,and that the UN’s “peacekeeping force” in Lebanon has failed to enforce that resolution since it was passed in 2006.
Williamson’s framing of the situation in the north of Israel includes the following:
The dangerous stalemate here hinges largely on the war Israel is fighting more than 100 miles (160km) to the south in Gaza.
A ceasefire there would help calm tensions in the north too, but Israel’s Prime Minister Benjamin Netanyahu is keeping both conflicts going, mortgaged by his promise to far-right government allies to destroy Hamas before ending the Gaza War. [emphasis added]
And:
Demands for political change are likely to increase when Israel’s conflicts end.
Many believe Israel’s prime minister is playing for time: caught between growing demands for a ceasefire in Gaza, and growing support for a war in the north.
In other words, Williamson’s framing ignores the fact that Hamas chose to attack Israel on October 7, and that Hezbolah chose to attack Israel on October 8, and almost every day since then. She erases the fact that Hamas has rejected multiple ceasefire offers in order to promote a narrative whereby it is Israel’s prime minister alone who is “keeping both conflicts going”.
Moreover, she tells BBC audiences that:
The problem for Israel is how to stop the rockets and get its people back to the abandoned northern areas of the country.
The problem for Hezbollah is how to stop the rockets when its ally, Hamas, is being pounded by Israeli forces in Gaza.
Williamson cites a statement made by the UN Secretary General on June 21:
Hezbollah is a well-armed, well-trained army, backed by Iran; Israel, a sophisticated military power with the US as an ally.
Full-scale war is likely to be devastating for both sides.
The UN Secretary-General, Antonio Guterres, said it would be a “catastrophe that goes […] beyond imagination”.
Like the UN Secretary General, Williamson has nothing to tell her audiences about the Lebanese state’s decades-long failure to tackle the Islamist terrorist organization that has repeatedly dragged that country into conflict, and has nothing to say about the failure of the United Nations to enforce its own resolutions designed to prevent further conflict.
The BBC’s sidelining of UN Security Council Resolution 1701 and its whitewashing of the failures of the UN forces that are supposed to enforce it, did not begin in October 2023: that editorial policy has been evident for many years.
Now, however, that policy is being used to advance framing of a potential escalation after over eight months of continuous attacks on Israeli communities by Hezbollah and other terrorist organizations, as something that is the responsibility of Israel alone.
Hadar Sela is the co-editor of CAMERA UK – an affiliate of the Committee for Accuracy in Middle East Reporting and Analysis (CAMERA), where a version of this article first appeared.
The post Why Does the Media Not Tell the Truth About Hezbollah’s Attacks on Israel? first appeared on Algemeiner.com.
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University of Toronto is granted an injunction to dismantle a pro-Palestinian encampment that has been on campus for two months
The University of Toronto has received an injunction to dismantle the pro-Palestinian encampment on its property. The 98-page decision from Justice Markus Koehnen of the Ontario Superior Court of Justice said that members of the encampment must take down the tents within 24 hours, by 6 p.m. on Wednesday, July 3. Toronto Police will have […]
The post University of Toronto is granted an injunction to dismantle a pro-Palestinian encampment that has been on campus for two months appeared first on The Canadian Jewish News.
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Jewish Cemeteries Vandalized in Cincinnati, Montreal
Vandals in Canada targeted a Jewish cemetery. Photo: Screenshot
Vandals have targeted notable Jewish cemeteries in Cincinnati, Ohio and Montreal, Canada, sparking outcry and concern over mounting threats of antisemitism.
Vandals at Montreal’s Kehal Yisrael Cemetery placed memorial stones in the shape of a Nazi swastika on top of tombstones. Ones with the last names Eichler and Herman were targeted in the antisemitic attack.
Placing memorial stones on graves is an ancient Jewish custom to memorialize the dead. Jewish cemeteries oftentimes have stones nearby tombstones for mourners.
Canadian leaders decried the vandalism.
“It is absolutely abhorrent and revolting to defile the dead with swastikas,” Jeremy Levi, the Jewish mayor of a Jewish-majority suburb of Montreal, commented on X/Twitter. “This desecration at the Kehal Israel cemetery in Montreal is beyond contempt. [Canadian Prime Minister] Justin Trudeau, step aside and get out of the way so we can reclaim our country. May this Kohen’s neshama have an Aliyah on high.” One of the tombstones vandalized belonged to a Kohen.
The leader of the Conservative Party in Canada’s parliament and candidate for prime minister, Pierre Poilievre, lambasted Trudeau and denounced antisemitism. “We cannot close our eyes to the disgusting acts of antisemitism that are happening in our country everyday,” he posted on X/Twitter. “The prime minister must finally act to stop these displays of antisemitism. If he won’t, a common sense Conservative government will.”
Canada, like many countries around the world, has experienced a surge in antisemitic incidents since the Palestinian terrorist group Hamas’ massacre across southern Israel on Oct. 7.
Meanwhile in Cincinnati, vandals targeted two historic Jewish cemeteries this past week, toppling and shattering ancient tombstones — some dating back to the 1800s.
According to a statement from the Jewish Federation of Cincinnati, 176 gravesites in Cincinnati’s West Side were ruined “in an act of antisemitic vandalism.”
“Due to the extensive damage and the historical nature of many of the gravestones, we have not yet been able to identify all the families affected by this act,” the statement continued. “Our community [is] heartbroken.”
The Cincinnati Police Department and the FBI are investigating the incidents.
The destruction of monuments is the latest in a greater trend of antisemitic vandalism. In an incident over the weekend, vandals in Australia targeted war memorials dedicated to Australian veterans who sacrificed their lives in Korea and Vietnam with pro-Hamas graffiti.
A couple weeks earlier, vandals in Belgium defaced two memorials for Holocaust victims with swastikas and a phrase calling for violence against Israel. In Germany, meanwhile, at least seven stolpersteine, or stumbling blocks in the sidewalk meant to mark Jewish homes seized by the Nazis, were defaced with the message “Jews are perpetrators.”
The US, Canada, Europe, and Australia have all experienced an explosion of antisemitic incidents in the wake of the Hamas atrocities of Oct. 7, and amid the ensuing war in Gaza. In many countries, anti-Jewish hate crimes have spiked to record levels.
According to the B’nai Brith, antisemitic incidents in Canada more than doubled in 2023 compared to the prior year.
The post Jewish Cemeteries Vandalized in Cincinnati, Montreal first appeared on Algemeiner.com.