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Red Pins at the Oscars: Is the Call for a Ceasefire Antisemitic?
Director Jonathan Glazer, of the United Kingdom, poses with the Oscar for Best International Feature Film for “The Zone of Interest” in the Oscars photo room at the 96th Academy Awards in Hollywood, Los Angeles, California, US, March 10, 2024. Photo: REUTERS/Carlos Barria
JNS.org – A handful of celebrities wore ceasefire pins to the annual Academy Awards ceremony in California on March 10. The red pins represent the organization Artists 4 Ceasefire, which has crafted a letter to U.S. President Joe Biden that has been signed by roughly 400 actors, musicians and other Hollywood personalities. Many pro-Israel activists have taken issue with the pins, some alleging that their wearers are expressing subtle, if not blatant, antisemitism.
While it may be true that some of the signatories to the Artist 4 Ceasefire letter are indeed antisemitic, it is also certain that many of those who have taken up the ceasefire cause—both Hollywood luminaries and average citizens—are motivated not by any animus to Jews, per se, but by an underlying opposition to war of any kind. To recognize this is not to justify or validate the calls for a ceasefire, but it is an important distinction to make for a number of reasons.
First, it is important to reserve the label of antisemite for those who are actually hateful of Jews. To ascribe this virulent bias to those to whom it does not apply isn’t helpful to the Jewish and/or Israeli cause. It waters down the term by equating true racists with those who oppose the war in Gaza for less malicious reasons. It also deafens the public to genuine claims of antisemitism by crying wolf too often. Furthermore, it immediately alienates those who are falsely accused and decreases the likelihood of productive dialogue in which they may be willing to hear an alternate perspective and eventually alter their opinion.
In order to effectively communicate with those who are calling for a ceasefire for reasons other than antisemitism, it is important to maintain objectivity and to discern their authentic motives and feelings. While Jews generally, and Israelis in particular, are extremely sensitive to the ultimate ramifications and consequences of a ceasefire, many who have no direct relationship to the conflict are not. A ceasefire to the vast majority of Israelis (and to the 82% of Americans who support Israel’s continued war against Hamas) means the following:
Hamas will be left intact to commit future Oct. 7-style massacres as they have stated explicitly that they will do;
The 130-some hostages that remain in captivity will not be released;
And the Iranian mullahs, the Muslim Brotherhood and other fascistic extremist groups around the world will be emboldened to carry out further terrorist attacks throughout the world.
There are certainly those within the ceasefire camp who understand these consequences and continue to assail Israel’s right to defend itself because of an antipathy for Jews and/or the Jewish state. Yet to many Western liberals, including some percentage of the 400 Hollywood figures who signed the Artists 4 Ceasefire letter and/or wore red pins to the Oscars, a ceasefire means, quite simply, the end of war and the cessation of civilian casualties. This, in itself, is a noble goal. If one genuinely believes that a ceasefire will result in this humane outcome, then one would be callous to ignore the suffering and horror of war, and to refrain from advocating for a stoppage of violence.
Yet this belief is shortsighted and unrealistic. The reality, of course, is that a ceasefire will result not in fewer casualties but in far more deaths and carnage. Left in power, Hamas will not only regroup and commit further atrocities against both Jews and Palestinians alike; it, along with a host of other terrorist organizations and Iranian proxies, will be emboldened by what it will deem a victory against Israel and the West. This is not merely speculation. The U.S. director of national intelligence, Avril Haines, testified on Monday that groups like ISIS and Al-Qaeda have been motivated by Oct. 7, and this will occasion an upsurge in terrorist attacks around the world. Anything less than a crushing and disabling defeat of Hamas will thus beget additional bloodshed for years and possibly decades to come.
Hollywood endings do not exist outside of Hollywood.
Rather than antisemitism, the refusal of many ceasefire activists to acknowledge this reality can be attributed to naiveté and wishful thinking. The opposition to war and an aversion to violence are shared by all people of morality and conscience. War is indeed horrific, and innocents necessarily suffer—particularly in a case where combatants knowingly embed themselves in civilian populations to exploit them as human shields. Yet there is a time when inaction is not an option. There is a time when a country must defend itself against an enemy that refuses to coexist peacefully. The choice for Israel is not peace or war; it is war now or the inevitable massacre of its innocent civilians again and again until the implacable threat is eliminated once and for all.
It is the obvious reality of Israel’s impossible conundrum that makes it easy to ascribe malice and bias to those promoting a ceasefire: The heinous acts of Oct. 7 (all recorded, publicized, and then scrubbed and denied by the perpetrators); the continued captivity of more than 130 kidnapped and brutalized hostages; the explicit guarantees of future massacres; the clear historic record of Israeli concessions and attempts at peaceful coexistence all met with additional violence and intransigence; the documented indoctrination of Palestinian children with hatred and bloodlust for their Jewish neighbors. How is it possible that a rational person could assess these facts and determine that Israel should be hamstrung in its efforts to finally resolve this conflict by eliminating those who have perpetuated it for generations, and who promise to perpetuate it until there is not a single Jew that remains anywhere in the land?
Yet Hollywood is not known for its moral clarity, and artists are not generally admired for their rationality. They are, rather, feted for their creativity and the pathos that is reflected in their imaginative work. Artists are dreamers, not realists. Israelis, on the contrary, do not have the luxury of indulging in fantasy and ignoring the cold, hard reality that comes from living on the front lines. While all people of hope are inclined to dream of a time of peace, Israelis have long been disabused of the notion that laying down weapons will foster harmony. Sadly, there are those who respect nothing more than force and who perceive any attempt at reconciliation as a sign of weakness and an invitation to further aggression.
Hollywood is not known for its moral clarity, and artists are not generally admired for their rationality.
Western liberals, of whom the Hollywood elite are frequently the most vocal and visible representatives and mouthpieces, do not understand the culture of death and radicalism that pervades Hamas and other terrorist fundamentalists. They are under the thrall of the parochial illusion that all populations think and believe as we do. They are convinced that just as we value life, liberty and the pursuit of happiness, so do those who refer to America as the Great Satan. If only we would lay down our weapons and extend our arms to them, then they would abandon their grievances and welcome our embrace. But Hollywood endings do not exist outside of Hollywood.
Israel supporters and Jews worldwide are facing the greatest challenge they have known in generations. Oct. 7 was the largest massacre of Jews since the Holocaust, and in the past five months, antisemitic incidents have skyrocketed by hundreds of percentages across the Western world. There is certainly the need for vigilance and the development of strategies to combat the resurgence of antisemitism in places where it was erroneously thought to be no more. Yet simultaneously, we must be careful not to cry wolf and misidentify the motives of those who have been misinformed or who have not yet taken the time to rationally evaluate the long-term outcomes of their position.
War is horrific, and the cessation of violence is absolutely the proper goal. Yet were the signatories of the Artists 4 Ceasefire letter presented with the facts of the conflict and reality of the long-term consequences of Israel’s inability to finish Hamas, there is reason to believe that at least some of the red pins would be replaced by yellow ribbons. If one truly cares for humanity—for the lives of Jews, Palestinians, and people of all backgrounds and persuasions—then the only answer is to fight against those who refuse to coexist and to cease fire only when they are unable to murder, maim, rape and torture those who do not accept their tyrannical rule.
The post Red Pins at the Oscars: Is the Call for a Ceasefire Antisemitic? first appeared on Algemeiner.com.
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Syria to Give UN Watchdog Inspectors Access to Suspected Former Nuclear Sites as New Regime Seeks Sanctions Relief
International Atomic Energy Agency (IAEA) Director General Rafael Grossi speaks to the media, in Tehran, Iran, April 17, 2025. Photo: Iranian Atomic Organization/WANA (West Asia News Agency)/Handout via REUTERS
Syria’s new government has agreed to provide the International Atomic Energy Agency (IAEA) — the United Nations’ nuclear watchdog — with immediate access to former nuclear sites, signaling a move to restore international trust as it hopes to have international sanctions lifted.
On Wednesday, IAEA Director-General Rafael Grossi told the Associated Press that Syrian President Ahmad al-Sharaa has shown a “very positive disposition to talk to us and allow us to carry out the activities we need to.”
After meeting with Sharaa in Damascus, he expressed hope that the inspection process would be completed within the coming months.
The IAEA’s goal is “to bring total clarity over certain activities that took place in the past that were, in the judgment of the agency, probably related to nuclear weapons,” Grossi said.
He also noted that Syria’s new leadership is “committed to opening up to the world, to international cooperation.”
Last year, the IAEA conducted inspections at several sites of interest in Damascus while former President Bashar al-Assad was still in power.
Under Assad’s rule, the country was believed to have operated a secret nuclear program, which included an undeclared nuclear reactor built by North Korea in Deir el-Zour province, in eastern Syria — a fact that was revealed after Israel destroyed the facility in a 2007 airstrike.
Since the collapse of Assad’s regime in December, the IAEA has been looking to regain access to sites associated with the country’s nuclear program.
In addition to conducting inspections, Grossi said the agency is prepared to provide Syria’s new government with equipment for nuclear medicine and to help rebuild the country’s radiotherapy and oncology infrastructure.
“And the president has expressed to me that he’s interested in exploring, in the future, nuclear energy as well,” Grossi said.
Last month, US President Donald Trump announced the lifting of sanctions on Syria — a major policy shift that aligns with the European Union’s efforts to support the country’s recovery and political transition.
As Sharaa focuses on rebuilding Syria after years of conflict, the lifting of Western sanctions that isolated the country from the global financial system is expected to boost its weakened economy by paving the way for greater humanitarian aid, foreign investment, and international trade.
Earlier this year, Sharaa became Syria’s transitional president after leading the rebel campaign that ousted Assad, whose Iran-backed rule had strained ties with the Arab world during the nearly 14-year Syrian war.
The offensive that led to the fall of the Assad regime was spearheaded by Sharaa’s Islamist Hayat Tahrir al-Sham (HTS) group, a former al-Qaeda affiliate.
Since then, Sharaa has repeatedly pledged to unify Syria’s armed forces and restore stability after years of civil war. However, the new government continues to face major hurdles in convincing the international community of its commitment to peace.
Incidents of sectarian violence — including the mass killing of pro-Assad Alawites in March — have deepened fears among minority groups about the rise of Islamist factions and drawn condemnation from global powers currently engaged in discussions on sanctions relief and humanitarian aid.
The post Syria to Give UN Watchdog Inspectors Access to Suspected Former Nuclear Sites as New Regime Seeks Sanctions Relief first appeared on Algemeiner.com.
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Barcelona’s Primavera Sound Music Festival Showcases Tunnel Installation That Simulates Gaza Bombings
An outside view of the “Unsilence Gaza” installation at the 2025 Primavera Sound music festival. Photo: Screenshot
A reproduction of a tunnel that simulates the sound of bombings in the Gaza Strip is being showcased this year at Barcelona’s annual Primavera Sound music festival, which opened on Wednesday.
The unique installation, titled “Unsilence Gaza,” allows visitors to walk through a dark tunnel-like path where they hear noises of explosions as well as dramatic, ominous music. At the end of the tunnel, there is a wall with a message that says in English, Spanish, and Catalan: “Silence isn’t the opposite of the sound of bombs, it allows them to happen.” The outside of the installation features the message: “When everything blows up, don’t hide in the silence.”
The installation makes no mention of the Gaza-based Hamas terrorist organization that started the ongoing war with Israel after it orchestrated the deadly, mass terror attack across southern Israel on Oct. 7, 2023.
UNSILENCE GAZA #PrimaveraSound2025 Instalación de 15 metros de túnel que simula el ruido de un bombardeo a Gaza en el festival de #primaverasound de #barcelona pic.twitter.com/L7XnpF06u1
— Barcelona.lives (@BarcelonaLives) June 4, 2025
The installation was designed by Palestinian sound engineer Oussama Rima and is located by the main entrance of the annual music festival, held at the Parc del Fòrum. T-shirts and sweatshirts with the words “Unsilence Gaza” are also being sold at the festival and proceeds from the sales will be donated to the Palestinian Medical Relief Society to support emergency medical aid.
The Primavera Sound Foundation said on its website that the installation aims to remind people about the power of sound and how, especially in Gaza, it is associated with pain, fear, “torture and trauma.”
“We have normalized seeing war, but not listening to it,” the foundation said. “We live in a world saturated with violent images. Hypervisibility has anaesthetised us: we see, but we do not react. Sound, on the other hand, can still move us. At Primavera Sound, sound is emotion, connection, pleasure. But sound can also be the opposite: it can become a weapon. With this installation, we want to remind you that in Gaza and other parts of the world, sound is pain. It is fear. It is torture and trauma.”
In its statement, the foundation made no mention of Hamas or Israel. Instead, it talked about “genocide,” increased military spending, “warmongering rhetoric and attempts to criminalize and silence voices that defend peace.” The installation was conceptualized by the non-profit organizations Casa Nostra, Casa Vostra and the International Institute for Nonviolent Action (NOVACT), with support from the Primavera Sound Foundation.
More than 150 artists will perform at the Primavera Sound music festival this year including Sabrina Carpenter, Charli XCX, Troye Sivan, Chappell Roan, FKA Twigs, HAIM, Fontaines D.C., IDLES and Magdalena Bay.
The post Barcelona’s Primavera Sound Music Festival Showcases Tunnel Installation That Simulates Gaza Bombings first appeared on Algemeiner.com.
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Sephardic Jewish Film Festival in NYC to Feature Array of Movies Celebrating Culture, Tradition, History
A promotional image for the film “Giado: Holocaust in the Desert” being screened at the 2025 New York Sephardic Jewish Film Festival. Photo: Provided
The New York Sephardic Jewish Film Festival (NYSJFF), also known as the Sephardic Film Festival, returns to New York on Sunday for a week-long celebration of films that spotlight the traditions, cultures, and histories of Sephardic Jews.
This year’s festival will features documentaries, feature films, and shorts that highlight stories set in Israel, Morocco, France, Turkey, and more. It kicks off on Sunday night with a Pomegranate Awards ceremony, whose honorees will include French-born Israeli singer Yael Naim, Iranian-American writer Roya Hakakian, and French-Tunisian actor and screenwriter Michel Boujenah. Acclaimed Brazilian Jewish singer-songwriter Fortuna will receive the ASF Pomegranate Lifetime Achievement Award for Preservation of Sephardic Culture. Fortuna will also perform at the opening night ceremony with Trio Mediterraneo and special guest Frank London, a Grammy-winning trumpeter and co-founder of The Klezmatics.
NYSJFF is organized by the American Sephardic Federation.
A documentary about Naim will make its world premiere at the film festival on Monday and the screening will be followed by a Q&A with Naim and the film’s director, Jill Coulon. Also screening on Monday is the 1985 French comedy “Three Men and a Cradle” starring Boujenah, who will participate in a Q&A after the screening. Boujenah won the coveted César Award for best supporting actor for his role in the film, which is about three adult friends who are enjoying their single life until they get stuck taking care of a baby.
The Sephardic Film Festival will additionally feature the North American premiere of the films “The Last Righteous Man (Baba Sali)” and “Jinxed.” The latter is a Hebrew-language comedy, directed by Hanan Savyon and Guy Amir, about two repairmen who go to fix a television and instead find a dead body in a client’s apartment. They are then mistaken for murder suspects and get mixed up with the mafia and police investigations, as bad luck follows them around.
The Sephardic Film Festival will also host the New York premieres of “Matchmaking 2,” “Neuilly-Poissy” and “The 90s – The Revelry — Hillula,” which was a box office hit in Israel.
The film festival line-up includes “Over My Dead Body,” which explores Persian-American Jewish traditions; a documentary short about efforts to preserve the Ladino language spoken by Sephardic Jews; and a film that highlights the first-hand testimony of Yosef Dadosh who, at the age of 20, was one of 3,000 Libyan Jews deported by the Italians to the Giado concentration camp during the Holocaust.
This year, the Sephardic Film Festival is part of a new, larger cultural festival called Festival Sefarad, which will be a citywide celebration of Sephardic and Mizrahi Jewish communities. Festival Sefarad will include film screening, musical performances, workshops, book talks, and Shabbat dinners throughout the month of June. The festival is organized by the American Sephardic Federation with support from the UJA-Federation of New York.
“Our inspiration to expand the 27th NY Sephardic Jewish Film Festival into the first-ever Festival Sefarad is the acute need, in the face of so much adversity and antisemitism, to create communal, intellectual, and cultural events that bring all Jews together,” Jason Guberman, executive director of the American Sephardi Federation, said in a statement. “With the support of the UJA-Federation of NY and 50 organizations throughout Brooklyn, Manhattan, Long Island, and Queens, the ASF is hosting over 40 events that showcase the dynamism, resilience, and joy of the Greater Sephardic world for Jews of all backgrounds and friends.”
The 27th New York Sephardic Jewish Film festival runs from June 8-June 15. The festival concludes with a live concert by legendary artist Enrico Macias. Tickets for the film festival are available online. The annual festival, which started in 1990, has previously screened films from Morocco, India, Yemen, Kurdistan, and more.
The post Sephardic Jewish Film Festival in NYC to Feature Array of Movies Celebrating Culture, Tradition, History first appeared on Algemeiner.com.
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