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Tovah Feldshuh, Debra Messing and more Jewish stars perform at first-ever ‘Shabbat on Broadway’ show
(New York Jewish Week) — Nine a.m. on a Saturday morning might be one of the few times during the week that Times Square isn’t brimming with tourists, theater-goers and commuters. But when you bring in a few dozen Jewish Broadway stars and ask them to perform a Shabbat service inside a Broadway theater, the crowds will come.
This past Saturday, the St. James Theater, which most days is home to the Monty Pythn musical “Spamalot,” hosted “Shabbat on Broadway,” described by producer Henry Tisch as a “a non-denominational Shabbat service with a real Broadway twist.”
Led by two cantors, and featuring songs and prayers sung by Julie Benko, Adam Pascal, Tovah Feldshuh, Shoshana Bean and others, the service drew a near-capacity crowd to the 1,700-seat theater.
“We had this feeling that, in this very dark time in the world and in the Jewish world, we wanted to put together something that really had light to it and would be this beacon and a place to celebrate and to gather together in community,” said Tisch, who produced the Shabbat on Broadway service alongside Amanda Lipitz, who also directed.
The service felt “inevitable,” Tisch said. “Of course, there should be a Shabbat on Broadway. Certainly, there have been other gatherings of Jews in the theater world, but as far as we know, this is the first Shabbat service in a Broadway theater.”
Tisch and Lipitz began putting together the show just five weeks ago, and the tickets for the service — which were free and open to the public — ran out in just a day, they said.
The Shabbat they chose, Jan. 27, happened to be the perfect day for such an occasion. The Torah portion read on the day, Parshah Beshalach, includes the Song of the Sea, which the Israelites sang as they crossed the Red Sea from Egypt, and is known as “Shabbat Shirah” or “Shabbat of Song.” Jan. 27 also happens to be International Holocaust Remembrance Day.
Underneath a giant, golden Star of David that hung over the stage — a set piece normally used in the “You Won’t Succeed on Broadway” scene in “Spamalot” — celebrants interspersed traditional Shabbat prayers and straight musical numbers. Some prayers were sung to the tune of Broadway songs; the service opened with a pre-recorded video of a dozen New York City cantors singing “Hinei Matov” to the tune of “Oh, What a Beautiful Mornin,’” from Rodgers & Hammerstein’s “Oklahoma.” It closed with a group of children singing “Adon Olam” to the tune of “You’ll Be Back,” from “Hamilton.”
Both prayers were arranged by Cantor Azi Schwartz from Park Avenue Synagogue, who is known for setting Shabbat prayers to modern tunes.
However, most of the prayers were sung with traditional melodies. Feldshuh, who most recently played Rosie Brice in “Funny Girl,” sang “Mi Sheberach.”
“I’ve spent over 50 years with you,” Feldshuh said on stage, addressing the crowd. “This is my life,” she added, calling the event an “extraordinary, once-in-a-lifetime event.”
Among other performances, Shoshana Bean, who most recently starred in “Mr. Saturday Night,” sang “Etz Chaim;” Talia Suskauer, who played Elphaba in “Wicked,” sang the Shema; Jackie Hoffman, recently seen in the anthology series “Feud,” read the Amidah, the core prayer of every Jewish worship service and Debra Messing read a “Prayer for Our Country.”
The 90-minute service was led by cantors Jenna Pearsall from Central Synagogue and Mo Glazman from Temple Emanu-El, two of the city’s most prominent Reform synagogues. It also included a sermon by Rabbi Sharon Brous of IKAR Synagogue in Los Angeles, from her new book “The Amen Effect: Ancient Wisdom to Mend Our Broken Hearts and World,” which was read by actress Camryn Manheim.
“Broadway, growing up, for me was spiritual. It was a huge part of my life. So to mesh my career with a Broadway stage was a full circle moment for me. It was incredible,” Pearsall told the New York Jewish Week after the show. “It’s hard to get clergy involved on a Saturday, but I would love to do something like this again. There seems to be a huge demand for it.”
Indeed, a plethora of other prominent New York City clergy, including Rabbi Elliot Cosgrove from Park Avenue Synagogue, Rabbi Angela Buchdahl from Central Synagogue and Rabbi Sharon Kleinbaum from Congregation Beit Simchat Torah, had their own Shabbat services to lead, but appeared in pre-recorded video segments throughout the service.
“The theater is a holy place,” Kleinbaum said in her recording.
That idea — that the Broadway stage is a temple, and one influenced largely by Jews — was a throughline in the service both implicitly and explicitly.
“There are such current ties and historic ties between the theater community and the Jewish community. The history of the American musical theater is so tied to the contributions of so many Jews, so it felt really important to acknowledge that,” Tisch said. “Also given just how Jewish the theater community is today, it felt important to really provide this space and the sanctuary and celebration.”
“What a convergence of temples,” said Broadway singer Adam Kantor (“Rent,” “Fiddler on the Roof,” “The Band’s Visit”), before he sang a mashup of “Oseh Shalom” and Leonard Cohen’s “Hallelujah,” which he said he arranged in the days following Oct. 7.
“For a lot of people in this room, a Broadway theater might also have given maybe an escape from certain religious institutions where they were supposed to experience a certain spiritual catharsis but might have instead experienced a certain feeling that they weren’t invited into that space,” he added. “Today you are all invited.”
Audience members were pleasantly surprised by how the show balanced the Broadway values of humor and showmanship with the Shabbat values of community and rest.
“It was incredible how they were able to balance it. I was wondering going in, ‘Is it going to be Broadway tunes? Is it going to be a service? What is that gonna look like?’” said Nadine, who declined to share her last name. “I felt like I got a little bit of both, which was incredible.”
Another attendee, Donna, said she often attends synagogue and also loves Broadway shows. “The convergence of all this as part of what it means to be Jewish in this city was really very beautiful,” she said.
Julie Benko, who is currently starring in Barry Manilow’s “Harmony” on Broadway, performed “Tomorrow” from Annie.
“This event today was so special,” she told the New York Jewish Week. “I feel like I’ve never been in a space like this where I just felt like our whole community came together in this way, where I felt totally safe and connected, celebrating our community and just being together in a way that wasn’t related to ‘showbiz’ — and yet it still celebrated everything that we love in showbiz.”
“It was my favorite Shabbat service I’ve been to,” she added.
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Israeli Culture Minister Cuts Funding for Film Awards After Palestinian Drama Wins Top Prize, Chosen for Oscars Submission
A scene from “The Sea.” Photo: The Israeli Academy of Film and Television
Israeli Minister of Culture and Sports Miki Zohar said his ministry will pull state funding for Israel’s Ophir Awards, which is the Israeli equivalent to the Oscars, after it awarded a top honor to a film that “defames” Israel’s “heroic soldiers,” he announced on Wednesday.
At this year’s Ophir Awards ceremony on Tuesday night, “The Sea” won best picture, which automatically makes the film Israel’s submission for the 2026 Oscars in the category of best international feature film. The drama, directed and written by Shai Carmeli-Pollak and produced by Baher Agbariya, also won best screenplay, best actor for the 13-year-old Palestinian Muhammad Gazawi, best supporting actor for Khalifa Natour, and best original score. The movie, filmed in Arabic and Hebrew, marks Gazawi’s first acting role.
The Ophir Awards are voted on by the Israeli Academy of Film and Television, a nonprofit organization that is the Israeli version of the US-based Academy of Television Arts & Sciences. It has more than 1,000 members, including filmmakers, producers, content creators, and actors.
“The Sea” follows a 12-year-old Palestinian boy named Khaled, from a village near Ramallah, who gets the opportunity to go the beach for the first time in his life on a class trip to Tel Aviv. When he is forced to return home at a military checkpoint, while his classmates continue on to the beach, Khaled decides to risk his life and dodge Israeli authorities on his solo journey to reach the ocean. “The Sea” premiered at the Jerusalem Film Festival this summer and received support from the Israeli Film Fund.
In a statement on X, Zohar said that after the “pro-Palestinian” film, “which defames our heroic soldiers while they fight to protect us,” won the award for best film at the “shameful” Ophir Awards on Tuesday night, he decided to discontinue funding for the ceremony.
“During my tenure – the citizens of Israel will not pay out of their pockets for a disgraceful ceremony that spits on the heroic IDF soldiers,” he added. “This great absurdity, that Israeli citizens are still paying out of their pockets for the disgraceful Ophir Awards ceremony, which represents less than one percent of the Israeli people – is over. Starting from the 2026 budget, this pathetic ceremony will no longer be funded by taxpayers’ money. The citizens of Israel deserve for their tax money to go to more important and valuable places.”
Several winners on stage at the Ophir Awards ceremony, including Carmeli-Pollak and Agbariya, sported a black T-shirt with a message that called for an end to the Israel-Hamas war and said in Hebrew and Arabic “a child is a child.” Others wore shirts that called for the return of the hostages abducted by Hamas-led terrorists from Israel on Oct. 7, 2023, and talked about the devastation taking place in Gaza during the ongoing war. Acclaimed Israeli director Uri Barbash received a lifetime achievement award at the ceremony, and in his acceptance speech, he condemned actions of the Israeli government and Zohar, pleaded for an end to the war, and called for solidarity between Jews and Arabs.
“It is our sacred duty to bring all the hostages back to their families immediately,” he said. “To end the accursed war and replace the ‘divide and rule’ regime that has declared war on Israeli society!”
Other movies that competed alongside “The Sea” for best film at this year’s Ophir Awards included Nadav Lapid’s “Yes,” “Dead Language – which made its world premiere at the 2025 Tribeca Film Festival and is an expanded version of the Oscar-nominated short film “Aya” – and Natali Braun’s “Oxygen,” which is about a single mother fighting to pull her son out of military service and his deployment to Lebanon.
Israel has had 10 nominations in the category of best international feature film at the Oscars but has yet to win. The Academy of Television Arts & Sciences will announce on Dec. 16 a shortlist of 15 contenders for the 2026 Oscar for best international feature film. The final list of nominations will be announced on Jan. 22, 2026, and the 98th Academy Awards will take place on March 15, 2026.
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HBO Max Acquires US Rights to Scripted Series ‘One Day in October’ About Hamas Attack
Bartender and survivor of the Nova Festival, May Hayat, takes cover as rocket sirens sound, during her first visit to the scene of the attack, on the one-month anniversary of the attack by the Palestinian terrorist group Hamas on Oct. 7, near Re’im, Israel, Nov. 6, 2023. Photo: REUTERS/Evelyn Hockstein
HBO Max has acquired exclusive rights in the United States to “One Day in October,” a scripted series based on real-life, first-hand accounts from the deadly Hamas-led terrorist attack in Israel on Oct. 7, 2023.
“One Day in October” is the first real-time scripted portrayal of personal stories from the massacre in southern Israel, where Palestinians terrorists murdered 1,200 people and kidnapped 251 hostages. The attack was the deadliest single-day slaughter of Jews since the Holocaust.
“One Day in October” will debut on HBO Max in the US on Oct. 7, the two-year anniversary of the attack, FOX Entertainment announced on Monday. Filmed on location in Israel, the four-episode series is co-produced by FOX Entertainment Studios in partnership with Israel’s yes TV, the New York-based production company Sparks Go, and Israel’s ZOA Films, in association with Moriah Media.
The series “presents seven emotionally gripping and artistically interwoven narratives of love, courage, sacrifice and survival,” according to a description provided by HBO Max. “From families torn apart to moments of hope emerging in the face of unspeakable tragedy to incredible bravery against the odds, each episode reveals the human cost and resilience born out of chaos. The series portrays the victims’ and survivors’ experiences of that day and is brought to life by a distinguished cast and acclaimed creative team.”
“One Day in October” is created by Daniel Finkelman, founder of the New York-based production company Sparks Go, and Oded Davidoff, who is also the director and writer on the series. Sparks Go helped co-produce the series.
“The tragic events on Oct. 7 had a profound impact on all of us,” said Fernando Szew, president of FOX Entertainment Studios. “From the very beginning, we approached this series with the utmost care, sensitivity, and urgency to ensure that the stories were told with authenticity and respect and paying homage to the victims and the heroic survivors. Oded and the incredible cast, crew and teams at Sparks Go, ZOA, and yes TV have truly created compelling storytelling that we are proud to showcase.”
The cast includes Swell Ariel Or, Noa Kedar, Naomi Levov, Hisham Suliman, Wael Hamdoun, Yuval Semo, Avi Azulay, Naveh Tzur, Yael Abecassis, Moran Rosenblatt, Michael Aloni, Neta Roth, Sean Softi, Lior Ashkenazi, and Uri Perelman. The series features writing by Liron Ben-Shlush, Davidoff, Amir Hasfari, Keren Weissman, Orit Dabush, and Yona Rozenkier. Jim Berk and Sheldon Rabinowitz with Moriah Media are also executive producers on the series.
“For me, film and television have always been more than entertainment, they are a way to bear witness,” said Finkelman. “These are stories of ordinary people facing extraordinary moments. In a time when truth is fragile, the most powerful thing we can do is to appeal to humanity itself. My hope is that these stories will open hearts and spark meaningful conversation.”
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Merz Says Criticism of Israel in Germany Has Become Pretext for Hatred of Jews
German Chancellor Friedrich Merz attends celebrations of the newly completed renovation of Reichenbach Strasse synagogue in Munich, Germany, Sept. 15, 2025. Photo: REUTERS/Angelika Warmuth
Chancellor Friedrich Merz said on Wednesday that criticism of Israel was increasingly being used in Germany as a pretext for stoking hatred against Jews.
Speaking at an event to mark the 75th anniversary of the founding of the Central Council of Jews, Merz said that antisemitism had “become louder, more open, more brazen, more violent almost every day” since the Hamas-led attacks on Oct. 7, 2023, that ignited the Gaza war.
“‘Criticism of Israel‘ and the crudest perpetrator-victim reversal is increasingly a pretext under which the poison of antisemitism is spread,” he said.
Germany is Israel‘s second biggest weapons supplier after the US, and has long been one of its staunchest supporters, in part because of historical guilt for the Nazi Holocaust – a policy known as the “Staatsraison.”
Last month, however, Germany suspended exports of weaponry that could be used in the Gaza Strip because of Israel‘s plan to expand its operations there – the first time united Germany had acknowledged denying military support to its long-time ally.
The decision followed mounting pressure from the public and his junior coalition partner over the humanitarian crisis in Gaza.
In his speech in Berlin on Wednesday, Merz mentioned his about-turn, saying that criticism of the Israeli government “must be possible,” but added: “Our country suffers damage to its own soul when this criticism becomes a pretext for hatred of Jews, or if it even leads to the demand that Germany should turn its back on Israel.”