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A new mural in Nolita celebrates a Holocaust rescuer
(New York Jewish Week) — In the heavily trafficked neighborhood of Nolita, a larger-than-life mural has popped up on the corner of Spring St. and Elizabeth St. Bright orange and pink paint spell out the words “Saved 3,000 Jewish Lives” next to a black and white portrait of Holocaust rescuer Tibor Baranski.
The mural, an art piece designed to combat hate and spark conversation, is the brainchild of “Artists 4 Israel,” a non-profit organization that aims to “prevent the spread of antisemitic and anti-Israel bigotry by helping to heal communities that have been affected by hate through art,” according to its CEO and co-founder Craig Dershowitz.
“Our rallying cry is art over hate,” Dershowitz said. Baranski’s portrait, painted by Fernando “SKI” Romero, a renowned graffiti artist based in Queens, is part of the organization’s “Righteous Among the Nations Global Mural Project.” It aims to establish a network of murals painted in cities around the world that feature other “Righteous Among the Nations” members who helped save Jews during the Holocaust.
“His story was beautiful and it really touched me,” Romero, who is Dominican, said of Baranski, who collaborated with Artists 4 Israel on deciding whom to feature in the New York mural. “The want to paint something came very easily with something so selfless.”
The Baranski mural in Nolita is the third installment of the mural project; eventually there will be 10 murals around the world, said Dershowitz. Each subject is given a mural in their home state or country where they aided Jews: In Portugal, a mural of Aristides de Sousa Mendes, a diplomat who helped arrange passports for Jews has become a popular tour bus stop. In Greece, a mural of Mayor Loukas Karrer and Archbishop Dimitrios Chrysostomos led to national media coverage.
Though Baranski was Hungarian, he lived in Buffalo, New York for nearly six decades and felt at home in New York, which is why the Artists 4 Israel chose him for the mural in Manhattan.
In 1944, Baranski was 22 and studying to become a Catholic priest in Slovakia when the Russian Army invaded and he was forced to return to Budapest, where he grew up.
He never returned to the seminary, and abandoned his dream of becoming a priest. Instead, he dedicated the next years of his life to orchestrating the escape of more than 3,000 Hungarian Jews from the Holocaust.
After arriving in Budapest, Baranski headed to the Vatican embassy residence of the Papal Nuncio Angelo Rotta, where a long line of people were requesting help. The Vatican embassies in Switzerland, Sweden, Spain and Portugal were some of the only places where Jews and other refugees were able to secure letters of protection and necessary documents to leave their countries.
Carol Romeo, who said her family survived the Holocaust, pauses to touch the mural of Holocaust rescuer Tibor Baranski created by Fernando “SKI” Romero, a Dominican-American artist born and raised in Queens. “I never knew he existed,” she said of Baranski. “And he lived here in New York. Everyone should know his story.” (CAM and Artists4Israel)
Pretending to be a priest, Baranski managed to arrange a meeting with Rotta, where he secured documents for a Jewish family he knew. As the story goes, Rotta soon recruited Baranski to help organize protection letters, baptismal certificates and immigration certificates for Jews trying to escape Hungary. He also helped coordinate food and housing for the escapees. Over the next two months, Baranski saved 3,000 Jewish lives, according to official records — though his sons have said he believes the number was closer to 15,000.
After the war, Baranski was imprisoned by the Soviet army for five years for his anti-communist beliefs. He became a freedom fighter during the Hungarian Revolution of 1956 before moving to Rome to start a refugee camp with his wife Katalin.
Eventually the couple moved to Canada and then settled in Buffalo, where they were active members of the community and raised their three children, Tibor Jr., Kati and Peter.
Baranski, who died in 2019, was recognized by Yad Vashem as a Righteous Among the Nations in 1979, and was appointed by President Jimmy Carter to the U.S. Holocaust Memorial Council.
In an obituary in the New York Jewish Week, writer and close friend of Baranski’s Steve Lipman recalls an anecdote Baranski often repeated: “’Why do you, a Christian, help Jews?’ Uncle Tibor told me the Nazis asked him. ‘You are either silly or an idiot,’ he would answer. ‘It is because I am a Christian that I help the Jews.’”
For Dershowitz, who is based in Los Angeles, one of the goals of the murals — and his organization at large — is fighting antisemitism through education about Israel and the Holocaust. By making the art public and accessible, Dershowitz hopes people of all backgrounds will enjoy the art, and learn from it.
“These murals are very much for everyone to enjoy,” he said. “For the most part, they’re not geared towards the Jewish community as much as they’re geared towards a younger demographic, regardless of their religion or cultural heritage.”
Since its foundation in 2009, Artists 4 Israel’s principal mission has been to bring diverse groups of graffiti, street and mural artists to Israel to create projects that “benefit people in a direct, on-the-ground way,” such as painting murals in hospitals, bomb shelters and army bases. The organization has worked with more than 5,000 professional and amateur artists from 32 countries around the world, according to its website.
“When [the artists] come back [from Israel], they’re able to talk about the country and they’re able to speak about the Jewish people and be a window into the reality of Israel in the Middle East to their millions of followers,” Dershowitz explained.
In 2020, when COVID-19 arrived and international travel halted, the organization switched gears and started bringing their advocacy to cities around the world with the “Righteous Among the Nations” project.
For the artist Romero, the work has been especially gratifying. The 44 year-old artist has been involved with Artists 4 Israel since its inception and has visited Israel three times, painting murals for battered women’s shelters, community shelters and army bases.
“I’m creating art with purpose, which is beautiful. I’m also creating a dialogue. There’s a conversation,” Romero said. “This is one of those murals that touches home and it makes you really feel good. It is art that just separates itself from a lot of the noise out there.”
Painted over the course of two days, the mural will remain on the downtown corner for the next nine months.
At the unveiling party last month, which included a performance by singer Neshama Carlebach and blessings led by Rabbi Menachem Creditor, Baranski’s son Tibor Jr. retold his father’s story and emphasized the strong Catholic faith that guided him.
“Tibor Baranski was the merger of intellect and faith,” said his son, who drove from Buffalo for the event. “My father’s deeply held belief in God was uncompromising. It was the core driver in his saving thousands of innocent Jewish lives in 1944 in Nazi-occupied Hungary.”
“I will quote my father since his words captured the essence of our Catholic faith and what this mural that Fernando painted commemorating him represents: ‘Love each other, love each other sincerely. God is love. Love destroys hatred,’” he added.
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The post A new mural in Nolita celebrates a Holocaust rescuer appeared first on Jewish Telegraphic Agency.
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Marking Israel’s most joyous day with anguish over the country’s future
As Israelis mark their 78th Independence Day, with Yom Ha’atzmaut beginning Tuesday evening, they face an imminent choice that cuts deeper than any single policy debate. The election that must be held by October will not be only about Iran, Hezbollah or the Palestinians — even though these issues are certainly huge. Instead, the heart of the matter is whether Israel is to remain a modern, civic state grounded in equal obligation — or whether it will slide toward a theocratic and hierarchical order in which religious authority shapes public life and the burdens of citizenship are no longer equitably shared.
Israel is by any measure a remarkable success. A small country under constant threat, it has built a dynamic economy, a powerful military, and a vibrant — if increasingly strained — democracy. Despite the past years’ wars, the per capita GDP, driven by a strong shekel, has roared past $60,000 a year, far higher than that of Germany, France or the United Kingdom.
But success can obscure underlying fractures. The wars that followed the catastrophe of Hamas’ Oct. 7, 2023 attack have upended and destroyed lives, and the burdens are not shared equally. At the same time, Prime Minister Benjamin Netanyahu’s assault on the judiciary and democratic institutions have created a devastating chasm between his remaining supporters and highly energized opponents.
But the thing that most animates opponents of the government — and every poll shows them in the majority — may be the special privileges accorded to Netanyahu’s Haredi partners, chief among them the continued draft exemption for tens of thousands of Haredi youth.
Anger over this imbalance has skyrocketed amid these years of war, which have left the Israel Defense Forces stretched perilously thin, with some Israelis serving reserve duty for more than half the year.
Three recent incidents have thrown the existential angst of this discrepancy into harsh relief.
Last week, four IDF servicewomen lit a barbecue on base on a Friday night after sundown. Within days, they were sentenced to two weeks in military prison, a sentence eventually reduced after public outcry.
Their infraction was framed not simply as a breach of discipline, but as “harming religion and Judaism.” It was Shabbat, and the act had offended the increasingly demanding religious guardians scattered throughout the military.
Around the same time, several young women finishing two years of IDF service were fined and brought before disciplinary proceedings for “immodest dress” on the very day of their discharge. Their transgression: wearing jeans and sleeveless tops as they celebrated their release, a tradition with considerable mileage for both genders. The military later acknowledged that the handling of the case deviated from its own regulations — but still docked a third of the women’s salaries.
And during the Jerusalem Marathon, held in heavy heat, male soldiers were permitted to run in shorts, while female soldiers were required to run in long pants, in line with modesty concessions that appear to have been meant to assuage city officials, many of whom are religious. The military at first issued untruthful denials, then promised an investigation. Avigdor Liberman, a leading opposition figure, condemned the order, saying that “anyone who thinks that a female soldier wearing shorts is a problem — is himself the problem.”
Sure, these are small stories. None, on their own, would define a country. But together, they tell a larger story that has become, in a national sense, the talk of the town.
It’s no coincidence that all feature women soldiers. These incidents are, in particular, an affront to a defining old story of modern Israel in which young sabra women were a point of pride. The fact that women served equally in the military, sometimes even in combat roles, set Israel clearly apart from its far less progressive Middle Eastern environs.
Now, increasingly, politicians from the religious right are starting to question whether women should serve at all — not out of any leniency, but out of a hyper-conservative notion of segregation of the genders under a religious patriarchy. It’s not exactly that Israel as a whole is moving in this direction — it is rather that the religious sector has grown brazen during the long years of Netanyahu’s coddling, especially since 2009.
All Israelis understand this. Many are scandalized. Most, I believe, are worried and unhappy. A growing minority, to be sure, is pleased. Most alarmingly, the fault lines on the issues of women’s service also align with people’s positions on the “bigger” issues. When women are increasingly subjected to one kind of double standard, and the Haredim benefit from another, questions of what kind of country Israelis are fighting for become harder to answer.
A sense that the Netanyahu government is committed to elevating the priorities of Haredim and ultranationalist but non-Haredi religious politicians has fueled anguish over this question. Many mainstream Israelis are starting to feel that the increasing effects of right-wing religious policies are making their lives impossible.
This issue — visceral though it is — is only the tip of the iceberg. A profound demographic crisis surrounding the Haredi population threatens Israel’s future. The Haredi birthrate currently comes to almost seven children per family, and the community — currently at a sixth of the population — is a serious economic drain, living on significant subsidies. As it continues to grow, the economic demands on non-Haredi Israelis of sustaining a community that does not contribute to communal defense and is seen as making exorbitant demands while contributing little will threaten the country’s continuation.
If the next government is a centrist-liberal one, it will have its hands full turning back the clock to a time when Israelis felt they could work toward a shared vision of their country’s future. Chief among the problems it will face is resolving this tension — a task that Netanyahu’s coddling of the Haredim has only made more difficult. On previous Independence Days, the atmosphere has been one of joy and hope. Not so now. Restoring optimism and unity to the country is not an impossible task, but it is one that will take laser focus and ferocious determination.
The post Marking Israel’s most joyous day with anguish over the country’s future appeared first on The Forward.
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Lena Dunham’s new memoir is the most millennial thing ever
Famesick
By Lena Dunham
Random House, 416 pages, $34
I’m still trying to figure out what to make of Lena Dunham’s new memoir, Famesick. It name-drops shamelessly; there are pointedly casual references to famous friends and acquaintances, and dishy gossip about others. It shares gory details about Dunham’s many, many hospital visits for endometriosis, broken bones, a hysterectomy and complications from Ehlers-Danlos syndrome. It is at times incredibly witty and sharply observed, at others self-pityingly indulgent.
But what I can say for sure is that it is the most aggressively millennial thing I’ve ever read.
Dunham is — to quote one of the most iconic lines from the first season of Girls, the show that launched her, at age 24, into the public eye — if not the voice of her generation, at least “a voice of a generation.” By now, we know which one.
This inspires conflicting feelings. I, myself, am a millennial woman, so reading Famesick feels nostalgic. I recognize myself in Dunham’s turns of phrase — the “disjointed prose poetry and abstract ideas of autonomy” that she posted online in her 20s — which is no accident given that I’m certain Girls, which came out when I was a sophomore in college, molded many of my thoughts of myself and my generation and what it meant to be a woman in the early 2010s.
But the subsequent, unending, vicious discourse — critics slamming Dunham, and the show, for being too self-centered, too privileged, too white, too vapid, too sex-obsessed — shaped me just as much. If I related to Girls, and something was fundamentally problematic about it, something must also be fundamentally problematic about me.
That makes it almost physically painful to read a scene like one in which Dunham’s family gathers to support her brother’s gender affirming surgery, a moment Dunahm recalls almost entirely in terms of how it affected her. Her parents are mad at her. She packed poorly. She carries her dog with her everywhere because, Dunham writes petulantly, “she needs me,” and “nobody else does.”
Yet despite these classic Lena Dunham moments, reaction to the book has been almost unfailingly positive. People are rewatching Girls. (I am, too.) They are bemoaning the vicious commentary on Dunham’s body and weight that characterized its run, and posting snippets of its best jokes online to marvel at how witty the show was. (I agree.) The show has aged surprisingly well.
But has Dunham? Famesick feels like it should be some kind of commentary on what it means for millennials to grow up. If Girls was so keenly aware of the forces of the 2010s, shouldn’t Famesick be equally on point? Is the positive reaction to it a sign of a change in society, a softening toward our much-criticized generation?
At times, it feels like it is; Dunham looks back on her heyday during Girls with as critical an eye as her worst haters, naming her faults in the way that has always made her work special, one part wry, one part heartbreakingly honest. In a much more guarded world, where we curate our social media feeds carefully instead of tell-all blogging, her observations about herself carry more weight.
The best parts of Famesick are about Dunham’s parents, both artists. Her mother is overflowing with the kind of New York Lower East Side Jewish artist oddity that feels lost to the bowels of time — she loves psychics, yet her favorite hobby, Dunham says, is finding medical experts. Her newfound fame, she writes, had the worst impact on “the dynamics with the women I’d known my whole life — my mother chief among them, the original frenemy who all would try and emulate but none could best.”
Writing of an argument with her mother that led them to stop speaking to each other, she realizes all the different forces at play in their relationship — Laurie Simmons was an accomplished artist before she was a mother to a celebrity, and Dunham knows she struggles with being eclipsed by her daughter’s fame. “But to express any of this skillfully would only be possible with the kind of high-level, egoless communication that rarely defines the mother-daughter bond,” the actor ruefully notes; instead, they ignore each other for two weeks and Dunham gives her heartfelt speech about motherhood to a ring Simmons had lent her. It’s funny, yet full of pathos, Dunham at her best.
This feels like an observation that should be at the heart of the book, the kind of Freudian root of all of Dunham’s insecurities, pleas for attention, struggles. Yet while Dunham is good at pinpointing her flaws, and they are many, she is not always good at reflecting on them, on where they come from or how to change.
“It seems to me, looking back, that I thought the cure to such widespread disdain — some of it personal, some of it political,” Dunham writes, “was not to show less of myself, but to show more, as if revealing myself down to the guts would allow for some kind of renewed understanding.” But this, she says, she has realized was, “just begging.”
Often, it feels like the book is doing the same thing. The change from the Dunham of Girls is less in the actor than it is in the audience. Now, with the benefit of hindsight, we can finally empathize with her.
The post Lena Dunham’s new memoir is the most millennial thing ever appeared first on The Forward.
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Europe Should Focus on Own Security as Global Threats Mount, Dutch Intelligence Agency Says
Police officers stand outside a Jewish school following an explosion that caused minor damages, in Amsterdam, Netherlands, March 14, 2026. Photo: REUTERS/Piroschka van de Wouw
Europe must take greater responsibility for its own security, the Dutch military intelligence agency MIVD said on Tuesday, citing pressure on long-standing Western alliances and China’s support for Russia’s war in Ukraine.
The comment by MIVD Director Peter Reesink accompanied the release of its annual report for 2025.
“The international system we have relied on for decades – with institutions acting as guardians of rules and agreements – is under pressure,” Reesink said in a statement. “It is precisely in this space, where rules blur and power becomes more decisive, that threats grow. Europe must increasingly take responsibility for its own security.”
Spillover from other conflicts including the US-Venezuelan conflict and tensions in the Middle East posed threats to the Netherlands and its interests, the MIVD said in a report published on Tuesday. It also warned about the growing risks of Chinese cybersecurity attacks, which the agency expects to increase this year.
The report comes amidst heightened tensions between NATO and US President Donald Trump, who has threatened to leave the alliance due to its reluctance to join the US-Israeli war with Iran.
Reesink told journalists in The Hague that the Netherlands still has a strong relationship with the United States. At the same time, he said there is an increased push by European agencies to strengthen cooperation and rely less on what the Dutch intelligence agency called “unpredictable” politics in Washington.
“Europe needs to stand on its own two feet. That applies for the defence sector … and also for the intelligence community,” he said.
The greatest security threat to the Netherlands remains the conflict in Ukraine – Europe‘s largest since World War Two – he said, citing military cooperation between North Korea, China, Iran, and Russia.
