Local News
Fringe festivals throughout North America – including Winnipeg, have become hugely hostile locations for anyone who has expressed support for Israel
By BERNIE BELLAN What happens when a fringe festival performer, who also happens to be Jewish, doesn’t shy away from voicing their support for Israel? In today’s world that performer is bound to be subjected to a torrent of hate – both online and in person.
Such was the case in Winnipeg recently when Melanie Gall, a longtime performer at Winnipeg’s Fringe Festival, found herself caught up in an organized campaign of harassment and bullying – culminating in calls to boycott her shows and defacement of her posters.
To begin, here’s a brief bio of Melanie which should give a good idea how accomplished she is: “Melanie Gall is a professional musician and music historian who holds advanced degrees from several academic institutions, including Manhattan School of Music in New York, Mozarteum University in Salzburg, and Glenn Gould School in Toronto. Melanie is an internationally-acclaimed performer and has sung at Lincoln Center and Royal Albert Hall. She has also written several plays featuring historic music and “Ingenue,” about Deanna Durbin and Judy Garland, had a sold out Off-Broadway run at SoHo Playhouse and won a Best Musical Award at the Adelaide Festival. Melanie divides her time between Alberta, Canada and New York City. She also hosts the Savvy Girls Podcast with her sister.”
As a personal aside I first met Melanie in 2015 at that year’s Winnipeg Fringe Festival. It has been my practice for years to give any Jewish performer at the Winnipeg Fringe Festival some advance publicity – both on this website and within the pages of The Jewish Post & News (now called The Jewish Post). I’ve had a chance to talk with Melanie before, but until this year she had never mentioned that her being Jewish had caused any problems for her.
This year was different, however. While there were several other Jewish performers at Winnipeg’s Fringe Festival I didn’t hear of anyone else being subjected to an organized campaign of harassment the way Melanie was. I did receive an email on July 20 from another Jewish performer by the name of Randy Ross who told me he was upset by seeing a pro-Palestinian demonstration march through Exchange Square – the centre of Fringe activity. Randy said that he and “another Jewish woman told fringe folks we were offended. Festival staff was nice and receptive.”
I hadn’t heard of anything else that might have been construed as antisemitic until I happened to be speaking to another Fringe performer by the name of Jem Rolls (who isn’t Jewish) after the Winnipeg Fringe was over. During the course of our conversation Jem asked me whether I was aware of what had been happening to Melanie Gall? When I said I wasn’t, Jem told me that not only had she been subjected to harassment in Winnipeg, but that she had encountered an even worse form of harassment in Edmonton, which is where she is scheduled to next appear.
As a result I contacted Melanie and asked her to describe what had happened to her in Winnipeg, also what was going on in Edmonton (where that city’s fringe festival is not slated to begin until August 15.)
Melanie explained that she has not been shying away from maintaining a very strong pro-Israel stance on social media, specifically Instagram. “Nobody (in the fringe circuit) has been quite as vocal online as I have the past nine months,” she said. Melanie added though that “I have not said anything against Palestinian rights. I have said ‘What about the hostages?’ “
But these day anyone who is brave enough to post support for Israel on social media is setting themselves up for vicious condemnation – which is something Melanie had been quite aware of, but which has not led to her backing down from her position.
Still, she realized that certain venues this year would be far too hostile for her to consider participating in those fringe festivals. As she told me, “I purposely didn’t do any shows on the West Coast because everyone (who’s a fringe festival performer) I know on the West Coast is a virulently anti-Israel performer.”
As well, Melanie ruled out performing in two other fringe festivals where she had performed in previous years: Halifax and Orlando.
“Halifax was posting antisemitic things so I wasn’t going to go to Halifax,” she noted. As for Orlando – “the Queers for Palestine came in,” so she decided not to go to Orlando either.
But, in contrast with those two fringe festivals, Melanie had been assured that Winnipeg’s Fringe Festival would not tolerate the kind of harassment that she knew she would receive in those other cities.
The director of Winnipeg’s Fringe Festival is Chuck McEwen, who has been in that role since 2008. (Prior to coming here McEwen was the director of the Toronto Fringe Festival.)
Winnipeg’s Fringe Festival has traditionally been the second largest fringe festival in North America, surpassed only by Edmonton’s.
And, to be fair, when Melanie Gall began to experience overt antisemitic behaviour on the part of some Winnipeg Fringe volunteers and online during her recent stay here, she did say that her interaction with Chuck McEwen was quite positive. “Chuck was wonderful,” she said. “I have a few emails from him apologizing for what had been happening.”
So, what happened to Melanie during her stay in Winnipeg, from July 17-28?
To begin with, Melanie explained, she “was told no one was allowed to wear pro-Palestinian symbols if they were on staff. I showed up to my first performance (at the Manitoba Theatre for Young People) and my tech was wearing a pro-Palestinian pin. The next day a volunteer at my venue was wearing a kaffiyeh.”
Still, even with that, Melanie wasn’t sure that she was being singled out for harassment.
However, on the third day, she said, “the site supervisor came and was wearing a pro-Palestinian symbol” and told Melanie that he was wearing that deliberately because he was coming to Melanie’s venue.
He told her, “that stance you’re taking (on social media) is a political symbol.”
“That person was relieved” from his duties after Melanie complained to the Fringe office staff, she noted.
Melanie was also the target of an organized campaign on pro-Palestine social media calling for her shows to be boycotted.

On her last day of performing at the Winnipeg Fringe, Melanie says, her “tech came wearing a pro-Palestinian symbol. He was walking back and forth with that symbol.” (She didn’t say what the symbol was.)
Yet, despite what was happening toward her, Melanie says “at no point did I ever demand that they (volunteers or paid staff) take off” their pro-Palestinian pins or other symbols of support for Palestine.
Notwithstanding Melanie’s not having demanded that anyone remove pro-Palestinian symbols, a site supervisor by the name of Eric Rae posted on social media words to the effect, “We have a Zionist in our midst harassing pro-Palestinians.”
As Melanie said during our phone conversation, “This is so ridiculous. I’m being harassed and bullied because I’m Jewish…it’s not about Israel.”
And, while Fringe Festival organizers in Winnipeg took her complaints very seriously, according to Melanie, “it still went to hell.”
The Edmonton Fringe Festival is adding an entirely new dimension of antisemitism to what she has already experienced, Melanie observed. The show she is planning on performing was actually written by her mother, Karen Gall. It’s a show about funny Alberta landmarks.
In order to enhance the show, Melanie and Karen asked the Edmonton Fringe for a designer who could contribute a digital component to the show.
But, as part of her show, Melanie wanted to include a picture of her working on a kibbutz in Israel. After she told that to the artistic director of the Edmonton Fringe Festival, Murray Utas, Melanie says, the next day she was told by Murray that “the designer had pulled out. It was against their ideology to work with us.”
What also concerns Melanie is the possibility that the pro-Palestine network in Winnipeg will have established contact with a similar network in Edmonton to call for boycotting Melanie and Karen’s show.
As she says, “it’s one thing for them not to work with me – which is egregious in itself” (as the designer who was supposed to work with their show decided), “now I’m known as a Zionist. I’m no longer under the radar here.”
Local News
Federation mission to Poland mix of heartbreak and celebration
By MYRON LOVE For Sheila Rabb, her first visit to Poland was “both heartbreaking and heartwarming.”
The 90-year-old Rabb was one of 34 participants in the Jewish Federation of Winnipeg’s first ever organized Adult Mission to Poland. The group toured Poland from Wednesday August 26 – Monday August 31, with an entourage of Israel and Polish tour guides, a security guard ,and two bus drivers.
It was Jeff Lieberman, CEO of the Jewish Federation of Winnipeg (and whose late father, Aron Lieberman, was a Holocaust survivor who was originally from Poland) who initiated the trip. “In 2023,” he recounted, “shortly after I was appointed CEO, I learned we had never organized an adult mission to Poland. Given the passage of time since the Holocaust and the tragedy of October 7th, I thought there would be interest in offering this meaningful trip to our community.“
The six-day journey,” Lieberman continued, ”taught us about the 1,000 years of mostly good and impactful Jewish life in Poland before 1939, as well as what happened during the Holocaust. We visited several sites including the Warsaw Jewish Cemetery, the Polin Museum, synagogues, the Krakow Jewish Community Centre, the Lodz Ghetto, Majdanek and Auschwitz-Birkenau concentration camps, and the Chelmo death camp.

Lieberman noted that the group bonded very quickly. ”We learned so much,” he said. “We cried together and we celebrated together. Many of the people that went on this mission have said how life-changing this trip was for them.”
In particular, the Federation CEO singled out the presence of Sheila Rabb. He describes her as “incredible”. It was a difficult tour with much walking and standing at sites, he noted.
“She was a real trooper,” Lieberman said. “Sheila was able to able to experience this meaningful journey with her children. It was truly special for us to have Sheila and her children, Ian and Irene (Zimmer), join us.”
“There was a wheelchair available for me if I needed it,” said Rabb, who looks much younger than her years. “I must admit that the heavy schedule of 12-hour days and late dinners was a challenge. But everyone was so nice and helpful and protective of me.”
Sheila Rabb’s connection to Poland was through her mother, Molly (Horn) Pitch. Fortunately, she was able to emigrate in the early 1930s. (Sheila’s father, Willy, came here from Russia about the same time.) Molly was able to bring one brother over but sadly, all but one sister were subsequently murdered by the Nazis.

The group began their journey in Warsaw with a visit to the Polin Museum which – Rabb noted – was built by Ron Lauder, president of the Estee Lauder Foundation. The museum recounts over 1,000 years of Jewish life in Poland.
“We learned about Jewish life, how Jews contributed to Polish society and the rich communities that existed throughout the country,” Lieberman reported.. “You can’t talk about Poland without including the impact of what Jews did for Poland.”
Both Rabb and Lieberman have fond memories of a group of Israeli high school students that that they met at the museum, who were from Ulpanat Chorev High School in Jerusalem. “We joined them in singing Hatikvah and other songs and danced a hora with them,” Lieberman said. “We ran into them again at Mila 18 and Auschwitz, and their Head of School invited us to join them for Kabbalat Shabbat in Krakow.
“Our group had the amazing experience of celebrating Shabbat with them,” he continued. “The women were so joyous, and their enthusiasm helped us emotionally after what we had experienced during the first few days of the mission. Their presence and the sorrow they expressed at the sites we shared with them had a profound impact on all of us.”
The group’s time in Warsaw also included a visit to a Jewish cemetery with over 250,000 graves and a walking tour of the famed Warsaw Ghetto.

The next stop was Lublin and the Majdanek death camp.
“One can read the books, watch the films and visit the museums, but nothing prepares you for walking the grounds of the death camps and mass grave sites and the profound sadness and shock that accompany them,” observed Jewish Federation staffer Abby Flackman, who was also part of the mission. “Walking in Auschwitz, Majdanek and the forest graves of Chelmno, I felt, validated the lives that were taken. We take the memories of their experiences and assure that they will not be lost with time.
“But,” she added, “we also showed that we are still here. We are still laughing and feeling joy, supporting one another and proud of who we are.”
On the other side of the coin, the group witnessed the ongoing rebirth of Poland’s Jewish community. One site that Sheila Rabb recalled in particular was the reconstituted Lublin yeshiva. The yeshiva, which opened in 1930, was one of the largest in the world. The building was restored by the Jewish community in 2003 and reopened as a synagogue in 2007.
On the Friday of the tour, the group arrived in Krakow, where they toured the old Jewish quarter where, Ian Rabb noted, there are still many Jewish-owned businesses – also the Schindler factory museum. He reported that Krakow has a Jewish population of about 1,200, as well as home to the internationally known annual Krakow Jewish Festival.
Sheila Rabb spoke about a 97-year-old Holocaust survivor the group encountered, who told his story. Although he had lived in California most of his life, he felt the need to return to Poland two years ago.

While in Krakow, the group made a day trip to nearby Lancut, formerly a Hasidic stronghold, where the members of the group toured the synagogue that was built in 1761 and has been well preserved.
“The synagogue was unreal,” Ian Rabb commented. “It has an art deco design that exudes spirituality and kabbalah.”
The Winnipeggers finished their tour with a visit to the Lodz ghetto. Lodz was an industrial city and the last Polish city to be made “Judenrein” because the Nazis needed the Jewish factory workers to build tanks and sew German soldiers’ uniforms.
For Sheila Rabb, one of the most difficult moments was standing on the site of the mass grave in the forest near the Chelmno death camp, not far from Lodz, where up to as many as 300,000 victims of the Chelmno gas chambers were buried.
“We recited kaddish over the site,” she said.
Sheila Rabb hac high praise for the Winnipeggers’ Polish and Israeli tour guides, Janush and Mordechai. ”They were outstanding,” she said. “They really brought history alive for us.”
Ian Rabb reports that his cousin (and Sheila’s nephew), Alan Pitch, who was also part of the group, is working on a documentary of the trip.
The last word goes to Abby Flackman. “My biggest takeaway,” she said, “is that we will control how our story ends. The Nazis tried to end our story of the Holocaust. They failed. We went elsewhere, built communities and institutions, grew again in numbers and continue to strive to become stronger, more resilient and thrive.”
Local News
Gray Academy enrolment continuing steady upward trend
By MYRON LOVE Next year, Gray Academy of Jewish Education will celebrate its 30th anniversary – and Western Canada’s only JK-Grade 12 Jewish day school has much to celebrate.
For starters, enrolment continues to grow. Lori Binder, Gray Academy’s Head of School and CEO of the Winnipeg Board of Jewish Education, is pleased to report that this year’s opening enrolment stands at 521 – the highest number for September in 13 years.
For the third year in a row, Gray Academy is running three kindergarten classes, and all three are nearly full, as are the Grade 1 and 2 classes. While Early Years remains the main entry point for new families, the school also welcomed 37 new students to its elementary and high school this year – a total of 88 new students.
Lisa Boroditsky, the school’s admissions coordinator, points out that many kindergarten children are coming from the Kaufman Child Care Centre at the Rady JCC and Chabad-Lubavitch of Winnipeg’s Torah Tots early childcare program. At the high school level, she notes, Grade seven enrolment is also rising, with more students coming to Gray Academy after completing Brock Corydon Elementary School’s Hebrew Bilingual Program.
“From our parent surveys, we can report that parents are choosing Gray Academy not out of fear, but rather because they value the sense of Jewish community that is only available at Gray Academy,” Binder says. “The fact that so many current Gray Academy students are children of alumni also tells us that parents believe in the high academic standards and the positive Jewish experiences we offer.”
New for the school’s elementary School this year, Lori Binder reports, is a musical theatre program. Over the years, our community has produced a significant number of young performers who have not only graced local stages but have also made their mark in theatre and film throughout North America. (Incidentally, this school year, Gray Academy will present its high school musical production, “Mary Poppins,” in March.)
In addition to the annual musical, Binder reports, Gray Academy this school year will be hosting the annual Canadian Accredited Independent Schools national varsity boys’ basketball tournament. Students and staff alike are looking forward to welcoming participating team from independent schools across the country.
Students are also looking forward to the school’s 50th Yom Ha’atzmaut Song Festival. “We are excited for our current students to continue our long tradition of celebrating Israel through music,” Binder says. “We are also hoping for a lot of participation from past performers from the first five decades.”
Among newer programs for Gray Academy high school students are internship opportunities. One is with Drs. Lorrie Kirshenbaum and Inna Rabinovich-Nikitin at the Institute of Cardiovascular Sciences at St. Boniface Hospital – a great opportunity for students in Grades 11 and 12 who have an interest in pursuing studies in health sciences. The other program, which was piloted last year, is run in conjunction with the Saul and Claribel Simkin Centre, and gives students in Grade 9 and up opportunities to connect weekly with Simkin residents for hands-on activities.
The corollary to that is a new program that focuses on the school’s relationships with grandparents. The Gray Academy Grandpals program encourages grandparents (and other special seniors in the lives of Gray students) to connect with and volunteer at the school. Since the program launched two years ago, Grandpals have attended special events and come into the school to volunteer for challah making, hamantaschen baking, and even with building projects such as at the new Hypedome by the ice rink, which will provide student skaters with shelter to warm up and change their skates in winter.
Lori Binder points out that, in addition to new programming, the school maintains a strong focus on affordability. “It is very important to us that no child is turned away because a family can’t afford to pay,” she says.
She notes that Manitoba is one of only a few Canadian provinces that fund independent schools such as Gray Academy, with the school receiving approximately 50% of the funding public schools receive per student. She adds that the school offers a robust Bursary Assistance program, strongly supported by funding from the Jewish Federation of Winnipeg’s Combined Jewish Appeal. “Over 60% of our families receive some level of bursary support,” she reports. “We work with every family to ensure that no child is ever turned away because of inability to cover the full parental contribution.”
The school also continues to play an integral role in helping families moving to Winnipeg from Israel, Argentina, Brazil and other countries to adapt to their new homes. Over the past few years, the school has expanded its EAL (English as an additional language) programming significantly to accommodate growing needs.
In an increasingly troubled world, Gray Academy remains a beacon of light, offering Jewish students and their families a warm, welcoming environment, along with a top notch Jewish and general education.
For more information about what Gray Academy has to offer and application dates, phone 204 477-7425 or email admissions@grayacademy.ca.
Local News
Veteran actor Harry Nelken first recipient of new Winnipeg Jewish Theatre Chai Legacy Award
By MYRON LOVE The Winnipeg Jewish Theatre (WJT) has introduced a new award – the Chai Legacy Award. The award recognizes individuals for their “artistry, craft and lifetimes commitment to Jewish performing arts in Manitoba” – and the first recipient is none other than Harry Nelken.
A WJT press release described the new award as “a historic first for the company.” In making Harry Nelken the first recipient of the award, the WJT says it recognizes Nelken’s “artistry, craft, and incredible dedication to Jewish performing arts in Manitoba.
“To know Harry is to know the ultimate mensch,” the WJT press release continues. “Whether he is lighting up a room with his infectious, ear-to-ear smile while cheering on his fellow cast members, or bringing profound depth to the stage, his generosity of spirit is unmatched.
In response, Nelken, a veteran of more than 45 years gracing Winnipeg’s stages as well as other performing venues across Canada, says “It was a complete surprise,” to be the first recipient of the award.
The award was presented on Sunday, September 13, during the cast party following the last performance of the WJT’s joint presentation with Rainbow Stage of “Fiddler on the Roof.” “Dan (Petrenko – the WJT’s artistic director) and Carson (Nattrass – Rainbow’s artistic director) were talking about the input of the Jewish actors in Fiddler,” Nelken recalls, “and then I heard my name. I never expected to be singled out for my acting like this. I know I mumbled something. I checked with (fellow cast member) Debby Maslowsky to make sure I said thank you. She assured me that I did.”
Nelken’s history with the Winnipeg Jewish Theatre goes back to the very beginning of the WJT. He recalls that he was cast in the WJT’s first production in 1987. Bev Aronovitch was the artistic director (and WJT founder) and the production was “Today, I am a Fountain Pen,” in which Harry played the role of the bar mitzvah’ boy’s father.

Over the years, he reports, he has appeared in 16 WJT productions. This most recent production of “Fiddler” was also the third time that he has appeared in a Rainbow Stage production of the show. His previous show performances were in 1984 and 1993. It’s also the second time that he has portrayed the rabbi. (He was cast as Lazar Wolf in the ’93 production.)
Nelken reports that he took the initiative to contact Carson Nattrass about the role of the rabbi after he learned about the planned joint production.
“I threw my shtreimel into the ring,” he jokes.
Every role, he notes, is a new learning experience for him. He prepared for the part this time by researching what life was like for a rabbi in a small eastern European shtetl.
“I realized that Jewish life has always been about resilience,” he points out. At the end of the play, after the Jews have been banished from Anatevka, when the rabbi’s son asks his father about how the Messiach will know where to find them, the rabbi replies that they will simply have to wait for him somewhere else.
“There is a great lesson to be learned here,” Nelken continues. “We don’t know what the future will bring. The question is do we put our faith in God or in man?”
Resilience is a primary feature of Harry Nelken’s career. He recounts a story about Abe Vigoda (“Fish” to some of us older readers who, when asked by Johnny Carson how he felt about becoming an overnight star, Vigoda’s response was that “I’m an overnight star but overnight was 25 years long.”)
In a much earlier interview I did with Harry for the Post, he recalled how his first acting gigs were in high school theatre. At the University of Ottawa, while studying criminology, he auditioned for and got a role in a play. From 1972 to 1979, he immersed himself in local amateur theatre.
He noted that even the busiest of working local actors – of which he has been one – barely scrape by and need a second source of income. For over 40 years, he supplemented his income by driving a cab.
”Particularly in my early years, when acting roles were sparse, driving a cab was my lifeline,” he recalls. “On occasion, even when doing a play at MTC, after the show, I would report for taxi duty for a night shift.”
In recent years roles have been fewer. In the last four years, he has been in five locally-shot film projects: two Hallmark films – “ Hanukah on Rye” and “ Haunted Wedding”; the feature film,”Normal, ”starringf Bob Odenkirk and Henry Winkler; (available on Amazon Prime); and the mini series “American Hostage,”,starring Jon Hamm and Giovanni Ribisi (available on Crave).
Nelken’s current film project is called “Pikohowin.” It’s the true story of how in 1990, Saskatoon police officers were revealed to be driving inebriated Indigenous people in winter out of the city and depositing them on the highway. Harry has the role of judge Shiebel.
“I’m 79 now,” Nelken says. “I am no longer willing to go out of town for stage or film work unless it is for a really undeniable role. I am happy to be doing more film work. I feel energized by the work. I am still regularly auditioning for film roles,
“Most of all, I appreciate that I can look back on a fulfilling career doing what I wanted to do more than anything else.”

