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How did an English performance poet develop such a keen interest in Jewish nuclear physicists?
By BERNIE BELLAN Readers of this website may have read an earlier story I posted about a Fringe play titled “THE KID WAS A SPY,” by well-known Fringe writer and performer Jem Rolls. (You can read that story at https://jewishpostandnews.ca/faqs/rokmicronews-fp-1/fringe-show-asks-was-giving-the-secret-to-the-atomic-bomb-to-the-russians-morally-justifiable/)
I was so intrigued by the notion that Rolls had written, not one, but three entire Fringe plays centering around the lives of individuals he described as “Jewish nuclear physicists no one has ever heard of” that I wanted to find out from Rolls what led to his interest in the subject.
We were supposed to have met for an interview while the Winnipeg Fringe Festival was still occurring but, as events transpired, Rolls got caught up with other things that required his attention, and wasn’t able to meet with me.
Still, he contacted me to apologize for not having been able to sit down for a conversation and said he would still very much like to engage with me about his interest in “little-known Jewish nuclear physicists.”
As it was, Rolls recently found himself with more time on his hands when he was in Saskatoon, getting ready for that city’s fringe festival which, he described in an email to me as “the quiet bit after and before the madhouses,” i.e., the Winnipeg and Edmonton fringe festivals.
A little information about Jem Rolls: He’s one of the veteran of the fringe festival circuit. His performing at the Saskatoon Fringe Festival was to be his 150th different fringe festival appearance.
Born in Surrey, England, “from 1996 Jem ran the only successful poetry cabaret in Edinburgh in decades and in 2001 he moved there and set up a very successful fortnightly cabaret, while running Scotland’s first Poetry Slams.
“In 2001 he did the Toronto fringe and nothing was ever the same again. Confronted by the possibilities and demands of the hour show, Jem gleefully exploded into the freedom of it. The Fringe circuit has very few rules and can provide the artists a complete liberation. Jem has been making a living creating a new hour show every year since 2003.”
I also found out from Rolls that in recent years he has been spending his winters in India. Quite the vagabond, he suggested that “all I need is a passport, a laptop, and a bank card.”
We did end up talking over Messenger on Thursday, July 31. I began our conversation by asking Rolls what led him to develop his particular interest in “little-known Jewish nuclear physicists?”
He explained that several years ago he “was stuck in Dauphin with not very much to read.
“I discovered a book about Nazi scientists,” he said.
That book happened to mention a Jewish physicist by the name of Lise Meitner. Rolls was sufficiently intrigued by Meitner’s story that he determined to find out more about her.
Later that year he found himself spending the winter in Edmonton. Rolls said he went to the University of Alberta to do some research on Meitner and came across another book that proved to be instrumental to his developing what would subsequently turn into three separate fringe shows. The book was titled “The Making of the Atomic Bomb,” by Richard Rhodes.
That book, which was first published in 1987, went on to win a Pulitzer Prize and the National Book Award. It is described as the “definitive history of nuclear weapons—from the turn-of-the-century discovery of nuclear energy to J. Robert Oppenheimer and the Manhattan Project—this epic work details the science, the people, and the sociopolitical realities that led to the development of the atomic bomb.”
Rolls’ initial interest in Meitner subsequently led to an interest in the life of Leo Szilard, who became one of five Hungarian-born Jewish physicists – nicknamed “the Martians,” who were all eventually to play key roles in the Manhattan Project and, ultimately, the development of the atomic bomb. The others were: Theodore von Kármán, John von Neumann, Edward Teller, and Eugene Wigner. Apparently a running joke among their Western colleagues in scientific circles at the time was that “Martians had landed in Hungary sometime around 1900 but soon departed after finding the planet unsuitable. However, these higher beings stayed just long enough to leave behind offspring, which turned into exceptionally brainy scientists, later nicknamed ‘The Martians.’ “
Without going into detail about the scientific work undertaken both by Meitner and Szilard in this story, suffice to say that Rolls was able to mine their stories sufficiently to create two separate shows about them: The first was “THE INVENTOR OF ALL THINGS, “about Leo Szilard, which Rolls first performed in 2015 (and then again in 2017).
In 2019 Rolls created a show about Meitner titled “THE WALK IN THE SNOW,” which he also performed in 2022.
(I should note that Rolls, who has now appeared at 150 different fringe festivals, performs a particular show repeatedly on the fringe festival circuit in any given year. As he explained, “the hard work is done three months before” a show is premiered, as he writes the material and rehearses it on his own prior to taking it before a live audience.)
Both those previous shows proved enormously successful for Rolls, garnering “multiple sellouts and five star reviews.”
Winnipeg audiences, however, have mostly come to know Rolls as a “performance poet,” something, as noted previously, he first brought to Canada at the Toronto Fringe Festival in 2001.
Putting on a show in Winnipeg, however, has always been an especially pleasurable experience for Rolls because, as he put it, “Winnipeg is an excellent place where to find out how good a show is.”
Still, ever curious to try to develop new material, Rolls said that he doesn’t like to bring back shows from the past once he says to himself that he is done with them.
Thus, as he has now been performing his latest show, the aforementioned “THE KID WAS A SPY,” in front of audiences across North America this year, Rolls observed that he “may do this show again in another two years,” but then he’ll be done with it.
In my story about “THE KID WAS A SPY,” I noted how controversial much of the show was, having to do as it was with the fact that the protagonist of the show, Ted Hall, turned out to be a spy for the Russians. Hall did end up giving the Russians vital information about the development of the atomic bomb – and was never arrested even though both the FBI and MI6 in Britain had their suspicions about him.
During the course of the show, Rolls attempts to create a balance in the minds of audience members between the conflicting moral decisions that led to Hall’s actions. He was determined to help the effort to create the atomic bomb before Nazi German scientists would succeed in doing so, but he also wanted to keep America from having a monopoly on owning the secret to the atomic bomb – which led to his approaching the KGB and offering to hand over to them the keys to the bomb.
I asked Rolls whether he honestly thought that the Americans and the Russians could be put on the same moral plane – which is something he posited during his play? I also wondered about the very sympathetic treatment he gives to Ted Hall.
Rolls suggested that for him, “Ted Hall was a very likeable and sympathetic guy.”
But, I argued, when he asked audience members to vote on whether Hall was justified in doing what he did, the results were bound to be skewed heavily in favour of voting in Hall’s favour by the mere fact that fringe festival audiences are probably so much more left-wing than the general population.
Rolls noted, however, that the audience make-up for this particular show has leaned heavily older, and that a good portion of audiences would certainly have enough knowledge of history to be able to come to reasoned determinations about the relative moral culpability of America and the Soviet Union over the years. He also observed that Hall was not atypical among young American Jews in the 1930s. “There were an awful lot of radical left-wing Jews” around that time, he suggested.
“I spend 57 minutes trying to give an accounting that weighs the zeitgeist of the time,” he said, against our current thinking about the historical record of America and the Soviet Union.
“This show was quite a bit more difficult to do than his other shows,” Rolls said – especially his performance poetry shows which, he noted, “were funny.”
Even his earlier show about Leo Szilard, Rolls observed, had quite a bit of humour in it.
Given the heavily Jewish theme of each of Rolls’ shows about Jewish nuclear physicists, I asked Rolls whether he’s ever been approached to put on any of the shows by a Jewish theatre company. So far, he hasn’t, he answered, but he’s certainly open to the idea.
Local News
Shalom Residences Foundation to host third annual donor appreciation evening
By MYRON LOVE On Tuesday, June 16, Shalom Residences Foundation Inc (SRFI) will be hosting its third annual Donor Appreciation evening. Donors and other Shalom Residences supporters can look forward to chilling to the music of local singer/songwriter David Grenon (aka Soul Bear), who will be performing songs by Billy Joel, Elton John and other well-known artists.
For readers who are not yet familiar with Shalom Residences, the organization was originally created to care for intellectually challenged Jewish young adults. The vision was to provide them with a Jewish environment – strictly kosher group homes where all the Jewish holidays are observed and celebrated.
One of Shalom Residences’ objectives has always been to develop a community in which individuals with intellectual disabilities are fully included, self-actualized, and valued in all aspects of life.
The concept has been a remarkable success.
Shalom Residences was founded in 1980 by six far-sighted couples, including Thelma and Ernie Bronstein, Dolly and Zivey Chudnow, Min and Joe Fromkin, Roberta and Larry Hurtig, Elaine and Bobby Paul,
and Sybil and Frank Steele. The original Shalom Home was a converted house on Cathedral Avenue.
“Thelma Bronstein’s determination and dynamism contributed to making it happen,” says Elaine Paul, currently Shalom Residences’ treasurer (and for the past 20 years, the organization’s leading fundraiser).
I remember the home’s official opening. This was shortly after I started writing for the Jewish Post. Rabbi Charles Grysman affixed the mezzuzah to the door frame.
Today, the organization operates six group homes housing 19 residents as well as 12 residents in supported independent living arrangements.
While the operations today are largely funded by the provincial government – which means that the residences have to be open to accepting non-Jewish clients as well (just over half of the residents are Jewish) – the Shalom Residences Foundation funding supplements the government contribution – providing financial support for increasing staffing levels when needed, as well as extraordinary expenditures and contingencies. The Foundation has also provided the down payment for the purchase of new housing when necessary. .
The necessity of fundraising was evident right from the beginning. Elaine Paul recalls that the first Manitoba Marathon – in which all the founding parents were involved – provided the funding for the mortgage at 175 Cathedral Ave.
“We worked with Helen Steinkopf and John Robertson to develop the marathon,” Paul remembers. ”For several years, Hy Kravetsky and I worked handing out water to the runners.”
Paul relates that it was Zivey Chudnow who was instrumental in starting up Shalom Residences’ annual fundraising. “Three of Zivey’s friends,:Norman Tatleman, Sam Ostrove, and Gary Levinson, asked how they could help,” she recalls. “Their idea was to have a fundraising dinner. We combined the dinner with a lottery. We sold 60 tickets at $1,000 a piece and paid out $15,000 to the winning ticket and lesser amounts to other lucky winners.”
The organization also held annual well attended fundraising teas.
Paul reports that, for years, Chudnow was Shalom Residences’ best fundraiser – with honourable mention to Avrum Katz, Frank Steele, and the late Joe Elfenbaum. Paul took over the role 10 years ago – again with honourable mention to SRFI board members, Dr. Allen Kraut, Peter Leipsic, Donna Chudnow, Jon Feldman, and Mickey Rosenberg.
In addition, the goal was, and remains empowering adults with intellectual disabilities to live meaningful, dignified lives in community-based homes in Winnipeg, enriched by Jewish values.
Charles Tax, the SRFI’s long time president, notes that in 2017, the organization created an endowment fund with the Jewish Foundation of Manitoba. “At the time, we transferred more than half of our assets to the JFM,” he says. “We continue to make contributions to our fund.”
He notes that the annual dinners came to an end with the 20230 Covid lockdowns. The donor appreciation evenings were started in 2023.
“One of our goals is to acquire one or two more houses in the south end,” Tax adds.
Readers who may be interested in attending the donor appreciation evening or otherwise supporting SRFI can contact the office at 204 582-7064 or via email (admin@shalomresidences.com).
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Local News
Debbie Maslowsky playing lead role in upcoming Dry Cold Productions musical
By MYRON LOVE For the past 40 years Debbie Maslowsky has been entertaining Winnipeg audiences – both Jewish and non-Jewish, with her acting and singing. Arguably Winnipeg’s queen of musical theatre is returning to the stage on May 13 in a lead role in Dry Cold Productions’ upcoming “Kimberly Akimbo”.
Maslowsky is enthusiastic about the Tony-winning production, which debuted on Broadway in November 2022. “It’s a gem of a musical,” she says of the production crafted by the musical team of composer Jeanine Tesori and lyricist David Lindsay-Abaire.
The subject itself is not – on the surface – uplifting. As Maslowsky describes it, “Kimberly Akimbo” is the story of a teenager suffering from a very rare condition – progeria – also known as the aging disease. The genetic condition causes children to age at an accelerated rate causing them to die of old age while still in their teens. For those readers who may recall Rabbi Harold Kushner’s book, “Why Bad Things Happen to Good People” – written years ago, Kushner was responding to the death of his own son from progeria.
In the hands of Tesori and Lindsay-Abaire though, Maslowsky notes, the show is about mindfulness and living day by day. In the production, Maslowsky explains, “Kimberly is trying to live as normal a life as she can despite her illness. Her life is further complicated by a dysfunctional family. Her parents are dealing with their own issues. Then there is the madcap aunt who develops a complicated and hilarious plan to make money for a family road trip, raise funds for choir costumes – with some left over for herself.
“The play is very funny,” Maslowsky comments, “but also poignant. Kimberly knows that she most likely won’t live much beyond 16. Therefore, she wants to live every day to the fullest. She wants to live every day in the now. At the same time, she doesn’t want to hide from reality. She doesn’t want special treatment. She also doesn’t want people – such as her parents – trying to pretend that everything will be okay.”
Maslowsky last appeared on stage in Winnipeg Jewish Theatre’s one-woman production of “A Pickle” in the spring of 2023. That was the true story of a Jewish pickle maker living in Minnesota who had to fight to get her pickles included in the state fair pickle competition, which tried to disqualify her because her pickles were made the Jewish way through a brining process that the non-Jewish judges refused to accept.
In the interim, Maslowsky has been focusing on her longstanding business as a trade show, conference and event manage,r as well as picking up some singing gigs. She reports that she began winding down her business last fall.
She speaks highly of her younger cast mates. “They are an amazing group of young people,” she says. “For some of them, this is their first show. I myself am still learning new things after all these years.”
Maslowsky will next be appearing in the joint Winnipeg Jewish Theatre-Rainbow Stage production of “Fiddler on the Roof” in September. “I played one of the daughters years ago in an earlier Fiddler production,” she recalls. “I feel like I am coming full circle.”
Dry Cold Productions was founded by Donna Fletcher and Reid Harrison (now retired) more than 25 years ago. The company stages a yearly musical theatre production – sometimes edgy – which has played on Broadway and is new to Winnipeg audiences.
The Dry Cold website cautions that “Kimberly Akimbo” contains “strong language (with frequent profanity), mature humour, and references to sexual activity”.
“Kimberly Akimbo” is scheduled to run May 13–17, 2026 at the Prairie Theatre Exchange. Tickets can be purchased by contacting Dry Cold productions online.
Local News
The second Bar Mitzvah: Better than the first
By GERRY POSNER As we pass down the corridor of life, there are certainly times we can identify as moments we will never forget. I had such a moment on April 11 at my second Bar Mitzvah, at the Shaarey Zedek Synagogue, shared with Dr. Ted Lyons, or E. A. as I called him over the years. We were celebrating this life cycle event at the very same synagogue as the first one, that is – the Shaarey Zede. For me, it was some 70 years ago or 25,557 days – from April 21, 1956 to April 11, 2026. The notion of returning to the original place of Bar Mitzvah 1.0 was too powerful a force, causing me to abandon my plan to do this in Toronto where my wife, Sherna and I have lived for the last 13 plus years.
It was quite the weekend. We started just before Erev Shabbat with photos of our two families on the bimah. Ted had his whole family there, including his daughter Mara, her husband Sheldon, and their two daughters, as well as his son Sami, his wife Rose, and their three kids, all of whom live In Calgary, not to forget his sister Ellen and her husband Howard Goldstein, from Toronto. Our three kids: Ari, Rami and Amira, all of whom live in Toronto, along with two of my grandchildren, as well as my brother Michael from Toronto were also present.
After the Shabbat service, we stayed on in the building for our Shabbat dinner. There were 23 of us, including Michael’s partner, Ruth Grubert, (formerly Mozersky), also a former Winnipegger, as well as Rabbi Mass,his son Ranan, Rabbi Carnie Rose and his wife Pauline. It was a warm group and the dinner was gobbled up and appreciated by all of us. We were all surprised when independently, the respective grandchildren of the Bar Mitzvah “bochers” presented both of us with a kind of tribute – funny and sincere in their affection for their Zaidas.
Then came the big day. It lived up to and even exceeded my expectations. It was a sell-out crowd. I was overwhelmed just at that fact. The only thing missing from the building was the electronic ark. The respective families all participated with aliyahs and indeed Torah readings by Sami Lyons and the 83-year-old Bar Mitzvah boy Ted Lyons. Now, “leyning” from the Torah was not something Ted had done at the first go-round 70 years ago. (In fact, almost all of us were deficient in that area).
One particular moment during the service was especially meaningful for Sherna and me. In the first part of the service, there is a prayer called “Mi Chamocha.” My son Ari had written music for that prayer several years ago and now he was at Shaarey Zedek, where he had his Bar Mitzvah long ago. This time though the clergy had arranged to use his music and to sing his melody. (It had been used many times previously, but without Ari. ) Not only that, he was invited to play his composition at the service as Cantor Leslie Emery sang it. Those few moments – as we watched and listened, at this – my second Bar Mitzvah, at a place where my parents had been members for years and whose names are on the memorial plaque in the chapel, well, that was powerful, to put it mildly.
Ted and his family had various honours as did my family. I was given the Haftorah to chant. Now, I have few talents, but I can chant a Haftroah (not the most marketable skill), so that was not that much of an obstacle for me. In fact, I rather enjoyed doing this part of the service. Rabbi Rose had also given me permission to deliver a D’var Torah on the portion of the week, “Shemini”, and to discuss the meaning of this, my second Bar Mitzvah. Once I had the mic and the stage, I was ready to go in spite of my wife’s protestations that it was too long. And, in fact, as I rolled along into my Haftorah, after about 10 minutes, my parter in the double Bar, Ted, came up from behind me where he was sitting, and nudged me gently, or to put it more accurately, gave me the hook, announcing that it was time to wrap up. It was kind of comical, in fact. I got a large charge from that sudden intervention. To top it off, as I had been speaking, I noticed a congregant on my left near the front who had apparently passed out. It was alarming to me at first, but the medics came and were able to revive this person. I was told later that other first words out of the mouth were “Has he finally finished?”
We concluded the day with a rather large kiddish luncheon highlighted at least for me by traditional party sandwiches, which were a staple of the kiddishes of my youth. I met with so many people of my past, which was a treat and a half for me. I was so into the moment that It was hard to get me out of the building.
As I reflect on the day and the service, I recognized that for all of us, we have times in our lives, whether it be an hour, a day or a week, that we will never forget. This day was for me one such moment. It is etched in my memory to be relived through the Youtube video now in my possession. The gift that keeps on giving, I say.
My first Bar Mitzvah was good, for sure. This one was far better. I knew what I was doing.
Post script (After Gerry had sent us his story, he sent us something else that he said should have been included in the story): True, Ted and I had the Bar Mitzvah no 2. But we only had it because there was one person who did the real work and yet received no credit. She made all the arrangements with the synagogue for both the Friday night Shabbat dinner and the kiddish lunch after the service. She dealt with various people in the synagogue and basically took charge of our simcha. I speak, of course, of Harriet Lyons. That I failed to mention her was due to my excess focus on the eating of the party sandwiches and not enough on the reason we had them in the first place. Harriet teaches the weaving of tallits, but she stands tall in the arranging of Bar Mitzvahs.