Local News
Méira Cook’s latest novel is arguably her most “Jewish” one yet
Review by BERNIE BELLAN I’ve been following the career of poet and novelist Méira Cook ever since her name was first mentioned in this paper in an article written by my niece, Suzy Waldman, in 1995. At that time Méira (who is named for her late grandfather, Meir) noted that she had been sticking with poetry to that point, but was now considering switching to prose.
Well, what a transition it’s been. With the release of her first novel, “The House on Sugarbush Road,” in 2012, Méira has climbed near the top of the list of Manitoba’s most successful novelists. (That book won the McNally Robinson Prize for Book of the Year, by the way.)
In my review of “Sugarbush,” I noted that I was astonished by Méira’s facility with language, and I referenced her own description of having grown up in South Africa, having been exposed to the “snap and crackle of language”, whether it was spoken by whites or blacks.
That ear for language carried forward into Méira’s next novel, “Nightwatching,” which was released in 2015, and which was also set in South Africa. That book won the Margaret Laurence Award for Fiction.
Then, in 2017, Méira released her first novel set in her newly adopted home of Winnipeg, “Once More With Feeling.” I noted in my review of that book though that, if you haven’t read either of Méira’s prior novels, be forewarned:
“None of them unfold in a methodical, easy-to-understand pattern. As a matter of fact, the various chapters in ‘Once More With Feeling’ are largely disconnected. Characters are introduced, only to disappear for long stretches, sometimes appearing later in the book, at other times simply vanishing.”
Now though, Méira has, at long last, written a novel titled “The Full Catastrophe,” that might perhaps be the most accessible of all her novels to readers, in that it follows a more linear path in which characters remain throughout the novel without disappearing for long stretches. Like her three previous novels, however, “The Full Catastrophe” builds to a crescendo – and in this case, it revolves around a bar mitzvah.
Having said that, it must be apparent that this novel is the most clearly “Jewish” of any of Méira’s now four novels. The principal character, Charlie Minkoff, is a 13-year-old boy, who is born with “intersex” traits. Although Charlie clearly identifies as a boy, he is hampered by the ambiguity that his chromosomes have rendered.
Charlie though has a loving relationship with his zaida Oscar, who adores the boy and offers him the kind of emotional support that he so desperately needs.
Charlie’s mother, Jules Minkoff, on the other hand, is so completely involved in her own artistic pursuits that she leaves Charlie to fend for himself in the tenement building in which they live. (Jules, by the way, has lost the ability to speak – and she communicates with Charlie largely by leaving messages for him on a whiteboard.)
There are other characters who offer support to Charlie throughout the novel, particularly Weeza, a rough hewn female truck driver who strives to protect Charlie in the absence of Jules.
As I’ve already noted, Méira Cook is a master of fashioning dialogue. In “The Full Catastrophe” she demonstrates her facility with Yiddish idioms, as expressed by Oscar Minkoff. (Years ago Méira told me that she grew up in a household in South Africa where her grandparents spoke Yiddish. As a matter of fact, Méira speaks several languages, including Afrikaans and a few different black South African dialects. She was also a reporter early on, so being able to craft authentic sounding dialogue is something she honed while she was still quite young.)
Like her other novels, “The Full Catastrophe” is rich in description. Here’s a sample of how the author describes an ice warming hut on a Winnipeg river that Jules Minkoff has designed: “The ice was different from any he’d seen before. He’d been expecting kitchen cubes, the kind that turned opaque when wrenched from their trays. This ice was clear, so transparent he could make out fragile etchings of river scum in its depths – here a haze of silt, there a suspension of foam. The closer he looked the more he could see: a scrim of fish bones, a trail of bubbles, the current folding in on itself.”
In the ten years since Méira released “The House on Sugarbush Road” to today, it seems that she has also developed a keener sense of humour within her writing. Her first two novels, set as they were in South Africa, had as a backdrop the tensions between blacks and whites which pervade that country, and there was always a threat of impending violence within both those books.
“Once More With Feeling” took a decidedly less solemn path and it had several chapters within it that were predominantly humourous, although the book as a whole was quite serious.
In “The Full Catastrophe” Méira often injects entire scenes of dialogue that I told her in an email reminded me of Mordecai Richler in their tone. A good part of the book consists of emails sent back and forth between different characters, including a well-meaning teacher of Charlie’s by the name of Maude Kambaja, who wants Charlie to write an autobiographical essay for class, but who is dissatisfied with how Charlie avoids revealing much about himself.
Ms. Kambaja emails Jules Minkoff regularly to attempt to persuade Jules to exert her influence over Charlie to open up, but Jules consistently retorts in a most amusing and sarcastic manner.
Other characters in the novel, including two of Charlie and Jules’ neighbours in their building, which is known as the “GNC Building” (and from which all the remaining tenants will soon be forced to move as it’s about to be redeveloped), also carry on a hilarious exchange of notes for which Charlie serves as the messenger because they have such a strong dislike for one another.
Yet, through it all – including a crush that Charlie develops on a girl who herself is deeply scarred emotionally, the relationship between Charlie and his zaida is the overriding unifying theme of “The Full Catastrophe.”
Oscar Minkoff is himself a Holocaust survivor and after what he’s endured, he has nothing but compassion for his deeply troubled grandson (whose father abandoned him and his mother shortly after Charlie’s birth to join a Hasidic sect in New York).
Oscar decides that he wants to have a bar mitzvah – something he was never able to have in war-torn Europe, and he wants Charlie to participate with him in the event as well. As part of their preparation, Oscar and Charlie meet with a rabbi, during which they often engage in discussion of Talmudic passages.
(I was deeply impressed by the amount of research Méira put into developing those scenes. See adjoining sidebar for a more detailed examination of her writing process.)
No doubt, based on the past success of Méira’s other novels, “The Full Catastrophe” is going to enjoy a similar reception among her many fans. But, considering the more overtly Jewish storyline of this book, I would rather expect it to do particularly well with a Jewish audience. And, considering that Méira has been quite consistent in producing a new novel every three years for the past 10 years, I can hardly wait for her next one – which should be out in 2025, according to schedule.
“The Full Catastrophe”
Published by House of Anansi Press
376 pages
“The Full Catastrophe” will be publicly launched at McNally Robinson Booksellers on June 16 at 7:30 pm, when Méira Cook will be joined by Alison Gillmor in what Méira describes as “an evening of brilliant repartee, reading, and the joy of seeing each other once again!”
Méira Cook talks about her writing process
By BERNIE BELLAN Once I had finished reading Méira Cook’s latest novel, “The Full Catastrophe” I sent her a series of questions about this particular novel and about her writing process in general.
JP&N: Where did the idea for this particular novel come from? Was it something you had been mulling about for some time? I’m curious how someone with such a fabulous imagination comes up with their ideas?
Méira: My novel is a cross-over story for adults and teenagers about the different ways that masculinity is expressed in our contemporary world — whether religiously, socially, medically and familiarly — as well as the troubling ways that history intersects (collides might be a better word) with the present time. And I wanted to write about the relationship between two unlikely best friends, Oscar and Charlie, grandfather and grandson who, despite their differences in age and experience, love each other dearly.
JP&N: Was Charlie’s zaida based on one of your own grandparents in any way?
Méira: Charlie’s zeide is a product of imagination just as all my characters are. For me the imagination is a more hospitable narrative place than memory is because it owes no debt of accuracy to the dead. What has really delighted me is that some advance readers, including the journalists interviewing me, have shared very positive memories of their own grandparents that were sparked by reading Oscar. That ability for my imagination to connect with others’ memories is always tremendously rewarding.
JP&N: How much research did you have to do about intersex children? It was quite fascinating learning as much as I did from your book.
Méira: I did a great deal of research on intersexuality although I used relatively little of it as I didn’t want to bog down the story with too much exposition. My reading included scholarly texts, history, and memoir. It’s such an important and nuanced subject, and my research taught me so much about the history of intolerance and abuse relating to reassignment surgery, medical interventions, and the sometimes violent societal imposition of gender roles. This reading informed my writing in a fundamental way, but readers won’t come across it directly. My main concern in writing Charlie’s character is that he not be defined by his sexual characteristics. This, in my opinion, would repeat the violent impositions that I was reading about. Charlie’s got so many other interests, concerns, and qualities that have nothing to do with his sex chromosomes.
JP&N: If I have one quibble with the book, it’s that you have Charlie’s zaida constantly calling him “dahlink.” Don’t you think a term like that would only add to Charlie’s insecurity as a boy?
I would have preferred “boychik” as a term of endearment.
Méira: Luckily (and sometimes unluckily) we are not in charge of the terms of endearment offered us! They are what others call us. Oscar is so naturally loving, so open hearted despite his tragic experience in the Holocaust that he is the perfect friend, confidant, and grandparent for Charlie. His words to Charlie are always so filled with love that they could never make the boy feel insecure about anything. We should all be so lucky as to have a zeide like Oscar!
JP&N: I note that in past articles in our paper (beginning with a piece written long ago by my niece, Suzy Waldman), that you’ve stuck to a fairly consistent schedule when it comes to turning out something new: approximately every three years. Do you take a break between writing or do you go at it again immediately after finishing your last project?
Méira: I know many writers take breaks from writing after a large project, and I envy them. I love writing, and I wouldn’t feel healthy or grounded if I didn’t put in my time every day. I don’t work to a schedule until my publisher sets one, but I find the act of writing so necessary that I get out of sorts if I spend time away from my office.
JP&N: It goes without saying that this book is going to receive wide acclaim here in Manitoba. By the way, there were parts of the book that reminded me of Mordecai Richler when you have the email exchanges between various characters (or written notes, as the case may be). Your ability to capture someone through how they send an email, especially Ms. Kambaja, is just so real. You have such a great ear for dialogue. Does that still come from your reporting background?
Méira: Thank you for your kind words, Bernie. I’ve always loved Mordecai Richler, so the comparison is very flattering. I think my sense of dialogue comes from listening to people talk and reading good books. You need to be realistic with dialogue, but not too realistic, as real-life conversations aren’t usually interesting to outsiders. You need to write dialogue that sounds realistic but reads like fiction.
Local News
Two Toronto synagogues attacked over the Canada Day weekend in a window-smashing spree
June 30, 2024 By MICHAEL FRAIMAN (CJN) When members of Pride of Israel Synagogue in Toronto began showing up for Sunday prayer services on the morning of June 30, in the middle of the Canada Day long weekend, they were shocked to discover several windows shattered, holes in their stained glass and stones scattered onto the bimah.
The congregants stood there for a moment, rattled and disappointed. But that didn’t stop them from holding their 9 a.m. services.
“We’re gonna go on,” Carl Zeliger, vice-chairman of the congregation, told The CJN over the phone as the sounds of broken glass cracked under his feet. “Our service continued today. All [the vandal] accomplished was maybe a five-minute delay in the start of our services. We’re gonna continue. This isn’t going to help them.”
The custodian of the building, which is located near the intersection of Steeles Ave. and Bathurst St., first noticed the damage after arriving at 8 a.m. Police were called by 8:30. A forensic team gathered evidence for several hours until they gave the congregation the green light to clean things up.
The attack allegedly occurred earlier that morning. A nearby resident told Zeliger that they were awoken by a loud crash shortly before 3 a.m. According to Zeliger, this neighbour looked out their window and saw a motorcyclist wearing a helmet and speeding away. The neighbour then called the police at 3:02 a.m., according to a Toronto Police Service press release.
Police added that they believe the same suspect attacked the Kehillat Shaarei Torah synagogue at 3:30 a.m., throwing another rock at a window—the third such attack on the Bayview Ave. and Fifeshire Rd. building since mid-April, along with an incident involving a dead raccoon left in its parking lot.
Michael Gilmore, executive director of Kehillat Shaarei Torah, confirmed to The CJN that their video cameras captured on tape the motorcyclist pull up to their shul, remove two small objects from their pockets and throw the objects at their windows.
However, because the synagogue had not yet repaired their windows from the previous attack, this latest suspect merely threw the objects at polycarbonate covers that shielded already-broken glass.
“These three separate attacks have encapsulated the very real and present dangers that the Jewish community across Canada faces daily,” Gilmore told The CJN. “Fortunately, as Jewish generations before us have done, we come together as a community stronger, more united, and with a greater sense of purpose than ever before.”
In their press release, Toronto police confirmed they are treating the investigation as being “a suspected hate-motivated offence” and will be increasing police presence in both areas.
The damage to the Pride of Israel building, Zeliger says, “is quite significant.” The attacker threw two large, heavy rocks through the windows above the main entrance. They also threw a couple smaller stones that pierced (but did not shatter) the stained glass windows that lead to the sanctuary. Those stones ended up on the bimah.
In addition, the attacker seemingly attempted to break a glass door with a different rock, but that door held strong.
As of Sunday afternoon, the congregants had already contacted professionals to fix the glass, and made immediate plans to call their insurance company and review their safety and security protocols.
Pride of Israel Synagogue traces its roots to 1905, when the Pride of Israel Sick Benefit Society was founded in a house on Chestnut Street in downtown Toronto. The grassroots organization sent doctors and money to community members who were sick or in need. The congregation, which describes itself as “traditionally conservative” yet independent of any Jewish denomination, eventually moved into its current building in North York in 1969.
Its name, Zeliger believes, is partly what made it a target in the long aftermath of Oct. 7.
“If you view this as anything other than antisemitism, I don’t think you’re paying attention to the reality today,” he says. “My parents were Holocaust survivors. This hurts. I love my parents, but I’m happy they’re not here to see this.”
This incident makes Pride of Israel the latest in a wave of antisemitic attacks that has washed over all of Canada, with Jewish buildings being lit aflame, shot at and vandalized in Vancouver, Montreal, Toronto and many other cities on a recurring basis.
What struck Zeliger most was how this happened on the eve of July 1.
“We as Canadians are supposed to be joyful of who we are, where we are. But that includes people of all different races, colours, religions, whatever. This is really an affront to everyone—that this is what happened on a Canada Day weekend. It’s basically saying our values dont mean anything. I really would like to see the silent majority come to terms with this. We have to do better. We can make this a better Canada.”
Local News
Who was Saul Feldman and why did he leave $2.6 million to the Jewish Foundation?
By BERNIE BELLAN Each year that the Jewish Foundation releases its Annual Report, I scan the report looking for unusual items. During the course of my scanning the Foundation’s 2023 Annual Report – as I was looking for names of new funds, one name jumped off the page for me: Saul Feldman – whose estate gave $2.6 million to the Foundation in 2023.
Who was Saul Feldman, I wondered – and why hadn’t the Foundation made any sort of an announcement that it had received such a huge gift in 2023?
I contacted Drew Unger, Director of Marketing & Communications for the Foundation to ask whether he could shed any light as to who Saul Feldman was – and why had the Foundation not publicized such a huge gift?
Drew replied: “It is a fantastic gift that is going to benefit the community greatly!
“As you know, we are very cognizant of donors’ wishes regarding the recognition and publicity of their gifts, and that is the process we are currently engaged in.
“We hope to feature the gift in the future, but we are still doing our own due diligence on Mr. Feldman.”
In a subsequent conversation that I had with Drew, he explained that the Foundation actually knew very little about Mr. Feldman. I asked whether he would mind if I did my own digging, as a gift of this size – coming totally out of the blue – reminded me of several similar gifts that had been made in the past to Winnipeg Jewish organizations. In 2020, for instance, I had reported on a gift of $725,000 made to the Simkin Centre by the estate of Myer and Corrine Geller – who had lived in San Diego. After a fair bit of investigation I discovered that Myer Geller must have had a mother who lived in what was then the Sharon Home for a time. (You can read that story at https://jewishpostandnews.ca/faqs/rokmicronews-fp-1/mystery-of-why-725-000-donation-to-the-simkin-centre-was-made-is-likely-solved/)
In 2015 the Gwen Secter Centre itself was saved from having its building sold by the then-owner, the National Council of Jewish Women, when an anonymous “angel” stepped forward with a gift of over $900,000. I was able to find out the name of that donor, but as that person had wished to remain anonymous, I never reported their name.
But the case of Mr. Feldman is quite different. Here we have an individual allocating a huge amount of money to the Jewish Foundation, but without any apparent reason why he decided to do that.
I was able to find his name in an old Henderson’s Directory, which I’ve held on to for years. Mr. Feldman lived at 400 Enniskillen Avenue. There were two others living there in 1993, along with Saul Feldman: His mother Rae and his brother Jack.
I also found a reference to Mr. Feldman in a 1946 Jewish Post, where it was noted that he had graduated as an electrical engineer from the University of Manitoba that year.
A search of the Jewish Heritage Centre archives showed that Mr. Feldman died in March 2023.
Through a search of the Manitoba online court registry I was able to find that Mr. Feldman’s estate had been probated in April 2023 and the name of the lawyer who had handled the estate was given. It was a name well know to me, so I contacted Mr. Feldman’s lawyer and asked him whether he could give me the name of Mr. Feldman’s executor? The lawyer said he would get back to me, but rather than wait for his answer, I decided to head down to the Law Courts to ask to see Mr. Feldman’s will. (As a matter of interest, anyone is allowed to see anyone’s will, but you have to attend in person at the Law Courts to see a will.)
I discovered, upon reading Mr. Feldman’s will, that I knew his executor, and I was able to find a phone number for him in an old 2010 phone book I’ve kept. (I was surprised the number was still active and the voice message indicated that the person I was trying to reach still used that number.) I left a message, saying I was trying to find out anything I could about Saul Feldman – and perhaps what had prompted him to leave his entire considerable estate to the Jewish Foundation?
Mr. Feldman’s executor was good enough to call me back the next day and he told me quite a bit about Mr. Feldman.
Apparently Mr. Feldman had worked for Winnipeg Hydro for years. He was “very intelligent,” I was further told and, at his funeral (which is available to watch on Youtube), it was noted that he had participated in the building of the Alaska Highway.
Mr. Feldman never married and had lived with his parents and a brother in the Enniskillen home for many years. Mr. Feldman was a very quiet man, I was told, who took care of his elderly parents for years, also his brother, who was very sick.
Mr. Feldman had another brother, who had moved to Toronto, and that brother was designated as Mr. Feldman’s beneficiary, with the provision that were Mr. Feldman’s brother to predecease him, his entire estate was to go to the Jewish Foundation.
As it was, Mr. Feldman’s other brother did pass on – and Saul Feldman lived to be 99. According to his executor, his final years were spent at the Shaftesbury Park Retirement Residence. The only organization to which he belonged, I was also told, was the Reh-Fit Centre on Taylor. (Apparently he was an original member of the Reh-Fit.)
He had very few friends, I was also told, but his closest friend had been the father of his executor – which explains how this individual came to be appointed executor.
From what I could see in the will, all of Mr. Feldman’s holdings were held in accounts at TD Bank and RBC.
He had led quite a frugal life,”who gave no thought to his own life…who never spent that much energy on himself,” it was said at his funeral (by the brother of the executor).
I suppose it’s not hard to imagine why an individual such as Mr. Feldman, who apparently had no other living relatives, would donate his considerable estate to an organization such as the Jewish Foundation. With over 4500 funds now in place at the Foundation, it has certainly established a very high profile within not only the Jewish community but the community at large as well..
When I contacted Drew Unger to inquire about Mr. Feldman I said that one of the reasons I wanted to single him out for attention was to inspire other people – who might be in similar circumstances as was Mr. Feldman, i.e., no apparent beneficiaries, to consider making the Jewish Foundation their beneficiary.
It would be interesting if anyone reading this who knew Mr. Feldman might want to contact me. As I’ve noted, the Jewish Foundation would like to honour his memory, but other than the information provided here, they don’t have much to go on.
Local News
Inspirational Gray Academy teacher Sheppy Coodin retiring
By MYRON LOVE After 20 years at Gray Academy – and 30 years overall as a teacher, Dr. Sheppy Coodin is retiring – leaving behind many indelible memories – not only for himself but also for the numerous students he has taught over the years.
“I tried to inspire my students – and I was in turn inspired by them,” says Coodin, the son of Kayla and the late Fischel Coodin, who was one of the longest serving teachers currently teaching at the school.
The beloved biology teacher’s relationship with our community’s Jewish school system actually goes back much longer than 20 years. He is an alumnus of both the former Talmud Torah School and Joseph Wolinsky Collegiate and his father-in-law, Jerry Cohen, served as principal of Joseph Wolinsky for 17 years – from 1980-1997.
Coodin recounts that his teachers at Joseph Wolinsky – in particular the Grysmans and Binenfelds – inspired his passion for Judaism.
Coodin earned his Ph.D. in Biology from Western University – graduating in 1993. He says though, that his goal all along had been to become a teacher. After Western, he and his late wife, Naomi, returned to Winnipeg where he earned his B. Ed at the University of Manitoba.
He first taught for a year in the Seven Oaks School System – followed by eight years at St. John’s-Ravenscourt. At Ravenscourt, he taught Grade 8-12 Sciences.
Coodin taught at Ravenscourt for eight years before moving to Gray Academy. At the latter, he taught high school Biology and Judaic Studies.
Coodin describes Gray Academy as a very special school. “My colleagues and the students – we are a family,” he observes.
One important trait that Coodin brought to his role as a teacher was his enthusiasm. “I have always loved lesson planning,” he says. “I loved the challenge of finding new ways to help my students connect with the material.
Coodin also has one talent that is unique among his fellow teachers: He can juggle…no, not in the sense of juggling responsibilities – but real juggling. It was an avocation that he learned in high school. In his younger days, he occasionally worked children’s birthday parties as “Sheppy the Clown” – an act that naturally included juggling.
And from his first year as a teacher, he taught interested students to juggle as part of his school’s extracurricular activities. At Gray Academy, he started a yearly Purim variety show which included his student jugglers as well as other students and staff offering stand-up comedy, song and dance.
He happily reports that the variety shows will continue even though he will no longer be a part of them.
Living and modelling an observant Jewish life has also been important to Coodin. For 30 years, Jewish scholar Barry Bender form New York would fly into Winnipeg in January – with a dozen yeshiva students, to lead a weekend Shabbaton for the school’s high school students – a Shabbaton that Coodin was involved in helping organize.
That came to an end with the Covid lockdowns in 2020 but, Coodin reports, last year, he and his fellow teachers organized their own Shabbaton for their students.
“All 14 of us high school teachers who went were actively involved,” he points out.
Another initiative that Coodin started – with fellow Gray Academy High school teacher Avi Posen (who made aliyah in 2019) was the annual “Shabbat Unplugged.” The two created Shabbat Unplugged in 2016 with the idea of building on the annual high school Shabbaton and organizing an annual Shabbaton for Jewish university students, not only from Winnipeg, but also from other Western Canadian Jewish communities.
The Shabbaton is now run by Hillel, he notes. “It was nice to be invited back by (Hillel director) Raya (Margulets),” Coodin commented in an interview with the Post a few months back. “Raya is also a former student of mine who took part in the 2017 Shabbat Unplugged.”
One of the highlights of his teaching career at Gray Academy, he notes, was being able to teach his own sons, Yoni and Elly. “That was really special,” he recalls.
In retirement, he says, he is looking forward to spending time at Gimli over the summer with his partner, Leslie Singer, who is also retiring from teaching this year. “I am planning on renewing my gym membership and getting back to golf,” he continues. “Leslie and I will most likely do some traveling in the fall. I am also looking forward to spending time with family. ”
And though his teaching career is at an end, Coodin fully expects to keep in touch with many of his former students.