RSS
Glazed over: 2010s vibes abound in Ilana Glazer’s made-in-Toronto comedy special ‘Human Magic’
In 2016, the American comedian Ali Wong put out a comedy special. As reviewer Michelle Ruiz put it at the time for Vogue, “Until her, I’d never seen a pregnant stand-up. I’d never seen a pregnant stand-up pretending to trap a man’s head between her legs in simulated cunnilingus either, but this is the beauty of Baby Cobra.” Jason Zinoman of the New York Times meanwhile called Wong’s performance “something new, a pregnant woman in her third trimester delivering a deliriously filthy and funny hour of comedy woven into a sneakily feminist assault on the double standards of parenting.”
Going on a decade ago, it was refreshing, raw, what have you, to see a woman in this deeply domestic state, speaking about sex and bodies in a way more commonly associated with… well, with men. And a racialized woman, too—a further change of pace in the white, male world of stand-up.
During that era, American comics Abbi Jacobson and Ilana Glazer had moved their web series Broad City onto cable television, showing that young women—not just young men—could be hijinks-having stoners. We were still in the era (Knocked Up, 2007) where men (perhaps played by Seth Rogen) could be slackers and some no-nonsense woman, perhaps played Katherine Heigl, would be the responsible one. We’re kind of back in that era now, but for five minutes there, it was allowed that women sometimes slacked.
Like seemingly all Jewish women at the time, I was a huge fan of this show. I particularly loved the 2015 episode, “Knockoffs,” that weaves together a plot with Abbi’s character trying out a certain new act with a male partner and Ilana’s discount handbag shopping with her mother. It was the second of the two that truly made the episode, showcasing a part of the New York mother-daughter experience never before seen, or at least not seen since The Nanny. But you need both threads to make sense of what follows: The bargains turn out to be found underground, as in literally beneath the road, yielding one of the best comedic lines of all time: “All the good shit is always down a manhole.”
Art about slackerdom, told from the slacker’s perspective, is always a challenge, but they nailed it. Broad City was objectively delightful, but also innovative in a way of specific interest to me: it presented unambiguously Jewish, Jewish-looking young women as protagonists, not sidekicks. They were the comic relief and the ones out having sexual adventures, and going on a satirical version of Birthright Israel. After growing up surrounded by a Gwyneth-led beauty standard, I got a kick out of knowing that I now lived in a world where women like these were considered desirable. What’s it to me if men think Scarlett Johansson’s hot? Abby and Ilana, this is another matter.
I’m a few months older than Jacobson and (this will be relevant) a few years older than Glazer, but close enough in age to both that it was a bit like watching my own early-20s Brooklyn-dwelling life, except hilarious. I remember it as a kind of counterpoint to Lena Dunham’s Girls, about a not-dissimilar milieu and life stage, but just so much sillier, and therefore more my speed. While I can’t say I’m committed to realism or representation in my television viewing generally (or else why so devoted to Midsomer Murders?) there was something special about how this show was covering familiar-to-me territory and getting it so right.
***
As I will be the first in human history to observe, time passes. For most of us, it’s a bit who cares. It’s unremarkable if the classmate who partied hard at 19 is more settled-down at 39. Not so if you made a name for yourself as your own free-spirited slacker-stoner alter ego, the picture of unfettered youth. If you’re Ilana Glazer, if you played the less responsible of the Broad City broads, and had the audacity to grow up, get married, and have a kid, your fans may demand an explanation.
Glazer’s comedy special, Human Magic, filmed at the Elgin and Winter Garden Theatre in Toronto last May and released for streaming in the final days of 2024 (on Hulu in the U.S. but via the adult side of Disney Plus in Canada) , brings the fans up to speed. It reconciles the filthy-mind-possessing Ilana Wexler alter ego from Broad City with the grown-up, responsible, professionally accomplished Ilana Glazer before us today. It is also an attempt at making a 2010s… vibe? ethos? relevant to the 2020s.
Human Magic is the 2020s’ answer to Baby Cobra, which may be where things go awry. It’s no longer groundbreaking to be a pregnant woman or new mom who (glances around anxiously) does sex stuff. It is maybe slightly edgy to admit to being a mom who consumeth the marijuana, as Glazer does, as is central to her personal brand, but stonerdom itself isn’t the rebellion it once was, not with legal dispensaries surrounding the theatre she’s performing at on Yonge Street—to say nothing of the rest of North America—not with all the much-publicized research about alcohol as a carcinogen, making Team Weed seem as if they had the right idea all along.
That’s not to say there isn’t a twist. The twist is that Glazer is not like those other women who love their husbands and have babies with them and enjoy cleaning the house and help their inept-shopper husbands buy T-shirts. And I don’t just mean because she’s a famous person.
Glazer now describes herself as a “queer Jewy woman,” but does not elaborate on what sort of queer she—a woman with a husband—identifies as. A non-practising bisexual, one might guess. (Human Magic includes what might be the lewdest-ever way of expressing the fact that the speaker is monogamous, and much of the special is about her sexual history with men, though she does mime a sex act involving another woman, but only—hard to explain—to make a feminist point about microphones being too phallic.) And perhaps that as well, I have no idea.
A glance at Instagram and recent media coverage attests that Glazer uses she/her as well as they/them pronouns, suggesting that this is core to what Glazer’s referring to when speaking of queerness. Per a recent profile in The Independent—which was picked up by other clickbait headline outlets like it was still 2014—having a baby paradoxically tapped her into her own gender multitude (as versus the boring thing where it reminds you just how female you are), and today, “she identifies as a non-binary woman.”
“Broad City” star Ilana Glazer has opened up about their pregnancy, saying that the experience helped them realize that they are nonbinary. https://t.co/Q6bR2wkCfJ
— Them (@them) August 12, 2024
If this has you wondering who among us identifies as a binary woman, you are not alone. If you’re not wondering this, you are mad at me for having done so. Those are, you see, the only options.
But the interview got picked up, as they will, and held up as evidence that a beloved celebrity had Come Out As Queer. Fine, an assigned-female-at-birth, feminine-presenting, husband-having one, but why should any of that matter? It’s a big tent! Vogue publisher Condé Nast’s gender-celebrity website Them celebrated this revelation-of-sorts as follows: “We love a subtle nonbinary slay, especially when it comes from none other than Ilana Glazer.”
The subtlety is undeniable. Blink and you’d miss it.
***
You can never know, when talking about another person, what’s a tentative first step on a journey, and what’s a gesture taken on for symbolic reasons. It’s entirely possible that tomorrow, Glazer will announce exclusively they/them—or he/they, or he/him—pronouns, and whichever material transitioning in whichever direction, and I will feel like a terrible person for having even fleetingly interpreted this as a case of a functionally if not technically straight lady presenting herself as more interesting (or oppressed) than she is.
It is also possible that I will wake up tomorrow with the politics and inclinations of someone born a micro-era later than I was (Glazer was born in 1987, whereas I’m an ancient ’83er, and this seems a critical difference for this sort of thing) and be putting she/they into my bios and—despite nothing substantively changing about me or how I live my life—everyone will have to walk on eggshells when discussing me and my bog-standard hetero household.
Everyone apart from the right-wing rabble-rousers, who take a different tack. Well those, and people who from-the-left critique such things, often with the derisive term, spicy straights.
My commitment to the she/her (or, more precisely, to not stating my pronouns and letting others come to the likeliest conclusion) is more a matter of generation or sensibilities than place on any gender spectrum. I have no reason to believe I am more comfortable in my femininity, or however you want to phrase such things, than Glazer is in hers. My hunch here—and it can only be a hunch, I’m not in her brain—is that we have different frameworks for understanding the same kinds of experiences.
Why, then, am I walking on eggshells talking about this? Why am I questioning my choice to use she/her for Glazer, wondering at 9:15 p.m. whether the Wikipedia entry’s use of they/them (which it notes is for consistency, just to pick something) ought to have trumped the Independent profile’s she/her? If I had reason to believe Glazer consistently preferred they/them, I would use they/them, I have no whole thing about this, and believe in using the pronouns people request. Why do I feel like a bad guy here?
My jumpiness isn’t much of a mystery, though. It’s because I’m a repeat visitor to rodeos of this nature. There’s a subset of people who will be next-level furious at me for what they will call erasure, gatekeeping, transphobia. All this because of what is essentially a semantic difference of approach between two people whose lives are—apart from one of them being a famous person who helped create the brilliance that is Broad City—remarkably alike.
Who cares, and more to the point, what does any of this have to do with Human Magic?
The subtext of Human Magic is that Glazer is not just some straight-lady comic offering up relatable anecdotes. She’s someone you’d least expect to be leading such a conventional life. And she describes it all in this cool-kid tone that makes you almost forget that the things she’s talking about (loving your baby, enjoying sex with your husband) are, well, square.
***
I am not an Ilana Glazer-ologist, which is to say, my interest is the persona, not the person. And the persona she presents in Human Magic is no more or less conventionally feminine than the typical straight woman. It is not just the gushing about the husband (more on that in a moment), but visible to anyone with any familiarity with gendered self-presentation in our society. She’s dressed in a black, off-the-shoulder minidress or shirt-and-miniskirt (mini-skort?) combo, with black stockings, a chic necklace, and gorgeous shimmery eyeshadow.
Now someone could be as described and use any pronouns. But the overall effect—combined with Glazer’s own references to herself as a woman and “mom” throughout the special—suggests that one would not be misgendering Glazer to call her a woman. She calls herself a woman! (Why am I walking on eggshells?) And unlike her Broad City co-creator and co-star, who is married to another woman, Glazer is what one might call straight-passing. (A wife, if you’re a woman, is a dead giveaway about the not-straight thing.)
What I keep returning to is the T-shirt interlude. In this part of Human Magic, Glazer pokes gentle fun at her husband for his inability to buy his own clothes. She has to show him the websites and tell him what size he wears. Men!
This is standard stand-up fare. The bumbling husband, flummoxed by a domestic task, or maybe he deems it too trivial. There’s also something mildly absurd about how specifically I related to this (the scientist husband, those exact T-shirt websites). Queer Jewy women, straight Jewy women, not so different after all!.
Glazer is nothing if not a member of her moment. She admits that she’s married, but encourages applause for the divorcees in the audience at the start of the show, calling herself a “divorce enthusiast.” She performs—literally, she is on a stage—the requisite feminist ambivalence of being in an opposite-sex relationship. “I feel so lucky to be married to my husband, but it’s hard at baseline to be a woman married to a man. Cause I see him sometimes as [here she gets dramatically angry] SOME MAN, instead of the person I chose to spend my life with.”
It’s performative misandry, but it’s also heteropessimism—or what would be called that if the person experiencing it identified as heterosexual. Glazer negotiates a squickiness surrounding her quasi-straight-womanhood (straight quasi-womanhood?) by describing herself as pro-guys, anti-men, with a whole routine about the difference between guys and men. Something about guys wearing sweatpants to buy groceries and men wearing jeans to work out in.
The guys-good, men-bad bit is a little funny, maybe? Not earth-shattering. It taps into something in the culture, though. Specifically, to the loophole according to which you’re permitted to be a ban-men feminist and have a male partner, so long as you tell anyone who’ll listen that you’ve found one of the good ones. Where this is meant to leave the women married to less-good ones (are they victims or just bad feminists?) I’m never clear.
***
Human Magic has its moments, in the Baby Cobra mould. Glazer describes a medical exam she had before giving birth as being “fingered” and in a positive sense—something I think I might find unnerving to hear if I were the doctor who’d performed the exam, but it’s a comedy special, maybe this never happened! She recalls the expletives she uttered when in awe of the miracle of having just had her baby. She confesses—in a scandalous tone—that she enjoys performing oral sex. Is the audience meant to be scandalized because sex, or because the sex-haver is a mom, or is it that third thing: that it’s yeah kinda shameful to be into sex with men, if you’re a queer feminist?
Loving your husband, enjoying sex with him, liking that he can carry heavy items (“I’ll tell you one thing daddies can do: carry shit”) not liking that he can’t be bothered to order his own T-shirts, loving your baby, worrying about your baby eating solids and how that’s going, enjoying cleaning your house (this is, Glazer explains, her Shabbat ritual), these are all things that put Glazer in community with the wide world of basic straight ladies. (I detest cleaning my house, which puts me where on the gender spectrum?) She presents her preferences for ordinary things as shocking revelations—the subtext being, can you believe someone like ME is into this stuff?
The more I think of it, the stranger it all seems. Annoying, but also kind of brilliant? There’s a part about how the first time she had fully unprotected intercourse was when trying for a baby. She describes this entirely banal fact of how one plans a pregnancy in extremely funny terms that sound both erotic and sordid.
What Glazer does—and what puts her in the spirit of Ali Wong—is remind that getting older, moving through the various life stages, does not magically remove women’s humanness. (Human Magic the title refers to reproduction, but could as easily refer to what’s imagined happens to women when no longer 22 and carefree.) Human Magic reminds that mothers are also women, that women are also people. Not just as in, people deserving of human rights, but people whose minds go to places that our culture ascribes to teenage boys.
The breakthrough of Broad City was showing that what’s thought of as teenage-boy-ness exists in young women as well. Human Magic extends the privilege to slightly older women. In a way.
***
Is the special not that funny because it’s too sanctimonious? After all, Glazer is an outspoken progressive, Broad City had a Hillary Clinton cameo in 2016 (whole lot of good that did, but I digress), and is a supporter of the Palestinian cause.
But we are not in the realm of humourless scolding a la Hannah Gadsby’s 2018 anti-comedy comedy special, Nanette. Glazer’s comic timing is still there, her exaggerated expressions, and if some of her qualities that were charming on Broad City now inspire a bit of, you do realize you’re borderline middle-aged now yes?, like when she refers to her toddler as “dawg,” it is clear she does in fact realize this, and is in on the joke.
Glazer comes across as aware she’s known for having righteous left-wing politics, and uses this as a way of offering unexpected twists. She talks about how dreadful it was, developing breasts early—“shtetl titties,” she calls them—and being sexualized from a young age. She then pivots to how, in her 30s, she’s no longer gently patted in public spaces and how she misses this. That’s it, that’s the joke.
Then there’s the interlude where Glazer admonishes mainstream (non-feminist) pornography for its emphasis on incest. She digresses a bit and you think she’s about to condemn the 1995 movie Clueless for its step-sibling romance. Really, you think, she’s out here cancelling Clueless? Instead she mimes her then-pubescent self let us say really enjoying the film—and in doing so, going somewhere far franker than Clueless itself ever did.
I suppose a part of me reacted to the knowledge that Glazer doesn’t fully identify as a woman the way I would have had I learned that she no longer considered herself Jewish. (Note: she absolutely does consider herself Jewish; it’s an analogy.) Broad City was such a triumph of Jewish female representation that maybe I am, on some level, unjustly attached to the idea of its creators as female and as Jews.
The CJN’s opinion editor Phoebe Maltz Bovy can be reached at pbovy@thecjn.ca, not to mention @phoebebovy on Bluesky, and @bovymaltz on X. She is also on The CJN’s weekly podcast Bonjour Chai. For more opinions about Jewish culture wars, subscribe to the free Bonjour Chai newsletter on Substack.
The post Glazed over: 2010s vibes abound in Ilana Glazer’s made-in-Toronto comedy special ‘Human Magic’ appeared first on The Canadian Jewish News.
RSS
Meta Boots Anti-Zionist Columbia University Group From Instagram
Pro-Hamas Columbia University students march in front of pro-Israel demonstrators on Oct. 7, 2024, the one-year anniversary of Hamas’s Oct. 7 massacre across southern Israel. Photo: Roy De La Cruz via Reuters Connect
Meta Platforms, Inc. has banned the infamous Columbia University Apartheid Divest (CUAD) anti-Zionist student group from its platforms, a decision that the company says is irrevocable.
As previously reported by The Algemeiner, CUAD is responsible for spreading pro-Hamas propaganda, assaulting Jewish students, and disrupting academic study at Columbia with unauthorized demonstrations and property destruction. Its behavior, among other factors, drove the Trump administration’s cancellation in March of $400 million in federal contracts and grants awarded to Columbia.
CUAD first reported that Meta shuttered its Instagram account on Monday, denouncing the measure as being part of “a long and concerted effort from corporations and imperial powers to erase the Palestinian people.” Meta later justified the decision to Jewish Insider, explaining that CUAD had forced the company’s hand by ceaselessly transgressing the platform’s terms of use of agreement. Meta forbids groups which advocate violence to operate on Instagram, and CUAD has used its account to call for toppling the Israeli and US governments. Additionally, its Instagram account has been essential for promoting unlawful demonstrations CUAD continues to hold at Columbia University and for sharing resources that have helped its collaborators avoid punishment.
Meta told Jewish Insider that the group won’t be allowed back.
As previously reported by The Algemeiner, CUAD’s activities have been described as a threat to the civil rights and security of Jewish Columbia University students.
Last April, CUAD members commandeered a section of campus and, after declaring it a “liberated zone,” lit flares and chanted pro-Hamas and anti-American slogans. When the New York City Police Department (NYPD) arrived to disperse the unlawful gathering, hundreds of CUAD members and their affiliates reportedly amassed around them to prevent the restoration of order. During ensuing clashes with law enforcement, one student screamed “Yes, we’re all Hamas, pig!” while others shouted, “Long live Hamas!” and filmed themselves praising the al-Qassam Brigades, the military wing of the US-designated terrorist group.
In September, during the university’s convocation ceremony, the group distributed a pamphlet which called on students to join the Palestinian terrorist group Hamas’s movement to destroy Israel. Several sections of the document were explicitly Islamist, invoking the name of “Allah, the most gracious” and referring to Hamas as the “Islamic Resistance Movement.” Proclaiming, “Glory to Gaza that gave hope to the oppressed, that humiliated the ‘invincible’ Zionist army,” it said its purpose was to build an army of Muslims worldwide.
In February, CUAD committed infrastructural sabotage by flooding the toilets of the Columbia School of International and Public Affairs (SIPA) with concrete. Numerous reports indicate the attack may have been the premeditated result of planning sessions which took place many months ago at an event held by Alpha Delta Phi (ADP) — a literary society, according to the Washington Free Beacon. During the event, the Free Beacon reported, ADP distributed literature dedicated to “aspiring revolutionaries” who wish to commit seditious acts.
Following two occupations of administrative buildings at Barnard College, Laura Rosenbury, the school’s president, denounced the group as a paranoid hate-organization.
“They [CUAD] operate in the shadows, hiding behind masks and Instagram posts with Molotov cocktails aimed at Barnard buildings, antisemitic tropes about wealth, influence, and ‘Zionist billionaires,’ and calls for violence and disruption at any cost,” Rosenbury wrote in an op-ed published by The Chronicle of Higher Education. “They claim Columbia University’s name, but the truth is, because their members wear masks, no one really knows whose interests they serve.”
Dion J. Pierre @DionJPierre.
The post Meta Boots Anti-Zionist Columbia University Group From Instagram first appeared on Algemeiner.com.
RSS
Tlaib Set to Headline Terrorist-Connected Palestinian Event in New Jersey
US Rep. Rashida Tlaib (D-MI) speaking at a press conference at the US Capitol in Washington, DC, March 11, 2025. Photo: Michael Brochstein/ZUMA Press Wire via Reuters Connect
US Rep. Rashida Tlaib (D-MI) is set to headline a conference that is also hosting a member of the Popular Front for the Liberation of Palestine (PFLP), an internationally designated terrorist organization, according to documents obtained by The Algemeiner.
The Palestinian American Community Center (PACC) in New Jersey will hold its annual conference, titled “Grounded in Action: Exploring the Power of the Palestinian Diaspora,” from Thursday through Sunday. Wisam Rafeedie, a self-admitted member of the PFLP, will address the conference virtually on the 4th day of the event.
According to PACC’s website, the conference “is a call to recommit ourselves to amplifying and supporting the Palestinian voices and advocates who have long been at the forefront of our struggle.” PACC also calls on members of the Palestinian diaspora “to leverage our unique positions and power” to “push for meaningful action.””
Tlaib is scheduled to headline the event’s “Youth Day,” in which she will host a reading and signing for her new children’s book, Mama in Congress, alongside her son Adam Tlaib. According to Harper Collins, the book’s publisher, Mama in Congress will chronicle Tlaib’s journey from Detroit to the halls of the federal government. The book will also detail Tlaib’s supposed efforts in working toward “justice for all” in Congress.
The conference will include several workshops educating attendees on “resistance,” “solidarity,” and “collective struggle.” The event will also feature a session stressing the importance of “centering Palestinian prisoners.”
This is not the first time that Tlaib has come under scrutiny for attending a pro-Palestinian conference tied to terrorists. Last May, Tlaib came under fire for speaking at the “The People’s Conference for Palestine,” which also hosted Rafeedie among other individuals connected to terrorist groups. During that event, Rafeedie praised Hamas, the terrorist group that runs Gaza and murdered 1,200 people and kidnapped 251 hostages on Oct. 7, 2023, as a “resistance” against Israel. He defended and downplayed Hamas’s atrocities, saying that “Zionists lie like they breathe.”
“This is not a struggle between Hamas and Israel. Hamas is part of the resistance of the Palestinian people. The core issue is between the Palestinian people and the project of settler colonialism and ethnic cleansing,” Rafeedie said.
Rafeedie also called for the complete destruction of Israel and the replacement of the Jewish state with a “democratic” Palestine.
“There is no longer a place for the two-state solution for any Palestinian. The only solution is one democratic Palestinian state on all Palestinian land, which will end the Zionist project in Palestine,” Rafeedie continued.
Tlaib, the first Palestinian American woman elected to the US Congress, has positioned herself as a fierce and outspoken critic of Israel. Since entering office, Tlaib has repeatedly accused the Jewish state of implementing an “apartheid” regime in the West Bank and turning Gaza into an “open-air prison.”
In the year following the Hamas-led Oct. 7 attacks on Israel, Tlaib has sharpened her condemnations of the Jewish state. In the immediate aftermath of the massacre, she hesitated to release an official statement acknowledging the mass slaughter, abductions, and rapes perpetrated by Hamas. Less than two weeks after the invasion, Tlaib introduced a “ceasefire” resolution between Israel and the Palestinian terrorist group. In November 2023, the House of Representatives voted to censure Tlaib over her anti-Israel rhetoric.
The progressive firebrand has also condemned Israel’s defensive military operations in Gaza, accusing the Jewish state of committing a full-scale “genocide” against the civilians of the enclave. She has also peddled the unsubstantiated claim that Israel has purposefully inflicted mass starvation against Palestinian civilians and urged the Biden administration when it was in power to impose an arms embargo on Israel. Simmering with anger over the Biden administration’s support for Israel, she refused to endorse former Vice President Kamala Harris’s failed presidential bid.
Tlaib’s office did not respond to a request for comment for this story.
The post Tlaib Set to Headline Terrorist-Connected Palestinian Event in New Jersey first appeared on Algemeiner.com.
RSS
Driver Charged for Brooklyn Car Crash Killing Jewish Family Has History of Claiming CIA Follows Her
An overturned auto in a car crash flipped on its roof landing on a mother and her three children, killing two children on March 29, 2025, in Brooklyn, New York. Photo: ZUMA Press Wire via Reuters Connect
A Brooklyn woman who was charged for a car crash on Saturday that killed a Jewish woman and her two young daughters has alleged in the past on social media that the US Central Intelligence Agency (CIA) is following her, a claim she also made to first responders after the fatal accident.
Miriam Yarimi, 32, is facing multiple charges, including three counts of second-degree manslaughter, three counts of criminal negligent homicide, and four counts of second-degree assault. Yarimi — a Brooklyn resident and wigmaker who is also a Jewish mother herself – was transported to NYU Langone Hospital in Brooklyn in stable condition. She was then moved to the psychiatric ward of Bellevue Hospital, according to reports.
The car crash killed Natasha Saada, 32, and her daughters – 8-year-old Diana and 6-year-old Deborah. Saada’s son Philip, 4, was injured in the crash and hospitalized at Maimonides Medical Center in Borough Park in critical condition. The New York City Police Department (NYPD) arrested Yarimi, a single mother who has a young daughter, and she is awaiting arraignment in connection to the crash that took place Saturday afternoon at an intersection on Ocean Parkway off Quentin Road in Midwood. Police said she was driving with a suspended license at the time of the crash.
“This was a horrific tragedy caused by someone who shouldn’t have been on the road,” said Police Commissioner Jessica Tisch. “A mother and two young children killed, another child fighting for his life, a family and a neighborhood devastated in an instant. The NYPD sends its condolences to the family of the victims.”
Yarimi, who shares custody of her daughter with her ex-husband, reportedly told first responders with the Jewish-led volunteer ambulance service Hatzalah that she was “possessed” and that she believes the CIA was pursing her.
She has made similar claims about the CIA many times on Instagram, a former customer of hers told The Algemeiner on Tuesday. The source, who wishes to remain anonymous, purchased a wig from Yarimi several years ago and has been following her on social media for a number of years. Yarimi has 16,000 followers on Instagram and screenshots of her since-deleted posts, obtained by The Algemeiner, confirm she previously believed that the CIA is tracking her.
“It’s very convenient to plead insanity. But it’s not new. She is actually insane. This is [an] old topic,” the former client told The Algemeiner. “She thinks that she’s been followed by CIA for a long, long time already. She truly believes that CIA is spying on her … But only people who follow her [on social media] and know her for a long time would know this. She’s sick.”
In one since-deleted Instagram post, Yarimi wrote in part about the CIA: “They have control of EVERYONE here in this world BESIDES ME … when I went to Miami, it all clicked … once they knew that I knew, they followed me around the hotel, dressed up as young parents with a doona [stroller] and disco outfits like I was stupid and didn’t know who they were … if anything they stuck out like glue.”
“It was the government, blackjack, and the CIA who manipulated everyone and took control of everyone’s mind but because I was the catalyst and the sacrificial lamb so they did their best to break me,” she wrote in a separate post that has also been deleted. “They experimented (abused) me and that’s when they cloned my daughter and I so when I die, they could reinsert me into the crowd and make me into another person.”
Yarimi previously had a highlight on her Instagram page where she talked about demons and the CIA, but it has since been deleted, her former customer told The Algemeiner. Yarimi also wrote on her Instagram Story once that she believes Hollywood is trying to clone people to look like her.
“Why do you think most of the girls in Hollywood have similar features to me like Rita Ora & Jane the Virgin etc,” Yarimi once wrote on Instagram, as seen in a screenshot shared with The Algemeiner. “Wake up, this is not just happening in Hollywood. This is happening right here in the Jewish community in Brooklyn.”
Not long after she uploaded the Instagram posts, Yarimi was admitted to a psychiatric ward and when she returned to social media, she spoke about the experience, the source told The Algemeiner.
“After the above posts she was locked up for two weeks in a psych ward. She’s very public. She went live when paramedics broke into her house and took her. She came back online two weeks later and spoke about her psych ward experience,” Yarimi’s follower said. “And it was saved in her [Instagram] highlights as well … It was horrible.”
The Algemeiner has seen a copy of Yarimi’s Instagram video that shows police drag her out of bed after she refused their orders to get up by herself. In the clip, three police officers are seen in her bedroom and a fourth is standing by the doorway.
Another longtime Instagram follower of Yamini’s described her as “delusional” when speaking to The Algemeiner, and confirmed that Yamini has spoken online repeatedly in the past about how she believes the CIA is tracking her.
In December 2024, Yarimi won a $2 million settlement from the city of New York after she filed a lawsuit claiming that former NYPD Officer George Mastrokostas repeatedly raped her for several years after falsely arresting her.
New York City Mayor Eric Adams and NYPD Deputy Chief Richie Taylor attended the funeral for Saada and her daughters on Sunday in Brooklyn before their bodies were flown to Israel for burial. Saada is survived by her husband, Sidney Saada, her sons Philip and Jacob, her parents and three siblings. Adams called the crash “a tragic accident of a Shakespearean proportion.”
“A mother going for a simple stroll on a sunny day was struck and killed. As we pray for their families and this entire community, the city mourns this loss,” he added.
Police said Yarimi was driving a blue Audi A3 sedan when she rear-ended a 2023 silver Toyota Camry with TLC plates that was carrying four passengers – a mother and three children. NYPD Commissioner Tisch said the force of the crash caused the Toyota Camry to be pushed aside, while the Audi moved forward, crashing into Saada and her children as they were crossing the street before the car overturned. Saada and her two daughters were pronounced dead at the scene. The driver of the Toyota Camry, a 62-year-old man, was hospitalized in stable condition. The four passengers inside his car sustained minor injuries and were also hospitalized, according to Tisch.
Yarimi’s car had 99 parking and camera violations between August 2023 and March 2025, including 21 speed camera tickets and five red light tickets, Eyewitness News ABC 7 reported, citing a website that tracks vehicle violations using city data. She had nearly $10,500 in fines and a car with the same license plate as Yarimi’s still has $1,345 in unpaid fines, the news outlet also revealed.
The post Driver Charged for Brooklyn Car Crash Killing Jewish Family Has History of Claiming CIA Follows Her first appeared on Algemeiner.com.