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A new mural in Nolita celebrates a Holocaust rescuer

(New York Jewish Week) — In the heavily trafficked neighborhood of Nolita, a larger-than-life mural has popped up on the corner of Spring St. and Elizabeth St. Bright orange and pink paint spell out the words “Saved 3,000 Jewish Lives” next to a black and white portrait of Holocaust rescuer Tibor Baranski.

The mural, an art piece designed to combat hate and spark conversation, is the brainchild of “Artists 4 Israel,” a non-profit organization that aims to “prevent the spread of antisemitic and anti-Israel bigotry by helping to heal communities that have been affected by hate through art,” according to its CEO and co-founder Craig Dershowitz.

“Our rallying cry is art over hate,” Dershowitz said. Baranski’s portrait, painted by Fernando “SKI” Romero, a renowned graffiti artist based in Queens, is part of the organization’s “Righteous Among the Nations Global Mural Project.” It aims to establish a network of murals painted in cities around the world that feature other “Righteous Among the Nations” members who helped save Jews during the Holocaust.

“His story was beautiful and it really touched me,” Romero, who is Dominican, said of Baranski, who collaborated with Artists 4 Israel on deciding whom to feature in the New York mural. “The want to paint something came very easily with something so selfless.”

The Baranski mural in Nolita is the third installment of the mural project; eventually there will be 10 murals around the world, said Dershowitz. Each subject is given a mural in their home state or country where they aided Jews: In Portugal, a mural of Aristides de Sousa Mendes, a diplomat who helped arrange passports for Jews has become a popular tour bus stop. In Greece, a mural of Mayor Loukas Karrer and Archbishop Dimitrios Chrysostomos led to national media coverage.

Though Baranski was Hungarian, he lived in Buffalo, New York for nearly six decades and felt at home in New York, which is why the Artists 4 Israel chose him for the mural in Manhattan.

In 1944, Baranski was 22 and studying to become a Catholic priest in Slovakia when the Russian Army invaded and he was forced to return to Budapest, where he grew up.

He never returned to the seminary, and abandoned his dream of becoming a priest. Instead, he dedicated the next years of his life to orchestrating the escape of more than 3,000 Hungarian Jews from the Holocaust.

After arriving in Budapest, Baranski headed to the Vatican embassy residence of the Papal Nuncio Angelo Rotta, where a long line of people were requesting help. The Vatican embassies in Switzerland, Sweden, Spain and Portugal were some of the only places where Jews and other refugees were able to secure letters of protection and necessary documents to leave their countries.

Carol Romeo, who said her family survived the Holocaust, pauses to touch the mural of Holocaust rescuer Tibor Baranski created by Fernando “SKI” Romero, a Dominican-American artist born and raised in Queens. “I never knew he existed,” she said of Baranski. “And he lived here in New York. Everyone should know his story.” (CAM and Artists4Israel)

Pretending to be a priest, Baranski managed to arrange a meeting with Rotta, where he secured documents for a Jewish family he knew. As the story goes, Rotta soon recruited Baranski to help organize protection letters, baptismal certificates and immigration certificates for Jews trying to escape Hungary. He also helped coordinate food and housing for the escapees. Over the next two months, Baranski saved 3,000 Jewish lives, according to official records — though his sons have said he believes the number was closer to 15,000.

After the war, Baranski was imprisoned by the Soviet army for five years for his anti-communist beliefs. He became a freedom fighter during the Hungarian Revolution of 1956 before moving to Rome to start a refugee camp with his wife Katalin.

Eventually the couple moved to Canada and then settled in Buffalo, where they were active members of the community and raised their three children, Tibor Jr., Kati and Peter.

Baranski, who died in 2019, was recognized by Yad Vashem as a Righteous Among the Nations in 1979, and was appointed by President Jimmy Carter to the U.S. Holocaust Memorial Council.

In an obituary in the New York Jewish Week, writer and close friend of Baranski’s Steve Lipman recalls an anecdote Baranski often repeated: “’Why do you, a Christian, help Jews?’ Uncle Tibor told me the Nazis asked him. ‘You are either silly or an idiot,’ he would answer. ‘It is because I am a Christian that I help the Jews.’”

For Dershowitz, who is based in Los Angeles, one of the goals of the murals — and his organization at large — is fighting antisemitism through education about Israel and the Holocaust. By making the art public and accessible, Dershowitz hopes people of all backgrounds will enjoy the art, and learn from it.

“These murals are very much for everyone to enjoy,” he said. “For the most part, they’re not geared towards the Jewish community as much as they’re geared towards a younger demographic, regardless of their religion or cultural heritage.”

Since its foundation in 2009, Artists 4 Israel’s principal mission has been to bring diverse groups of graffiti, street and mural artists to Israel to create projects that “benefit people in a direct, on-the-ground way,” such as painting murals in hospitals, bomb shelters and army bases. The organization has worked with more than 5,000 professional and amateur artists from 32 countries around the world, according to its website.

“When [the artists] come back [from Israel], they’re able to talk about the country and they’re able to speak about the Jewish people and be a window into the reality of Israel in the Middle East to their millions of followers,” Dershowitz explained.

In 2020, when COVID-19 arrived and international travel halted, the organization switched gears and started bringing their advocacy to cities around the world with the “Righteous Among the Nations” project.

For the artist Romero, the work has been especially gratifying. The 44 year-old artist has been involved with Artists 4 Israel since its inception and has visited Israel three times, painting murals for battered women’s shelters, community shelters and army bases.

“I’m creating art with purpose, which is beautiful. I’m also creating a dialogue. There’s a conversation,” Romero said. “This is one of those murals that touches home and it makes you really feel good. It is art that just separates itself from a lot of the noise out there.”

Painted over the course of two days, the mural will remain on the downtown corner for the next nine months.

At the unveiling party last month, which included a performance by singer Neshama Carlebach and blessings led by Rabbi Menachem Creditor, Baranski’s son Tibor Jr. retold his father’s story and emphasized the strong Catholic faith that guided him.

“Tibor Baranski was the merger of intellect and faith,” said his son, who drove from Buffalo for the event. “My father’s deeply held belief in God was uncompromising. It was the core driver in his saving thousands of innocent Jewish lives in 1944 in Nazi-occupied Hungary.”

“I will quote my father since his words captured the essence of our Catholic faith and what this mural that Fernando painted commemorating him represents: ‘Love each other, love each other sincerely. God is love. Love destroys hatred,’” he added.


The post A new mural in Nolita celebrates a Holocaust rescuer appeared first on Jewish Telegraphic Agency.

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Bondi Gunmen Acted Alone, No Evidence They Were Part of Terrorist Cell, Australian Police Say

A CCTV footage shows Naveed Akram and his father, Sajid Akram, both suspects in the shooting attack during a Jewish Hanukkah celebration at Bondi Beach on Dec. 14, carrying items wrapped in blankets, while exiting 103 Brighton Avenue, Campsie, New South Wales, Australia, in this still image taken from a court document released on Dec. 22, 2025. Photo: NSW Police/Handout via REUTERS

Two gunmen who allegedly opened fire on a Jewish celebration on Sydney’s Bondi Beach earlier this month acted alone and there was “no evidence” they were part of a terrorist cell, police said on Tuesday.

Naveed Akram and his father Sajid Akram are alleged to have killed 15 people at a Hanukkah event on Dec. 14, Australia’s worst mass shooting in almost three decades that shocked the nation and led to immediate reforms of already strict gun laws.

Police have previously said the men were inspired by Islamic State, with homemade flags of the terrorist group found in their car after the attack, and a month-long trip by the pair to a Philippines island previously plagued by militancy a major focus of investigation.

But on Tuesday, Australian Federal Police Commissioner Krissy Barrett said there was no indication the men had received formal training on the November trip to Mindanao in the Philippines.

“There is no evidence to suggest these alleged offenders were part of a broader terrorist cell, or were directed by others to carry out an attack,” Barrett told a news conference.

She added the findings were an initial assessment, and authorities in Australia and the Philippines were continuing their investigation.

“I am not suggesting that they were there for tourism,” she said, referring to the Philippines trip.

Sajid Akram was shot dead by police during the attack, while his son Naveed, who was also shot by police, was charged with 59 offenses after waking from a days-long coma earlier this month. Naveed Akram faces charges ranging from 15 counts of murder to terror and explosives offenses.

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The ‘Zombie’ Caliphate: While the World Celebrates the Muslim Brotherhood’s Demise, Its Billion-Dollar Empire Thrives in Plain Sight

Supporters of the Muslim Brotherhood in the Jordanian capital, Amman, chanting pro-Palestinian slogans in April 2018. Photo: Reuters / Muhammad Hamed.

In Washington and Arab capitals, a comforting narrative has taken hold: The Muslim Brotherhood is finished. We are told that the Sisi regime in Egypt has crushed them, that Jordan has shuttered their offices, and that the “Islamist Winter” is finally over. The recent executive order by President Trump to review the group for terror designation is seen as the final nail in the coffin.

But if you look away from the empty political offices and follow the money, you will find a terrifying reality. The Muslim Brotherhood hasn’t gone bankrupt; it has simply gone corporate.

While Western intelligence agencies applaud the closure of dusty headquarters in Amman, they are ignoring the €27 million mega-complexes rising in France, the €4 million real estate fortresses in Berlin, and the terror-linked holding companies trading openly on the Istanbul Stock Exchange. The Brotherhood has transformed from a mass movement into a transnational financial conglomerate — a “Zombie Caliphate” that is legally bulletproof and wealthier than ever.

The Egyptian “Catch-and-Release”

The myth of the Brotherhood’s destruction starts in Egypt. The regime’s “Inventory Committee” boasts of seizing assets worth a staggering 300 billion EGP (approx. $16.7 billion), and liquidating the schools, hospitals, and businesses that formed the movement’s spine.

But the crackdown is porous. In July 2023, an Egyptian court quietly ordered the unfreezing of assets for 146 alleged Brotherhood figures, ruling that the state failed to prove the funds were illicit. This legal “oops” likely allowed millions in liquid capital to flee the country, funneling straight into the offshore networks now appearing in Istanbul and London.

Then there is the case of Safwan Thabet, the tycoon behind Juhayna Food Industries. Arrested for refusing to hand over his empire to the state, he was released in 2023. His survival teaches a harsh lesson: the Brotherhood’s money is so deeply integrated into the legitimate economy that the state cannot tear it out without killing the patient. The “deep state” of Brotherhood finance remains alive, hiding behind the facade of legitimate dairy giants and retail chains.

Turkey: The NATO Safe Haven for Terror Finance

If Egypt is the extraction point, Turkey is the laundromat. Despite President Erdogan’s desperate diplomatic pivot toward Cairo, Istanbul remains the operational heartbeat of this financial insurgency.

Western policymakers need to look closely at the Borsa Istanbul. There, trading openly under the ticker TDGYO, is Trend GYO — a real estate investment trust designated by the US Treasury Department for being 75% owned by Hamas. In a rational world, a NATO member would not host a publicly traded company that funds a designated terror group. In Erdogan’s Turkey, however, Trend GYO continues to develop luxury apartments, such as the recent project in Istanbul’s Alibeyköy district, subcontracting construction to obscure local firms to wash the proceeds.

This is the new model: “Terrorism Inc.” Yemeni billionaire Hamid al-Ahmar, operating freely from Istanbul, chairs Investrade Portfoy, an investment firm that commingles legitimate business with funds allegedly destined for Hamas. Meanwhile, the Brotherhood’s elite send their children to Al-Nahda International Schools in Istanbul — private institutions run by exiled cadres that ensure the next generation is indoctrinated in the ideology of the “Group” while generating tuition revenue.

Europe: The “Concrete” Fortress

As the environment in the Middle East becomes hostile, the Brotherhood has executed a strategic pivot to Europe, replacing “liquid” assets (cash) with “fixed” assets (real estate) protected by Western property laws.

In Austria, the failure of “Operation Luxor” serves as a cautionary tale. In 2020, police raided 60 Brotherhood-linked sites. The result? Zero terrorism convictions. Courts declared the raids unlawful. The Brotherhood didn’t just survive; they lawyered up and won, proving that without a specific designation, European criminal law cannot work against them.

In Germany, the UK-based Europe Trust purchased a massive property in Berlin’s Wedding district for €4 million. This isn’t just a building; it is a command center for the Deutsche Muslimische Gemeinschaft (DMG), insulated from German intelligence by British corporate deeds.

In France, the situation is even more brazen. The Al-Noor Center in Mulhouse — a massive complex featuring a mosque, school, and swimming pool — was built at a cost of €27 million. Intelligence links it to Qatar Charity’s “Ghaith Initiative,” which has poured over €120 million into 140 such projects across Europe. These are not community centers; they are forward operating bases for a parallel society, subsidized by Doha and protected by European property rights.

The West is fighting a 21st-century financial empire with 20th-century police tactics. We raid homes in Vienna while they move crypto in Istanbul. We seize crumbling offices in Jordan while they buy prime real estate in Berlin.

The Muslim Brotherhood is not dead. It is alive, well, and trading on the Istanbul Stock Exchange. Until the US and its allies target the enablers — the Turkish banks clearing Trend GYO transactions, the Qatari transfers to Mulhouse, and the shell companies in London — we are merely cutting the grass while the roots grow deeper.

Amine Ayoub, a fellow at the Middle East Forum, is a policy analyst and writer based in Morocco. Follow him on X: @amineayoubx

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The US Coast Guard Keeps Trying to Loosen Restrictions on Swastikas — Have We Passed a Point of No Return?

People waving Nazi swastika flags argue with conservatives during a protest outside the Tampa Convention Center, where Turning Point USA’s (TPUSA) Student Action Summit (SAS) was being held, in Tampa, Florida, US July 23, 2022. Photo: REUTERS/Marco Bello

It is hard to describe the insanity of what the US Coast Guard just did — or nearly did — without sounding alarmist. But alarm is warranted.

In a quiet, internal policy change, the Coast Guard downgraded swastikas and nooses from explicit hate symbols to what it blandly called “potentially divisive” imagery. Not in a press release. Not after consultation with Jewish or civil-rights groups. Quietly. Bureaucratically. Almost accidentally — until reporters noticed.

Only after Jewish organizations, veterans’ groups, and US senators demanded answers did the Coast Guard scramble to reverse course, insisting all along that nothing had really changed.

Then the Coast Guard tried to do this a second time. Once again, the plan was exposed, and the Coast Guard reversed course. But no one in the administration condemned it.

It seems clear that something has fundamentally changed. 

A swastika is not “potentially divisive.”

A noose is not “context dependent.”

They are not ambiguous. They are not debatable.  They are among the clearest symbols of hatred in human history — shorthand for genocide, terror, and racial violence. The fact that a uniformed US service sought to allow these symbols on government property in some contexts should disturb every American.

Semantic Cowardice Disguised as Neutrality

The Coast Guard’s revised guidance did not outright permit swastikas in all cases — but it said there should be nuance in deciding when one could be displayed. And it did something extremely corrosive: it reframed them.

By categorizing swastikas and nooses as “potentially divisive imagery,” the policy stripped them of their categorical moral status. Under the new language, commanding officers might intervene. Or they might not. Everything depended on context, interpretation, discretion.

That is not how institutions fight hatred. That is how they avoid responsibility.

Words matter in bureaucracies. Classification determines enforcement. Once something moves from “prohibited hate symbol” to “potentially divisive,” the burden shifts — from the institution to the offended party, from clarity to contestation, from principle to process.

For Jews, the swastika is not merely offensive; it is existential. It is the emblem under which six million Jews were murdered — grandparents, children, entire communities erased. It is not reclaimed. It is not misunderstood. It is not ambiguous.

Calling it “potentially divisive” is not neutral language. It is moral minimization.

The Gaslighting That Followed

What made this episode worse was not just the policy change — but the response to criticism.

Jewish leaders were told, repeatedly, that no downgrade had occurred. That the Coast Guard maintained a zero-tolerance stance. That reports suggesting otherwise were mistaken.

And yet the language was there, in black and white.

When Jewish organizations pointed this out, the reaction was not contrition but deflection. When senators demanded answers, the response was confusion. Only once political pressure became unavoidable did the Coast Guard and the Department of Homeland Security quietly remove the offending language — while still insisting there had never been a problem. And then they tried to do the same thing again!

This is institutional gaslighting.

If nothing changed, why was the language altered?

If the policy was always clear, why did it need “clarification”?

If leadership opposed the downgrade, how did it happen on their watch?

Institutions erode trust not only through bad decisions, but through evasive ones.

Why This Keeps Happening

It would be comforting to chalk this up to ideology — to blame wokeness, antisemitism, or a rogue staffer. But that explanation is too simple, and therefore too comforting.

What actually happened here is more unsettling.

This is what happens when institutions treat offense as a liability to be managed rather than evil as something to be condemned.

In modern bureaucracies, the overriding imperative is not truth or justice but risk mitigation. The goal is to avoid complaints, minimize exposure, and keep controversies from escalating. When everything is framed as “potentially divisive,” nothing is clearly wrong.

Accountability Matters — and Someone Approved This

Policies do not downgrade themselves.

Someone wrote that language. Someone reviewed it. Someone approved it. And someone allowed Jewish groups to be told one thing while the written policy said another.

This is not about vengeance or scapegoating. It is about governance.

Public trust depends on knowing that decisions with moral consequences are made deliberately, transparently, and honestly. When leadership cannot explain how such a change occurred — or insists it never occurred at all — confidence erodes further.

If Federal agencies want credibility when confronting antisemitism, they must show that internal processes match public assurances. Anything less invites suspicion that moral clarity exists only when politically convenient.

Why Jews Are Right to Be Alarmed

Some will say this controversy is overblown — that the policy was technical, that no harm was intended, that the reversal proves the system works.

That response misunderstands the moment.

American Jews are living through a historic surge in antisemitism — on campuses, in cities, online, and increasingly in physical space. Swastikas are not abstractions. They appear on synagogues, playgrounds, dormitories, and subway cars. They are not rare provocations; they are routine intimidation.

In that environment, government institutions do not get the luxury of ambiguity.

When a uniformed service wavers on whether a swastika is unequivocally a hate symbol, Jews hear a message — even if unintended: your history is negotiable; your fear is contextual; your dignity depends on discretion.

For Jews, this is not symbolic politics. It is the language of survival.

This episode does not stand alone. It fits a pattern Jews now recognize with grim familiarity — from college campuses to the streets of major American cities. 

History’s lesson is not that hatred begins with shouting. It begins with hedging that is tolerated quietly, normalized bureaucratically, and explained away procedurally until institutions discover they no longer know how to draw lines at all.

And when that happens, Jews are never the only ones at risk — just the first to notice.

Every Federal agency should be required — explicitly and publicly — to designate genocidal and terror symbols as categorically prohibited, without modifiers, caveats, or discretion. No euphemisms. No contextual hedging. No bureaucratic laundering of moral truth.

Moral clarity is not extremism. It is the minimum requirement of authority.

A swastika is not a misunderstanding. It is not “potentially divisive.” It is a warning.

And any institution that hesitates to say so is warning us, too.

Samuel J. Abrams is a professor of politics at Sarah Lawrence College and a senior fellow at the American Enterprise Institute. 

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