Local News
Fringe festivals throughout North America – including Winnipeg, have become hugely hostile locations for anyone who has expressed support for Israel
By BERNIE BELLAN What happens when a fringe festival performer, who also happens to be Jewish, doesn’t shy away from voicing their support for Israel? In today’s world that performer is bound to be subjected to a torrent of hate – both online and in person.
Such was the case in Winnipeg recently when Melanie Gall, a longtime performer at Winnipeg’s Fringe Festival, found herself caught up in an organized campaign of harassment and bullying – culminating in calls to boycott her shows and defacement of her posters.
To begin, here’s a brief bio of Melanie which should give a good idea how accomplished she is: “Melanie Gall is a professional musician and music historian who holds advanced degrees from several academic institutions, including Manhattan School of Music in New York, Mozarteum University in Salzburg, and Glenn Gould School in Toronto. Melanie is an internationally-acclaimed performer and has sung at Lincoln Center and Royal Albert Hall. She has also written several plays featuring historic music and “Ingenue,” about Deanna Durbin and Judy Garland, had a sold out Off-Broadway run at SoHo Playhouse and won a Best Musical Award at the Adelaide Festival. Melanie divides her time between Alberta, Canada and New York City. She also hosts the Savvy Girls Podcast with her sister.”
As a personal aside I first met Melanie in 2015 at that year’s Winnipeg Fringe Festival. It has been my practice for years to give any Jewish performer at the Winnipeg Fringe Festival some advance publicity – both on this website and within the pages of The Jewish Post & News (now called The Jewish Post). I’ve had a chance to talk with Melanie before, but until this year she had never mentioned that her being Jewish had caused any problems for her.
This year was different, however. While there were several other Jewish performers at Winnipeg’s Fringe Festival I didn’t hear of anyone else being subjected to an organized campaign of harassment the way Melanie was. I did receive an email on July 20 from another Jewish performer by the name of Randy Ross who told me he was upset by seeing a pro-Palestinian demonstration march through Exchange Square – the centre of Fringe activity. Randy said that he and “another Jewish woman told fringe folks we were offended. Festival staff was nice and receptive.”
I hadn’t heard of anything else that might have been construed as antisemitic until I happened to be speaking to another Fringe performer by the name of Jem Rolls (who isn’t Jewish) after the Winnipeg Fringe was over. During the course of our conversation Jem asked me whether I was aware of what had been happening to Melanie Gall? When I said I wasn’t, Jem told me that not only had she been subjected to harassment in Winnipeg, but that she had encountered an even worse form of harassment in Edmonton, which is where she is scheduled to next appear.
As a result I contacted Melanie and asked her to describe what had happened to her in Winnipeg, also what was going on in Edmonton (where that city’s fringe festival is not slated to begin until August 15.)
Melanie explained that she has not been shying away from maintaining a very strong pro-Israel stance on social media, specifically Instagram. “Nobody (in the fringe circuit) has been quite as vocal online as I have the past nine months,” she said. Melanie added though that “I have not said anything against Palestinian rights. I have said ‘What about the hostages?’ “
But these day anyone who is brave enough to post support for Israel on social media is setting themselves up for vicious condemnation – which is something Melanie had been quite aware of, but which has not led to her backing down from her position.
Still, she realized that certain venues this year would be far too hostile for her to consider participating in those fringe festivals. As she told me, “I purposely didn’t do any shows on the West Coast because everyone (who’s a fringe festival performer) I know on the West Coast is a virulently anti-Israel performer.”
As well, Melanie ruled out performing in two other fringe festivals where she had performed in previous years: Halifax and Orlando.
“Halifax was posting antisemitic things so I wasn’t going to go to Halifax,” she noted. As for Orlando – “the Queers for Palestine came in,” so she decided not to go to Orlando either.
But, in contrast with those two fringe festivals, Melanie had been assured that Winnipeg’s Fringe Festival would not tolerate the kind of harassment that she knew she would receive in those other cities.
The director of Winnipeg’s Fringe Festival is Chuck McEwen, who has been in that role since 2008. (Prior to coming here McEwen was the director of the Toronto Fringe Festival.)
Winnipeg’s Fringe Festival has traditionally been the second largest fringe festival in North America, surpassed only by Edmonton’s.
And, to be fair, when Melanie Gall began to experience overt antisemitic behaviour on the part of some Winnipeg Fringe volunteers and online during her recent stay here, she did say that her interaction with Chuck McEwen was quite positive. “Chuck was wonderful,” she said. “I have a few emails from him apologizing for what had been happening.”
So, what happened to Melanie during her stay in Winnipeg, from July 17-28?
To begin with, Melanie explained, she “was told no one was allowed to wear pro-Palestinian symbols if they were on staff. I showed up to my first performance (at the Manitoba Theatre for Young People) and my tech was wearing a pro-Palestinian pin. The next day a volunteer at my venue was wearing a kaffiyeh.”
Still, even with that, Melanie wasn’t sure that she was being singled out for harassment.
However, on the third day, she said, “the site supervisor came and was wearing a pro-Palestinian symbol” and told Melanie that he was wearing that deliberately because he was coming to Melanie’s venue.
He told her, “that stance you’re taking (on social media) is a political symbol.”
“That person was relieved” from his duties after Melanie complained to the Fringe office staff, she noted.
Melanie was also the target of an organized campaign on pro-Palestine social media calling for her shows to be boycotted.
On her last day of performing at the Winnipeg Fringe, Melanie says, her “tech came wearing a pro-Palestinian symbol. He was walking back and forth with that symbol.” (She didn’t say what the symbol was.)
Yet, despite what was happening toward her, Melanie says “at no point did I ever demand that they (volunteers or paid staff) take off” their pro-Palestinian pins or other symbols of support for Palestine.
Notwithstanding Melanie’s not having demanded that anyone remove pro-Palestinian symbols, a site supervisor by the name of Eric Rae posted on social media words to the effect, “We have a Zionist in our midst harassing pro-Palestinians.”
As Melanie said during our phone conversation, “This is so ridiculous. I’m being harassed and bullied because I’m Jewish…it’s not about Israel.”
And, while Fringe Festival organizers in Winnipeg took her complaints very seriously, according to Melanie, “it still went to hell.”
The Edmonton Fringe Festival is adding an entirely new dimension of antisemitism to what she has already experienced, Melanie observed. The show she is planning on performing was actually written by her mother, Karen Gall. It’s a show about funny Alberta landmarks.
In order to enhance the show, Melanie and Karen asked the Edmonton Fringe for a designer who could contribute a digital component to the show.
But, as part of her show, Melanie wanted to include a picture of her working on a kibbutz in Israel. After she told that to the artistic director of the Edmonton Fringe Festival, Murray Utas, Melanie says, the next day she was told by Murray that “the designer had pulled out. It was against their ideology to work with us.”
What also concerns Melanie is the possibility that the pro-Palestine network in Winnipeg will have established contact with a similar network in Edmonton to call for boycotting Melanie and Karen’s show.
As she says, “it’s one thing for them not to work with me – which is egregious in itself” (as the designer who was supposed to work with their show decided), “now I’m known as a Zionist. I’m no longer under the radar here.”
Local News
New Israeli restaurant opens in River Heights
By BERNIE BELLAN (July 6, 2025) It’s been a long time since our community has been able to welcome the opening of a restaurant that specializes in Israeli food.
That void is now going to be filled with the opening of The Green Falafel, at 1833 Grant (corner of Centennial – next to the Subway).
The restaurant is the fulfillment of a dream long held by the husband and wife team of Ariel and Eden Maudi, who have been living in Winnipeg the past 11 years.
Ariel, who was born in Israel and grew up in Beer Sheva, says that he worked in telecommunications in Ramat Gan for several years. He adds though that he had always dreamed of owning his own falafel stand in Israel, but life was difficult there and he decided to come to Canada as a tourist to see whether there were any opportunities here for him, Eden and their two young children.
Eden, who was born in Russia and moved to Israel with her family in 1996, stayed behind with the two kids, who were both pre-schoolers, while Ariel tested the waters in Canada first.
Ariel says he came to Canada as a tourist in 2013. His first stop was in Toronto, where he acquired his 1st class driver’s license. At the end of 2013 he moved to Winnipeg where he began working as a truck driver. Soon he found himself employed as a successful sales person at Vickar Nissan where, he says, he once achieved the status as the top car sales person in Canada. After working at Vickar Nissan for a number of years, Ariel began working as an installer for Bell MTS.
Meanwhile, Eden began working at a Walmart, later at the Costco on Regent.
But, when the opportunity to move into a space that had been previously occupied by another restaurant, but which had closed, became available, Ariel and Eden decided to open their own Israeli restaurant in an area that hadn’t seen Israeli food served since the controversial closure of Bermax Café in 2019.
The Maudis say that they will be serving a variety of Israeli dishes – all vegetarian, and that they will be fully kosher.
The “green” in Green Falafel, by the way, Ariel Maudi explains, comes from the cilantro and parsley that are added to the chickpeas. In addition, their pitas will be coming from Israel and will be baked fresh daily.
The Green Falafel will be open from 10-8 daily. Delivery will be available through Uber Eats and DoorDash.
Call 204-557-7837 for information.
Local News
Previews of shows with Jewish performers at this year’s Fringe Festival July 16-27
For show dates and venues go to winnipegfringe.com
By BERNIE BELLAN As has been our custom for many years now we try to find shows that have either Jewish performers or themes that would have particular appeal for Jewish audiences. Many of the Jewish performers at this year’s festival have been here before, but several are new. In no particular order here are blurbs about the shows we’ve found that fit the criteria I’ve just described. (By they way, if we’ve omitted a show that should be included in our list there’s plenty of time to get added to this post. Just drop me a line at jewishp@mymts.net.)
You’ve Been Served: A One-Woman Show About Divorce, Cults, and Coming of Age at Midlife
Noemi Zeigler
You are hereby summoned… to laugh, cry, and maybe belt out a Streisand number in solidarity. You’ve Been Served is a raw and riotous solo comedy by writer-performer Noemi Zeigler. It all begins when Noemi is served divorce papers on top of a garbage bin lid while taking out the trash—an undignified start to a full-blown midlife unraveling.
At 50, still clinging to her dream of becoming a singer, she falls under the spell of a music producer slash self-help guru, joins a spiritual cult, and, instead of landing a record deal, she lands in jail. Behind bars, with help from her long-buried inner child, she begins to reclaim her voice and her power. Turns out, dreams really do come true—just not the way she expected.
The show features vividly drawn characters—including a manipulative cult leader, a toxic ex-husband, and a jail guard named Roach who shares Noemi’s obsession with the fashion of Charlie’s Angels (the ‘70s TV version, of course.)
With salsa dancing, twerking, and a belting rendition of Don’t Rain on My Parade, Zeigler dives into abandonment, reinvention, and self-rescue. As she confronts perimenopause, she discovers it’s not the end—it’s the new puberty. The show touches on grief, sexuality, and spiritual confusion, but Noemi’s childlike optimism asks: What if your breakdown is actually your breakthrough?
You’re good for nothing… I’ll milk the cow myself
Written & Performed by Natacha Ruck
France, 1981: The first socialist president is about to be elected and young Natacha is ready to implement her own political platform. But first, she has to take down the schoolyard bully,emasculate the rules of French grammar and make off with grandmother’s chocolate.
If you think you know the limits of Jewish mothers, evil grandmothers and transcontinental lovers, meet Natacha Ruck’s family. This true tale of three generations of women, facing three world wars, is equal parts hilarious, shocking and zany.
A One Human Being, Potentially Comedic Performance of Beauty and the Beast NEW WORK!
Written & Performed by Alli Perlov
Be our guest! Local high school drama teacher Alli Perlov is back for a tale as old as time. Can she sing? Not really. Can she act? That’s debatable. Will you laugh? Oh… probably.
Perlov plays dozens of characters, some human, some animal, and many objects, in a comedic exploration of Beauty and the Beast.
In an homage to this brilliant musical adventure, through witty commentary and unstoppable energy, Perlov aims to entertain an audience that isn’t forced to be there like her students.
Hockey Sticks and Beaver Pie
Written & Performed by Melanie Gall
Take a trip around Manitoba. From the 30,000 ft. St. Adolphe snow maze to the Narcisse snake dens! After all, where else holds both the title of Slurpee Capital of the World and the Guinness Record for the most people simultaneously howling like wolves?
Deanna Durbin, Terry Jacks and Burton Cummings are among the many homegrown stars, and Hockey Sticks features their music along with original songs and the stories that make this province unique.
Starring Melanie Gall from past shows Piaf & Brel, Ingenue and Toast to Prohibition
Nerohilarity Exposed
Produced by Adam Schwartz
We all sometimes feel exposed, whether that’s as a fraud or a pretender.
The performers of the award-winning Neurohilarity show, Danielle Kayahara (Laugh Out Loud CBC), Carole Cunningham (Yuk Yuks, The Debaters), Adam Schwartz (Winnipeg Fringe) and Rollin Penner (Yuk Yuks, CBC, Rumors, Winnipeg Comedy Festival), apply a comedic spin to the experiences that make us feel insecure, stripping away the emotional weight with nittygritty jokes and stories that will have you laughing uproariously.
Brilliantly awkward.
A Lesbian in the Kitchen
Willow Rosenberg
Professional lesbian Willow Rosenberg takes you on a journey through the centuries, superstitions and tablespoons of her lifelong passion for baking in this spiritual successor to 2024’s Jenny Award-nominated A Lesbian in a Bear Store.
Whether you have a favourite spatula, bake once or twice a year, or live in constant fear of being told to “just fold it in”, this one-woman show about family, joy, tradition (but make it gay),
Judaism, comfort, home (but make it gayer*), love, chemistry and magic is for you!
*Who’re we kidding, it’s all gay!
Eleanor’s Story: An American Girl in Hitler’s Germany
Written & Performed by Ingrid Garner
(Ed. note: Although Ingrid Garner isn’t Jewish, we thought the theme of this show might have a special appeal for Jewish readers.)
Based on Eleanor Ramrath Garner’s best-selling memoir, this 16x internationally award-winning adaptation – performed by her granddaughter, Ingrid Garner – details Eleanor’s youth as an American caught in Second World War Berlin.
Punctuated with humour and accompanied by cinematic sound and video, Garner embodies her ancestors in this coming-of-age odyssey, delivering an account of war that is more relevant than ever.
Reviewing The Free Press 2
Benji Rothman
The Winnipeg Free Press has run amok, reviewing each and every Fringe show over the past two decades without consequence or recourse. Now, it’s their turn… again.
In this refurbished work that debuted at last year’s Winnipeg Fringe, Benji Rothman once again takes the Winnipeg Free Press to task. In this (mostly) new, (hopefully) hilarious 45-minute show, Rothman dives deep into their past and exposes their faulty journalism, imbalanced reporting and, of course, embarrassing typos.
Local News
Jewish performers at this year’s Winnipeg Folk Festival July 10-13
The Black Sea Station
Long ago, there were the klezmorim, itinerant musicians who roamed the back streets of Eastern Europe, playing at parties for meals and a few coins. The sound they honed then was a visceral exploration of life’s joy, and its loss; they could whip audiences into a frenzy of dancing, or bring them to tears with the mournful wail of a clarinet. Today, Winnipeg’s own The Black Sea Station is carrying on this tradition. Featuring Daniel Koulack (bass), Victor Schultz (violin) and Myron Schultz (clarinet) — cofounders of seminal local klezmer act Finjan — along with Moldovan accordion wizard Nikolai Prisacar and multi-instrumentalist Ben Mink, the quintet transports listeners to a time and place long past. Through a mix of original songs rooted in history, and traditional tunes spun up with modern zest, they whirl through the exuberant klezmer sounds of their Eastern European heritage, tending the old ways with deep love and respect.
The Black Sea Station will be performing Sunday, July 13, at 1:00 pm in Snowberry Field.
Romi Mayes
Romi Mayes has taken some hard knocks in her life, but she’s never faded away. For more than 25 years, Manitoba’s first lady of blues-rock has been a lynchpin of the Canadian roots scene. She earned that position the old-fashioned way, through her gritty, passionately emotive music. With her sizzling guitars and full-throated rasp, the Juno-nominated performer howls and purrs through razor-edged lyrics, rocking out wherever she can find a stage. She’s long been one of the hardest-working musicians on the circuit, keeping a busy slate of gigs and mentoring up-and-coming artists to get a foothold on the trails she blazed. Now, after a nine-year hiatus from the studio, Mayes has put her scintillating sound back on record with her long-awaited seventh album, Small Victories — a return that leaves no doubt, no matter the ups and downs, Mayes is here to stay.
Romi will be performing Friday, July 11, at 1:00 pm in Burr Oak.
Leonard Podolak (with Matt Gordon)
Ireland’s Matt Gordon is a fiddler and singer, whose fleet-footed clogging and thigh-slapping hambone has taken stages by storm since the 1980s. Leonard Podolak is a virtuosic master of the clawhammer banjo, who for decades has whipped up some of Manitoba’s wildest roots parties with his band, The Duhks. Put those talents together, and they can promise you this much: we’re all gonna have a real good time. Longtime friends and musical collaborators, Gordon and Podolak deliver an exhilarating trip through old-time Appalachian music. Their performances seamlessly blend intricate instrumental lines with heartfelt singing and dazzling dance. They’ve teamed up on a few records over the years, including 2020’s bigband extravaganza Power Wagon: Live At Shanley’s. But the best way to experience this duo’s toe-tapping, hand-clapping chemistry is to see it live.
Podolak and Gordon will be performing A concert with a side of clogging Sunday, July 13, at 3:00 pm in Folk School.