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The JTA Q&A with Zohran Mamdani: ‘I don’t begrudge folks who are skeptical of me’
With days before the election in which he is favored to become New York City’s next mayor, Zohran Mamdani tells Jewish New Yorkers that he understands why some might be skeptical of him — and that he would work as mayor to protect and celebrate them nonetheless.
“I don’t begrudge folks who are skeptical of me, especially with tens of millions of dollars having been spent against me with the intent to do just that, but I hope to prove that I am someone to build a relationship with, not one to fear,” Mamdani tells the Jewish Telegraphic Agency.
Related: What Zohran Mamdani has actually said about Jews, Israel and antisemitism
The comment was included in Mamdani’s written responses to questions submitted by JTA and the New York Jewish Week to his campaign this week. The full Q&A, covering Mamdani’s relationships with Jewish New Yorkers, his policies and principles as a vocal pro-Palestinian advocate, his favorite Hanukkah movie and more, is below.
JTA’s Andrew Cuomo Q&A | JTA’s Curtis Sliwa Q&A
You have consistently assured Jewish New Yorkers that you will make sure their synagogues are safe on the High Holidays. What is your vision for synagogue security when it is not a major holiday, and would your vision for the Department of Community Safety play a role?
The first step is acknowledging the terrifying rise in antisemitism in our city. As hate crimes overall decreased from 2023 to 2024, antisemitic ones increased. There were 345 antisemitic hate crimes last year, making up more than half of all hate crimes recorded. Many Jewish New Yorkers no longer feel safe to be who they are in this city. Our relationship with houses of worship must be one of collaboration and partnership, and the process for getting NYPD presence should be one that is simple, not one that requires faith leaders to have the mayor on speed dial. I’ve proposed a public safety plan that keeps Jewish New Yorkers safe: Our Department of Community Safety (DCS) will increase funding to combat and prevent hate crimes by 800% with an emphasis on preventing antisemitic hate crimes. My administration will protect Jewish New Yorkers on the street, on the subway, and in their synagogues.
The head of a liberal pro-Israel group at Bowdoin said that you declined to meet with him as SJP’s president because of your group’s policy of “anti-normalization.” How do you view this philosophy today, and how would it inform your interactions with Jewish organizations and Jewish leaders who support Israel and reject your condemnations of Israel, including claims that it committed genocide?
I’ve been honored to meet with countless Jewish leaders and organizations, including many who have different views on Israel and Zionism than my own. I am looking to be a mayor for all New Yorkers and look forward to meeting with anyone who cares about making the most expensive city in America affordable to all who call it home.
You’ve mentioned several times gaining a new awareness of Jewish New Yorkers’ fears about the phrase “globalize the intifada” after speaking with a rabbi. What else have you learned in your conversations with Jewish leaders? What has been most surprising to you? How have your views or plans changed as a result?
While there are countless New Yorkers who have strong feelings on what happens in Israel and Palestine — myself included — I’ve learned that our areas of agreement far outweigh where we disagree. We all have a shared commitment to not only combating antisemitism and hatred in all its forms, but also to celebrating our communities, to making our city more affordable, and to a vision of a world where every human being is created equal.
We have spoken to a number of Jewish leaders who say they have met with you but will not share the content of their conversation. Why do you think it benefits New Yorkers for their contents to remain off the record?
It’s been beautiful to see the depth and the breadth of the Jewish community in our city. We’ve had honest dialogue—which has been overwhelmingly positive. I’m glad to have had the opportunity to introduce myself as I actually am, because many New Yorkers have only known me as a caricature. And I know that some feel that it can be easier to have productive conversations when both sides can be candid in the knowledge that what is said will remain in that room.
You’ve said you intend not to reinvest city funds in Israel bonds, in keeping with Brad Lander’s decision as comptroller. Would you advocate for divesting the city’s pension funds from Israeli securities entirely, as they did from Russian securities in 2022? Are there other ways that you would seek to advance the cause of BDS as mayor?
My priority as mayor will be to deliver on the affordability agenda I ran on: freezing the rent, universal childcare, and fast and free buses. That will always be the core of my administration. I support the approach of the current comptroller, Brad Lander, to end the practice of purchasing Israel bonds in our pension funds, which we do not do for any other nation.
Are there ways you would seek to boycott or sanction local Jewish not-for-profits for supporting Israel and Israelis that support the settlement movement, as you did with your Not On Our Dime bill? In your view, should such efforts apply to Jerusalem as well as the West Bank? Should they extend to organizations that supply humanitarian support to Israelis in the relevant areas?
Charities and nonprofits that receive a taxpayer subsidy should not support the violation of international law, and that’s what the right-wing Israeli settlement project is doing—an effort that goes against the stated foreign policy of our own government, going back several decades.
A handful of your Jewish mentors and friends have emerged through reporting about your history, and all of them openly share your views about Israel and Palestine. Can you tell us about any longstanding relationship you may have with a Jewish New Yorker who differs in that respect?
Of course — many. I moved to this city when I was 7 years old, and one of the joys of growing up in this city was learning about Jewish religion, identity, and culture through so many of my friends and their families — all of whom had a wide variety of politics on Israel and Palestine. Yet it was not the politics that I recall as much as the invitations to be a part of so many special moments — whether being invited over for Hanukkah to a friend’s home, watching “Eight Crazy Nights” as a kid, and going to b’nai mitzvot throughout my young years. I always understood these examples as part of what it means to be a New Yorker and part of what it means to love this city. Growing up on 118th and Riverside, there were so many times where I would be interacting with Jewish culture not even realizing that I was — I just thought it was the city around me.
Patrick Gaspard, a former Obama administration official and DNC chair, told the New Yorker that you were “a prototype for a new generation of American politicians, forged in the Palestinian-rights movement.” What does that mean to you? What do you hope it means for the Democratic Party’s future position on Israel?
My politics, at its core, is fundamentally one of both humanity and consistency. And I think of Dr. King’s words delivered at Riverside Church in Manhattan, when he said: “If America’s soul becomes totally poisoned, part of the autopsy must read: Vietnam. It can never be saved so long as it destroys the deepest hopes of men the world over.” For so many today, myself included, the struggle for Palestinian human rights is also the struggle to save our collective soul. The Democratic Party, if we hope to retain our claim to being the party of dignity and decency, must be a party of consistency and one that stands up for the human rights of all people, without exception.
You have said you support Israel only as a state with equal rights for all – i.e. not a state that privileges adherents of a single religion — and have never marched in the Israel Day parade. How do you square skipping that parade and joining, say, the Pakistan Day Mela, another event celebrating the independence of a foreign nation that embeds religion into governance and has perpetual conflict with its neighbor?
I look forward to joining —and hosting — many community events celebrating Jewish life in New York and the rich Jewish history and culture of our city. While I will not be attending the Israel Day Parade, my lack of attendance should not be mistaken for a refusal to provide security or the necessary permits for its safety. I’ve been very clear: I believe in equal rights for all people—everywhere. That principle guides me consistently.
As mayor, you would control the city’s public school system. You’ve said you would introduce a curriculum that teaches “about the beauty and breadth of the Jewish experience.” Can you explain more about the vision for this curriculum, including who should create it, what grades should experience it, and how Israel would be addressed in it?
The Hidden Voices program is an existing curriculum that was launched in 2018 as an initiative to help students learn about the many “hidden” New Yorkers — including Jewish New Yorkers and others—who have helped shape the fabric of our city and what it has become. I will be a mayor who ensures that these New Yorkers are no longer hidden, and are taught in our schools. Additionally, our Department of Community Safety will invest in data-backed approaches that prevent violence through education and community-building.
Over the past week, 1,100-plus rabbis have signed a letter against the “political normalization” of anti-Zionism and expressing concerns that your criticism of Israel will make some Jewish New Yorkers less safe. How do you view their response to your campaign? Do you think anti-Zionist rhetoric could, in fact, have that effect on Jewish safety?
I’ve appreciated meeting with Jewish New Yorkers all around this city, talking about what we can do to build bridges, and I look forward to continuing to engage in productive dialogue. I hope they know that, whether or not they support or agree with me, I will always be a mayor who protects them and their communities. I don’t begrudge folks who are skeptical of me, especially with tens of millions of dollars having been spent against me with the intent to do just that, but I hope to prove that I am someone to build a relationship with, not one to fear.
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BBC draws fire after airing Holocaust cello repair story that does not specially mention Jews
(JTA) — In a Christmas special this year, a BBC One program devoted a quarter of its episode to telling the story of a Jewish child refugee whose cello was damaged while fleeing the Nazis on the Kindertransport.
But while the story itself is steeped in Jewish history, the segment of the program failed to make any mention of Jews, igniting criticism from British Jews who are on high alert for signs of antisemitism from the network.
Now, the BBC has issued a clarification, adding a note to the program description in its iPlayer app explaining that the Kindertransport evacuated Jewish children from Nazi territory.
The production company behind “The Repair Shop,” a popular show where family heirlooms are refurbished, said it believed the historical context of Martin Landau’s cello would be obvious to viewers when Helen Mirren, the famed actress who recently portrayed the Israeli prime minister Golda Meir, brought it in during the episode that aired Dec. 26.
“We were honoured to share the history of Martin Landau’s cello and play a small part in telling an important and emotive story with contemporary resonance,” a Ricochet spokesperson said in a statement. “We felt that Martin’s story was told clearly and succinctly, and we believed the fact that he was Jewish was implicit in the story.”
Born in Berlin in 1924, Landau — who later became a prominent theater director — was 14 when he brought his cello with him on board the Kindertransport, a rescue effort that brought nearly 10,000, mostly Jewish, children to safety in Europe during World War II.
But before getting on the train, the neck of Landau’s instrument was “deliberately snapped in two,” according to a description of the episode on the BBC website.
“Despite this blow, Martin guarded the cello carefully for the remainder of his life, eventually gifting it to Denville Hall, a care home for retired members of the entertainment industries, of which both he and Dame Helen are loyal supporters,” the episode’s description continues. “Sadly, the cello has remained silent for over 80 years, and the residents would dearly love to see it restored so that they can hear it played for the first time.”
Thirty-one members of Landau’s family, including his parents, were killed in Bergen-Belsen, Dachau and Auschwitz, according to his obituary in The Times. In London, Landau went on to become a prolific producer of plays and musicals. He died in 2011 at 86.
The Jewish Chronicle was first to report frustration over the show’s lack of explicit mention of Landau’s Jewish identity. It reported that a reference to Jews appeared to be truncated from a sentence by Mirren, who said, “…children were put on the Kindertransport.”
The episode is one of several antisemitism and Israel-related controversies to hit the British public broadcaster in recent months. In October, the BBC was penalized after it failed to identify the narrator of a Gaza documentary as the son of a Hamas government official. Over the summer, it was also criticized for airing a performance by the punk group Bob Vylan that included chants of “Death to the IDF.”
On Saturday, the BBC also reached a settlement with an Israeli family whose home it filmed following the Oct. 7 attacks without consent.
Now, the network has added new language to the “The Repair Shop” episode, too.
“This program is subject to a clarification. The Kindertransport was the organized evacuation of approximately 10,000 children, the majority of whom were Jewish, from Germany, Austria, and Czechoslovakia,” the iPlayer description read. (The initiative was funded largely by Jewish groups, but a small number of the children rescued were Roma, Christian children of Jewish parents or the children of political prisoners.)
During the episode, the repaired instrument was played by the British Jewish cellist Raphael Wallfisch, whose 100-year-old mother Anita Lasker-Wallfisch is the only surviving member of the Women’s Orchestra of Auschwitz.
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At a former driving school, Kehillat Harlem plants roots for Jewish life uptown
(New York Jewish Week) — The “Yes You Can” driving school is no more, but the sign that still hangs over its former storefront in Central Harlem is something of an apt message for the new tenant — a fledgling synagogue that aims to demonstrate the vitality of Jewish life in the neighborhood.
Kehillat Harlem, a non-denominational “shul community,” moved into the Adam Clayton Powell storefront last year after seven years in transit. Since its founding, it has held services in a basement, a local cafe and even outdoors.
Now, Kehillat Harlem is using the space for what its founding rabbi, Kyle Savitch, says is the only option for weekly Shabbat services in the neighborhood, even as a host of new initiatives aim to serve Harlem’s growing Jewish population.
“We’re the only synagogue in Central Harlem that’s meeting every Friday, every Saturday, let alone having meals and everything else, so I definitely think we’re serving a need there,” Savitch said. “For folks who are looking to move or looking to join a new community, sometimes what they want to know is that there is consistency in Jewish life, and so I think we’re able to provide that.”
But Kehillat Harlem isn’t just striving to add a synagogue to the neighborhood. Savitch also aims to leverage the shul into a community hub or even, one day, a restaurant serving Jewish food.
A dress rehearsal came last month on the first night of Hanukkah, when roughly 70 people filled Kehillat Harlem’s storefront space for the shul’s annual Hanukkah speakeasy. To enter the event, which included a jazz band, latkes and kosher tequila from Tekiah Spirits, partygoers used the secret password “Lehadlik ner,” the Hebrew phrase meaning “to light a candle.”
“We’re exploring how our role in the community can expand to infrastructure in terms of kosher food, in terms of space access, in terms of places to gather,” Savitch said.
Kehillat Harlem is hardly the only entity to tackle those questions in Harlem, which once had one of the largest Jewish populations in the world. Once home to roughly 175,000 Jewish residents at its peak in 1917, the neighborhood saw most of them leave as it transformed into a hub of Black culture during the Harlem Renaissance. Some of the neighborhood’s synagogues remain standing, but have been converted into churches.
Over the last 15 years, the neighborhood’s Jewish population has gone from an estimated 2,000 people to 16,000 adults and 8,000 children, according to a 2023 study by the UJA-Federation of New York.
To serve them, a branch of the young professional programming nonprofit Moishe House has opened up, as has a branch of the Upper West Side’s Marlene Meyerson JCC with its own rabbi-in-residence and monthly Shabbat service. Tzibur Harlem, an initiative founded in 2024 by Rabbi Dimitry Ekshtut and Erica Frankel, offers programming including occasional Shabbat services; it recently played a role in getting a Hanukkah menorah added to a local Christmas display.
But when it comes to regular prayer services, the only option until Kehillat Harlem opened was the Old Broadway Synagogue, an Orthodox congregation founded in 1911 that serves families in West Harlem and Morningside Heights.
Many observant Jews in the neighborhood were looking for something different, said Savitch, who was ordained at Yeshivat Chovevei Torah, a liberal Orthodox seminary, in 2021.
Kehillat Harlem, he said, “came out of the need for a Jewish community in the neighborhood, which was inclusive and welcoming to everyone who walked in the door. Our community is very diverse. There’s folks who are observant, there’s folks who aren’t observant, there’s queer folks, there’s folks in interfaith relationships, and there wasn’t really a place in the neighborhood for all those people to go and feel comfortable.”
Arielle Flax, a 32-year-old Jewish Harlem resident and co-president of Kehillat Harlem, described the shul’s ethos as “socially progressive but halachically traditional,” meaning that she seeks to follow Jewish law.
While Kehillat Harlem has a mechitza, the gender partition that separates men and women in Orthodox synagogues, it also has a third section for genderfluid or nonbinary participants. Unlike at most Orthodox synagogues, where reading from the Torah is restricted to men, people of all genders are invited to read from the Torah.
“We want to be as inclusive as possible, while still keeping that bar for those who do want to fulfill the more stricter obligations for Judaism,” said Flax. “We try to empower people of all genders, all backgrounds, to participate, to feel like they are contributing and involved and not just spectating.”
Before Flax joined Kehillat Harlem in 2017 for its inaugural Shabbat, she had hesitated to move to the neighborhood because of its sparse Jewish infrastructure, but the presence of the fledgling congregation had helped tip her decision.
“I immediately felt like I had a place to go as soon as I moved up to New York, which is great, but before we moved up we were a little concerned,” said Flax.
Since then, Flax said she had seen the neighborhood’s Jewish population grow.
“I think by having Kehillat Harlem and other organizations in the area, I think more Jewish people are kind of coming out and getting involved in Jewish life in Harlem,” she said. “I think that’s a really beautiful thing.”
Laura Lara, a 50-year-old Argentinian native who moved to Rego Park, Queens, in 2022, said that she had struggled to connect to a Jewish community in the city until attending Kehillat Harlem’s Purim party last year.
“Being an emigre from another country and another language, finding the right place was a little bit hard for me at the beginning,” said Lara. “Finally, I found a place, and I went to a celebration of Purim in Harlem, and I found the diversity, everyone has a voice, everyone has a place, and that is what I like.”
After making the “schlep” to services and community events at Kehillat Harlem over the past year, Lara said that she and her husband are considering making the move to Harlem.
“I am also thinking of moving to the area,” said Lara. “I feel like I live in a bubble in my neighborhood, my community and the values and the place is far away from my home.”
In August, Kehillat Harlem marked a milestone — and another journey from Queens to Harlem — by dedicating a Torah that had been rescued during the Holocaust from Germany in 1940 and donated by the former Bayside Jewish Center.
“By bringing this Torah into Kehillat Harlem and returning it to use, we’re literally carrying it into the next generation,” Savitch said at the dedication ceremony. “We’re weaving together its survival through the Holocaust, its history in Queens and its future here in the neighborhood of Harlem, so we’re marking not just the dedication of this Torah, but the renewal of Jewish life in Harlem.”
Savitch said his dream is for Kehillat Harlem to become a one-stop shop for services, classes and communal gatherings and kosher food in Harlem.
Doing so could help hack the high cost of real estate in New York City. In neighborhoods with dense Jewish infrastructure, small synagogues have begun sharing space with Jewish organizations, but that’s not as much of an option in Harlem.
“The dream is really to have a fully multi-purpose space, especially as costs are going up and synagogues are having a hard time paying rent, and restaurants are closing left and right, especially kosher restaurants,” said Savitch.
While other parts of the city boast dozens of Jewish and kosher restaurants, Harlem has fewer options for its Jewish neighbors, including Silvana, a restaurant that serves Israeli cuisine, and Tzion Cafe, a kosher and vegan Ethiopian-Israeli restaurant.
To fill the gap in kosher offerings, Savitch transformed Kehillat Harlem into a makeshift restaurant in 2024 for Passover, and hosted a weekly program called “Shtiebel Sundays” last year where kosher pastries and coffee were for sale.
While Savitch said that Shtiebel Sundays hadn’t garnered revenue for the shul, he said it was “successful as a community-building model.”
“That’s also part of what we’re doing,” he said. “In a community that can’t necessarily yet support a fully functioning kosher cafe, restaurant, whatever it is, we’re providing that as a nonprofit.”
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Teens, seniors explore Ashkenazi traditions at Yiddish New York festival
A group of klezmer musicians was jamming in Lower Manhattan, when its fiddler suddenly stopped and encouraged a preteen clarinetist to lead a tune. After a moment, the young musician began playing a traditional Yiddish dance melody known as “der shtiler bulgar,” and the other musicians joined in.
This was one of many scenes at the 11th annual Yiddish New York festival that took place last month at the New York City campus of Hebrew Union College.
The size of the festival was impressive: Over 100 speakers, 700 participants and 200 workshops and sessions on various aspects of Yiddish culture.
Yiddish New York began after KlezKamp, a storied Yiddish cultural festival that had been held in the Catskills for three decades, made its decision to shut down. “It was 2014 and KlezKamp had announced its last festival,” said Pete Rushefsky, executive director of the Center for Traditional Music and Dance and one of the lead organizers of Yiddish New York. “A bunch of us got together and said ‘we can’t bear to face the world without our Yiddish festival.’”
Now that the college has announced the sale of its Manhattan campus to nearby New York University, the five-day festival will be searching for a new home for 2026. “We’re going to have to find a new venue,” said Rushefsky. “It will be a challenge we will have to overcome. I’d love to see a residential component moving forward — I think there’s an interest.”
When he wasn’t helping out with administrative tasks, Rushefsky spent much of the day behind a tsimbl (an Eastern European hammered string instrument with a long history in the klezmer tradition), leading informal klezmer jams.
The festival’s offerings were wide-ranging within the scope of Yiddish culture: practical workshops, lectures, concerts, film screenings and informal music jams. And, of course, plenty of schmoozing.
Concerts included an evening of music by the versatile Yiddish playwright and performer Mikhl Yashinsky whose setlist included original Yiddish tradaptations (adapting a text from one language to another to make it culturally relevant for a new audience) of Tom Lehrer’s “Hanukkah in Santa Monica” and Bob Dylan’s “With God on Our Side.” Yashinsky also performed, together with a group of collaborators, several original songs and scenes from his Yiddish stage works Feast of the Seven Sinners and The Gospel According to Chaim.
Cantor Sarah Myerson and Dr. Avia Moore led a Yiddish Dance Fellows program featuring four fellows from around the country: Hannah Mira Friedland (Chicago), Sarah Horowitz (Albuquerque), Yael Horowitz (NYC), and Rachel Linsky (Boston). All were already leading, teaching and in some cases even choreographing Yiddish dance in their communities.
But the training that Myerson and Moore gave them wasn’t just about learning dance steps. They also role-played typical scenes where dance sessions might not go so smoothly. “Avia and I offered the most common ‘disruptions’ we experience on the dance floor: ignoring the leader, talking loudly, doing the wrong steps, etc. The fellows adjusted with generous grace!” Myerson said.
There were also programs for younger audiences. Teens learned about a 1950s music group, the Jewish Young Folksingers, affiliated with the International Workers Order, a mutual aid organization targeted during the Second Red Scare. Yiddish folk singer Ethel Raim, who was a part of the Jewish Young Folksingers herself, taught songs from the group’s history and shared her experiences in it. On the last day of the festival, the teens presented a skit based on all they had learned.
“It was really exciting to have that many generations in one room; we were spanning almost eight decades,” said Ozzy Gold-Shapiro, one of the teen program’s organizers. The youngest was 10; the oldest — in her eighties. “I was especially moved watching the Teen Program kids express and perform their version of cultural exploration and participation,” said Raim, who is herself in her 80s.
On the last evening of the festival, people gathered for the awarding of the 14th “Adrienne Cooper Dreaming in Yiddish Award” to musician and researcher Michael Alpert, known affectionately by his Yiddish name, Meyshke. Cooper, a singer and Yiddish cultural activist who passed away in 2011, played a leading role in the contemporary revival of Yiddish music.
“I was inspired and touched by Adrienne’s ability to make the Yiddish tradition accessible,” Alpert said. “There was a time when I thought I’d be the last person in the world who knew how to sing old Yiddish ballads and obviously that’s not the case. The younger cohort of this remarkable intergenerational community is one of the great joys of my life.”
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