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A new mural in Nolita celebrates a Holocaust rescuer
(New York Jewish Week) — In the heavily trafficked neighborhood of Nolita, a larger-than-life mural has popped up on the corner of Spring St. and Elizabeth St. Bright orange and pink paint spell out the words “Saved 3,000 Jewish Lives” next to a black and white portrait of Holocaust rescuer Tibor Baranski.
The mural, an art piece designed to combat hate and spark conversation, is the brainchild of “Artists 4 Israel,” a non-profit organization that aims to “prevent the spread of antisemitic and anti-Israel bigotry by helping to heal communities that have been affected by hate through art,” according to its CEO and co-founder Craig Dershowitz.
“Our rallying cry is art over hate,” Dershowitz said. Baranski’s portrait, painted by Fernando “SKI” Romero, a renowned graffiti artist based in Queens, is part of the organization’s “Righteous Among the Nations Global Mural Project.” It aims to establish a network of murals painted in cities around the world that feature other “Righteous Among the Nations” members who helped save Jews during the Holocaust.
“His story was beautiful and it really touched me,” Romero, who is Dominican, said of Baranski, who collaborated with Artists 4 Israel on deciding whom to feature in the New York mural. “The want to paint something came very easily with something so selfless.”
The Baranski mural in Nolita is the third installment of the mural project; eventually there will be 10 murals around the world, said Dershowitz. Each subject is given a mural in their home state or country where they aided Jews: In Portugal, a mural of Aristides de Sousa Mendes, a diplomat who helped arrange passports for Jews has become a popular tour bus stop. In Greece, a mural of Mayor Loukas Karrer and Archbishop Dimitrios Chrysostomos led to national media coverage.
Though Baranski was Hungarian, he lived in Buffalo, New York for nearly six decades and felt at home in New York, which is why the Artists 4 Israel chose him for the mural in Manhattan.
In 1944, Baranski was 22 and studying to become a Catholic priest in Slovakia when the Russian Army invaded and he was forced to return to Budapest, where he grew up.
He never returned to the seminary, and abandoned his dream of becoming a priest. Instead, he dedicated the next years of his life to orchestrating the escape of more than 3,000 Hungarian Jews from the Holocaust.
After arriving in Budapest, Baranski headed to the Vatican embassy residence of the Papal Nuncio Angelo Rotta, where a long line of people were requesting help. The Vatican embassies in Switzerland, Sweden, Spain and Portugal were some of the only places where Jews and other refugees were able to secure letters of protection and necessary documents to leave their countries.
Carol Romeo, who said her family survived the Holocaust, pauses to touch the mural of Holocaust rescuer Tibor Baranski created by Fernando “SKI” Romero, a Dominican-American artist born and raised in Queens. “I never knew he existed,” she said of Baranski. “And he lived here in New York. Everyone should know his story.” (CAM and Artists4Israel)
Pretending to be a priest, Baranski managed to arrange a meeting with Rotta, where he secured documents for a Jewish family he knew. As the story goes, Rotta soon recruited Baranski to help organize protection letters, baptismal certificates and immigration certificates for Jews trying to escape Hungary. He also helped coordinate food and housing for the escapees. Over the next two months, Baranski saved 3,000 Jewish lives, according to official records — though his sons have said he believes the number was closer to 15,000.
After the war, Baranski was imprisoned by the Soviet army for five years for his anti-communist beliefs. He became a freedom fighter during the Hungarian Revolution of 1956 before moving to Rome to start a refugee camp with his wife Katalin.
Eventually the couple moved to Canada and then settled in Buffalo, where they were active members of the community and raised their three children, Tibor Jr., Kati and Peter.
Baranski, who died in 2019, was recognized by Yad Vashem as a Righteous Among the Nations in 1979, and was appointed by President Jimmy Carter to the U.S. Holocaust Memorial Council.
In an obituary in the New York Jewish Week, writer and close friend of Baranski’s Steve Lipman recalls an anecdote Baranski often repeated: “’Why do you, a Christian, help Jews?’ Uncle Tibor told me the Nazis asked him. ‘You are either silly or an idiot,’ he would answer. ‘It is because I am a Christian that I help the Jews.’”
For Dershowitz, who is based in Los Angeles, one of the goals of the murals — and his organization at large — is fighting antisemitism through education about Israel and the Holocaust. By making the art public and accessible, Dershowitz hopes people of all backgrounds will enjoy the art, and learn from it.
“These murals are very much for everyone to enjoy,” he said. “For the most part, they’re not geared towards the Jewish community as much as they’re geared towards a younger demographic, regardless of their religion or cultural heritage.”
Since its foundation in 2009, Artists 4 Israel’s principal mission has been to bring diverse groups of graffiti, street and mural artists to Israel to create projects that “benefit people in a direct, on-the-ground way,” such as painting murals in hospitals, bomb shelters and army bases. The organization has worked with more than 5,000 professional and amateur artists from 32 countries around the world, according to its website.
“When [the artists] come back [from Israel], they’re able to talk about the country and they’re able to speak about the Jewish people and be a window into the reality of Israel in the Middle East to their millions of followers,” Dershowitz explained.
In 2020, when COVID-19 arrived and international travel halted, the organization switched gears and started bringing their advocacy to cities around the world with the “Righteous Among the Nations” project.
For the artist Romero, the work has been especially gratifying. The 44 year-old artist has been involved with Artists 4 Israel since its inception and has visited Israel three times, painting murals for battered women’s shelters, community shelters and army bases.
“I’m creating art with purpose, which is beautiful. I’m also creating a dialogue. There’s a conversation,” Romero said. “This is one of those murals that touches home and it makes you really feel good. It is art that just separates itself from a lot of the noise out there.”
Painted over the course of two days, the mural will remain on the downtown corner for the next nine months.
At the unveiling party last month, which included a performance by singer Neshama Carlebach and blessings led by Rabbi Menachem Creditor, Baranski’s son Tibor Jr. retold his father’s story and emphasized the strong Catholic faith that guided him.
“Tibor Baranski was the merger of intellect and faith,” said his son, who drove from Buffalo for the event. “My father’s deeply held belief in God was uncompromising. It was the core driver in his saving thousands of innocent Jewish lives in 1944 in Nazi-occupied Hungary.”
“I will quote my father since his words captured the essence of our Catholic faith and what this mural that Fernando painted commemorating him represents: ‘Love each other, love each other sincerely. God is love. Love destroys hatred,’” he added.
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The post A new mural in Nolita celebrates a Holocaust rescuer appeared first on Jewish Telegraphic Agency.
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New York Jews Don’t Need Rhetoric; They Need Equal Justice Under the Law
Zohran Mamdani is sworn in as mayor of New York City at Old City Hall Station, New York, US, Jan. 1, 2026. Photo: Amir Hamja/Pool via REUTERS
New York City’s new antisemitism czar, Phylisa Wisdom, has introduced herself with the language of inclusion: “expanding the communal table,” “pulling up additional chairs,” convening stakeholders, listening and learning.
But New York Jews do not need metaphors. They need clarity. They need enforcement. They need a city government willing to name antisemitism plainly and confront it without evasions — because the issue at stake is not communal symbolism. It is the most basic obligation of a liberal democracy: equal justice under the law.
Antisemitism in New York is not an abstract dialogue problem. It is not a misunderstanding that can be resolved through facilitated conversation. It is a civic emergency: assaults on visibly Jewish New Yorkers, threats against synagogues, harassment on public transit, and a permissive ideological environment — especially in elite progressive spaces — that treats Jewish identity as uniquely suspect.
The numbers alone should end any confusion. In 2025, the NYPD recorded 330 antisemitic hate crimes in New York City — more than all other bias categories combined, representing roughly 57 percent of all reported hate crimes. Jews make up about 10 percent of the city’s population but are targeted far more often than any other group. No other minority in New York is attacked so disproportionately and no other hatred is so often explained away.
And the crisis is accelerating. In January 2026 — Mayor Zohran Mamdani’s first month in office — the NYPD recorded 31 antisemitic hate crimes, a 182 percent increase over January 2025. Jews were targeted, on average, once per day.
And the threat is not theoretical.
Orthodox Jews have been punched, kicked, and harassed in broad daylight simply for looking Jewish — attacked on sidewalks, on buses, and in subway stations. New Yorkers have watched video after video of Jews being targeted in the one city that claims, more than any other, to be a capital of pluralism.
On January 28, 2026, a car was deliberately rammed into the Chabad–Lubavitch World Headquarters at 770 Eastern Parkway in Crown Heights, one of the most significant Jewish religious sites in the city. The driver was arrested at the scene and charged with multiple hate crimes; security was increased around Jewish institutions across the city in its aftermath. No one was killed. But the message was unmistakable: even the most iconic Jewish spaces in New York are targets.
This is the environment the city’s antisemitism office must confront. Yet so far, the public has been offered almost nothing beyond process language: listening tours, bridge-building, stakeholder engagement.
That is not strategy. That is atmosphere.
And it raises a deeper concern: the modern “czar” is often less a leader than a buffer — a bureaucratic layer designed to absorb outrage, issue statements, and manage optics while avoiding the harder institutional decisions that real enforcement requires. Cities appoint “czars” when they want to signal seriousness without exercising it.
The first question for any antisemitism czar is not: How many chairs are at the table? It is: What counts as antisemitism?
If the office cannot answer that, it cannot enforce anything. It cannot uphold the law. It cannot even speak honestly about what is happening.
But this question is not hypothetical. On his first day in office, Mayor Mamdani revoked the city’s adoption of the International Holocaust Remembrance Alliance (IHRA) working definition of antisemitism — the most widely adopted definitional framework for identifying when anti-Israel activism crosses into anti-Jewish hatred through demonization, double standards, or delegitimization. The definition has been adopted by over 1,200 entities worldwide, including 46 countries. And Wisdom herself has signaled agreement with Mamdani’s decision to discard it.
Without such a standard, the office is left without a diagnostic instrument. And the questions it must answer remain urgent:
Is “Globalize the Intifada” antisemitic? Is calling Zionists Nazis antisemitic? Is telling Jewish students they are foreign colonizers unless they renounce Israel antisemitic? Is treating the world’s only Jewish state as uniquely illegitimate antisemitic?
These are not academic puzzles. They are the daily realities of Jewish life in New York’s institutions.
To be clear: criticism of Israeli policy is legitimate in a free society. But the targeting of Jews as Jews — or the delegitimization of Jewish national existence — is not. A city that cannot draw that line is not combating antisemitism. It is managing it.
And here is the central danger of this moment: antisemitism is increasingly laundered through the language of justice. It does not always arrive wearing a swastika. It often arrives wearing the idiom of liberation, insisting that it cannot possibly be antisemitic because it locates itself on the “right side of history.” The most corrosive antisemitism today is the kind that insists it is morally impossible.
This is why definitional clarity matters.
The Jewish community has watched, again and again, as institutions respond swiftly to some forms of hatred while proceduralizing antisemitism into ambiguity. The result is moral incoherence: Jews are told they are protected, but only so long as they do not name what is happening too clearly.
That pattern is now visible on New York’s campuses.
At Columbia University, protest activity during the Gaza war escalated into harassment and intimidation so severe that a campus rabbi publicly warned Jewish students to leave campus for their own safety. That is not “difficult dialogue.” That is exclusion and fear, unfolding at one of America’s most prestigious universities.
Similar dynamics have appeared across parts of the CUNY system and other New York campuses: ideological litmus tests, demonization of Zionism as racism, and a climate in which Jewish students are told — implicitly or explicitly — that full belonging requires political renunciation.
A city serious about antisemitism cannot treat this as a mere communications challenge. It must confront the ideological ecosystem that makes antisemitism socially permissible again, especially among the educated classes.
There is also a basic credibility test. The Mamdani administration has repeatedly elevated figures who have trafficked in extremist rhetoric. His initial director of appointments, Catherine Almonte Da Costa, resigned within 24 hours after posts surfaced in which she wrote about “money hungry Jews.” A transition adviser, Hassaan Chaudhary, was flagged for calling Israel a “barbaric” nation. Another appointee, Alvaro Lopez, described people tearing down Israeli hostage posters as “heroes.” The previous head of the Office to Combat Antisemitism, Rabbi Moshe Davis, was abruptly fired and replaced with Wisdom; he told reporters he believes the administration found his identity as a “proud Zionist” incompatible with its direction. And Tamika Mallory — forced out of the Women’s March for lionizing Louis Farrakhan and reportedly claiming Jews bore responsibility for the exploitation of Black Americans — was appointed to Mamdani’s Committee on Community Safety.
And just this week, a New York City Health Department staffer, Achmat Akkad, was exposed for posting that “1 Israeli left in this world would be one too many!” and that “Jews that don’t support apartheid are safe. Zionists aren’t!” This from a city employee tasked with community engagement. It follows revelations that the city’s Health Department convened a “Global Oppression Working Group” that accused Israel of genocide while making no mention of Hamas’s October 7 attack.
The pattern is not incidental. It reflects an administration in which hostility toward Israel — and, increasingly, toward Jews who support or identify with Israel — is a background condition of employment rather than a disqualifying one. An administration that cannot vet its own staff for eliminationist rhetoric cannot plausibly present itself as the guardian against antisemitism.
New York does not need symbolic appointments designed to manage headlines. It needs leadership willing to draw bright lines — in hiring, in public language, and in enforcement — and to say clearly that those who flirt with eliminationist slogans have no place in city government.
New Yorkers do not need another figurative office. They need measurable commitments: a clear definition, explicit condemnation of eliminationist rhetoric, coordination with law enforcement and the Department of Education, and regular public reporting of incidents and prosecutions. Equal justice is not a metaphor. It is a duty.
Because antisemitism is not defeated through convenings.
It is defeated through moral seriousness: clear definitions, institutional backbone, consistent enforcement, and the courage to confront hatred even when it comes from one’s political allies.
That last part is crucial.
The most urgent antisemitism crisis in New York today is not a fringe rally in a distant borough. It is the normalization of anti-Jewish ideas inside the very institutions that claim the mantle of justice: universities, activist coalitions, cultural organizations, and parts of the political left that have decided that Jews — or at least Zionist Jews — are fair game.
If an antisemitism czar cannot confront that reality, then the office is emblematic by design and functionally useless.
New York City is the largest Jewish city in the world outside Israel. It should be setting the national standard for confronting antisemitism with seriousness and resolve.
Instead, it is offering rhetoric. The task is not to expand the table. The task is to ensure that Jewish New Yorkers receive what every citizen is owed in a constitutional republic: equal justice under the law.
A city that cannot define antisemitism cannot fight it — and a city that cannot fight it is telling its Jews that equal justice is no longer guaranteed.
Samuel J. Abrams is a professor of politics at Sarah Lawrence College and a senior fellow at the American Enterprise Institute.
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How We Should Respond to Attacks Against Jews: Be Ready to Respond with Strength
Arsonists heavily damaged the Adass Israel Synagogue in Melbourne, Australia, on Dec. 6, 2024. Photo: Screenshot
Two Jewish men in California were recently attacked after being heard speaking Hebrew. A normal conversation in a native language suddenly became the trigger for violence.
For Jews, Hebrew carries far more than vocabulary. It holds memory, culture, prayer, and identity. It connects Jewish life today with thousands of years of history. When someone is attacked for speaking Hebrew, the attack is not about language. It is about the people speaking it.
I speak Hebrew every day. It is the language I grew up with and the language I use with my children. I speak it with friends and with members of the community. I do not lower my voice when I speak it in public spaces. Cultures survive because people carry them openly. A language that endured exile and persecution did not survive because Jews whispered it.
At the same time, reality requires clarity.
Jewish identity has again become visible in ways that sometimes attract hostility. Under those conditions, preparation is a responsibility.
I have been attacked more than once in my life. Those encounters did not end in tragedy because I had the ability to respond without losing control of the situation. Training changes how people behave under pressure. It allows a person to stay present and act with purpose.
That is the role of self defense training. It is one of the most basic life skills a person can develop. A person learns to swim in case they fall into deep water. A person learns to respond to medical emergencies in case someone collapses in front of them. Learning how to protect yourself serves the same purpose.
Jewish history has long understood this.
During the 1930s, Jewish communities in Europe faced violent attacks in the streets. Jewish athletes and community leaders began developing practical ways to defend themselves. Those efforts eventually became the foundation of Krav Maga, a system built to help ordinary people survive dangerous encounters.
The philosophy behind Krav Maga is straightforward. Avoid violence when possible. Respond decisively if violence becomes unavoidable. Return home safely.
Training produces another important effect that many people overlook. Individuals who feel capable of defending themselves often behave more calmly during confrontation. Awareness replaces panic. Confidence replaces impulsive reactions.
People who know how to fight often avoid fights.
My own willingness to protect myself and the people around me makes it harder to drag me into violence. Preparation allows restraint. The ability to act gives a person the freedom to choose when not to act.
Preparation is far safer than improvisation.
Jewish tradition often speaks about compassion and responsibility for others. These values are sometimes described as speaking the language of love. If we speak the language of love, we must also be able to speak the language of strength.
Strength protects the values that communities hold dear. Self-defense begins with protecting oneself, but it quickly expands to protecting family, friends, and neighbors. I cannot imagine watching another Jew or someone I love being attacked and doing nothing. That instinct is not about heroism. It is about responsibility.
Courage in those moments rarely comes from fearlessness. It comes from understanding that action and inaction both carry consequences.
Fear exists in those moments. I feel it when I see attacks like the one that happened in California. I think about my children. I think about Jewish communities that once believed they were fully secure in the societies around them.
What motivates me is not the absence of fear. It is the awareness that silence and hesitation often carry a higher cost over time.
For my children and for the Jewish community around them, shrinking our identity is not an option. Jews should be able to walk through any city and speak Hebrew freely.
Preparation makes that possible.
Self-defense does not encourage violence. It allows people to live openly without surrendering their dignity.
Speaking Hebrew should never require courage.
Until that reality exists everywhere, Jews must remain ready to protect what they love.
Do something amazing.
Tsahi Shemesh is an Israeli-American IDF veteran and the founder of Krav Maga Experts in NYC. A father and educator, he writes about Jewish identity, resilience, moral courage, and the ethics of strength in a time of rising antisemitism.
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I’m going to miss the ‘Marty Supreme’ press tour
Lately, the internet hasn’t been able to stop talking about Timothée Chalamet. First, an account clipped a dismissive statement he made during a town hall event about opera and ballet. The next was a video of him, in China, playing an elderly woman in ping-pong. Then, there was a clip of him serving tofu from a street stand using a ping-pong paddle.
All of these moments were absurd elements of his press tour for Marty Supreme. And every piece of this has been so fitting for Chalamet’s louche and chaotic ping-pong star, Marty Mauser that it almost feels as though he is still doing some sort of Method acting.
Fittingly, a lot of this press tour has made people mad.
Take the opera and ballet comment, in which Chalamet said that “no one cares” about those art forms. In context, he was stating an objectively true fact — indeed, opera and ballet are not popular mass entertainment. Out of context, however, he sounded like an anti-intellectual who hates the fine arts. Yes, Chalamet, who went to the renowned Manhattan performing arts school LaGuardia, and who comes from a family steeped in ballet.
“I’m just taking shots for no reason,” he laughed after dissing ballet.
This kicked off a truly absurd news cycle in which operas and ballets across the country projected “We Care” across their stages in response to Chalamet’s comments, used his name as a discount code for tickets to their performances or otherwise threw shade.
As this was unfolding, Chalamet was ignoring the drama to focus on what really matters. Which is to say he was in China playing ping-pong against elderly people who seemed to generally be kicking his ass. People presented him with gifts emblazoned with “Sweet Tea,” his nickname in China. In honor of that nickname, he drank some sweet tea. He cut tofu with a ping-pong paddle.
It’s just so pitch perfect. Mauser, in the movie, is charming, yes, but wildly arrogant. He also leaves a trail of injuries — both physical and emotional — in his wake all in the name of pursuing greatness. Chalamet is pursuing an Oscar. Potato, po-tah-to.
This year, the complaints about the opera and ballet comment are not the only things that have plagued the Marty Supreme Oscars bid. The movie has been catching strays in the general discourse that has grown since Oct. 7, with a whole host of viral posts accusing the film, which is very Jewish in feel but makes basically no mention of Israel, of being Zionist propaganda.
One could rail against this, point out all the ways it is both stupid and antisemitic. Like that Marty is a fairly despicable character so as far as propaganda goes, it wouldn’t be very effective. Or that making a movie by and about Jews doesn’t mean anything about a movie’s political message. Have people totally lost the ability to watch and interpret movies? Maybe Jewish stories are in just as much trouble as opera and ballet, though obviously in a different way. They are so constantly read as a metaphor for or commentary on Israel that people can no longer appreciate them for their own merits.
Chalamet, however, has simply been ignoring the noise and having fun. The actor has become somewhat famous for his oddball press appearances. Before Marty Supreme even came out, he dropped a nearly 20-minute long surreal parody of his own marketing tour, in which he spent a video call pitching his team on ideas such as dyeing the Statue of Liberty orange.
It’s an unusual strategy in an era of constant statements, apologies and explanations. Whether or not it will be successful we will find out this weekend at the Academy Awards. It wasn’t last year, when he made sports predictions during his press tour for A Complete Unknown, the Bob Dylan biopic; Adrien Brody ultimately won for The Brutalist, a movie I still have not seen. (I want to, truly, but it is just so long.) Brody had a much more traditional press tour, giving interviews about the importance of his role, of the Holocaust, of art. He generally took himself very seriously in both his defense of his art, and of his Jewish identity and Jewish movie.
That’s all well and good, and probably appropriate for The Brutalist. But it’s far more fun to watch Chalamet play ping-pong against China’s elderly. And I think it’s a better way to handle the criticism, whether it’s about Zionism, Judaism or um, anti-opera-ism. Chalamet refuses to dignify his critics; he simply carries on enjoying himself. And I, for one, have enjoyed watching him do it. I’ll miss him when this press tour ends.
The post I’m going to miss the ‘Marty Supreme’ press tour appeared first on The Forward.
