Uncategorized
A new mural in Nolita celebrates a Holocaust rescuer
(New York Jewish Week) — In the heavily trafficked neighborhood of Nolita, a larger-than-life mural has popped up on the corner of Spring St. and Elizabeth St. Bright orange and pink paint spell out the words “Saved 3,000 Jewish Lives” next to a black and white portrait of Holocaust rescuer Tibor Baranski.
The mural, an art piece designed to combat hate and spark conversation, is the brainchild of “Artists 4 Israel,” a non-profit organization that aims to “prevent the spread of antisemitic and anti-Israel bigotry by helping to heal communities that have been affected by hate through art,” according to its CEO and co-founder Craig Dershowitz.
“Our rallying cry is art over hate,” Dershowitz said. Baranski’s portrait, painted by Fernando “SKI” Romero, a renowned graffiti artist based in Queens, is part of the organization’s “Righteous Among the Nations Global Mural Project.” It aims to establish a network of murals painted in cities around the world that feature other “Righteous Among the Nations” members who helped save Jews during the Holocaust.
“His story was beautiful and it really touched me,” Romero, who is Dominican, said of Baranski, who collaborated with Artists 4 Israel on deciding whom to feature in the New York mural. “The want to paint something came very easily with something so selfless.”
The Baranski mural in Nolita is the third installment of the mural project; eventually there will be 10 murals around the world, said Dershowitz. Each subject is given a mural in their home state or country where they aided Jews: In Portugal, a mural of Aristides de Sousa Mendes, a diplomat who helped arrange passports for Jews has become a popular tour bus stop. In Greece, a mural of Mayor Loukas Karrer and Archbishop Dimitrios Chrysostomos led to national media coverage.
Though Baranski was Hungarian, he lived in Buffalo, New York for nearly six decades and felt at home in New York, which is why the Artists 4 Israel chose him for the mural in Manhattan.
In 1944, Baranski was 22 and studying to become a Catholic priest in Slovakia when the Russian Army invaded and he was forced to return to Budapest, where he grew up.
He never returned to the seminary, and abandoned his dream of becoming a priest. Instead, he dedicated the next years of his life to orchestrating the escape of more than 3,000 Hungarian Jews from the Holocaust.
After arriving in Budapest, Baranski headed to the Vatican embassy residence of the Papal Nuncio Angelo Rotta, where a long line of people were requesting help. The Vatican embassies in Switzerland, Sweden, Spain and Portugal were some of the only places where Jews and other refugees were able to secure letters of protection and necessary documents to leave their countries.
Carol Romeo, who said her family survived the Holocaust, pauses to touch the mural of Holocaust rescuer Tibor Baranski created by Fernando “SKI” Romero, a Dominican-American artist born and raised in Queens. “I never knew he existed,” she said of Baranski. “And he lived here in New York. Everyone should know his story.” (CAM and Artists4Israel)
Pretending to be a priest, Baranski managed to arrange a meeting with Rotta, where he secured documents for a Jewish family he knew. As the story goes, Rotta soon recruited Baranski to help organize protection letters, baptismal certificates and immigration certificates for Jews trying to escape Hungary. He also helped coordinate food and housing for the escapees. Over the next two months, Baranski saved 3,000 Jewish lives, according to official records — though his sons have said he believes the number was closer to 15,000.
After the war, Baranski was imprisoned by the Soviet army for five years for his anti-communist beliefs. He became a freedom fighter during the Hungarian Revolution of 1956 before moving to Rome to start a refugee camp with his wife Katalin.
Eventually the couple moved to Canada and then settled in Buffalo, where they were active members of the community and raised their three children, Tibor Jr., Kati and Peter.
Baranski, who died in 2019, was recognized by Yad Vashem as a Righteous Among the Nations in 1979, and was appointed by President Jimmy Carter to the U.S. Holocaust Memorial Council.
In an obituary in the New York Jewish Week, writer and close friend of Baranski’s Steve Lipman recalls an anecdote Baranski often repeated: “’Why do you, a Christian, help Jews?’ Uncle Tibor told me the Nazis asked him. ‘You are either silly or an idiot,’ he would answer. ‘It is because I am a Christian that I help the Jews.’”
For Dershowitz, who is based in Los Angeles, one of the goals of the murals — and his organization at large — is fighting antisemitism through education about Israel and the Holocaust. By making the art public and accessible, Dershowitz hopes people of all backgrounds will enjoy the art, and learn from it.
“These murals are very much for everyone to enjoy,” he said. “For the most part, they’re not geared towards the Jewish community as much as they’re geared towards a younger demographic, regardless of their religion or cultural heritage.”
Since its foundation in 2009, Artists 4 Israel’s principal mission has been to bring diverse groups of graffiti, street and mural artists to Israel to create projects that “benefit people in a direct, on-the-ground way,” such as painting murals in hospitals, bomb shelters and army bases. The organization has worked with more than 5,000 professional and amateur artists from 32 countries around the world, according to its website.
“When [the artists] come back [from Israel], they’re able to talk about the country and they’re able to speak about the Jewish people and be a window into the reality of Israel in the Middle East to their millions of followers,” Dershowitz explained.
In 2020, when COVID-19 arrived and international travel halted, the organization switched gears and started bringing their advocacy to cities around the world with the “Righteous Among the Nations” project.
For the artist Romero, the work has been especially gratifying. The 44 year-old artist has been involved with Artists 4 Israel since its inception and has visited Israel three times, painting murals for battered women’s shelters, community shelters and army bases.
“I’m creating art with purpose, which is beautiful. I’m also creating a dialogue. There’s a conversation,” Romero said. “This is one of those murals that touches home and it makes you really feel good. It is art that just separates itself from a lot of the noise out there.”
Painted over the course of two days, the mural will remain on the downtown corner for the next nine months.
At the unveiling party last month, which included a performance by singer Neshama Carlebach and blessings led by Rabbi Menachem Creditor, Baranski’s son Tibor Jr. retold his father’s story and emphasized the strong Catholic faith that guided him.
“Tibor Baranski was the merger of intellect and faith,” said his son, who drove from Buffalo for the event. “My father’s deeply held belief in God was uncompromising. It was the core driver in his saving thousands of innocent Jewish lives in 1944 in Nazi-occupied Hungary.”
“I will quote my father since his words captured the essence of our Catholic faith and what this mural that Fernando painted commemorating him represents: ‘Love each other, love each other sincerely. God is love. Love destroys hatred,’” he added.
—
The post A new mural in Nolita celebrates a Holocaust rescuer appeared first on Jewish Telegraphic Agency.
Uncategorized
U2’s New EP References Holocaust, Hitler, Women’s Rights Protests in Iran, Deceased Palestinian Activist
The Irish rock band U2. Photo: BANG Showbiz
The Irish rock band U2 released an EP on Wednesday titled “Days of Ash” that addresses a wide range of topics, including the “Women, Life, Freedom” uprising in Iran, the Holocaust, the killing of a Palestinian activist, ICE raids in the United States, and the Russia-Ukraine war.
“Days of Ash,” which was released on Ash Wednesday and is now available on all streaming platforms, is the first time U2 is releasing a collection of new music since 2017. The EP features five new tracks – “American Obituary,” “The Tears Of Things,” “Song Of The Future,” “One Life At A Time,” and “Yours Eternally” (ft. Ed Sheeran & Taras Topolia) – and the recitation of the poem “Wildpeace,” written by Israeli poet Yehuda Amichai. The poem is read on the EP by Nigerian artist Adeola Fayehun. It begins with the following lines: “Not the peace of a ceasefire / not even the vision of the wolf and the lamb / but rather as in the heart when the excitement is over / and you can talk only about a great weariness.”
In a new interview with the U2 fanzine “Propaganda,” which is being relaunched as a one-off digital zine to accompany the new EP, lead singer Bono talked about the music referencing Nazi leader Adolf Hitler, concerns about antisemitism, his condemnation of the Hamas-led terrorist attack in southern Israel on Oct. 7, 2023, and his criticism of Israeli Prime Minister Benjamin Netanyahu for how he is managing the Israel-Hamas war.
The title for “The Tears of Things” is a reference to the 2025 book by Richard Rohr titled The Tears of Things: Prophetic Wisdom for an Age of Outrage. The book is about the Jewish prophets and imagines a conversation between Italian sculptor and artist Michelangelo and his marble statue of the Bible’s King David.
“If you put a man into a cage and rattle it long enough/A man becomes the kind of rage that cannot be locked up … The tears of things/Let the desert be unfrozen,” Bono sings in the track. He also sings about “six million voices silenced in just four years,” which is a reference to the six million people killed in the Holocaust. Bono told “Propaganda” the same song includes a reference to a true story about Mussolini and Hitler meeting. Hitler’s name in the song is replaced by the word “shadow,” Bono explained.
“Mussolini came to see me/A shadow by his side,” Bono sings. “Church bells ring, a vanishing/Then the vanishing denied/Six million voices silenced in just four years/The silent song of Christendom/So loud everybody hears.”
The track concludes with the lyrics: “River, sea and mountain/Desert, dust and snow/Everybody is my people/Let my people go.”
Bono told “Propaganda” it is “the moral force of Judaism that helped shape Western civilization.”
“Some of my favorite bits … some of the greatest hits of Western civilization … were gifted to us by brilliant Jewish minds … mathematicians, scientists … writers … not to mention singwriters,” added the singer-songwriter, who said he comes from a “Judeo-Christian tradition.”
“There has never been a moment when we have needed the moral force of Judaism more than right now,” he explained. “And yet, it has rarely in modern times been under such a siege. From where I stand, as a person with a limited view, Judaism, one of the great and noble religions, is being slandered by far-right fundamentalists from within its own community … I could argue the same about Christianity or Islam.”
Antisemitism “has been a scourge for millennia,” and “was rising long before Oct. 7 and the resulting war in Gaza,” Bono said. “As with Islamophobia, antisemitism must be countered every time we witness it. The rape, murder, and abduction of Israelis on Oct. 7 was evil, but self-defense is no defense for the sweeping brutality of Netanyahu’s response,” he continued.
The musician also talked about how the Israel-Hamas war has resulted in “deep knock-on effects for the Jewish diaspora and their safety … As if all Jews are to blame for the actions of Netanyahu, Smotrich, and Ben Gvir.” He was referring to Israel’s Finance Minister Bezalel Smotrich and National Security Minister Itamar Ben Gvir.
When asked later on in the interview about criticism he has faced, especially in Ireland, for not speaking out enough against the conflict in Gaza, Bono said, “I’ve written on Israel and Gaza, but in terms of actions I’ve been focused on the things I know more about.”
Bono also told “Propaganda” that the song “One Life at a Time” on the new EP is inspired by Palestinian activist and filmmaker Awdah Hathaleen, whose was killed last year by an extremist Israeli settler in the West Bank. Hathaleen was featured in the Oscar-winning documentary “No Other Land,” which focuses on Israel’s demolition of Palestinian homes in the West Bank village of Masafer Yatta and criticizes Israel’s military actions. The lyrics of “One Life at a Time” do not reference Hathaleen by name, but the band’s lyric video for the track features a picture of Hathaleen’s face, as well as image of Israel’s West Bank security barrier and the Dome of the Rock.
“Song of the Future” honors the 2022 Women, Life, Freedom movement and uprising in Iran as well as the protesters killed, including 16-year-old Iranian Sarina Esmailzadeh, who was beaten to death by Iranian security forces. Esmailzadeh is the “star of our song,” Bono told “Propaganda.”
“This new EP is a response to current events, inspired by the many extraordinary and courageous people fighting on the frontlines of freedom,” U2 said. “Four of the five tracks are about individuals – a mother, a father, a teenage girl whose lives were brutally cut short – and a soldier who’d rather be singing but is ready to die for the freedom of his country.”
The first track of the EP, “American Obituary,” is dedicated to Renee Good, a mother of three and protester who was fatally shot on Jan. 7 in Minneapolis, Minnesota, by a US Immigration and Customs Enforcement (ICE) agent during a protest.
The track “Yours Eternally” is about the war in Ukraine.
Uncategorized
Jewish Peoplehood Shouldn’t Be Up for Debate
Thousands of participants and spectators are gathering along Fifth Avenue to express support for Israel during the 59th Annual Israel Day Parade in NYC, on June 2, 2024. Photo: Melissa Bender via Reuters Connect
The world’s largest association of psychologists is currently debating whether Jews are allowed to describe themselves as a people.
As crazy as that sounds, this is not a joke. It is a controversy unfolding right now among members of the American Psychological Association (APA), as a group of Jewish psychologists has sought recognition similar to that enjoyed by other ethnic minority groups within the association. The APA’s governing council is set to vote on this question imminently. What should have been an uncontroversial measure has instead become an argument over identity itself — one that reveals a deeper problem in how discrimination is understood today.
We are two Jewish women who have direct, personal experiences with antisemitism, and whose families historically have been discriminated against simply because they were Jewish. Our families’ and our own experiences, as Jews who faced persecution and as advocates for other vulnerable communities, make it especially painful to see our Jewish identities and need for representation and protection questioned in this way.
The opponents from ethnic caucuses within the APA that already have formal representation argued that Jews are a “majority white” population and therefore do not need such recognition. They asserted that Jewish identity is only religious, not ethnic; that antisemitism is not a distinct concern; and that acknowledging Jewish peoplehood would somehow undermine efforts to confront white supremacy.
At a time when antisemitism has reached historic levels in the US and globally, these claims are not only deeply concerning but also evidence of a larger pattern of discrimination in professional and academic organizations and labor unions.
Like any ethnic or religious minority, Jews should not have to justify their existence to others. No one should be told that their identity is somehow invalid because it does not fit neatly into racial categories or prevailing political narratives. Yet that is precisely what is happening here.
Jewish identity has always been multifaceted, encompassing ancestry, culture, history, and, for some, religion. Jews today include families from the Middle East and North Africa, Ethiopia, Europe, and the Americas, observant and secular alike. But the specifics matter less than the principle: In every other context, communities are trusted to define their own lived experience and identity. Here, that authority is being claimed by those outside the community, ironically, inside a profession dedicated to compassionate and nuanced understanding of identity and trauma.
To understand why this moment is so troubling, one must understand something distinctive about antisemitism: It adapts to the assumptions of the era.
At times throughout our history Jews were persecuted as a religious group, forced to convert, be expelled, or be killed. At others, we were targeted as a race, culminating in Nazi racist ideology used to justify the extermination of 6 million Jews. One of our aunts (Eveline Shekhman’s), Rocha Vilenski, was forcibly transported from the Kovno ghetto in Lithuania to Stutthof and then Auschwitz. Her transport papers listed “Jude” as her race, a clear marker that she was not considered “white.”
In other periods Jews have been accused of being foreigners, disloyal to their countries of origin. And sometimes, even simultaneously, Jews are painted as the ultimate insiders, wielding outsized power to manipulate society in pursuit of some untoward end. The accusations are rarely consistent, but they do paint a pattern: Jews are blamed for whatever is most feared or condemned in society at that particular moment.
Today, in some spaces, the prevailing narrative is that Jews are overly powerful, privileged, and white. From there flows a natural conclusion: that Jews cannot meaningfully experience discrimination and therefore require no specific protections.
The logic is familiar even if the language is new.
A prejudice that changes form to match prevailing moral categories is harder to recognize. But that does not make it any less real — only adaptable. Indeed, antisemitism’s shapeshifting nature is part of what makes it so pernicious and difficult to combat.
Psychologists help shape how institutions recognize bias, how patients’ experiences are interpreted, and how discrimination is measured across society. When a field responsible for understanding prejudice treats a community’s lived experience as a definitional debate, protection becomes conditional on whether the group fits an approved framework. Such a dynamic is anathema to the discipline of psychology.
At a moment when confidence in expert institutions is fragile, credibility depends on applying principles morally, and consistently. Members of the APA Council have an opportunity to reaffirm a simple principle: Communities deserve the same respect for self-definition that psychology teaches in every other context.
Sara Colb is Director of Advocacy at the Anti-Defamation League. Eveline Shekhman is Chief Executive Officer of AJMA, The American Jewish Medical Association.
Uncategorized
New Location of London Bakery Founded by Israeli Vandalized With Anti-Israel, ‘Free Gaza’ Graffiti
April 4, 2025, London, England, United Kingdom: Exterior view of a Gail’s bakery in Covent Garden. Photo: ZUMA Press Wire via Reuters Connect
A newly opened London branch of a popular bakery founded by an Israeli baker was vandalized on Wednesday night with anti-Israel graffiti as the chain was accused of funding “Israeli tech.”
Photos and videos shared on social media show that the new Gail’s Bakery location, which opened this week near the tube station in the Archway neighborhood, had splattered red paint on its walls and graffiti that read “Free Gaza,” along with another message that said “Boycott Gail’s Funds Israeli Tech.”
More thuggery from so-called activists.
Pro-Palestine thugs have vandalised the newest Gail’s branch in Archway.
Targeting businesses with Jewish roots belongs in the dustbin of history.@MetPoliceUK must ensure the perpetrators face consequences.pic.twitter.com/vZ8Au7cgHv
— Campaign Against Antisemitism (@antisemitism) February 19, 2026
Police were called to the scene on Wednesday night, but the vandals had fled before officers arrived, according to a spokesperson for the Metropolitan Police.
“Our bakeries are places for the community, and no one – whether that’s our bakery teams or our customers – should feel targeted or unsafe,” a spokesperson for Gail’s told The Algemeiner following the vandalism. “We are a British business with no specific connections to any country or government outside the UK. Our focus right now is on working with the authorities and making sure our people feel safe and supported.”
An anti-Israel demonstration also took place at the same Gail’s location this week, according to multiple reports. Videos online show protesters standing outside Gail’s holding signs including a massive banner that said, “Boycott Israel for Genocide and War Crimes in Gaza.” Another sign held by a protester read “No to Gail’s” and accused the American investment firm Bain Capital, which acquired a majority stake in Gail’s parent company Bread Holdings in 2021, of having “links to Israeli war-tech.”
First the vandals, then the harassment. Another scene today at Gail’s in Archway, London, the city that we all know is a “shining beacon of hope” where “everyone is loved and wanted”. pic.twitter.com/zd25zMucqR
— habibi (@habibi_uk) February 19, 2026
Bain Capital was among the more than 200 venture capital funds that signed an open letter in support of Israel following the Hamas-led massacre in southern Israel on Oct. 7, 2023. The company has investments in Israel, including in cybersecurity, artificial intelligence, and software companies. In October 2025, CTech reported that Bain Capital had invested more than $150 million into Israeli companies over the past year.
Gail’s was founded by Israeli baker Gail Mejia in the 1990s and serves freshly handmade bread, pastries, and cakes. Its first store opened in 2005 in London’s Hampstead High Street with the help of Israeli entrepreneur Ran Avidan, and today, there are hundreds of locations in and around London. Gail’s was voted the best bakery chain in Britain last year. Meija and Avidan no longer have any involvement in the company.
The European Jewish Congress condemned the “deeply concerning” anti-Israel graffiti found on Gail’s Bakery. “Targeting a local business because of perceived Jewish or Israeli associations reflects a troubling normalization of hostility that must be firmly rejected,” the EJC wrote in a post on X. “Such acts have no place in our societies and must be unequivocally condemned.”
In a statement given to The Algemeiner, the Campaign Against Antisemitism called on London’s Metropolitan Police to ensure those responsible for the vandalism are punished for their actions.
Last summer, hundreds of people signed a petition criticizing the opening of a Gail’s in east London and several of them said they opposed the new location because of the bakery’s “Zionist” ties, according to The Jewish Chronicle. In a statement released to The Guardian at the time, the company reiterated that it is “a UK-based business with no specific connections to any country or government outside of the UK and does not fund Israel.”
In an interview with The Times in 2024, Gail’s co-founder and CEO Tom Molnar denied the “ludicrous” accusations that the company is owned by Israel or funds the Jewish state.
“Gail’s proudly has Jewish roots and there’s plenty of stuff out there celebrating our heritage and history, but it’s not true it’s Israel-owned,” he said. “There’s some just crazy stuff on the web thinking we are funding Israel, which is just completely ridiculous. We’re a wholly UK-based business, paying UK taxes, it’s just ludicrous and I think it needs to be called out.”