Features
The real story behind Sammy Davis Jr.’s conversion to Judaism
Jewish comedians made racist jokes about him. Some Black audiences booed him. But his faith was genuine
By Beth Harpaz February 23, 2023
(This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.)
Sammy Davis Jr. was a short and skinny Black man with one eye. His wife was white, his mother was Puerto Rican and he was a convert to Judaism. In the crass and racist world of mid-20th century comedy, he was a walking punchline, even in his own routines.
“When I move into a neighborhood, I wipe it out,” was his standard self-deprecating gag. The line received knowing laughs in the 1950s and ’60s when many towns forbade property sales to Blacks and Jews, and whites often fled when Black families moved into their neighborhoods.
Jokes by his fellow entertainers were crude. In a live skit at the Sands in Las Vegas in 1963, Dean Martin physically lifted Davis up (he weighed a mere 120 pounds) and said, “I’d like to thank the NAACP for this wonderful trophy.” At a Friars Club roast, comedian Pat Buttram said that if Davis showed up in Buttram’s home state of Alabama, folks “wouldn’t know what to burn on the lawn.”
Jewish comedians got their licks in, too. Milton Berle cross-dressed as Davis’ white wife, May Britt, and sang, to the tune of “My Yiddishe Mama,” “My Yiddish Mau-Mau,” a reference to an anti-British rebellion in Kenya.
At another roast, Joey Bishop said he’d “never been so embarrassed” in his life as when he met Davis in synagogue. When the rabbi came in, Bishop said, “Sammy jumped up and hollered, ‘Here come the judge!’”
This cringeworthy line was delivered by Davis himself in a show at the Copa: “I don’t know whether to be shiftless and lazy, or smart and stingy.”
Some of these jokes implied that it was preposterous for a Black man to convert to Judaism. But for Sammy Davis Jr., being Jewish “was the most logical thing in the world,” historian Rebecca L. Davis told me. “Over and over again, he made this analogy between being Jewish and African American. He was very admiring of the Jewish millennia-long struggle against oppressors and overcoming all kinds of obstacles.” He saw himself as “an outsider and very marginalized, and he could see in the Jewish experience a similarity that really drew him in emotionally.”
Davis, a history professor at the University of Delaware (and no relation to Sammy), has done extensive research on the entertainer’s conversion, his career and how he was perceived. Her article, “‘These Are a Swinging Bunch of People’: Sammy Davis, Jr., Religious Conversion, and the Color of Jewish Ethnicity,” appeared in the American Jewish History journal in 2016, and she included a chapter about him in her 2021 book, Public Confessions: The Religious Conversions That Changed American Politics. Her take is that Davis was not only one of the most successful entertainers of the 20th century despite the many racist barriers in his way, but that his Jewish faith was utterly genuine.
The fateful accident
Davis lost his eye when he crashed his car driving home to California from Las Vegas in November 1954. One of several stories about what sparked Davis’ path to conversion originates with the aftermath of the accident. He wrote in his 1965 autobiography, Yes I Can, that his friends Tony Curtis, who was Jewish, and Janet Leigh, who was not, arrived at the hospital and Leigh gave him a religious medal with St. Christopher on one side and a Star of David on the other. “Hold tight and pray and everything will be all right,” Leigh told him.
Davis later told Alex Haley in a Playboy interview that he gripped the object so tightly that the Star of David left a scar on his hand, “like a stigmata.” He took it as a sign that he should convert.
Davis also felt that he owed his career to a Jewish man, Eddie Cantor, who ironically had been one of vaudeville’s best-known blackface performers; Cantor’s act earned him a spot with the Ziegfeld Follies. Decades later, Cantor gave Davis his first big break, a solo televised appearance on the Colgate Comedy Hour in 1952, and became a father figure to him. “He saw Cantor’s Jewishness as part of what made Cantor a good person,” said Rebecca Davis.
In another version of how his car accident led to his conversion, Sammy Davis said that a mezuzah Cantor gave him had mistakenly been left behind in a hotel room the day of the crash. That story transformed the mezuzah “into a talisman,” Rebecca Davis observed, another signpost on the road to his conversion.
Identifying as a Jew
In his memoir, Sammy Davis recalled Rabbi Max Nussbaum, of Temple Israel in Hollywood, telling him, “We cherish converts, but we neither seek nor rush them.” But he began to publicly identify as Jewish before formally converting. In 1959 he refused to film scenes for the movie Porgy and Bess on Yom Kippur, while Ebony ran a photo of him holding Everyman’s Talmud.
He also repeatedly compared the oppression of Jews to that of African Americans. In his 1989 book, Why Me?, he wrote that he was “attracted by the affinity between the Jew and the Negro. The Jews had been oppressed for three thousand years instead of three hundred but the rest was very much the same.” When he visited the Wailing Wall in 1969, he said Israel was his “religious home.”
The reception from Black audiences
American Jews by and large loved him, and his reception in the Jewish press, including the Forward, was also positive, Rebecca Davis said. But it was more complicated for Black media. On the one hand, she said, he was “this exemplar of Black success, very wealthy, very famous, very successful” in an era of rampant racism.
On the other hand, there was “confusion and anger” about why — as a prominent Black activist who joined marches, raised money and was the United Negro College Fund’s largest donor — Sammy Davis so often connected the civil rights cause to Judaism. While there were a “disproportionate number of Jews who were passionate about civil rights and were willing to put their personal safety on the line to stand up for civil rights,” at the same time, Jews were part of a “broader American culture that saw African Americans as inferiors. That was the prevailing cultural norm among white people in the 1950s,” Rebecca Davis said. Other critics felt that he had converted to ingratiate himself with whites as a way to get ahead.
And when he “let himself be the joke” as part of the Rat Pack — a loose ensemble of performers that included Dean Martin, Frank Sinatra and Peter Lawford — that “really angered a lot of African Americans who saw him more as performing for white audiences than for Black audiences.”
He formally converted with Britt shortly before their wedding in 1960. She was as serious about it as he was, making sure, even after they were divorced, that their children went to Hebrew school and that their son was bar mitzvahed.
Disinvited from JFK’s inauguration
But their marriage also resulted in one of the most painful episodes of his life, when he was disinvited from John F. Kennedy’s presidential inauguration. The Democratic coalition that elected JFK included Southern white Democrats, and they did not want a Black man married to a white woman performing at the celebration. “They forced Davis out,” Rebecca Davis said. “He was so stung by that. Here he was on stage and on film with Dean Martin and Frank Sinatra and the biggest stars of the day, and they all got to go to the inauguration, but he didn’t.”
That rejection helps explain Davis’ subsequent embrace of Richard Nixon. “Nixon, who was politically very devious, figured he could use Sammy Davis as a token African American supporter by overdoing it and inviting him to sleep in the Lincoln bedroom,” Rebecca Davis said. That made him the first Black man to spend the night as a guest in the White House.
Some African Americans saw Davis’ alignment with Nixon and the Republicans as a betrayal. Harry Belafonte and Sidney Poitier stopped returning his phone calls, Rebecca Davis wrote, and a year or two after he performed at the 1972 Republican National Convention, he was booed at an event organized by Jesse Jackson.
He responded to the boos by saying, “I get it. I understand. But I need you to know, I always did it my way. It’s the only way I’ve got,” Rebecca Davis said. “Then he sang ‘I’ve Gotta Be Me,’ and they gave him a standing ovation.”
A steadfast Jew until the end
His third wife, Altovise, was a churchgoer, but Sammy Davis remained a steadfast Jew until the day he died. Everything he said about Judaism “was said with the utmost sincerity,” Rebecca Davis said. “He never once looked back and said, ‘Oh, that was just a phase I was going through.’ And he never talked about it in terms of his career. He only talked about it as something that spoke to him on a deep level.”
Davis died of throat cancer in 1990 at age 64. Sinatra, Berle, Liza Minnelli, Stevie Wonder, Dionne Warwick and many other celebrities were among thousands of mourners who backed up traffic for 8 miles en route to the funeral at Forest Lawn Memorial Park in LA. Rabbi Allen Freehling presided at the service, but the eulogy was given by Jesse Jackson.
“To love Sammy was to love Black and white, Black and Jew,” he said, “and to embrace the human family.”
The service also included one last standing ovation for Davis, when they played a recording of – what else? – “I’ve Gotta Be Me.”
Beth Harpaz is a reporter for the Forward. She previously worked for The Associated Press, first covering breaking news and politics, then as AP Travel editor. Email: harpaz@forward.com.
This article was originally published on the Forward
Features
ClarityCheck: Securing Communication for Authors and Digital Publishers
In the world of digital publishing, communication is the lifeblood of creation. Authors connect with editors, contributors, and collaborators via email and phone calls. Publishers manage submissions, coordinate with freelance teams, and negotiate contracts online.
However, the same digital channels that enable efficient publishing also carry risk. Unknown contacts, fraudulent inquiries, and impersonation attempts can disrupt projects, delay timelines, or compromise sensitive intellectual property.
This is where ClarityCheck becomes a vital tool for authors and digital publishers. By allowing users to verify phone numbers and email addresses, ClarityCheck enhances trust, supports safer collaboration, and minimizes operational risks.
Why Verification Matters in Digital Publishing
Digital publishing involves multiple types of external communication:
- Manuscript submissions
- Editing and proofreading coordination
- Author-publisher negotiations
- Marketing and promotional campaigns
- Collaboration with illustrators and designers
In these workflows, unverified contacts can lead to:
- Scams or fraudulent project offers
- Intellectual property theft
- Miscommunication causing delays
- Financial loss due to fraudulent payments
- Unauthorized sharing of sensitive drafts
Platforms like Reddit feature discussions from authors and freelancers about using verification tools to safeguard their work. This highlights the growing awareness of digital safety in creative industries.
What Is ClarityCheck?
ClarityCheck is an online service that enables users to search for publicly available information associated with phone numbers and email addresses. Its primary goal is to provide additional context about a contact before initiating or continuing communication.
Rather than relying purely on intuition, authors and publishers can access structured information to assess credibility. This proactive approach supports safer project management and protects intellectual property.
You can explore community feedback and discussions about the service here: ClarityCheck
Key Benefits for Authors and Digital Publishers
1. Protecting Manuscript Submissions
Authors often submit manuscripts to multiple editors or publishers. Before sharing full drafts:
- Verify the contact’s legitimacy
- Ensure the communication aligns with known publishing entities
- Reduce risk of unauthorized distribution
A quick lookup can prevent time-consuming disputes and protect original content.
2. Safeguarding Collaborative Projects
Digital publishing frequently involves external contributors such as:
- Illustrators
- Designers
- Editors
- Ghostwriters
Verification ensures all collaborators are trustworthy, minimizing the chance of intellectual property theft or miscommunication.
3. Enhancing Marketing and PR Outreach
Promoting a book or digital publication often involves connecting with:
- Bloggers
- Reviewers
- Book influencers
- Digital media outlets
Before sharing press kits or marketing materials, verifying email addresses or phone contacts adds confidence and prevents potential misuse.
How ClarityCheck Works
While the internal system is proprietary, the user workflow is straightforward and efficient:
| Step | Action | Outcome |
| 1 | Enter phone number or email | Search initiated |
| 2 | Aggregation of publicly available data | Digital footprint analyzed |
| 3 | Report generated | Structured overview presented |
| 4 | Review by user | Informed decision before engagement |
The platform’s simplicity makes it suitable for authors and publishing teams, even those with limited technical expertise.
Integrating ClarityCheck Into Publishing Workflows
Manuscript Submission Process
- Receive submission request
- Verify contact via ClarityCheck
- Confirm identity of editor or publisher
- Share draft or proceed with collaboration
Collaboration with Freelancers
- Initiate project with external contributors
- Run ClarityCheck to verify email or phone number
- Establish project agreement
- Begin content creation safely
Marketing Outreach
- Contact media or reviewers
- Verify digital identity
- Share promotional materials with confidence
Ethical and Privacy Considerations
While ClarityCheck provides useful context, it operates exclusively using publicly accessible information. Authors and publishers should always:
- Respect privacy and data protection regulations
- Use results responsibly
- Combine verification with personal judgment
- Avoid sharing sensitive data with unverified contacts
Responsible use ensures the platform supports security without compromising ethical standards.
Real-World Use Cases in Digital Publishing
Scenario 1: Verifying a New Editor
An author is contacted by an editor claiming to represent a small publishing house. Running a ClarityCheck report confirms the email domain aligns with publicly available information about the company, reducing risk before signing an agreement.
Scenario 2: Screening Freelance Illustrators
A digital publisher seeks an illustrator for a children’s book. Before sharing project details or compensation terms, ClarityCheck verifies contact information, ensuring the artist is legitimate.
Scenario 3: Marketing Outreach Safety
A self-publishing author plans a social media and email campaign. Verifying influencer or reviewer contacts helps prevent marketing materials from reaching fraudulent accounts.
Why Verification Strengthens Publishing Operations
In digital publishing, speed and creativity are essential, but they must be balanced with security:
- Protect intellectual property
- Maintain trust with collaborators
- Ensure financial transactions are secure
- Prevent delays due to miscommunication
Verification tools like ClarityCheck integrate seamlessly, allowing authors and publishing teams to focus on creation rather than risk management.
Final Thoughts
In a world where publishing is increasingly digital and collaborative, verifying contacts is not just prudent — it’s necessary.
ClarityCheck empowers authors, editors, and digital publishing professionals to confidently assess phone numbers and email addresses, protect their intellectual property, and streamline communication.
Whether managing manuscript submissions, coordinating external contributors, or launching marketing campaigns, integrating ClarityCheck into your workflow ensures clarity, safety, and professionalism.
In digital publishing, trust is as important as creativity — and ClarityCheck helps safeguard both.
Features
Israel’s Arab Population Finds Itself in Dire Straits
By HENRY SREBRNIK There has been an epidemic of criminal violence and state neglect in the Arab community of Israel. At least 56 Arab citizens have died since the beginning of this year. Many blame the government for neglecting its Arab population and the police for failing to curb the violence. Arabs make up about a fifth of Israel’s population of 10 million people. But criminal killings within the community have accounted for the vast majority of Israeli homicides in recent years.
Last year, in fact, stands as the deadliest on record for Israel’s Arab community. According to a year-end report by the Center for the Advancement of Security in Arab Society (Ayalef), 252 Arab citizens were murdered in 2025, an increase of roughly 10 percent over the 230 victims recorded in 2024. The report, “Another Year of Eroding Governance and Escalating Crime and Violence in Arab Society: Trends and Data for 2025,” published in December, noted that the toll on women is particularly severe, with 23 Arab women killed, the highest number recorded to date.
Violence has expanded beyond internal criminal disputes, increasingly affecting public spaces and targeting authorities, relatives of assassination targets, and uninvolved bystanders. In mixed Arab-Jewish cities such as Acre, Jaffa, Lod, and Ramla, violence has acquired a political dimension, further eroding the fragile social fabric Israel has worked to sustain.
In the Negev, crime families operate large-scale weapons-smuggling networks, using inexpensive drones to move increasingly advanced arms, including rifles, medium machine guns, and even grenades, from across the borders in Egypt and Jordan. These weapons fuel not only local criminal feuds but also end up with terrorists in the West Bank and even Jerusalem.
Getting weapons across the border used to be dangerous and complex but is now relatively easy. Drones originally used to smuggle drugs over the borders with Egypt and Jordan have evolved into a cheap and effective tool for trafficking weapons in large quantities. The region has been turning into a major infiltration route and has intensified over the past two years, as security attention shifted toward Gaza and the West Bank.
The Negev is not merely a local challenge; it serves as a gateway for crime and terrorism across Israel, including in cities. The weapons flow into mixed Jewish-Arab cities and from there penetrate the West Bank, fueling both organized crime and terrorist activity and blurring the line between them.
The smuggling of weapons into Israel is no longer a marginal criminal phenomenon but an ongoing strategic threat that traces a clear trail: from porous borders with Egypt and Jordan, through drones and increasingly sophisticated smuggling methods, into the heart of criminal networks inside Israel, and in a growing number of cases into lethal terrorist operations. A deal that begins as a profit-driven criminal transaction often ends in a terrorist attack. Israeli police warn that a population flooded with illegal weapons will act unlawfully, the only question being against whom.
The scale of the threat is vast. According to law enforcement estimates, up to 160,000 weapons are smuggled into Israel each year, about 14,000 a month. Some sources estimate that about 100,000 illegal weapons are circulating in the Negev alone.
Israeli cities are feeling this. Acre, with a population of about 50,000, more than 15,000 of them Arab, has seen a rise in violent incidents, including gunfire directed at schools, car bombings, and nationalist attacks. In August 2025, a 16-year-old boy was shot on his way to school, triggering violent protests against the police.
Home to roughly 35,000 Arab residents and 20,000 Jewish residents, Jaffa has seen rising tensions and repeated incidents of violence between Arabs and Jews. In the most recent case, on January 1, 2026, Rabbi Netanel Abitan was attacked while walking along a street, and beaten.
In Lod, a city of roughly 75,000 residents, about half of them Arab, twelve murders were recorded in 2025, a historic high. The city has become a focal point for feuds between crime families. In June 2025, a multi-victim shooting on a central street left two young men dead and five others wounded, including a 12-year-old passerby. Yet the killing of the head of a crime family in 2024 remains unsolved to this day; witnesses present at the scene refused to testify.
The violence also spilled over to Jewish residents: Jewish bystanders were struck by gunfire, state officials were targeted, and cars were bombed near synagogues. Hundreds of Jewish families have left the city amid what the mayor has described as an “atmosphere of war.”
Phenomena that were once largely confined to the Arab sector and Arab towns are spilling into mixed cities and even into predominantly Jewish cities. When violence in mixed cities threatens to undermine overall stability, it becomes a national problem. In Lod and Jaffa, extortion of Jewish-owned businesses by Arab crime families has increased by 25 per cent, according to police data.
Ramla recorded 15 murders in 2025, underscoring the persistence of lethal violence in the city. Many victims have been caught up in cycles of revenge between clans, often beginning with disputes over “honour” and ending in gunfire. Arab residents describe the city as “cursed,” while Jewish residents speak openly about being afraid to leave their homes
Reluctance to report crimes to the authorities is a central factor exacerbating the problem. Fear of retaliation by families or criminal organizations deters victims and their relatives from coming forward, contributing to a clearance rate of less than 15 per cent of all murders. The Ayalef report notes that approximately 70 per cent of witnesses refused to cooperate with police investigations, citing doubts about the state’s ability to provide protection.
Violence in Arab society is not just an Arab sector problem; it poses a direct and serious threat to Israel’s national security. The impact is twofold: on the one hand, a rise in crime that affects the entire population; on the other, the spillover of weapons and criminal activity into terrorism, threatening both internal and regional stability. This phenomenon reached a peak in 2025, with implications that could lead to a third intifada triggered by either a nationalist or criminal incident.
The report suggests that along the Egyptian and Jordanian borders, Israel should adopt a technological and security-focused response: reinforcing border fences with sensors and cameras, conducting aerial patrols to counter drones, and expanding enforcement activity.
This should be accompanied by a reassessment of the rules of engagement along the border area, enabling effective interdiction of smuggling and legal protocols that allow for the arrest and imprisonment of offenders. The report concludes by emphasizing that rising violence in cities, compounded by weapons smuggling in the Negev, is eroding Israel’s internal stability.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
Features
The Chapel on the CWRU Campus: A Memoir
By DAVID TOPPER In 1964, I moved to Cleveland, Ohio to attend graduate school at Case Institute of Technology. About a year later, I met a girl with whom I fell in love; she was attending Western Reserve University. At that time, they were two entirely separate schools. Nonetheless, they share a common north-south border.
Since Reserve was originally a Christian college, on that border between the two schools there is a Chapel on the Reserve (east) side, with a four-sided Tower. On the top of the Tower are three angels (north, east, & south) and a gargoyle (west); the latter therefore faces the Case side. Its mouth is a waterspout – and so, when it rains, the gargoyle spits on the Case side. The reason for this, I was told, is that the founder of Case, Leonard Case Jr., was an atheist.
In 1968, that girl, Sylvia, and I got married. In the same year the two schools united, forming what is today still Case Western Reserve University (CWRU). I assume the temporal proximity of these two events entails no causality. Nevertheless, I like the symbolism, since we also remain married (although Sylvia died almost 6 years ago).
Speaking of symbolism: it turns out that the story told to me is a myth. Actually, Mr. Case was a respected member of the Presbyterian Church. Moreover, the format of the Tower is borrowed from some churches in the United Kingdom – using the gargoyle facing west, toward the setting sun, to symbolize darkness, sin, or evil. It just so happens that Case Tech is there – a fluke. Just a fluke.
We left Cleveland in 1970, with our university degrees. Harking back to those days, only once during my six years in Cleveland, was I in that Chapel. It was the last day before we left the city – moving to Winnipeg, Canada – where I still live. However, it was not for a religious ceremony – no, not at all. Sylvia and I were in the Chapel to attend a poetry reading by the famed Beat poet, Allen Ginsberg.
My final memory of that Chapel is this. After the event, as we were walking out, I turned to Sylvia and said: “I’m quite sure that this is the first and only time in the entire long history of this solemn Chapel that those four walls heard the word ‘fuck’.” Smiling, she turned to me and said, “Amen.”
This story was first published in “Down in the Dirt Magazine,”
vol, 240, Mars and Cotton Candy Clouds.