Uncategorized
Why an exhibit that honors the Oct. 7 hostages still draws crowds in the U.S., even after their release
When I traveled to Chicago recently to tour the Nova Music Festival Exhibition, I expected to find it nearly empty. More than two years have passed since Oct. 7, 2023. All the living hostages have been returned home, and only one hostage’s remains are still being held in Gaza. I figured people were done revisiting the horrors, and ready to move on.
I was wrong. In Chicago, 1,200 visitors had purchased tickets for that day alone. This traveling exhibition, which uses actual objects from the Nova festival grounds to reconstruct the scene of the attacks, has been drawing massive crowds since it opened in Tel Aviv in December 2023.
By the time it reached Chicago after stops in New York, Los Angeles, Miami, Boston, Washington, D.C., Berlin and Toronto, more than 500,000 people had already passed through its doors. And the crowds continue to visit. The exhibition’s website announces, “new cities coming soon,” even as the events of October 7 recede into the background.
When my Uber pulled up to the exhibition — held in a warehouse — I saw lines of people, police cars, and security personnel. What were all these people doing here, I wondered?
The question wasn’t idle. I had my own doubts about what had drawn me. Was it morbid curiosity? Perhaps a voyeuristic urge? Beyond these unsettling questions, accusations from protesters who had demonstrated outside the June 2024 New York installation had gotten into my head. They had tried to shut down the exhibition there, calling it “apartheid apologia,” designed to justify Israel’s war on Gaza. Were they right?
I recoiled from each of these explanations but still could not pinpoint what exactly had motivated me to visit this re-creation of the site where so many people had met their brutal ends. It took two hours of walking through the installation, moving from one area to the next, to understand.
Why Hamas is absent
The exhibition begins in a small, dark holding room where visitors gather before entering the main space. A large wall panel provides the barest introduction to orient the viewer. After a long night of intense music, dancing and revelry — the text reads — just as the sun was coming up over the horizon, the rave party was shattered when the “Angel of Death” swooped in, firing a barrage of missiles, which were precursors to the “inconceivable horror” that was soon to follow.
Referring to the attackers as “The Angel of Death” matters. From these very first words, the story turns away from naming the perpetrators. Hamas is absent, as is any wider political context. That absence speaks for itself. This exhibition does not weigh in on Israel’s actions after Oct. 7. Its focus, instead, lies solely on the experiences of those who were abused, terrorized, kidnapped, and killed.
Passing through heavy drapery, visitors enter the festival grounds in the early hours of Oct. 7. Sand is spread underfoot, and small tents are strewn across the landscape. Yoga mats, sweaty T-shirts, flip-flops, cereal boxes and other personal belongings litter the ground. Burned-out cars and bullet-ridden porta-potties mark failed hiding places. Cigarettes and empty bottles lie scattered at the bar, as though party-goers were present just moments before.
Objects alone cannot tell the whole story; Screens scattered through the wreckage reveal the unfolding terror. Some mounted on stands, and others glowing inside the tents or dangling on wires play videos on a loop. One woman hiding between bushes, speaks into her own camera, “I’m filming so that later there will be a video of all this.” Another captured himself huddled with others in a trash bin.
More footage comes from the Go Pro cameras of the terrorists themselves. Taken from a pickup truck zigzagging across the road, one of these recordings shows terrified people running, trying to escape. Some are shot and collapse to the ground as the vehicle speeds past.
Additional screens feature survivor testimonies. One tells how her husband took a fatal bullet so she could flee, another lived by keeping cover beneath dead bodies.
This recounting represents what unfolded that day. At the Nova festival alone over 400 were killed, and 43 were kidnapped. What popularly came to be referred to as a single attack, fractured into thousands of separate experiences, each person caught by surprise, and left to confront the terror on their own. The confusion is conveyed through the disorienting structure of the exhibit itself. Visitors are not given a clear route through the space, or directions about where to look first and then next. Nor do we progress as a group. I am among strangers and without a guide, leaving each of us to absorb the fragments of horror in our own way.
Then comes the pivot. Visitors turn a corner, and the exhibition shifts to a tightly organized space that directs viewers along a deliberate path. A map marks where each festival-goer met their fate. No longer immersed inside the horror, we now see its larger shape. After the map, rows of tables are arranged, holding neat piles of folded sweatshirts, lines of eyeglasses, and carefully arranged pairs of shoes. No labels explain, and none are needed. It’s clear that these personal items are the pieces picked up after the massacre, sorted by volunteers who handled each with care.
Order in the aftermath
Now I am beginning to understand. Walking through the disorienting chaos was necessary to appreciate the ways in which order is made in the aftermath. Not only through collecting and tending to the objects left behind, but to the affected people as well. A wall display shows photos of the 44 hostages taken from Nova, with a message that the “Nova Community” holds all “their pain, their courage and their hope.”
In fact, the more than 3,000 revelers who attended the Nova rave were not a community at all. They came from different backgrounds, from all over the country and abroad, with no prior connection to one another. But the survivors, the bereaved, and the families of the kidnapped have gathered in the aftermath under the auspices of “The Tribe of Nova Foundation,” to offer each other support. Established by the festival’s producers immediately after the attack, the foundation provides therapy, healing services, and memorial events, all needed even now after the ceasefire.
Exiting the last dark portion of the exhibit, we walk beside a long board laid out on the floor, arranged with memorial candles and hundreds of notes written by fellow visitors. Most echo the installation’s message: “Wrapping you in love.” “Remembering all those who lost their lives and who are still healing,” and “We will dance again.”
But one hand-scrawled message breaks through: “Fuck Hamas.”
This stops me. Not because I don’t share the rage — I do. But the sentiment feels jarring here, disrupting a sense of sanctity whose contours are fully revealed in the final room.
Here, black drapes and heavy shadows give way to earth tones, warm lights, jute carpets, and macramé lanterns. Small coffee tables and wicker chairs are arranged around the space, as though we have entered a living room. Having left the horrors of Oct. 7 behind, this is a room for the living. It is also a shiva — a ritual space where visitors sit with mourners and let them speak.
People take seats, facing a Nova survivor who is regularly present at the front of the room. Articulate and composed, she begins with photos of her best friend whom she lost in the attack, and ends with a story of her own survival, and a message of not taking life for granted.
Here, the hesitations and doubts I carried into the exhibition fall away. I now understand what brought me here, and why so many others have come. It is not morbid curiosity, nor propaganda meant to justify war. It is the need to sit shiva. This space draws its power from gathering and caring for the scattered objects, and from bringing the bereaved together to witness, mourn, and remember.
The Nova Exhibition is a contemporary phenomenon, employing modern technology and immersive design to respond to contemporary trauma. Yet it draws on ancient traditions of telling and listening to stories, sitting together, gathering what was scattered, and working to stitch ourselves whole again. This cultural work remains relevant even now — more than two years later, with nearly all hostages home and bodies laid to rest. The exhibition will travel to new cities, and it should. Grief continues to unfold, and mourning takes time.
The post Why an exhibit that honors the Oct. 7 hostages still draws crowds in the U.S., even after their release appeared first on The Forward.
Uncategorized
UK Jewish leaders demand answers after Muslim police group paper calls Zionism a form of hatred
(JTA) — British Jewish groups say they are alarmed about revelations that a fraternal society for Muslim police officers published a policy paper that described Zionism as a form of anti-Muslim hatred and called the Israeli army a “Zionist terrorist group.”
The Board of Deputies of British Jews called the paper posted by the National Association of Muslim Police “disturbing” in its presentation of Jewish identity, history and the nature of antisemitism.
“If this is being circulated among officers, it poses a direct challenge to the integrity of policing and it should be withdrawn immediately,” the group said.
NAMP has distanced itself from the report and, in a statement, rejected any allegation that the group “supports Hamas.”
The 39-page paper titled “From Past Prejudices to Present Policies: Confronting anti-Muslim hatred and Promoting Human Rights,” was written by NAMP’s then-vice president, Khaldoun Kabbani, and published in July 2025. It says “Zionism represents one of the manifestations of anti-Muslim hatred”; likens the war in Gaza to the Holocaust; and disputes facts about Hamas’ Oct. 7, 2023, attack on Israel, including that Israeli children were killed.
The Spectator, a right-wing British newspaper, drew attention to the report in a piece published on Friday that said the report illuminated “the disturbing truth about the National Association of Muslim Police.” The group has a formal affiliation with 16 of 43 police departments in the U.K. and says it represents more than 20,000 officers.
Kabbani, a forensics officer, was briefly the chair of the Scottish Muslim Police Association but planned to move abroad after retiring earlier this year, according to a post by the group on LinkedIn.
The revelation of the NAMP report comes at a time of heightened tension over policing in the U.K., amid both a surge in anti-Jewish crimes and a renewed uproar over a December murder that has fueled allegations of “two-tier policing” that treats some victims differently from others. The Spectator referenced the victim, Henry Nowak, in the column about NAMP.
The NAMP report has spurred distress for many British Jews who are on edge amid a string of violent incidents targeting Jewish communities. The Campaign Against Antisemitism, a watchdog group, said its polling shows that 83% of British Jews do not think the police are doing enough to protect them — and that the report suggested their concerns were well founded.
“The people responsible for publishing this extremist screed on the official police.uk web domain are unfit to be police officers and must be immediately investigated by their respective forces’ professional standards departments and dismissed,” Steven Silverman, CAM’s director of investigations and enforcement, said in a statement.
“British Jews have long suffered two-tier policing that sees antisemitic crime go unpunished,” he said, adding that CAM would press the British government “ensure a clear message is being sent. This cannot pass with the document being quietly deleted.”
The report was removed from NAMP’s website over the weekend. The group distanced itself from the report in a statement published on Tuesday, saying that it had removed the report “immediately” after learning about its existence and emphasizing that the author was “no longer associated” with NAMP.
“We understand that the publication of this document has affected several communities, and we regret any concern, discomfort, or misunderstanding it may have caused,” the group said.
It added, “NAMP categorically does not ‘defend’ Hamas or any other proscribed organisation. We condemn all forms of terrorism and extremism.”
The document is “deeply troubling,” a spokesperson for the Jewish Leadership Council, which coordinates British Jewish groups, said in a statement.
“This document appears to falsely associate an ideology held by the majority of Jewish people as a threat to Muslims. It also engages in deeply troubling Holocaust inversion and denial of some of the worst atrocities carried out by Hamas on October 7th,” the spokesperson said. “At a time of rising antisemitism including violent attacks on British Jews, this document further threatens community cohesion and police forces should be clear in distancing themselves from it.”
The Board of Deputies of British Jews said it plans to speak with the “relevant” government and police departments to discover the paper’s provenance, how it’s being used and “how to ensure that the valued relationships of trust between British Jews and the police are not being undermined.”
The Metropolitan Police of London, the largest police department in the U.K. and a formal NAMP affiliate, declined to comment on the report. The department has recently stepped up policing in Jewish communities in an effort to stem antisemitic violence.
The post UK Jewish leaders demand answers after Muslim police group paper calls Zionism a form of hatred appeared first on The Forward.
Uncategorized
Jacob Reses, Vance’s Jewish chief of staff, to leave administration
(JTA) — Jacob Reses, the Jewish chief of staff to Vice President JD Vance, is leaving the administration at the end of the summer, a source confirmed to the Jewish Telegraphic Agency on Thursday.
Reses, who’s been in his role since Vance and President Donald Trump took office in January 2025, is perhaps the closest Jewish official in Vance’s orbit. He has had a close relationship with the vice president since Vance’s 2022 Senate campaign in Ohio.
A source familiar with the matter confirmed NBC News’ initial report that Reses informed Vance of his decision months ago, after his wife became pregnant. Vance said in a statement on Thursday that he will “miss him dearly, but he won’t be far, and I plan to keep his counsel close until our paths cross again.” Reses’ plans for his next role are currently unknown.
Vance has recently drawn the ire of some Jewish Republicans who say that he has refused to confront antisemitism on the right, including from former Fox news host Tucker Carlson. (Carlson’s son is also a Vance staffer.) A New York Magazine profile published in March suggested that Reses was on board with Vance’s approach, and revealed that Reses used his private X account to amplify voices calling on Jews to embrace, rather than resist, the Christian nationalist current surging within the GOP.
Reses has been “by my side for my whole career in public life,” Vance said in a statement.
“I can’t imagine having been on this life-changing journey without him,” Vance said. “From day one of my time as a Senator-elect, I could not have asked for a more loyal and discerning advisor and friend as my chief of staff.”
The personal bond between the two men was on display in January, when Vance took part in Reses’ wedding to Rachel Altman at a synagogue in Rockville, Maryland, delivering a Jewish prayer under the chuppah. Chabad of Princeton University, Reses’ alma mater, posted a photo of the couple with the vice president, celebrating the occasion as an expression of Jewish pride.
https://www.instagram.com/p/DTrUKXEDOQE/?img_index=3
That closeness, and Reses’ reported alignment with Vance’s stance on right-wing antisemitism, have not spared Reses from becoming a target of antisemites. In one instance, a white-nationalist website ran an article about him headlined, “Another Nail in the Coffin — Jew Runs J. D. Vance.”
A Jewish Telegraphic Agency profile published in 2024, when Vance was selected as Trump’s running mate, traced Reses’ Jewish identity and his journey from a Democratic-leaning Jewish teenager in southern New Jersey, whose grandfather escaped the Holocaust in Lithuania, to one of the most influential conservatives in Washington. His trajectory included internships for Hillary Clinton and John Kerry, a political conversion at Princeton and stints at the Heritage Foundation and in the office of Missouri Sen. Josh Hawley.
On Thursday, Republican leaders and Trump administration officials sang Reses’ praises in statements shared with JTA.
“Jacob Reses has been an invaluable, loyal, and trusted hand to Vice President Vance and President Trump,” said Matt Brooks, CEO of the Republican Jewish Coalition. “As a proud Jewish American, whose own family story carries the weight of our people’s history, Jacob brought both conviction and clarity to one of the most consequential roles in Washington.” Brooks added that the RJC has “no doubt he will continue to play a critical role moving forward.”
Secretary of State Marco Rubio, who’s seen as a possible challenger to Vance for the 2028 presidential nomination, said that Reses served Vance and the entire administration “with distinction,” and that he “understands the moment we’re in and he spent every day fighting to deliver results for the President.”
Steve Witkoff, Trump’s special envoy to the Middle East, said he was proud to have Reses “by my side in negotiating some of the toughest deals for the President.”
“Don’t let Jacob fool you — beneath his kind exterior he’s a killer,” Witkoff said. “It’s been a delight to get to know him through the Vice President, and our foreign adventures from Israel to Pakistan have been historic.”
He added, “We haven’t seen the last of him.”
The post Jacob Reses, Vance’s Jewish chief of staff, to leave administration appeared first on The Forward.
Uncategorized
Helen Mirren criticizes Israel at film festival after being called ‘evil Zionist’ in viral video
(JTA) — British actor Helen Mirren criticized Israel at a film festival in Italy, in her first public comments since security footage of a November incident where she was accused by a stranger of being an “evil Zionist b—h” went viral late last month.
“Evil forces are rising everywhere, even in a country like Israel,” Mirren said in an interview with journalists at the Taormina Film Fest in Sicily, according to reports in entertainment media. “How could you possibly repeat the actions of what was done to you as people to other people? Crimes against humanity, it’s called.”
The Academy Award-winning actor, who is 80, is being honored with a lifetime achievement award from the festival on Friday. Her many roles have included playing former Israeli Prime Minister Golda Meir in the 2023 biopic “Golda,” which she premiered in Jerusalem.
Mirren is not Jewish but has a long history of connection to Israel, dating back to 1967, when she traveled with a Jewish boyfriend to work for a month on a kibbutz in the country’s north.
She referenced that period in her comments at Taormina.
“I saw it from the inside and I saw some things that disturbed me from the inside in Israel at that time,” she said, according to Deadline. “I’m talking about six months after the Six Day War.”
Mirren has previously criticized the Israeli government. While promoting “Golda” in early 2023, she said she believed that Meir would be “utterly horrified” by Israel’s current leadership, which she referred to as a “dictatorship.”
But she also spoke favorably about Israel during the promotional events, which shortly preceded the Hamas attack that began the war in Gaza.
“I believe in Israel, in the existence of Israel, and I believe Israel has to go forward into the future, for the rest of eternity,” she told the country’s Channel 12 in August 2023. “I believe in Israel because of the Holocaust.”
During the November incident, the person who accosted Mirren and her husband Taylor Hackford appeared to reference those comments, saying, “She said Israel should last forever because of the Holocaust, and she was very happy that Palestinians’ houses were gone.”
Hackford responded, “F–ck off,” and Mirren did not say anything in the video.
At Taormina, the actor offered a more nuanced characterization of her beliefs while also praising Israel’s creative and intellectual communities.
“I grew up in Europe post-Second World War and the realization in my parents’ generation of what had happened in the Holocaust was so profound, so important,” Mirren said. “Therefore, the creation of Israel was a very important moment, although maybe it was done in completely the wrong way, in the wrong place, I don’t know. But something had to happen after the horror.”
According to Variety, she also said, “The evil is always lurking, waiting to take over, even in a place like Israel. I played Golda Meir and worked in a country that was the idealistic Israel, and I always thought it was a country that would never do wrong, but of course they were doing wrong, even then.”
About the viral video showing her being accosted, Mirren told journalists at the festival she believes she was “attacked by mistake by a man who was maybe a little over passionate or maybe mentally not quite stable.”
She added, “I don’t know whether he read things on the Internet or thought he read something which he hadn’t read, I don’t know.”
Though London’s Metropolitan Police initially said it was possible for an incident to be investigated as an antisemitic hate crime even if the victim is not Jewish, it will not be investigating further, as Mirren and Hackford have decided not to press charges.
The post Helen Mirren criticizes Israel at film festival after being called ‘evil Zionist’ in viral video appeared first on The Forward.
