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A new mural in Nolita celebrates a Holocaust rescuer
(New York Jewish Week) — In the heavily trafficked neighborhood of Nolita, a larger-than-life mural has popped up on the corner of Spring St. and Elizabeth St. Bright orange and pink paint spell out the words “Saved 3,000 Jewish Lives” next to a black and white portrait of Holocaust rescuer Tibor Baranski.
The mural, an art piece designed to combat hate and spark conversation, is the brainchild of “Artists 4 Israel,” a non-profit organization that aims to “prevent the spread of antisemitic and anti-Israel bigotry by helping to heal communities that have been affected by hate through art,” according to its CEO and co-founder Craig Dershowitz.
“Our rallying cry is art over hate,” Dershowitz said. Baranski’s portrait, painted by Fernando “SKI” Romero, a renowned graffiti artist based in Queens, is part of the organization’s “Righteous Among the Nations Global Mural Project.” It aims to establish a network of murals painted in cities around the world that feature other “Righteous Among the Nations” members who helped save Jews during the Holocaust.
“His story was beautiful and it really touched me,” Romero, who is Dominican, said of Baranski, who collaborated with Artists 4 Israel on deciding whom to feature in the New York mural. “The want to paint something came very easily with something so selfless.”
The Baranski mural in Nolita is the third installment of the mural project; eventually there will be 10 murals around the world, said Dershowitz. Each subject is given a mural in their home state or country where they aided Jews: In Portugal, a mural of Aristides de Sousa Mendes, a diplomat who helped arrange passports for Jews has become a popular tour bus stop. In Greece, a mural of Mayor Loukas Karrer and Archbishop Dimitrios Chrysostomos led to national media coverage.
Though Baranski was Hungarian, he lived in Buffalo, New York for nearly six decades and felt at home in New York, which is why the Artists 4 Israel chose him for the mural in Manhattan.
In 1944, Baranski was 22 and studying to become a Catholic priest in Slovakia when the Russian Army invaded and he was forced to return to Budapest, where he grew up.
He never returned to the seminary, and abandoned his dream of becoming a priest. Instead, he dedicated the next years of his life to orchestrating the escape of more than 3,000 Hungarian Jews from the Holocaust.
After arriving in Budapest, Baranski headed to the Vatican embassy residence of the Papal Nuncio Angelo Rotta, where a long line of people were requesting help. The Vatican embassies in Switzerland, Sweden, Spain and Portugal were some of the only places where Jews and other refugees were able to secure letters of protection and necessary documents to leave their countries.
Carol Romeo, who said her family survived the Holocaust, pauses to touch the mural of Holocaust rescuer Tibor Baranski created by Fernando “SKI” Romero, a Dominican-American artist born and raised in Queens. “I never knew he existed,” she said of Baranski. “And he lived here in New York. Everyone should know his story.” (CAM and Artists4Israel)
Pretending to be a priest, Baranski managed to arrange a meeting with Rotta, where he secured documents for a Jewish family he knew. As the story goes, Rotta soon recruited Baranski to help organize protection letters, baptismal certificates and immigration certificates for Jews trying to escape Hungary. He also helped coordinate food and housing for the escapees. Over the next two months, Baranski saved 3,000 Jewish lives, according to official records — though his sons have said he believes the number was closer to 15,000.
After the war, Baranski was imprisoned by the Soviet army for five years for his anti-communist beliefs. He became a freedom fighter during the Hungarian Revolution of 1956 before moving to Rome to start a refugee camp with his wife Katalin.
Eventually the couple moved to Canada and then settled in Buffalo, where they were active members of the community and raised their three children, Tibor Jr., Kati and Peter.
Baranski, who died in 2019, was recognized by Yad Vashem as a Righteous Among the Nations in 1979, and was appointed by President Jimmy Carter to the U.S. Holocaust Memorial Council.
In an obituary in the New York Jewish Week, writer and close friend of Baranski’s Steve Lipman recalls an anecdote Baranski often repeated: “’Why do you, a Christian, help Jews?’ Uncle Tibor told me the Nazis asked him. ‘You are either silly or an idiot,’ he would answer. ‘It is because I am a Christian that I help the Jews.’”
For Dershowitz, who is based in Los Angeles, one of the goals of the murals — and his organization at large — is fighting antisemitism through education about Israel and the Holocaust. By making the art public and accessible, Dershowitz hopes people of all backgrounds will enjoy the art, and learn from it.
“These murals are very much for everyone to enjoy,” he said. “For the most part, they’re not geared towards the Jewish community as much as they’re geared towards a younger demographic, regardless of their religion or cultural heritage.”
Since its foundation in 2009, Artists 4 Israel’s principal mission has been to bring diverse groups of graffiti, street and mural artists to Israel to create projects that “benefit people in a direct, on-the-ground way,” such as painting murals in hospitals, bomb shelters and army bases. The organization has worked with more than 5,000 professional and amateur artists from 32 countries around the world, according to its website.
“When [the artists] come back [from Israel], they’re able to talk about the country and they’re able to speak about the Jewish people and be a window into the reality of Israel in the Middle East to their millions of followers,” Dershowitz explained.
In 2020, when COVID-19 arrived and international travel halted, the organization switched gears and started bringing their advocacy to cities around the world with the “Righteous Among the Nations” project.
For the artist Romero, the work has been especially gratifying. The 44 year-old artist has been involved with Artists 4 Israel since its inception and has visited Israel three times, painting murals for battered women’s shelters, community shelters and army bases.
“I’m creating art with purpose, which is beautiful. I’m also creating a dialogue. There’s a conversation,” Romero said. “This is one of those murals that touches home and it makes you really feel good. It is art that just separates itself from a lot of the noise out there.”
Painted over the course of two days, the mural will remain on the downtown corner for the next nine months.
At the unveiling party last month, which included a performance by singer Neshama Carlebach and blessings led by Rabbi Menachem Creditor, Baranski’s son Tibor Jr. retold his father’s story and emphasized the strong Catholic faith that guided him.
“Tibor Baranski was the merger of intellect and faith,” said his son, who drove from Buffalo for the event. “My father’s deeply held belief in God was uncompromising. It was the core driver in his saving thousands of innocent Jewish lives in 1944 in Nazi-occupied Hungary.”
“I will quote my father since his words captured the essence of our Catholic faith and what this mural that Fernando painted commemorating him represents: ‘Love each other, love each other sincerely. God is love. Love destroys hatred,’” he added.
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The post A new mural in Nolita celebrates a Holocaust rescuer appeared first on Jewish Telegraphic Agency.
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Trump Says US Will Intervene if Iran Kills Protesters Amid Regime Crackdown: ‘Locked and Loaded’
US President Donald Trump attends a press conference, as he makes an announcement about the Navy’s “Golden Fleet” at Mar-a-lago in Palm Beach, Florida, US, Dec. 22, 2025. Photo: REUTERS/Jessica Koscielniak
US President Donald Trump threatened on Friday to come to the aid of protesters in Iran if security forces fire on them, days into unrest that has left several dead and posed the biggest internal threat to Iranian authorities in years.
“If Iran shoots and violently kills peaceful protesters, which is their custom, the United States of America will come to their rescue, he said in a social media post. “We are locked and loaded and ready to go.”
The United States bombed Iranian nuclear facilities in June, joining an Israeli air campaign that targeted Tehran’s atomic program and military leadership.
Responding to Trump’s comments, top Iranian official Ali Larijani warned that US interference in domestic Iranian issues would amount to a destabilization of the entire Middle East. Iran backs proxy terrorist forces in Gaza, Iraq, Yemen, and Lebanon, among other places.
“Trump must realize that US intervention in this internal matter will lead to destabilizing the entire region and destroying American interests,” Larijani posted on X. “The American people must know that Trump is the one who started this adventure, and they should pay attention to the safety of their soldiers.”
Ali Shamkhani, a senior adviser to Iranian Supreme Leader Ayatollah Ali Khamenei, similarly warned on social media that Iran’s national security was a “red line, not material for adventurist tweets.”
“Every hand of intervention that approaches Iranian security under any pretext will be cut off with a regrettable response before it arrives,” he posted.
The comments came as a local official in western Iran where several deaths were reported was cited by state media as warning that any unrest or illegal gatherings would be met “decisively and without leniency,” raising the likelihood of escalation.
TRUMP COMMENTS
This week’s protests, sparked by soaring inflation and other economic hardships, are so far smaller than some previous bouts of unrest in Iran but have spread across the country, with deadly confrontations between demonstrators and security forces focused in western provinces.
State-affiliated media and rights groups have reported at least six deaths since Wednesday, including one man who authorities said was a member of the Basij paramilitary affiliated with the elite Revolutionary Guards.
The Islamic Republic’s clerical leadership has seen off repeated eruptions of unrest in recent decades, often quelling protests with heavy security measures and mass arrests. But economic problems may leave authorities more vulnerable now.
This week’s protests are the biggest since nationwide demonstrations triggered by the death of a young woman in custody in 2022 paralyzed Iran for weeks, with rights groups reporting hundreds killed.
Trump did not specify what sort of action the US could take in support of the protests.
Washington has long imposed broad financial sanctions on Tehran, in particular since Trump’s first term when, in 2018, he pulled the US out of Iran‘s nuclear deal with world powers and declared a “maximum pressure” campaign against Tehran.
US presidents have been wary of engaging militarily in Iran, but in June, Trump ordered airstrikes against Iranian nuclear facilities. Trump at the time ruled out sending any ground force into the Islamic Republic.
GUNSHOTS, PROTEST CHANTS
Video verified by Reuters showed dozens of people gathered in front of a burning police station overnight, as gunshots sporadically rang out and people shouted “shameless, shameless” at the authorities.
In the southern city of Zahedan, where Iran‘s Baluch minority predominates, the human rights news group Hengaw reported that protesters had chanted slogans including “Death to the dictator.”
Hengaw has reported 29 arrests so far over the unrest, mostly in the west, and including 14 members of Iran‘s Kurdish minority.
State television also reported the arrest of an unspecified number of people in another western city, Kermanshah, accused of manufacturing petrol bombs and homemade pistols.
The deaths acknowledged by official or semi-official Iranian media have been in the small western cities of Lordegan and Kuhdasht. Hengaw also reported that a man was killed in Fars province in central Iran, though state news sites denied this.
Reuters could not verify all the reports of unrest, arrests or deaths.
MAXIMUM US PRESSURE
Trump spoke a few days after he met Israeli Prime Minister Benjamin Netanyahu, a longtime advocate of military action against Iran, and warned of fresh strikes if Tehran resumed nuclear or ballistic work.
A spokesperson for the US State Department said Washington would “continue to put maximum pressure on the regime” in Iran, accusing Iranian authorities of “squandering billions on terrorist proxies and nuclear weapons research.”
The Israeli and US strikes in June last year have cranked up the pressure on Iranian authorities, as have the ousting of Syria’s Bashar al-Assad, a close Tehran ally, and the Israeli pounding of its main regional partner, Lebanon’s Hezbollah.
Iran continues to support groups in Iraq that have previously fired rockets at US forces in the country, as well as the Houthi group that controls much of northern Yemen.
IRAN‘S PRESIDENT ACKNOWLEDGES FAILINGS
During the latest unrest, Iran‘s elected President Masoud Pezeshkian has struck a conciliatory tone, pledging dialogue with protest leaders over the cost-of-living crisis, even as rights groups said security forces had fired on demonstrators.
Speaking on Thursday, before Trump threatened US action, Pezeshkian acknowledged that failings by the authorities were behind the crisis.
“We are to blame … Do not look for America or anyone else to blame. We must serve properly so that people are satisfied with us … It is us who have to find a solution to these problems,” he said.
Pezeshkian’s government is trying a program of economic liberalization, but one of its measures, deregulating some currency exchange, has contributed to a sharp decline in the value of Iran‘s rial on the unofficial market.
The sliding currency has compounded inflation, which has hovered above 36% since March even by official estimates, in an economy battered by Western sanctions.
Conservative cleric Ayatollah Ahmad Alamolhoda said protests over the economy were legitimate, but warned demonstrators they “should not be used as a pretext by the enemy to incite sedition.”
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Yemen’s Southern Separatists Call for Path to Independence Amid Fighting Over Key Region
A flag of the UAE-backed separatist Southern Transitional Council (STC) flutters on a military patrol truck, at the site of a rally by STC supporters in Aden, Yemen, Jan. 1, 2026. Photo: REUTERS/Fawaz Salman
Yemen’s southern separatist movement said on Friday it aimed to hold a referendum on independence from the north in two years, following its seizure of swathes of the country last month in a move that triggered a major feud between Gulf powers.
Southern Transitional Council leader Aidarous al-Zubaidi called on the international community to sponsor talks between concerned parties in the south and north on a path and mechanisms that “guarantee rights of the people of the south.”
The announcement comes as the Saudi-backed internationally recognized government moved to recapture the crucial region of Hadramout from the STC, which is backed by the United Arab Emirates.
RIFT BETWEEN SAUDI ARABIA AND UAE
The STC’s sudden seizure of swathes of southern and eastern Yemen from the government in early December revealed a bitter rift between Saudi Arabia and the UAE and caused a major fracture in the coalition fighting the Iran-backed Houthi movement, which holds Yemen’s capital Sanaa and the heavily populated northwest.
Earlier on Friday, the Hadramout governor under the internationally recognized government said he had launched a “peaceful” operation to restore control over the area.
Saudi airstrikes hit an airport in Hadramout, according to a spokesperson for the province’s tribes, and the governor said his forces had taken control of the most important military base in the area.
Oil-producing Hadramout borders Saudi Arabia and many prominent Saudis trace their origins to the province, lending it cultural and historical significance for the kingdom. Its capture by the STC last month was regarded by the Saudis as a threat.
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What’s funny about living next to a Nazi?
This article contains spoilers for the film My Neighbor Adolf.
In the oddball fiction film My Neighbor Adolf, a Holocaust survivor living in 1960s South America believes his new neighbor is Adolf Hitler; in fact he’s so sure, he sets out to prove it. As he researches and compares notes, we learn a lot about Hitler — his aversion to drinking and smoking, his short temper, his love for chess. Yet somehow, the film has little to say about the Holocaust itself.
The film, directed by Leon Prudovsky, opens in 1934; title cards tell us, vaguely, that we are in Eastern Europe, but savvy audiences will be able to recognize it is Poland from the language. There, our protagonist, Marek Polsky (David Hayman), is a champion chess player with a big loving family. Then, the film flashes forward to 1960; now, he lives alone in South America — exactly where is unclear — the sole survivor of his family.
The film’s writers have an aversion to specifics. Most of Marek’s experience during the war is obscured, with the exception of a few small hints. When he’s in the shower, a number tattooed on his arm is visible. He asks his neighbor Hermann Herzog (Udo Kier) to keep his dog — a German Shepherd, of course — under control, because, he says, “I don’t like dogs,” an allusion to guard dogs in concentration camps. That’s about it.
Not all Holocaust films go into graphic details about the horrors their characters experienced. But they generally provide enough basic details to give the story some substance, like what camps they were at, when they were separated from their family, how they ended up in their new country or what kinds of emotional scars they now bear. My Neighbor Adolf skips all of this, making the Holocaust more of a rushed plot point than a source of emotional depth. Even Marek’s Jewish identity feels sidelined; it’s primarily limited to his visits to the Israeli embassy — where he is trying to convince officials that Hermann is Hitler — his penchant for homemade pickles and a few books he owns in Hebrew.
Still, whatever unspecified horror Marek went through in the Holocaust, it made him bitter and paranoid. He decides Hermann must be Hitler after seeing the man’s eyes, which he usually hides behind sunglasses; Marek believes he met Hitler at a 1934 chess tournament and tells the Israeli embassy he could never forget those eyes. While doing intensive research on Hitler — including buying a copy of Mein Kampf — Marek also notes that Hermann shares other qualities with Hitler, such as being left-handed and enjoying painting.
In order to get closer to Hermann and prove he is Hitler, Marek strikes up a friendship with his neighbor. In a series of events that feel more fitting for a buddy comedy than a film about Hitler, the two play chess, share pickles and even spy on an undressing woman together (coincidentally). For the sake of finding the truth, it makes sense that Marek would be willing to play a chess game or two with the person he believes is responsible for the Holocaust. But it seems improbable that it would go as far as sharing heartwarming conversations.
The film’s eventual big reveal is as underdeveloped as the rest of the film: Hermann tells Marek that he was forced to be a Hitler impersonator and now makes money from Nazi fanatics around the world. But he doesn’t quite explain how or to what end. Did the Nazi government force him? Did a non-governmental Nazi fan club see a way to market Hitler?
If the premise wasn’t already confusing enough, Hermann also reveals it was actually him, not Hitler, at Marek’s long-ago chess tournament. Is the film suggesting Hitler died before 1945, and a body double was used to keep the Reich alive? Or was Hermann just a stand-in for Hitler at events the Fuhrer didn’t want to actually attend?
Either way, this implies Hermann was cooperating with the Nazis. Yet for some reason, this revelation seems to win Marek over. Though at the beginning of the film Marek mutters “Bloody Krauts” under his breath multiple times every time he sees his neighbor, even before suspecting he is Hitler, by the end, Marek has become fond of Hermann, even going so far as to warn him that the Israeli Embassy is sending officials to his house.
It seems as though the movie wants us to think that, in the end, both men are victims of the Third Reich in their own ways. They have more in common than they have differences. It’s a lesson in empathy and humanity.
Except for one problem: Hermann is an antisemite.
In what is apparently meant to be a heartwarming moment, he tells Marek: “You may be a Jew, Mr. Polsky, but you are a good neighbor.” But, of course, this indicates that Hermann shares the prejudices that led to the slaughter of Marek’s family. Yes, he’s not the Fuhrer, but how much does that actually matter when the ideology is the same? Even Hitler had Jewish friends — that doesn’t negate his actions. Perhaps Hermann is meant to be the embodiment of the culpability of every German, that they all could be Hitler no matter how congenial they are. But even if that’s the case, it’s unclear how Marek, after losing his whole family due to the culpability of everyday citizens, is able to ignore the man’s prejudices and continue the friendship.
The expectation that Marek would ignore Hermann’s antisemitism trivializes the harm such beliefs can cause. An antisemite that likes homemade pickles is still an antisemite.
My Neighbor Adolf opens in theaters on January 9.
The post What’s funny about living next to a Nazi? appeared first on The Forward.