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“Magical Meet Cute” – new novel imbues age-old “golem” theme with romance…and mystery
Review by BERNIE BELLAN I’d never read what would be considered a romance novel before, so when I received an email from a publicist for Harper Collins inviting me to read what was described as a new “rom-com,” I admit I was somewhat hesitant to accept the offer.
But – the premise of the novel, as described in that email was somewhat enticing. Here’s what it said:
“Ettel Resnick is a proud Jewitch woman. After being dumped by her fiancé of seven years, she recreated herself, selling her successful legal practice in Manhattan to open Magic Mud Pottery in Woodstock, New York. But everything changes on the fateful night Ettel returns from yet another singles event at the synagogue—and finds her town papered with antisemitic flyers.
“Desperate for comfort, she turns to the only thing guaranteed to soothe her Jewitch soul. Pottery. Heading to her studio, she gets super drunk, and crafts a golem. Ettel pours her heart into that little clay creature. She gives it everything she’s ever wanted in a partner, etching words onto his body—some sensible, some esoteric—before getting totally naked and burying that golem doll in her backyard.
“But when her ideal man turns up the very next day—and checks every detail inscribed on her clay man’s belly, including loving to play Scrabble and reading her books—she’s left wondering if she’s falling in love with the real deal, or if she’s truly summoned a golem.
“This laugh out loud romantic comedy explores witchcraft from a Jewish angle, fighting back against the anti-Semitic way Jewish witches have been portrayed throughout history. It also features a woman dealing with anti-semitism in her town and turning to the ancient Jewish protector—the golem.”
There are several things wrong with what that publicist wrote, however: First, the main character’s name was not Ettel Resnick, it’s Faye Kaplan. (That mistake alone made me wonder where the publicist got her information. Obviously, she hadn’t read the book.)
But second – and perhaps this is more important, to describe “Magical Meet Cute” as a rom-com is a disservice to a book that is far more than a rom-com.
Yes, it contains some of the elements of a romance novel and it does have some good laughs, but as the book develops it takes on a far more serious tone – and turns into a rollicking good mystery.
After reading something about the author, Jean Meltzer, I discovered that she had just about completed writing the book, but then October 7 happened and it cast a giant shadow over what she had mostly written. As a result, she now says that there is a much more serious overtone to her book than what she had anticipated in writing it.
A good part of “Magical Meet Cute” has to do with antisemitism and how completely shocked so many Jews are when it comes to having to deal with overt displays of antisemitism. In the book, Faye fights back, but others in the Jewish community are less willing to confront the threat posed by a group known as “the Paperboys.”
As the press release noted, the action in the book takes place in the very real town of Woodstock, New York (although I have no idea whether the Woodstock described here bears much resemblance to the real town.)
As for the reference to “witchcraft,” I admit that threw me off somewhat. I have encountered the notion of Jewish witches previously, especially in Alice Hoffman’s brilliant “The Dovekeepers,” but as I read “Magical Meet Cute,” I became much more aware of the notion of “Jewitches” which, in this book, is treated in a positive manner.
But, add to that the introduction of the theme of the “golem” in this novel, and you get something quite a bit more complex than what many readers might expect to find in a typical “rom-com.”
Yes, Faye Kaplan does drunkenly fashion a golem out of clay early on in the novel – and then the very next day a character appears who certainly does seem to tick off all the right boxes as a real golem. But, that’s where this book takes a very interesting turn, as the author explores the notion of the golem in Jewish history.
The theme of antisemitism and how ordinary Jews – just leading their everyday lives, are taken so completely by surprise when they encounter direct – and often vicious antisemitism, is especially hard hitting in “Magical Meet Cute.” And, because the notion of the golem as a magical defender of Jews has been around for centuries (as the author explains), it serves as a very convenient – and enticing device around which to develop a modern-day novel, especially in a time of rampant antisemitism.
That’s also where the book veers from romance to thriller – and Jean Meltzer does a fabulous job of injecting tremendous suspense – and trepidation, into the latter part of what is actually quite a long novel (over 480 pages).
In fact, I could have done with less of the romance and more of the thriller. When Faye Kaplan does meet – and fall in love with the character, who we come to know as “Greg” – who may or not be a real golem, I suppose it would have ruined the story for the two of them to go to bed right off the hop. But Meltzer describes Faye as quite beautiful, while Greg is what I would think would be almost any woman’s fantasy of a perfect male.
Not only is he gorgeous, he’s absolutely devoted to Faye. I won’t let you know whether they consummate their relationship, but there is an entire subplot revolving around Faye’s abandonment issues which prevents her from trusting Greg that is really quite sad, although totally credible.
As I made my way through “Magical Meet Cute,” I kept asking myself: Would someone who isn’t Jewish enjoy this book quite as much as someone who is? After all, there are so many references that, if you weren’t Jewish, you’d be wondering just what the heck they mean?
One that comes to mind off the top though – and it’s one I’ve never encountered previously, is Faye’s repeated use of the expression “Haman’s hat,” which she says whenever she’s quite surprised by something. I did a bit of reading on the subject but I simply couldn’t find an explanation why someone would say “Haman’s hat” as say, a substitute for something like “holy s_it.” (Maybe someone will enlighten me.)
Something else that intrigued me was Faye’s predilection for “hard kosher salami.” I realized early on it was her go-to comfort food, but aside from how unhealthy it is to eat, I couldn’t help but think of its phallic overtones. (By the way, Meltzer does enjoy using the term “shvantz” as a term of endearment in describing a certain part of Greg’s anatomy. I would have thought she might have resorted to the more commonly used “schmeckle.”)
When Meltzer introduces the group terrifying the Jews of Woodstock as “the Paperboys,” it’s obviously a not-too-thinly veiled reference to one of Donald Trump’s favourite white supremacist groups, “the Proudboys.” (I apologize if I’ve offended any Trump lovers. After all, there were “many good people on both sides,” as Trump suggested, during the white supremacist march through Charlottesville in 2017, weren’t there?)
“Magical Meet Cute” does have so much more to offer than simply a romance, but if I do have one qualm about the book it is that it so very long. It could have been cut down to no more than 300 pages but, having said that, I applaud the author for combining two quite different genres into quite the good read.
By the way, the book is slated for release August 27, but it’s available online right now from Amazon.
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Synagogue targeted by picketers inspires Ann Arbor ordinance to protect houses of worship
Ann Arbor, Michigan has become the latest city to pass legislation aimed at protecting houses of worship from protests, echoing similar policies passed by New York and proposed by California earlier this year.
But while New York and California introduced such legislation in response to occasional anti-Israel protests outside synagogues, Ann Arbor has been home to the persistent and brazen protest of a Holocaust denier who shows up to picket the same congregation every week on Shabbat.
While synagogue leaders are moved by the city council’s gesture, they don’t expect the protests to end anytime soon.
“The significance of the resolution is that a city council in a highly progressive city had the bravery to call out the antisemitism of Jew haters,” said Rabbi Nadav Caine, the spiritual leader of Ann Arbor’s Beth Israel Congregation. And that’s no small thing.
For the past 23 years, a small group of protesters have gathered outside Beth Israel on Shabbat carrying signs with hateful slogans like “Jewish Power Corrupts,” “No More Holocaust Movies” and “Antisemitism is earned, never given.”
Partly in response to those decades of hateful demonstrations, the Ann Arbor City Council on Monday unanimously passed a resolution directing the city manager to develop a plan for protecting houses of worship during protests, which can include protest-free buffer zones.
Jerry Sorokin, executive director of Beth Israel, expressed gratitude for the city council’s sentiment — though he also believes the measures “won’t make any real difference.”
The protesters carry “incredibly offensive” signs, Sorokin said. But they also stay off synagogue property and don’t interfere with congregants trying to enter, he said, making it unlikely that a security perimeter would affect their demonstrations.
“They’ve found out exactly what the limits of their legal rights are in terms of what they can say, where they can say it, and how they can interact with the public, and they push it right to the limit without going over,” Sorokin said.
A court agreed. In 2019, a congregant and local Holocaust survivor lost a lawsuit against the Beth Israel protesters and the city of Ann Arbor, with a court concluding that the protesters were engaging in protected speech.
Buffer zones across the country
The measure in Ann Arbor reflects a broader national debate about balancing protesters’ free speech rights with worshippers’ ability to safely access religious services, as New York and California have also moved to enact buffer zones outside houses of worship.
In May, demonstrators outside Park East Synagogue in Manhattan chanted “We don’t want no Zionists here” and “There is only one solution, intifada revolution,” outside an event promoting real estate sales in Israel and the West Bank. New York lawmakers approved a 50-foot security buffer around houses of worship proposed by Gov. Kathy Hochul. Meanwhile, New York City Mayor Zohran Mamdani allowed a bill that requires the New York City Police to develop a plan for managing protests at houses of worship.
In Los Angeles, protesters targeting Wilshire Boulevard Temple for hosting speakers affiliated with the Israeli defense contractor Elbit Systems prompted California lawmakers to introduce a buffer-zone bill that would make it a crime to approach a person within 100 feet of a synagogue in order to hand out a leaflet, hold a sign, or “engage in oral protest.” First-time offenders would face up to six months in jail.
At the federal level, U.S. Rep. Tom Suozzi of New York introduced the SACRED Act, which would make it a federal crime to intimidate, obstruct or harass people within 100 feet of a house of worship.
But those proposals all face the same constitutional constraint: They can regulate how protests are conducted, but not the viewpoints being expressed. There’s no legal remedy to the offensive messages painted on placards and yelled at passing drivers, Sorokin said.
“I think what the city council did is laudable, and it is reassuring to us that they’re showing support for freedom of worship and for access to synagogues, churches, and mosques,” he said. “But I don’t think it’s going to change what goes on outside our building every Saturday.”
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In the world of Jewish translators, she was known as a mentor, a friend and a literary giant
Barbara Harshav, widely considered one of the most important translators of Jewish literature of our time, passed away June 24 at age 85. She translated from French, German, Hebrew, and Yiddish — and won acclaim from scholars and fellow translators for her range and high standards. Her curiosity and willingness to tackle difficult material were legendary.
“Few people would be able to and feel comfortable translating from French and German alongside Hebrew and Yiddish,” Shachar Pinsker, professor of Judaic Studies and Middle East Studies at The University of Michigan, wrote in an email.
She translated giants, including Shmuel Yosef Agnon, winner of the Nobel Prize; Avrom Sutzkever, the towering Yiddish poet; the Israeli novelist Meir Shalev; and the beloved poet Yehuda Amichai. But she was also loved as a mentor and friend to scholars and translators of several generations.
“I knew Bobbi Harshav through reading her translations before I met her for the first time, when I helped her carry a suitcase to a room in Berkeley’s Bancroft Hotel in 2005,” Pinsker recalled. “Since then, we have seen each other in Ann Arbor, Tel Aviv, New York and Boston. It was always a thrill to meet her, speak and correspond with her, and learn from her.”
Her personality was reflected in the books she translated.
“Bobbi had a fierce sense of curiosity and independence that carried her forward. I can’t think of anyone else who would translate the Palestinian author Emile Habibi’s essay ‘Your Holocaust and our Catastrophe,’ alongside poetry by Abraham Sutzkever, Yehuda Amichai, the best of American Yiddish poetry, as well as novels, stories, and plays by Hanoch Levin, Yoram Kaniuk, Yehudit Hendel, Yehudit Kazir, and Leah Goldberg,” Pinsker wrote.
Harshav also co-translated many books with her late husband, Benjamin Harshav, including Sing Stranger: A Century of American Yiddish Poetry.
Her translations included some of the most challenging books in recent Jewish literature, like Agnon’s fiction. Made up of layers upon layers, with allusions to Jewish texts everywhere, it is notoriously challenging, if not impossible, to translate.
“Bobbi took on the heroic task of translating S.Y. Agnon’s Tmol Shilshom (“Only Yesterday”), which many considered untranslatable, and although she was aware of the limitations of Agnon in English, she proved them wrong,” Pinsker recalled.
“Perhaps the main thing about this translation is that Bobbi captured Agnon’s sense of irony, because of her own smart and wicked sense of humor.”
On social media, scholars mourned this loss.
“I just read her translation of The Loves of Judith. It’s a stunning and masterful translation of a book that plays with languages, gender, timelines and so much,” Shayna Weiss, Senior Associate Director of the Schusterman Center for Israel Studies at Brandeis, wrote. “What a loss.”
Weiss, in an email, shared that she was reading Harshav’s translation of Shalev’s book because she is speaking at a film festival that is showing For the Love of a Woman, a new film based on this book.
Bobbi, as she was known, was famous inside translation circles for her warmth and kindness to other translators, including invitations to live in her home, rent-free, while translating.
She was especially encouraging to beginners.
When I was a graduate student, she emailed me out of the blue and invited me to participate in a panel at the American Literary Translators Association conference, which was meeting that year in Chicago. I knew no one there, and made a friend — the Yiddish translator Leah Zazulyer, also gone now — while waiting for Bobbi to show up.
I did not know it then, but Bobbi was a celebrity in that conference; she was a past president of the American Literary Translators Association. Later she would become the only Hebrew or Yiddish translator in history to win the PEN/ Manheim medal.
The Manheim medal is awarded every three years for lifetime achievement in literary translation. Bernard Malamud and Gay Talese donated the initial funding for the award; it received additional support from the family and friends of Ralph Manheim, the American translator of Mein Kampf, who died in 1992, and it is now named after him.
The medal recognizes translators “whose career has demonstrated a commitment to excellence through the body of their work.” Prior winners include Gregory Rabassa, translator of A Hundred Years of Solitude, which Gabriel García Márquez famously declared superior to his original, and Edith Grossman, translator of Don Quixote and author of the influential book Why Translation Matters.
Harshav published more than 40 books of translation including works of poetry, drama, fiction, philosophy, economics, sociology and history.
“I know that the Manheim Lifetime Achievement medal acknowledges the full range of Barbara’s work, including her translations from French and German, but the fact that this award casts the spotlight on Hebrew and Yiddish translation, languages that often are overlooked in the world literary economy, is just monumental,” translator, scholar, and Oxford professor Adriana X. Jacobs said when Harshav won the medal.
“In all her translations, Barbara’s voice comes across so clearly and distinctly, even as she is capturing the qualities unique to a specific writer. And what I mean is that when you read Barbara’s translations, her commitment to her choices is evident. And every time I have heard Barbara speak on translation, this has been confirmed,” Jacobs said. “She can tell you why she made one choice and not another, why she chose to translate a particular text and not another, and she always — always — stands by her work.”
Harshav’s comments on writing and translation sometimes made it to Twitter and other social media, like this snippet from her talk at Davidson College: “Style is the morality of the mind. And obscurantism is sinful.”
She came of age in a time well before AI and before translation apps. Learning a language then was slow hard work. For French and German, she focused on basics, then read newspapers and novels.
“As for Hebrew, I started studying Jewish history and realized that I had a serious handicap because I did not know Hebrew at all, not the alphabet, nothing,” she told Rainer Schulte in Translation Review in 2012.
Unlike many Hebrew translators, Harshav came to the language relatively late, at 34.
“I literally fell in love with the language. There was the exhilarating feeling of learning a new language and a new alphabet at that age. It must have repeated the original childhood sense of learning to read, when the letters suddenly make sense and a new world is opened.” She learned Yiddish last.
Scholars and translators saw something distinctive in Bobbi Harshav’s work, in all four languages she translated from. In conversation, she often talked about translation quality; her goal was always excellence.
One reason for her excellence was that she was always reading. Another reason was her attitude, toward the text, and toward herself.
“I carry books all the time because you never know when the elevator will break down, and I am reading all the time,” she told Translation Review. “It is the element of play that is very important. Humility is also important, and the text is sacred. It is also true for performance. You have to have a kind of humility. I take what I do very seriously, but I do not take myself seriously.”
You can hear all of that in her translator’s note to Tmol Shilshom, or Only Yesterday, by Agnon. “If there is some other world, where translators can discuss ‘deviations’ with authors,” she wrote,” I hope Agnon will understand.”
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AIPAC isn’t to blame for the Graham Platner scandal — no matter what social media trolls say
“Zionists are just upset anti-Israel candidates are winning,” read one Instagram comment, which got 164 likes. “Israel working over time on this one,” read another, which garnered 341. “AIPC” — presumably meaning AIPAC — “is going hard against you, but fuk em keep going,” read a third, with 458.
These comments were prompted by allegations that Graham Platner, the Democratic candidate for Senate in Maine, sexually assaulted a woman in 2021. Such insights did not exclusively come from random internet users: former Rep. Marjorie Taylor Greene posted on X, “I do find it interesting that Platner is hated by AIPAC and rape accusations show up years later from a woman who dated him.”
It’s impossible to determine how widespread a conspiracy theory that AIPAC, a pro-Israel lobbying group, is somehow behind Jenny Racicot’s credible allegations might be. But the fact that such a baseless idea is spreading at all is instructive in two ways.
First: It forces us to once again confront the fact that too much of our society tends to treat allegations of sexual violence as a team sport — only disqualifying if they attach to the side you root against. A version of this same trend was on view earlier this year, with the wildly disparate responses of pro-Israel and pro-Palestinian parties to reporting about sexual violence committed by Hamas and Israeli forces.
In fairness, the majority of the politicians who had previously endorsed Platner have retracted their support in the wake of Racicot’s allegations. But there are still people out there who would rather think that Israel and AIPAC somehow made a woman come forward than sit with the fact that these allegations were made against someone with whom they are ideologically aligned. (Racicot also told multiple people about the alleged assault years before Platner ever ran for office. I am unclear on how, exactly, AIPAC is meant to have coordinated that, although I have no doubt proponents of this theory have an explanation.)
This is what happens when we see having theoretically good principles as more important than actually being and doing good in the world.
Second, this discourse is a reminder of the importance of drawing a clear line between criticism of AIPAC and conspiracy-mongering, which can quickly edge into antisemitism.
The importance of this distinction has come up repeatedly in recent weeks, as political candidates have made criticism of AIPAC central to their campaigns.
Criticism is about what an individual or entity is actually saying or doing. Conspiracy, on the other hand, is not about what someone is actually doing. It is about suggesting someone holds too much power and control, often over events that have little to nothing to do with them, rather than examining their actual actions.
It is not antisemitic to say, for example, that AIPAC has endorsed election deniers; that it spent more $4 million dollars in 2022 campaigning against a Jewish Democrat who sponsored a “Two State Solution Act” because it deemed him insufficiently pro-Israel; or that it spent almost $14 million across just four Illinois races this year. Those are just facts. To observe that they are things that happened is not perpetuating antisemitism, but noting reality.
There is nothing realistic, on the other hand, about suggesting that AIPAC somehow made Racicot talk to the press about her experiences with Platner.
Hence a basic rule: Grounded criticism of AIPAC isn’t antisemitic, and conspiracy theories about it are.
Take the example of Brad Lander, who recently won his Congressional primary in New York City, and who told The New York Times that he felt “queasy” discussing AIPAC critically but felt it needed to be done. Lander was making an important point: the fact that antisemitic tropes can be evoked while critiquing powerful Jewish and pro-Israel institutions does not mean that that any such critique is inherently antisemitic, as some have suggested.
Yet the fact that criticism of AIPAC isn’t inherently bigoted doesn’t mean that invoking it never is. Crying “AIPAC” to deflect from blame or responsibility, as those blaming the lobby for Platner’s scandal are, is absolutely antisemitic.
The stakes of this aren’t just Jewish well-being, or the future of a particular Senate seat. When we infuse our politics with conspiracies, it doesn’t matter if they come from the left or right: The end result is a politics that’s more hateful and deluded, regardless of the source. Those who wanted Graham Platner in the Senate because they yearn for officials who will further human rights and dignity should ask themselves whether that’s the kind of politics that helps us achieve those goals.
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