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King David gets the kiddie treatment
The figure of David is most often imagined nude, and for some people that’s a problem.
Michelangelo’s statue was once made to don a fig leaf in exhibition replicas. As recently as 2023, a school principal in Tallahassee, Florida resigned after parents complained that an image of the marble used in a lesson on Renaissance art was pornographic. (Interestingly, no one is calling for a redacted edition of the Bible, where David is an unabashed adulterer who dances naked before the lord.)
David, like Odysseus, was a man of twists and turns, and that’s what makes him so compelling. Yet there has always been a temptation to contort him into a tidier package, PG and legible to youth. In Hebrew school — and, I imagine, Christian Sunday schools — we hear of his underdog exploits with Goliath. We rarely hear what happens next.
As novelist Geraldine Brooks observed in her book The Secret Chord, David was “the first man in literature whose story is told in detail from early childhood to extreme old age.” It is also a singularly strange story to adapt for children beyond that initial showdown with a Philistine with a pituitary disorder — the rest of David’s story is rife with sex and violence.
Even so, Angel Pictures, the up-and-coming, largely faith-based production house behind The Sound of Freedom (a fear-mongering pageant about human trafficking) and The King of Kings (about you know who) endeavored to put this narrative to film, following a “prequel” series, called Young David. The resulting animated musical David punches above its weight in production value with meticulous filaments of CGI hair and charismatic character design. If you’re looking for biblical fidelity, it mostly follows the text, but in making it family friendly — and perhaps to point in the direction of a certain legacy sequel — it slaps a narrative fig leaf over the interesting bits. Somehow, like so many neutered renditions of Leonard Cohen’s “Hallelujah,” it makes David boring.
Why target this one to kids? David is introduced as a shepherd boy with a sling, making him ripe for a young audience, at least if you skip the part where he decapitates Goliath and carries his head around as a trophy, which this film does. Most children’s media about him emphasizes those salad days heroics or his side hustle as a psalmist.
But the boy will go on, soon after he reaches his age of majority, to procure 200 Philistine foreskins in battle as a bride price. In exile from Saul, we’re told that, when he raided a region, “he would leave no man or woman alive.” At Hebron, he rewards the eager assassins of his rival by relieving them of their hands and feet.
What about this demands the Dreamworks treatment? The aforementioned prequel kiddie show, with its humble pastoral lessons, had to lead to something, I suppose, and here it’s a musical time jump with a new character model and older voice actor. The ads invite us to “watch how a boy becomes a man,” and, more saliently, to do the watching “this Christmas.”
To Christians, David is a sort of Old Testament flashing arrow pointing to Christ. “Christ” means anointed one; David, as we see in the film’s opening moments, after he saves a whelping lamb from a lion, had a horn of oil poured over him by Samuel. Jesus, a metaphorical shepherd, is sometimes called the Son of David.
As scholars of Christianity like Elaine Pagels have noted, the genealogy laid out by Matthew and Luke connects Jesus to David as a way of fulfilling messianic prophecies in Isaiah. This is then, a stealth Christmas story or almost a Jesus prequel, kind of a biblical Phantom Menace, with the added benefit of capturing a Jewish audience that goes out to the movies on Christmas and may be looking for family fare. Catholic comedian Kevin James has promoted it, as has Michael Rappaport.
The story, buoyed by boilerplate praise pop that sings of running towards adventure and “following the light,” tracks the moment David is selected as the future king up to his coronation, stopping before his uniting of the kingdoms in a new capital and his late vocation as a rooftop voyeur with major character flaws.
This David — auburn-haired and American-accented, while all other characters sound vaguely Israeli — is instantly likable, and unbearably insipid, “a man after God’s own heart.” The film had a rabbi advisor — one whose focus is on “ministering to Christians” — and that brings a veneer of Jewish authenticity. Samuel sings some of Psalm 118 in Hebrew as he anoints David (an odd choice given that David is the traditionally-credited author). Production notes boast of paleo Hebrew text appearing throughout and identify some of the songwriters as “Jewish believers in Jesus.” There are wolf motifs littering in the palace of Saul, whose tribe’s founder was likened to a ravenous wolf. Despite these trappings, the project feels derived from a familiar Christian impulse, and errs by taking David’s story beyond the Valley of Elah, where our hero still had a semblance of innocence.
The infancy narrative of Jesus may work for young people around Christmas time, sparing them the gory details of the crucifixion. But beyond a point, David’s early life can’t be so neatly detached from what follows, as the rest of the Bible, even the Christian parts, relies on it. It is hard to imagine this David — pure, faithful, a good shepherd who is reluctant to lead and ostensibly asexual — conquering Jerusalem. It’s harder still to imagine him having his way with Bathsheba (in what many now regard as rape), sending her husband to his death and losing several children as God’s punishment for these transgressions.
None of these events are the film’s concern, but without those pivotal plot points, we don’t have the Temple or the king — Solomon, born of Bathsheba — to build it. Without a temple in Jerusalem, there’s no backdrop for the Passion the film’s hinting at to play against.
The screenplay, by directors Brent Dawes and Phil Cunningham, seems to be optimizing for action — Cunningham described David’s journey as “packed with adventure, with music, with fun” — while staying too squeamish to mount a proper battle scene. There’s the intrigue of Saul’s court, and the thread of dramatic irony, as the old king confides in David about his fear of God’s appointed successor, not knowing it’s him. We see David dash into exile in the wilderness, but we don’t witness his raids or any other mischief, only a crisis of faith. We get a glimpse of the mincing Philistine king Achish (we know he’s evil because of his eyeshadow and earrings) and the skull-laden Amalekites who raze David’s outpost at Ziklag and take his followers captive. (Saul’s failure with the Amalekites is appropriately sanitized — he fell short by letting them escape, not in sparing Agag’s life and keeping his best livestock. If God ordered their genocide, as he does in the source material, we don’t hear about it.)
In case there was any doubt, after David’s mom — here a speaking character — praises God as “the way and the light,” there’s a specific endgame in mind that necessitates our hero be presented as older and on his way to kingship.
To drive the point home, in an invention of the film, the Amalekites hoist David onto a tree to kill him while his mother weeps at his feet. This isn’t some first chapter of David’s rule but the foreshadowing of Jesus’ reign, and you can’t exactly crucify the little shepherd boy with the lyre. (Spoiler: He lives.)
While not to my taste, this would be forgivable if the film, however handsomely animated, didn’t fall into the same old timeworn tropes that even kids are surely bored of now: the precocious younger sister, the fat brother gorging on dates, the upstart Israelite army with vases for helmets who gulp, “Yup, we’re dead,” upon seeing the well-equipped Philistines and their six-cubit champion.
Worse still, the film calls to mind other, better ones, appropriate for children but nowhere near as condescending.
A standout number has David’s mother singing about the world as a tapestry (Carole King she ain’t) and “the view that heaven sees,” essentially a rip off of Prince of Egypt’s “Through Heaven’s Eyes.” You may also cringe at the line “like the way we work the loom, he knit you from inside the womb,” seemingly a play on Jeremiah 1:5, often used by Christians to justify pro-life positions.
David deserves better, but the good news is there’s competition. Amazon’s House of David, now in its second season, goes deep on the dynamics of Judah and Israel, often employing midrash to add texture to the intrigue, and it was reported in 2022 that Leviathan Productions, an outfit focused on Jewish stories, had optioned Brooks’ excellent The Secret Chord.
That shepherd boy from Bethlehem became a giant himself — and we will never stop singing his psalms or wrestling with his complicated, at times cancel-worthy, story. Angel Studios’ David may still challenge Goliath, just not the audience.
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Richmond mayor facing resignation calls over posts calling Sydney massacre ‘false flag’
Bay Area Jewish leaders are calling for the resignation of Richmond Mayor Eduardo Martinez after he re-shared multiple LinkedIn posts that called Sunday’s massacre of Jewish people in Sydney an Israeli “false flag attack.”
Martinez, who was elected by the city just north of Berkeley in 2023, also shared posts claiming that “the root cause of antisemitism is the behavior of Israel and Israelis.”
Martinez has since removed the posts from his account and apologized for sharing them “without thinking” — but he did not disavow the false flag conspiracy theory about the attack. He clarified only that “we know that antisemitism was here before the creation of the state of Israel.”
“As I’ve said many times before, we should not conflate Zionism with Judaism,” Martinez wrote on LinkedIn. “They are two separate beliefs.”
He later added, “I want to assure everyone that these postings are my opinions (or my mistakes) and mine only. They are not statements from my office or the city of Richmond. If I make a mistake, that mistake is mine only. Once again, I apologize for posting in haste without full understanding of the posting.”
He did not discuss the attack, which killed 15 people and injured dozens.
The Jewish Community Relations Council of the Bay Area was outraged by Martinez’s online activity and left cold by his apology. It called for his resignation Thursday in a statement posted to JCRC social media.
“These actions reflect a consistent and deeply troubling disregard for the safety and dignity of Jewish people,” the organization wrote on Instagram. “They erode public trust and send a chilling message to Jewish residents that they are neither protected nor respected by their own mayor.”
The local chapter of the Anti-Defamation League, ADL Central Pacific, also condemned the post.
“There’s no excuse for an elected leader to be amplifying warped antisemitic conspiracy theories that seek to blame the victim,” ADL regional director Marc Levine wrote in a statement to J. The Jewish News of Northern California. “The Australian community has already faced enough tragedy over the last few days. We hope Mayor Martinez will reconsider his hurtful words, which have absolutely no place in public discourse.”
The Forward has reached out to Martinez for comment.
Martinez’s LinkedIn posts were the latest in what local leaders say is a slew of antisemitic incidents during the progressive’s tenure. In 2023, just weeks after the Oct. 7 attacks, Martinez
Martinez, a former schoolteacher, posts regularly about the Israeli-Palestinian conflict on LinkedIn, sometimes multiple times per day.
In August, speaking at the People’s Conference for Palestine in Detroit, Martinez likened the Oct. 7 attack to someone snapping after being bullied on the playground, J. reported, adding that whether he supported Hamas was “complicated.”
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Mamdani appointee resigns over past antisemitic online posts about ‘money hungry Jews’
(JTA) — New York City Mayor-elect Zohran Mamdani’s pick for a crucial City Hall position resigned on Thursday, shortly after her history of antisemitic posts on X came to light.
Mamdani had announced his appointment of Catherine Almonte Da Costa as director of appointments, responsible for staffing City Hall, on Wednesday. But on Thursday, several posts on X where she peddled age-old antisemitic stereotypes were published by the Judge Street Journal, a Substack about New York City politics.
“Money hungry Jews smh,” Da Costa posted on a now-deleted account on X in January 2011, when she 19 years old.
In another post from June 2012, she wrote, “Far Rockaway train is the Jew train,” appearing to reference the large Jewish communities off the line.
The Judge Street Journal also highlighted posts that suggested an antipathy to white men by Da Costa, who has worked in diversity, equity and inclusion roles in multiple companies.
As a firestorm grew, Da Costa said she would step down.
“I spoke with the mayor-elect this afternoon, apologized, and expressed my deep regret for my past statements,” she said in a statement shared by the Mamdani transition team. “These statements are not indicative of who I am. As the mother of Jewish children, I feel a profound sense of sadness and remorse at the harm these words have caused. As this has become a distraction from the work at hand, I have offered my resignation.”
Mamdani released a statement of his own. “Catherine expressed her deep remorse over her past statements and tendered her resignation, and I accepted,” he said.
The incident came as Mamdani’s election has roiled the city’s Jewish community, with many expressing fear and discomfort over the mayor-elect’s history of anti-Israel rhetoric and policies. He has emphasized that he aims to make the city safe and welcoming for all of its residents, including Jews, and has condemned antisemitic rhetoric and displays since his election.
Still, his transition period has been dotted with tensions, including While Mamdani has made inroads in the city’s Jewish community since election night last month, the appointment of an official with a visible history of antisemitic rhetoric could pose another hurdle for his incoming term.
The New York and New Jersey branch of the Anti-Defamation League, which launched what it is calling a “Mamdani Monitor” following November’s election, called Da Costa’s posts “indefensible” in a post on X.
“We appreciate Da Costa has relationships with members of the Jewish community,” the group tweeted. “But her posts require immediate explanation — not just from Ms. Da Costa, but also from the Mayor-Elect.”
Several Jewish leaders praised Da Costa’s resignation.
The CEO of the Jewish Democratic Council of America, Halie Soifer, welcomed the news of in a statement Thursday evening.
“Glad to see that Catherine Almonte Da Costa has resigned,” said Soifer in a statement. “The views she expressed are unacceptable and intolerable. Especially at a time of rising antisemitism, she had no place in the mayor’s office of the city with the largest Jewish population in the world.”
Sara Forman, executive director of the New York Solidarity Network, which backed Mamdani’s leading opponent in the election, praised “cutting ties” with Da Costa as” the right thing to do.” But Forman speculated that “had she said ‘Zionist’ instead of ‘Jew’ the response from the incoming Mamdani administration and the outcome we just witnessed would likely have been quite different.”
Da Costa’s husband, Ricky Da Costa, is a deputy in the office of Comptroller Brad Lander, Mamdani’s most prominent Jewish backer during the campaign. He is Jewish and posted on X for the first time in more than a year in a half on Thursday afternoon, in response to the criticism of his wife.
“I don’t come back to this awful place much these days but as the Jew who married Cat, I can guarantee she has grown so much since some dumb tweets when she was 19,” he wrote. “Her remorse, like everything else about her, is deeply genuine & she works so hard for a NYC where everyone is safe.”
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Belgium Reverses Decision to Cut Federal Security in Antwerp’s Jewish District Amid Community Outcry
Police officers on patrol in the Belgian city of Antwerp. Photo: Reuters / Nicolas Maeterlink
After facing strong opposition from public officials and the local Jewish community over plans to withdraw federal security in Antwerp’s Jewish district, the Belgian government announced it will maintain current security measures, keeping federal police deployed for the time being.
Belgian Interior Minister Bernard Quintin announced on Thursday that federal officers will remain deployed in the district, reversing an earlier government plan to cut the police presence there by roughly half. The reversal followed Quintin’s meeting with representatives of Antwerp’s Jewish community
Avec des représentants de la communauté juive d’#Anvers.
Leur sécurité est une priorité absolue: les dispositifs actuellement en place sont maintenus.
Je souhaite les renforcer par la présence de #militaires et espère que cette mesure pourra aboutir dans les heures à venir. pic.twitter.com/ODKh8sjMZ6
— Bernard Quintin (@BernardQuintin_) December 18, 2025
This latest decision comes just days after a deadly attack on a Hanukkah celebration at Sydney’s Bondi Beach that left 15 dead and at least 40 injured, amid ongoing concerns about threats to Jewish communities worldwide.
On Monday, the Antwerp branch of the far-right political party Vlaams Belang had called for increased protection for Jewish schools and institutions during a city council meeting, Belgian media reported.
The government had originally rejected calls to bolster security, planning instead to withdraw the federal deployment, a move that sparked outrage from city leaders and renewed concern within the Jewish community amid ongoing threats.
Addressing these concerns, Quintin stressed that protecting Jewish sites is a top priority for the government, but emphasized that the federal police presence in Antwerp is not intended as a permanent solution, with local police responsible for maintaining security on the ground.
Antwerp Mayor Els van Doesburg had condemned the government’s earlier decision as “incomprehensible,” warning that the city cannot risk a security gap, especially in the wake of the Bondi Beach attack on Sunday.
“There must be no vacuum in the safety of Antwerp’s Jewish quarter,” Doesburg told Belgian media. “This is something we have to do together. It goes beyond the Antwerp police.”
Since the deadly attack at Brussels’ Jewish Museum in 2014, security measures have been strengthened, with Belgian intelligence consistently warning of elevated threats to Jewish sites.
In response, Antwerp has long maintained a mixed model in which local and federal police share responsibility for their protection.
The federal government has now proposed an alternative plan to deploy military personnel at Jewish community sites in Antwerp to support local police and increase capacity, though a government-wide consensus has yet to be reached.
Jewish community leaders had previously sharply criticized proposals to reduce security, dismissing Quintin’s explanation and denouncing it as a “political decision.”
Ralph Pais, deputy chair of the Jewish Information and Documentation Center (JID), a Belgian nonprofit that combats antisemitism, noted that the planned withdrawal, both in its timing and execution, had heightened concern within the community.
Despite the community’s expectation that authorities would address the issue, Pais had warned that inadequate security could lead to serious problems.
Dus geen 48 uur na de verschrikkelijke aanslag op joden in Australië zet nota bene onze minister van Binnenlandse Zaken @BernardQuintin_ de federale politiebeveiliging in @Stad_Antwerpen stop!
Burgemeester @elsvandoesburg vindt het uiteraard…
— JID (@s_antisemitisme) December 16, 2025
Van Doesburg had called for federal officers to remain in place until a suitable replacement could be established, whether through increased local police staffing or the deployment of military personnel — a request now addressed by the government’s decision to maintain current measures.
The European Jewish Association (EJA) said in a statement that it “welcomed” the move to maintain current federal police levels in Antwerp, noting that the initial plan “caused deep concern within the Jewish community and beyond.”
“This decision follows direct engagement with elected officials and Jewish representatives and sends an important message: the safety of Jewish life is a core responsibility of the state and cannot be subject to uncertainty or gradual erosion,” the EJA said. “The EJA wishes to express its sincere appreciation to [Quintin] for listening carefully to these concerns and for acting decisively to prevent any security vacuum. We also commend MP Michael Freilich, who raised the issue forcefully in Parliament.”