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King David gets the kiddie treatment
The figure of David is most often imagined nude, and for some people that’s a problem.
Michelangelo’s statue was once made to don a fig leaf in exhibition replicas. As recently as 2023, a school principal in Tallahassee, Florida resigned after parents complained that an image of the marble used in a lesson on Renaissance art was pornographic. (Interestingly, no one is calling for a redacted edition of the Bible, where David is an unabashed adulterer who dances naked before the lord.)
David, like Odysseus, was a man of twists and turns, and that’s what makes him so compelling. Yet there has always been a temptation to contort him into a tidier package, PG and legible to youth. In Hebrew school — and, I imagine, Christian Sunday schools — we hear of his underdog exploits with Goliath. We rarely hear what happens next.
As novelist Geraldine Brooks observed in her book The Secret Chord, David was “the first man in literature whose story is told in detail from early childhood to extreme old age.” It is also a singularly strange story to adapt for children beyond that initial showdown with a Philistine with a pituitary disorder — the rest of David’s story is rife with sex and violence.
Even so, Angel Pictures, the up-and-coming, largely faith-based production house behind The Sound of Freedom (a fear-mongering pageant about human trafficking) and The King of Kings (about you know who) endeavored to put this narrative to film, following a “prequel” series, called Young David. The resulting animated musical David punches above its weight in production value with meticulous filaments of CGI hair and charismatic character design. If you’re looking for biblical fidelity, it mostly follows the text, but in making it family friendly — and perhaps to point in the direction of a certain legacy sequel — it slaps a narrative fig leaf over the interesting bits. Somehow, like so many neutered renditions of Leonard Cohen’s “Hallelujah,” it makes David boring.
Why target this one to kids? David is introduced as a shepherd boy with a sling, making him ripe for a young audience, at least if you skip the part where he decapitates Goliath and carries his head around as a trophy, which this film does. Most children’s media about him emphasizes those salad days heroics or his side hustle as a psalmist.
But the boy will go on, soon after he reaches his age of majority, to procure 200 Philistine foreskins in battle as a bride price. In exile from Saul, we’re told that, when he raided a region, “he would leave no man or woman alive.” At Hebron, he rewards the eager assassins of his rival by relieving them of their hands and feet.
What about this demands the Dreamworks treatment? The aforementioned prequel kiddie show, with its humble pastoral lessons, had to lead to something, I suppose, and here it’s a musical time jump with a new character model and older voice actor. The ads invite us to “watch how a boy becomes a man,” and, more saliently, to do the watching “this Christmas.”
To Christians, David is a sort of Old Testament flashing arrow pointing to Christ. “Christ” means anointed one; David, as we see in the film’s opening moments, after he saves a whelping lamb from a lion, had a horn of oil poured over him by Samuel. Jesus, a metaphorical shepherd, is sometimes called the Son of David.
As scholars of Christianity like Elaine Pagels have noted, the genealogy laid out by Matthew and Luke connects Jesus to David as a way of fulfilling messianic prophecies in Isaiah. This is then, a stealth Christmas story or almost a Jesus prequel, kind of a biblical Phantom Menace, with the added benefit of capturing a Jewish audience that goes out to the movies on Christmas and may be looking for family fare. Catholic comedian Kevin James has promoted it, as has Michael Rappaport.
The story, buoyed by boilerplate praise pop that sings of running towards adventure and “following the light,” tracks the moment David is selected as the future king up to his coronation, stopping before his uniting of the kingdoms in a new capital and his late vocation as a rooftop voyeur with major character flaws.
This David — auburn-haired and American-accented, while all other characters sound vaguely Israeli — is instantly likable, and unbearably insipid, “a man after God’s own heart.” The film had a rabbi advisor — one whose focus is on “ministering to Christians” — and that brings a veneer of Jewish authenticity. Samuel sings some of Psalm 118 in Hebrew as he anoints David (an odd choice given that David is the traditionally-credited author). Production notes boast of paleo Hebrew text appearing throughout and identify some of the songwriters as “Jewish believers in Jesus.” There are wolf motifs littering in the palace of Saul, whose tribe’s founder was likened to a ravenous wolf. Despite these trappings, the project feels derived from a familiar Christian impulse, and errs by taking David’s story beyond the Valley of Elah, where our hero still had a semblance of innocence.
The infancy narrative of Jesus may work for young people around Christmas time, sparing them the gory details of the crucifixion. But beyond a point, David’s early life can’t be so neatly detached from what follows, as the rest of the Bible, even the Christian parts, relies on it. It is hard to imagine this David — pure, faithful, a good shepherd who is reluctant to lead and ostensibly asexual — conquering Jerusalem. It’s harder still to imagine him having his way with Bathsheba (in what many now regard as rape), sending her husband to his death and losing several children as God’s punishment for these transgressions.
None of these events are the film’s concern, but without those pivotal plot points, we don’t have the Temple or the king — Solomon, born of Bathsheba — to build it. Without a temple in Jerusalem, there’s no backdrop for the Passion the film’s hinting at to play against.
The screenplay, by directors Brent Dawes and Phil Cunningham, seems to be optimizing for action — Cunningham described David’s journey as “packed with adventure, with music, with fun” — while staying too squeamish to mount a proper battle scene. There’s the intrigue of Saul’s court, and the thread of dramatic irony, as the old king confides in David about his fear of God’s appointed successor, not knowing it’s him. We see David dash into exile in the wilderness, but we don’t witness his raids or any other mischief, only a crisis of faith. We get a glimpse of the mincing Philistine king Achish (we know he’s evil because of his eyeshadow and earrings) and the skull-laden Amalekites who raze David’s outpost at Ziklag and take his followers captive. (Saul’s failure with the Amalekites is appropriately sanitized — he fell short by letting them escape, not in sparing Agag’s life and keeping his best livestock. If God ordered their genocide, as he does in the source material, we don’t hear about it.)
In case there was any doubt, after David’s mom — here a speaking character — praises God as “the way and the light,” there’s a specific endgame in mind that necessitates our hero be presented as older and on his way to kingship.
To drive the point home, in an invention of the film, the Amalekites hoist David onto a tree to kill him while his mother weeps at his feet. This isn’t some first chapter of David’s rule but the foreshadowing of Jesus’ reign, and you can’t exactly crucify the little shepherd boy with the lyre. (Spoiler: He lives.)
While not to my taste, this would be forgivable if the film, however handsomely animated, didn’t fall into the same old timeworn tropes that even kids are surely bored of now: the precocious younger sister, the fat brother gorging on dates, the upstart Israelite army with vases for helmets who gulp, “Yup, we’re dead,” upon seeing the well-equipped Philistines and their six-cubit champion.
Worse still, the film calls to mind other, better ones, appropriate for children but nowhere near as condescending.
A standout number has David’s mother singing about the world as a tapestry (Carole King she ain’t) and “the view that heaven sees,” essentially a rip off of Prince of Egypt’s “Through Heaven’s Eyes.” You may also cringe at the line “like the way we work the loom, he knit you from inside the womb,” seemingly a play on Jeremiah 1:5, often used by Christians to justify pro-life positions.
David deserves better, but the good news is there’s competition. Amazon’s House of David, now in its second season, goes deep on the dynamics of Judah and Israel, often employing midrash to add texture to the intrigue, and it was reported in 2022 that Leviathan Productions, an outfit focused on Jewish stories, had optioned Brooks’ excellent The Secret Chord.
That shepherd boy from Bethlehem became a giant himself — and we will never stop singing his psalms or wrestling with his complicated, at times cancel-worthy, story. Angel Studios’ David may still challenge Goliath, just not the audience.
The post King David gets the kiddie treatment appeared first on The Forward.
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IDF Unveils AI-Powered Robotic Warfare System, Breakthrough Artillery Against Hezbollah
Smoke rises from a village in southern Lebanon as the Israeli army operates in it as seen from the Israeli side of the border, April 23, 2026. Photo: REUTERS/Gil Eliyahu
The Israel Defense Forces (IDF) has introduced cutting-edge battlefield technology while fighting Hezbollah over the past several weeks, deploying fleets of explosive robots and game-changing artillery to accelerate the destruction of the Iran-backed group’s terrorist infrastructure across southern Lebanon.
With the goal of minimizing risks to troops, the IDF plans to deploy robots on high-risk missions to detonate large, strategic infrastructure in areas previously beyond the reach of ground forces, marking a significant expansion in its use of autonomous battlefield systems. Some of this technology has already been in use but will only escalate.
According to Israeli officials, this newly introduced technology is designed to scan vast areas using intelligence data, locate Hezbollah infrastructure both above and below ground, and systematically dismantle networks built over decades within Shiite villages, forests, and dense terrain.
The IDF expects this sustained military engineering effort to drain Hezbollah’s extensive financial investments and push threats farther from Israel’s northern border with Lebanon.
Given Lebanon’s rugged, mountainous terrain in the area, the natural landscape severely limits the movement of heavy engineering equipment, forcing troops to rely on complex field improvisations amid dense vegetation and terrain that conceals militant infrastructure.
The IDF has previously used robotic systems during the war in Gaza, providing ground forces with a strategic edge while reducing exposure to danger, including deploying them to explore Hamas tunnels and enhance the detection and tracking of armed operatives.
Robotic systems not only reduce the danger to troops but also help offset manpower shortages and enable operations in especially challenging environments, including tunnel networks, densely populated urban areas, and other locations that are difficult for ground forces to reach.
The IDF has further expanded its arsenal with the introduction of the “Ro’em” self-propelled howitzer battery developed by Elbit Systems, a platform that leverages advanced technology and artificial intelligence to deliver quicker and more accurate firepower.
Fully automatic, the self-propelled howitzer can fire between six and eight rounds per minute at ranges of up to 40 kilometers.
Hostilities between Hezbollah and Israel reignited on March 2, when the terrorist group opened fire in support of Iran two days after the start of the joint US-Israeli military campaign against the Iranian regime. Since then, Israeli troops have created a “buffer zone” that extends 5 to 10 km (3 to 6 miles) into Lebanon. According to Israeli officials the purpose of the zone is to protect northern Israel from attacks by Hezbollah, which has fired thousands of rockets and drones during the war.
The US mediated a 10-day ceasefire between Israel and Lebanon last week. The deal was separate from Washington’s efforts to de-escalate tensions with Iran, though Tehran had pushed for Lebanon to be included in any broader framework for stopping hostilities.
On Thursday, US President Donald Trump announced a three-week extension of the truce, which was due to expire on Sunday, to allow more time for negotiations and diplomatic efforts.
Even though the US-backed ceasefire has sharply reduced violence, negotiations and prospects for lasting peace remain fragile, with Israeli forces still positioned in southern Lebanon to maintain its buffer zone and dismantle Hezbollah infrastructure.
For its part, Hezbollah, an internationally designated terrorist group that openly seeks Israel’s destruction, maintains it has “the right to resist” what it calls occupying forces, while rejecting any direct negotiations between the two countries.
Even with the truce in place, Israel has warned Lebanese citizens against returning to their homes at this stage, with officials saying that Hezbollah could seek to exploit the situation to reestablish its terrorist infrastructure under civilian cover.
The Lebanese government has now opened direct contacts with Israel despite strong objections from Hezbollah — which was established by Iran’s Islamic Revolutionary Guard Corps (IRGC) in 1982.
With negotiations now underway toward a potential longer-term arrangement, Israel has said its position rests on two core demands: the full disarmament of the Iran-backed terrorist group and a “sustainable” security-based peace framework.
Lebanon has demanded an Israeli withdrawal from the south, the return of Lebanese detainees held in Israel, and the delineation of the land border.
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Antisemitic Incidents Hit Record High in Austria as New Report Warns of Rising Hostility Against Jews
A pro-Hamas demonstration in Vienna. Photo: Reuters/Andreas Stroh
Antisemitism in Austria remained at alarmingly high levels last year, reaching its highest point since records began, according to newly released data that highlighted a persistently hostile environment for Jews and Israelis across Europe, marked by harassment, vandalism, and targeted attacks.
On Thursday, the Antisemitism Reporting Center of the Israelitische Kultusgemeinde Wien (IKG) — the official body tracking antisemitic incidents against Austria’s Jewish community — released its annual report documenting 1,532 cases in 2025, the highest figure on record.
IKG Secretary General Benjamin Nägele warned that these figures signaled a sustained and deeply alarming surge in antisemitic incidents since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
“The unrestrained antisemitism that has taken hold since Oct. 7, 2023, has become a constant presence in the daily lives of many Jews,” Nägele said in a statement.
Among the reported cases were 19 physical attacks, 27 threats, 205 incidents of property damage, 439 mass mailings, and 842 instances of offensive behavior, averaging 4.2 incidents per day — slightly higher than 4.13 in 2024.
While the data reflected a decline from the immediate aftermath of the Oct. 7 atrocities, with incidents peaking at 8.13 per day in 2023, the figures remained far above pre-war levels, which averaged just 1.55 incidents daily.
IKG President Oskar Deutsch said the findings underscored the ongoing strain on Jewish life in Austria, pointing to the community’s continued dependence on robust security arrangements.
“Jewish life is only possible thanks to extensive security measures. The Jewish community spends more than five million euros annually on security — resources that are urgently needed elsewhere, such as education, youth work, and cultural life,” Deutsch said in a statement.
According to the report, these trends also reflect a growing normalization of inciting rhetoric that trivializes the Holocaust, equates Israel with Nazi Germany, and frames Palestinians as “the new Jews,” further intensifying an already hostile environment for Jewish communities in Austria.
Johannan Edelman, head of the Antisemitism Reporting Center, said that this “atmospheric antisemitism” fosters growing indifference and numbness toward antisemitic agitation, reflected in a declining willingness to report such incidents.
Edelman also warned that such a hostile environment risked gradually pushing Jewish life out of the public sphere, forcing many Jews to conceal their identities.
The newly released report showed that the most prevalent form of antisemitism in Austria was Israel-related antisemitism, accounting for 1,186 cases (77.4 percent), a dramatic rise from 21 percent in 2020.
However, Holocaust relativization and denial rose sharply to 40.8 percent from 28.7 percent in 2024, while antisemitic “othering” increased to 49 percent from 32 percent, both marking significant gains.
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Israel Votes in Favor of Iran Joining International Cheer Union: ‘The Iranian People Are Not Enemies’
Ludmila Yasinska, far right, posing with members of the Israeli Cheer Union competing at the 2026 ICU World Cheerleading Championships in Orlando, Florida. Photo: Provided
Israel’s representative at the International Cheer Union (ICU) General Meeting in Orlando, Florida, this week voted in favor of Iran becoming a member nation of the organization.
Ludmila Yasinska, president of the Israeli Cheer Union, attended the annual meeting in-person and voted for Iran joining the ICU, the official world governing body for cheerleading.
The decision was approved, and a total of five applicant countries have newly joined the organization: Iran, Sint Maarten, Iceland, Ethiopia, and Sierra Leone. The ICU now has 126 national federation members across all continents, and each receives one vote for all General Meeting voting processes.
“The vote in favor of Iran’s participation in international competitions expresses a clear distinction between the Iranian people and the terrorist regime,” Yasinska told The Algemeiner. “It is a values-based position that sees the Iranian people not as enemies, but as human beings who seek to take part in the international arena, to compete, and to be partners in an open and fair world. It is also a statement of hope — that despite the complex reality, there is room to distinguish between citizens and leadership, and to extend a hand toward a different future.”
“May the day come when we can stand side by side and cheer together,” she added.
According to experts, the vast majority of the Iranian people oppose the authoritarian, Islamist regime that has ruled the country since 1979. In January, the regime’s security forces killed and imprisoned tens of thousands of civilians to crush anti-government protests that erupted across Iran.
The ICU General Meeting took place before the start of the 2026 ICU World Cheerleading Championships. This year, Israel competed in the international competition for the first time ever. The championships started on Wednesday and concluded on Friday.
“It was an amazing feeling and a great source of pride to represent Israel on the world stage,” Yasinska told The Algemeiner. “Despite all the difficult times and the situation in Israel before the championship, we never stopped believing or working toward this moment.”
The competition occurred amid a ceasefire pausing the US-Israeli military campaign against Iran, whose leaders regularly call for Israel’s destruction. Before the temporary truce went into effect, Israelis spent weeks running to bomb shelters as the Iranian regime launched barrages of ballistic missiles at the Jewish state. Iran’s chief terrorist proxy, Hezbollah, also fired rockets at northern Israel from Lebanon.
“There were times when we had to train on Zoom because we could not leave our homes. We also had one intensive week where some of our girls from the north stayed in our homes, just so we could have the opportunity to train together as one team,” Yasinska explained. “After all of this hard preparation, sacrifice, and determination, to finally represent our country was incredibly emotional and meaningful. It is a huge honor for us, and it was very important to show the world that Israel is on the international map of this sport — standing strong, competing proudly, and doing the very best we can.”
In 2021, the ICU was granted full recognition by the International Olympic Committee.