Features
A tale of two streets that proved to be very attractive for Jewish families in years gone by
By BERNIE BELLAN Any longtime reader of this paper would know that nostalgia is a recurring theme in much of what you’re going to find in the pages of The JP&N (or on this website – as the case may be). We print stories about the history of our Jewish community here on a regular basis – and those stories usually elicit a flurry of responses from readers, often telling us what we got wrong!
Every once in a while we receive an email from someone asking us whether we can supply information about an individual or a particular story from the past. While we do maintain a digital archive on our own website, it has gaps in it as a result of the poor quality of many of the microfilms that were used to produce our archive.
Luckily, the Jewish Heritage Centre has now developed a much more comprehensive digital archive of all Jewish newspapers that may have existed in Winnipeg at one time or another. To be honest, I find it a little difficult to navigate their archive, but if you persevere, it does have a vast repository of priceless information about the history of our Jewish community.
We’re also lucky to have our very own chronicler of days gone by in the person of Gerry Posner. Six years ago Gerry wrote what proved to be a very popular story about one block of McAdam Avenue – that was populated almost entirely by Jewish families at one time.
Recently we were contacted by Shael Glesby, who wrote that he was looking for an article that appeared in the 1949 issue of The Jewish Post and which told the story how the street in East Kildonan where Shael grew up had first begun to be developed in the late 1940s. The thought occurred to me that juxtaposing the stories of the two streets might be interesting for our readers – even if the memory of Gerry’s McAdam Avenue story is still fresh in some of your minds.
Bredin Drive – one of the most beautiful streets in all of Winnipeg was a magnet for Jewish families in the late 40s and early 50s
Before the late 1940s there were very few Jews living in East Kildonan, but according to Shael Glesby some developers had the notion that by building what were then considered to be very upscale homes, the area could attract Jews who were thinking of moving from the north end.
As it turned out, the one street that fulfilled those developers’ dreams somewhat was beautiful Bredin Drive, which was bisected by another beautiful street that also became home to several other Jewish families.
Alas, other than those two streets, according to Shael, there was only a smattering of other Jewish families in East Kildonan. Shael suggested that the new area of south River Heights, which was also being developed starting in the 1950s, proved to be much attractive for young upwardly mobile Jewish families.
We were sufficiently interested by Shael’s email to want to read the article for which he had been searching. We did find it on the Jewish Heritage Centre website – and offer it here for your interest. Note the references by the writer of the article to the appearances of the women who lived on Bredin Drive whom she interviewed. How times have changed.
Here’s the article, from the November 17, 1949 Jewish Post:
“Bredin Drive Boasts City’s Newest Homes”
The following interesting account of some of Winnipeg’s newest homes appeared in a Winnipeg Tribune write-up by Lilian Gibbons in he Aug. 27 edition. – The Editor
Opposite the East Kildonan municipal office is a new housing development that has brought into the light a little secluded street hidden away for years. Bredin Drive today is U-shaped, with the loop on Red River and the arms ending in Henderson Highway; up the centre of the U comes Roosevelt Place with six new houses. For years the north arm of the U has been known as Bredin Drive, a tucked away retreat with a few houses on it. Old and new, the houses now number 26. The south arm is Elmwood Park, opposite the Roxy Theatre.
The smart new street is cut out of two old river-fronted farms, A. R. Bredin’s and Daniel Hamilton’s. Mr. Bredin lived in the big frame house with the verandahs which is now the municipal office of East Kildonan. Then he moved away to Muskegan, Michigan.
The biggest house is 300, the Max Freeds, built two years ago last April. For a long time it looked deserted there on the river. Now it has many neighbours. The house is of white colonial siding and rubble, with a big overhanging roof, a sweep of lawn with lifelike pelicans, and on the river side a patio with awnings, a glass pleasure house near the water. Pretty young Mrs. Freed is still coping with these amenities, matching lime green drapes to grey broadloom and taking care of two babies.
The first two houses, next to the park and the highway, 200 and 210, are the homes of William Wolchock and Cecil Smith, business partners in building. It was blond young Sidney Wolchock who received the reporter. “Gee, it must take a long time to write a whole street. No, I didn’t know the Municipal Office was the Bredin farm home but I do know it won’t be there much longer. My father is building blocks there.”
Opposite is a bungalow of wide siding the color of new green apples, No. 201, home of J. B. Wolk. “We have no stove yet, only a hot plate, but isn’t it nice?” Friendly Mrs. Wolk invited the reporter in.” Five weeks ago today we moved in.”
No. 245 and 255 are another pair very alike, with the popular pink rubble stone at the entrance. Max Ratner built both, lives in the first, and will sell the second; the relative for whom he intended it can’t come to Winnipeg. No. 265 and 275, another pair, are the homes of brothers Ben Billinkoff and J. B. Billinkoff, who are building wreckers.
At the top of the middle street, 198 and 190 Roosevelt Place, are a pair of big square homes, M. Gutkin’s and A. Akman’s. Mrs. Gutkin was sitting on the steps with her mother and rocking her baby daughter’s carriage. “We’re pioneers,” she said stoutly. “We were here when there were only four houses. Linda was born here – she’s a native.”
Mrs. A. J. Averbach, at 330, is the sister of Mrs. Akman, 190 Roosevelt Place.
There are many new building materials displayed in these new homes; for instance, glass for door side-lights. Sometimes it’s fluted like Venetian blinds; sometimes criss-crossed like gingham. The young women are as good looking as the homes they occupy.
(Interestingly, on the same pages as the article appeared ads for mirrors, venetian blinds, and lamps. The article, however, never mentioned whether permission had been obtained from the Tribune to reprint its article.)
As a follow-up to the original email that I received from Shael Glesby, I asked him whether he could remember the names of all the families that lived on Bredin Drive when he was growing up there in the 1960s?
Here’s what Shael wrote back:
255 – Ratner (Max and Helen)
265 – Glesby (Bert & Silvia) original owners were Billinkoffs (Ben & Yetta)
275 – Billinkoff (Joe & Ann)
285 – Gobuty (James & Rae)
210 – Snaper (Mark & Ethel)
250 – Brownstein (Vicki)
260 – Wolchock (Bill & Rose)
300 – Freed (Max & Marion)
310 – Billinkoff (Ben & Yetta) after selling 265.
320 – Bellan (Sam & Marjorie)
There were 3 more Jewish families just north of 320, but I don’t know which houses were owned by which.
Swartz
Averbach
Jacobson
On Roosevelt Place:
Cristall
Duchon
Gutkin
Mrs. Tallman (I believe that Lorelei formerly Brenda, Bellan lives there now. Ed. note: Shael is correct.)
On Henderson Highway, just north of Bredin:
Tallman – Harvey & Louise (newer home built in the 60’s, I think)
Mrs. Tamara Wiseman – Vice Principal/ Principal of Talmud Torah.
There were other Jewish families scattered in the area.
Hespeler – Shore (Ben & Ruth)
Glenwood – Pukin
Streets unknown – Glass (Norm’s family), Moglove, Kaufman (Lala’s family)
See next story for a story about yet another street that almost totally Jewish at one time
Features
Japanese Straightening/Hair Rebonding at SETS on Corydon
Japanese Straightening is a hair straightening process invented in Japan that has swept America.
Features
History of the Winnipeg Beach Synagogue: 1950-2025
By BERNIE BELLAN The history of the Winnipeg Beach Synagogue is a fascinating one. We have had several articles over the years about the synagogue in The Jewish Post & News.
In June 2010 I wrote an article for The Jewish Post & News upon the 60th anniversary of the synagogue’s opening. Here are the opening paragraphs from that article:
“Sixty years ago a group of Winnipeg Beach vacationers decided that what their vacation area lacked was a synagogue. As it happened, a log cabin one-room schoolhouse in the Beausejour area happened to be available.
“In due course, the log cabin was relocated to the corner of Hazel and Grove in Winnipeg Beach, where it stayed for 48 years.”
In December 1994 my late brother, Matt, wrote a story about the spraying of antisemitic grafitti on the synagogue which, at that time, was still situated at its original location on the corner of Hazel and Grove in the town of Winnipeg Beach:
“Two 16-year-olds spraypainted slogans like ‘Die Jews,’ ‘I’ll kill you Jews,’ and other grafitti in big letters on the beach synagogue.
“Jim Mosher, a news reporter for the Interlake Spectator in Gimli, said last Halloween’s vandalism against the synagogue wasn’t the first. In the late 1980s, he claimed, it was spraypainted with swastikas.
“Jack Markson, a longtime member of the Winnipeg Beach Synagogue, last week also said he could remember finding anti-Semitic grafitti spraypainted on the synagogue ‘a few years ago,’ and at least twice in the 1970s, when the cottage season was over.”
My 2010 article continued: “In 1998 the Town of Winnipeg Beach informed the members of the synagogue that the building would have to be hooked up to the town’s sewer and water system. Rather than incur the cost of $3-4,000, which was thought to be ‘prohibitive,’ according to longtime beach synagogue attendee Laurie Mainster, synagogue goers looked elsewhere for a solution.
“As a result, the board of Camp Massad was approached and asked whether the synagogue might be relocated there, with the understanding that the synagogue would be made available to the camp at any time other than what were then Friday evening and Saturday morning services.
“Over the years the ‘beach synagogue’ had come to be a very popular meeting place for summertime residents of Winnipeg Beach and Gimli. In fact, for years minyans were held twice daily, in addition to regular Saturday morning services. Of course, in those years Winnipeg Beach was also home to a kosher butcher shop.
“While the little synagogue, which measured only 18 x 24 feet, has gone through several transformations, including the move to Camp Massad, and the opening up to egalitarian services in 2007 (The move to egalitarian services was as much a practical necessity as it was a nod to the equality of women – the only Kohen present at the time was a woman!), it has always remained cramped at the best of times.
“In recent years the synagogue has seen the addition of a window airconditioner (although to benefit from it, you really have to be sitting just a few feet away), as well as a fridge that allows synagogue attendees to enjoy a regular Saturday morning Kiddush meal following the service.
“According to Laurie Mainster, the Saturday morning service has continued to be popular, even though many of the attendees now drive in from Winnipeg, as they have sold the cottages they once maintained.
“On the other hand, one of the side benefits to being located on Camp Massad’s grounds has been an infusion of young blood from among the camp counsellors.
“Since there is no longer a rabbi available to conduct services (Rabbi Weizman did lead services for years while he had a cottage at the beach), those in attendance now take turns leading the services themselves.
“Anyone may attend services and, while there are no dues collected, donations are welcome. (Donations should be made to the Jewish Foundation of Manitoba, with donors asked to specify that their donations are to be directed to the beach synagogue.)
“Mainster also says that the beach synagogue is now undergoing an expansion, which will be its first in 60 years. An entirely new space measuring 16 x 18 feet is being added – one that will allow for a real Kiddush area. (Until now, a table has been set up in the back of the synagogue and synagogue goers would help themselves to the buffet that is set up each Saturday during the summer. While pleasant enough, it will certainly be more comfortable to have an actual area set aside for the Saturday afternoon after service lunch.)
“As for dress, longtime attendee Abe Borzykowski (in an article written by Sharon Chisvin for the Free Press in 2007) remarked that ‘I don’t think there are many synagogues where people can attend in shorts, T-shirts and sandals and not feel out of place.’ “
As mentioned in that 2010 article, the beach synagogue at that time was about to undergo an extensive remodelling. Here is an article from a January 2011 issue that describes that remodelling process. The article was written by Bernie Sucharov, who has been a longtime member of the beach synagogue:
“The Hebrew Congregation of Winnipeg Beach made a major change to the synagogue this past summer. With the help of many volunteers, Joel Margolese being the project manager, the synagogue was expanded and an addition was built to handle the overflow crowds, as well as to add more space for the kiddush following services.
“The volunteers spent many Sundays during the summer months building the addition. Bad weather caused many delays, but finally the addition was completed one week before the official summer opening.
“The volunteers were: Joel Margolese, Gordon Steindel, Sheldon Koslovsky, Viktor Lewin, Harvey Zabenskie, Nestor Wowryk, Kevin Wowryk, Victor Spigelman, Jerry Pritchard, and David Bloomfield.
“On Sunday, June 25, 2010 a special ceremony was held to affix a mezzuzah to the front entrance door. Gordon Steindel had the honour of affixing the mezzuzah, which was donated by Sid Bercovich and Clarice Silver.
“Refreshments and food for the day were prepared by Phyllis Spigelman, also known as our catering manager. Throughout the summer, Phyllis, Lenore Kagan and other friends prepared the food for our kiddush.
“A sound system was donated by Arch and Brenda Honigman in memory of their father, Sam Honigman z”l. “The system was installed by Joel Margolese and Stevan Sucharov. This will allow the overflow crowd to hear the service in the new addition.
“There were also generous donations of 50 chumashim and an air conditioner. The chumashim were donated by Gwen, Sheldon and Mark Koslovsky. The air conditioner in the new addition was donated by Joel and Linda Margolese.
“The official opening of the synagogue for the summer took place on July 3, 2010. We had an overflow crowd of 70+ people.”
Since that 2010 major addition to the synagogue, it has also added a wheelchair ramp (although I’ve been unable to ascertain exactly when the ramp was built). Also, the synagogue also has its own outdoor privy now. (Attendees used to have to use facilities in Camp Massad.)
And, as already noted in article previously posted to this site (and which you can read at Beach Synagogue about to celebrate 75th anniversary), in recognition of that occasion, on August 2nd members of the synagogue will be holding a 75th anniversary celebration.
As part of the celebration anyone who is a descendant or relative of any of the original members of the first executive committee is invited to attend the synagogue that morning.
If you are a relative please contact Abe Borzykowski at wpgbeachshule@shaw.ca or aborzykowski@shaw.ca to let Abe know you might be attending.
Features
Kinzey Posen: CBC Winnipeg’s former “go-to guy”
By GERRY POSNER If former Winnipegger Lawrence Wall was the CBC go-to guy in Ottawa, CBC Winnipeg had its own version of a go-to guy for many years with none other than the very well known Kinzey Posen. Of course, many readers will recognize that name from his career with Finjan, the Klezmer group so famous across Canada and beyond. It has been written about Posen and his wife Shayla Fink that they have been involved in music since they got out of diapers. And, as an aside, their love and ability in music has now been transmitted to the next generation as in their son, Ariel Posen (but that’s another story).
Kinzey Posen (not to be confused with Posner, or maybe we are to be confused, but who knows for sure?), was a graduate of Peretz School, having attended there from nursery right until Grade 7, graduating in1966. That was followed by Edmund Partridge and West Kildonan Collegiate. Musically, he was in large part self taught. However, he did have some teachers along the way. After moving to Vancouver – from 1974-78, he had the chance to study acoustic classical bass with a member of the Vancouver Symphony Orchestra. When Kinzey lived in Vancouver, he also worked as a jazz musician.
Upon returning to Winnipeg, Kinzey enrolled as a mature student at the University of Winnipeg, where he obtained a Bachelor of Urban Studies degree. Although the degree was in no way connected to the career that followed, his attending the University of Winnipeg was critical to his connecting with the CBC. Why? you ask. Kinzey had a position after graduation working for the Institute of Urban Studies. While there, he met someone who invited him to work for the Department of Continuing Education as one of their program directors. At the time the Department of Continuing Education was located at 491 Portage Avenue, which was also known as the TJ Rice Building. The CBC also leased some space in the same building. According to Kinzey, the CBC part of the building “included HR, different shows and other support offices. Continuing Education was located in the basement and main floor and that’s where I worked.”
KInzey had long had an interest in the CBC, which made the fact that the CBC had some offices in the same building where he was working serendipitous. That Kinzey might be interested in visiting the CBC was not an accident. As a young boy he had a nightly connection to CBC, as it was his ritual to listen to CBC Radio (as well as all sorts of other radio stations across the USA) on his transistor radio every night in bed. He became enamoured of one particular CBC host, Bill Guest, so that when going to sleep, he imagined that he was Guest doing interviews with imaginary guests. That dream of working for CBC became a reality when he had a chance to do a one week gig with Jack Farr’s network program.
Kinzey took a week off from his Continuing Education job and spent five days at the CBC. That week was a training session for Posen, as he had to create ideas, research, pre-interview, write the script, and set up the studio for Farr’s interview. He was almost in his dream job – although not quite – since it was only for one week. His opportunity, however, came in 1988, when he was offered a one-year term as a production assistant – the lowest guy on the ladder, for a show called “ Simply Folk,” with the late Mitch Podolak as the host. Although he was indeed at the bottom as far as those working on the show were concerned, he took a chance and gave his notice to the U of W. The rest is history. In his new job, Kinzey learned how to become a producer. Lucky for him, at the end of the year, when the person he replaced was supposed to come back, she never returned (just like the song, “MTA,” by the Kingston Trio). At that point, Kinzey was hired full time at the CBC.
Kinzey was a fixture at the CBC for 27 years. During those years, Kinzey had the chance to work with Ross Porter, a respected former CBC host and producer, also with Karen Sanders – on the “Afternoon Edition.” One aspect of Kinzey’s job on the Afternoon Edition was to come up with ideas, mix sound effects, arrange interviews and music, to create a two-hour radio experience. In addition, he covered jazz and folk festivals and, as a result, was exposed to some of the best musicians in the world. With Ross Porter in the 1990s, he worked on a network jazz show called “ After Hours,” which was on from 8-10 PM five nights a week. Kinzey was involved with writing the scripts, picking the music, and recording the shows, as well as editing them and then presenting them to the network for playback.
Of course, over his career, Kinzey had many memorable moments. He told me about one of them. The story revolved around the National Jazz Awards one year in particular. The awards were to be broadcasted after the National News which, in those days, began much earlier in the evening, and were over by 8:00 pm. The legendary Oscar Peterson was lined up to play a half hour set at the awards, starting at 7:30. But, as Kinzey told me, Oscar Peterson had a “hate on” for the CBC ecause one of his recorded performances was wrongly edited and he refused to appear on CBC under any circumstances. As the time neared 8:05 PM, which was when the CBC was to begin its broadcast of the jazz awards, it became apparent that Oscar was not going to finish on time. As the producer of the awards show, Kinzey was tasked with telling Oscar Peterson to wrap it up and get off the stage. There was Kinzey Posen, a huge fan of Oscar Peterson, now faced with the prospect of telling Oscar – while he was still playing – with 500 people in the audience, to stop and get off the stage. Not often was or is Kinzey Posen frozen, but that was one such moment. There was one loud “Baruch Hashem” from Kinzey when Oscar completed his set literally just in time.
Clearly, Kinzey was part of a very successful run with After Hours as it was on the air for 14 years. It was easily one of the most popular shows on CBC Radio 2, and a winner of several broadcasting awards. Kinzey also played a major role in producing a two part documentary about legendary guitarist Lenny Breau.
When After Hours ended, Posen became one of the contributing producers to Canada Live and specialized in producing live radio specials for the network, such as the Junos, for CBC Radio One and Two. Needless to say, his career planted Posen in the world of some top notch musicians, including his time spent working with Robert Plant (Led Zeppelin), Dave Brubeck, Randy Bachman, Chantal Kreviazuk and a list of prominent names in the Canadian, American and European music spheres. Locally, the CBC came to refer to Kinzey as the Jewish expert. I would add music expert to that title.
After his 27 year run at the CBC – and before he fully retired, Kinzey went on to work for the Rady JCC as a program director for a year and a half. Of course, to say that Kinzey Posen is retired is a major contradiction in terms. You really can’t keep him down and he has his hand in a variety of programs and projects – most of which he remains silent about, as is his style.
When I realized the full depth and talent of Kinzey Posen, I quickly concluded that he must certainly be related to me. Even if he isn’t, I now tell people he is.