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For Josh Shapiro, a run for governor borne of Jewish identity and political ambition
(JTA) — On the day before he was set to be sworn in as Pennsylvania’s governor, Josh Shapiro had somewhere important to be: the Jewish community center in the state capital of Harrisburg.
Shapiro and his family spent Monday volunteering at the Alexander Grass Campus for Jewish Life, which was hosting a Martin Luther King Day celebration for the region.
It was an erev-inauguration stop that made sense for Shapiro, elected in November over a Republican whose campaign was continually mired in antisemitism allegations. From his stint as Pennsylvania’s attorney general to his gubernatorial campaign ads to his victory speech, Shapiro has long woven his Jewish identity into his politics — making him an archetype for a new breed of Jewish politician.
“They seem above politics because they exude pride,” said Scott Lasensky, a professor of American Jewish studies at the University of Maryland, about Shapiro and other Jewish politicians who demonstrate comfort with their identity. “It offers a much-needed respite from the reactive, defense posture that has seized the community.”
As Shapiro is sworn in Tuesday on a stack of three Hebrew Bibles — including the one that was on the bimah when a gunman massacred 11 Jewish worshipers in a Pittsburgh synagogue in 2018 — the novelty becomes reality: A Jewish day school grad and dad is now one of the most influential elected officials in the United States.
“You’ve heard me quote my scripture before, that no one is required to complete the task, but neither are we free to refrain from it, meaning each of us has a responsibility to get off the sidelines, to get in the game and to do our part,” Shapiro said in his victory speech in November, referring to the famous passage in Pirkei Avot, the compilation of ethical teachings excerpted from early Jewish writings.
It’s a speech that Shapiro’s friends, teachers and associates could have envisioned decades ago. In interviews with the Jewish Telegraphic Agency, nearly a dozen of them said Shapiro, 49, has openly melded Jewishness and activism since his early teens, practicing a politics of bringing together disparate communities with his Jewish identity at the core.
“He gets done what he needs to get done, what he wants to get done,” said Robin Schatz, the director of government affairs at the Jewish Federations of Greater Philadelphia. “And it is always in that framework of Jewish values.”
Schatz contrasted Shapiro’s openness about his Jewish identity with one of his Jewish predecessors as governor, Ed Rendell, for whom Schatz worked when Rendell was mayor of Philadelphia.
“Josh shows up for us just by being so proudly Jewish and that is really something because Rendell, who I worked for and who I love, I mean, he never hid his Jewishness, but he didn’t wear it on his sleeve,” she said.
Perhaps Shapiro’s most direct antecedent is Joe Lieberman, the Orthodox former Connecticut senator who was Al Gore’s vice presidential running mate in 2000. Lieberman, the first Jew on a major-party presidential ticket, recalled being ridiculed and questioned by Jewish groups for expressing his faith at campaign events.
That hasn’t happened for Shapiro, who is part of a relatively younger generation including congresspersons Elaine Luria of Virginia and Becca Balint of Vermont who express unabashed Jewish identities when campaigning among the broader public. Luria and two others just left Congress: Andy Levin of Michigan, who was defeated in last year’s primary after redistricting, and Ted Deutch, a Florida Democrat who last year made the transition this year to leading the American Jewish Committee. None of them wears a kippah on the campaign trail or strictly observes Shabbat, as Lieberman did, but all infuse Jewishness in their public comments and personas.
What separates Shapiro is his outsized success in a competitive race in a swing state — a record that has insiders bandying about his name as a potential presidential candidate one day.
Shapiro’s political orientation was apparent early on. Fresh out of his bar mitzvah, a 13-year-old Shapiro looked forward to his chats with Mark Aronchick, who was a leader with Josh’s parents, Steven and Judi, in the movement for Soviet Jewry in the Philadelphia area.
Shapiro centered his bar mitzvah on a letter-writing campaign to free a refusenik, a Jew whose intended emigration was blocked by the USSR’s cruel bureaucracy, and he liked to ask Aronchick about the movement, about organizing activism. But then the conversations took a turn Aronchick didn’t expect. Josh wanted to know about running a big city.
“I had been the chief lawyer for the city of Philadelphia in the early 80s,” recalled Aronchick, who became a mentor to Shapiro. “He was fascinated when we talked about that.”
In an interview last year with the Forward, after a campaign event with union organizers, Shapiro said he understood organizing as an effective tool when he was 6 and he joined his parents in campaigning for the release of Jews in the Soviet Union. (The refusenik who was the focus of Shapiro’s bar mitzvah activism, made it out in time to attend Shapiro’s bar mitzvah, which earned Shapiro Philadelphia news coverage.) Shapiro’s parents “set a very good example for me to live a life of faith and service,” he said.
From left: Then-Democratic candidate for U.S. Senator John Fetterman, former President Barack Obama, Josh Shapiro and President Joe Biden at a rally at the Liacouras Center in Philadelphia, Nov. 5, 2022. (Mark Makela/Getty Images)
Sharon Levin taught Shapiro government at Akiba Hebrew Academy (now called Jack M. Barrack Hebrew Academy) and said he stood apart at an age when boys interested in politics tend to flex their intellectual muscles through outspoken opinions and grandstanding.
“This was a pretty difficult group of kids, I don’t mean problematic, but kids who like to argue, to debate every point,” she said. “And Josh believes in cooperation, I think of him in those days as a team-builder.”
Todd Eisenberg, now a Montgomery County judge, recalled playing basketball with Shapiro for the high school team.
“He was the point guard so he was always the leader of everything,” Eisenberg said. “And he would always try to get everybody involved and make everybody feel like they’re a part of the process.”
Eisenberg was impressed by Shapiro’s leadership but not surprised — Shapiro had been pulling together kids from across the playground since first grade, when they first met.
“You know how kids are in cliques or they’re picking on other kids, he was never like that,” he said. “He was always nice to everybody involved in everything.”
In high school, Eisenberg said, Shapiro organized a chapter of Students Against Drunk Driving. “I remember him standing up for everybody and being a part of everything,” he said.
Shapiro ran for student president and lost, to classmate Ami Eden (who is now CEO of the Jewish Telegraphic Agency’s parent company, 70 Faces Media). Shapiro has for decades told people it was the only race he lost.
Levin, his government teacher at Akiba, said Shapiro had a realistic assessment of his skills and what he needed to do to succeed. He went to the University of Rochester, qualifying for the Division III basketball team, but soon realized that excellence on the Akiba court was mediocrity in an NCAA setting, she recalled.
“So he said, ‘my fallback from school was government,’ and he was the first sophomore ever to be student president at the University of Rochester,” she said. “I knocked on every door,” Shapiro recalled to Philadelphia Magazine in 2007.
From Rochester, he moved to a series of legislative aide positions in the 1990s on Capitol Hill, working for Pennsylvania Rep. Joe Hoeffel and New Jersey Sen. Robert Torricelli. His bosses remember a guy in his early 20s who was soon supervising staffers, and his colleagues recall not minding. Shapiro was pleasant, they say, but clearly on a track for greater things.
“No one ever worked for me who was as bright and focused, with such steely determination,” Torricelli told The Philadelphia Inquirer last year.
By the time he was 31, in 2004, Shapiro was running for his first elected position as a Pennsylvania state representative. He ran against Jon Fox, a Jewish Republican who had been a congressman. Shapiro impressed people in the district with his lowkey straightforwardness, said Betsy Sheerr, a Jewish lay leader and a Democrat who was friendly with both candidates, and that provided a contrast with Fox, who would shift his positions depending on the listener.
“We used to joke that John Fox was multiple choice, you know that one day he was pro-choice and the next day he wasn’t,” Sheerr recalled. “With Josh, there never has been any confusion about where he stands on things.”
Within two years, Shapiro rose to statewide prominence when he brokered a deal to break a deadlock in the state house, where Democrats had a one-seat majority. Under Shapiro’s plan, Democrats would back a moderate Republican, Denny O’Brien, to keep the scandal-plagued incumbent speaker, Republican John Perzel, from reelection. As soon as he got the job, O’Brien named Shapiro deputy speaker.
Shapiro’s backers cite the now-legendary episode as a sign of Shapiro’s leadership; his detractors say it is a signal of his self-promotion and gamesmanship. In 2008, Shapiro turned on a one-time mentor, Democratic state Rep. Bill DeWeese, saying he should step down from the party leadership because of corruption investigations. (DeWeese and Perzel both ended up serving time in prison.)
Schatz said Shapiro remained sensitive to the issues affecting the Jewish community, helping expand Medicare assistance for the elderly, instituting Holocaust education and targeting terrorist-backing countries like Iran for sanctions.
A moderate Democrat, he also stood out for breaking with the establishment. Aronchick recalled Shapiro in 2004 seeking the endorsement of Howard Dean, the former Vermont governor who was then a standard bearer for progressives.
“Josh is a consensus builder,” he said. “Others might think, ‘Do I look too progressive?’ It wasn’t a thought on Josh’s mind.”
In 2008, Shapiro was among just a handful of establishment Democrats who endorsed Barack Obama for president in a state that Hillary Clinton won in the primaries. Shapiro defended Obama when his former pastor Jeremiah Wright, came under fire for antisemitic comments.
Obama did well enough in the state, Shapiro told JTA at the time, that he believed he would do well nationally. “I think that demonstrates that the hype that Senator Obama had a problem with the Jewish community was just that — it was hype. It was not reality.” He would be proved right.
The Democratic machine killed off the “deputy speaker” title in 2009, leading the Philadelphia Jewish Exponent to muse, “The Once-Lofty Shapiro; Has He Been Brought Down a Few Pegs?”
But Matt Handel, a onetime Republican activist who left the party after Donald Trump was elected president, said that while Shapiro made enemies in the statehouse, he never let it get to him.
“He can be angry about things, you know, he can find them offensive. But if you watch him speak, he maintains control of what he says and how he responds,” said Handel, who interacted with Shapiro when Handel chaired the Pennsylvania Jewish Coalition, a statewide advocacy body.
Shapiro soon was looking elsewhere: He ran for and won a spot on the three-member Montgomery County Board of Commissioners, where he was elected chairman, effectively the mayor of the populous and prosperous suburban Philadelphia area.
Levin, his high school teacher, recalled a call Shapiro made when he was considering a run for the U.S. Senate.
“What he said was, if, if I end up going to Washington, I’m gonna do a Biden, you know, back and forth on the train, because it’s so important for my kids to remain at the school where I went to school.” A while later he called back.
He said, “You know, I’m not a legislator. I’m an executive.” (Levin remains close to Shapiro and his family; last fall, she ran into Shapiro and his daughter Sophia, who led student outreach during his campaign, at an airport in San Antonio. “Look who I saw!” she said in an email, photos of hugs attached.)
In 2016, Shapiro was elected Pennsylvania attorney general. He led battles against Trump’s efforts to limit entry to the United States of people from a number of Muslim-majority countries, and to keep Trump acolytes from overturning his 2020 loss in the state. He also led a widely publicized investigation of child abuse in the Roman Catholic church.
Shapiro’s gubernatorial campaign launch last April was an ad in which he declared, “I make it home Friday nights for Sabbath dinner,” while the camera closed on challahs. (It also stars his four kids and his wife, Lori, whom he refers to as his “high school sweetheart.”)
Josh Shapiro embraces his wife, Lori Shapiro, on stage after giving a victory speech to supporters at the Greater Philadelphia Expo Center in Oaks, Penn., Nov. 8 2022. (Mark Makela/Getty Images)
Shapiro’s ultimate victory was especially sweet to many Jews because he defeated a Republican, Doug Mastriano, who had centered Shapiro’s Jewishness, but not in a positive way. Mastriano had allied with an outspoken antisemite, Andrew Torba, the founder of the far-right social media site, Gab, paying for promotion on Gab and accepting a donation from Torba. (Mastriano renounced antisemitism, but pointedly, not Torba.) Mastriano also mocked the Jewish school Shapiro attended and where he sends his four children.
It is a source of delight to Shapiro and his backers that his open Jewish identity did not alienate Pennsylvanians; indeed, he fared well in the conservative center of the state, a fact that his campaign boasted about in an email sent to the media a week after the election, when most campaigns are wrapping up business.
“Josh Shapiro won Beaver, Berks, Cumberland, and Luzerne counties — significantly outperforming Joe Biden’s margins in 2020 and flipping those counties blue,” the campaign said, attaching a chart showing the flips. “From the very beginning of his campaign, Josh vowed to go everywhere. That meant campaigning heavily where other Democrats don’t often win and investing in communities across the state.”
Jill Zipin, a longtime Shapiro backer who leads Democratic Jewish Outreach Pennsylvania, said Mastriano’s Christian nationalism did not play well in a state that was founded on religious freedoms. “Pennsylvania was founded on religious pluralism, it was founded by Quakers,” she said. “Anyone of any religious stripe was welcome.”
Mastriano’s team, toward the end of the campaign, appeared to notice the resonance Shapiro’s beliefs had among Pennsylvanians. His surrogates pivoted to claiming Shapiro was not a genuine Jew, with one consultant saying Shapiro’s defense of abortion rights made him inauthentic, and Mastriano’s wife claiming she and her husband loved Israel more than Jews did.
The moves may have backfired, said Schatz. Shapiro’s Jewish expression, she said, “was a way of actually relating to religious conservatives. They say that ‘maybe he doesn’t follow our religion, but because he does have a belief, he’s a religious person.’”
In a sign of his polish with Pennsylvanians, Shapiro’s margin of victory was substantially wider than that of John Fetterman, the Democrat elected to the state’s open Senate spot.
“While we won this race — and by the way, we won it pretty convincingly — I want you to know, the job is not done, the task is not complete,” Shapiro said during his victory speech, prompting 15 seconds of cheers and applause.
Shapiro has stayed largely out of the public eye since his election, instead focusing on putting together a transition team and preparing for his inauguration on Tuesday. He did not respond to JTA’s requests for an interview.
That transition team bears signs of Shapiro’s long and deep Jewish ties. Marcel Groen, a retired attorney on the economic development advisory committee, first met the new governor because he attended synagogue with Shapiro’s father. He became a mentor to the inchoate politician, who several years ago recruited Groen’s mother, a Holocaust survivor, to speak to incarcerated teens.
During the encounter, which Groen and Shapiro did not make public at the time, the teens went from standoffish to hugging 93-year-old Sipora Groen after hearing her story. (Sipora died in 2017.) It was, Groen said, typical of Shapiro’s approach to changing hearts and minds: “Josh realized that’s how you reach kids who got in trouble and who needed to understand life in a different manner,” he recalled.
Shapiro’s plans for his inauguration are laced with Jewish significance. In addition to the Tanakh from the Tree of Life synagogue, his swearing-in will reportedly take place on a Bible used by a Jewish soldier from Pennsylvania in World War II.
But asked by CNN’s Dana Bash after the election if he wanted to make history as America’s first Jewish president, Shapiro demurred.
“I have an ambition to get a little bit of sleep, to reintroduce myself to my kids, and then to serve the good people of Pennsylvania as their governor,” he said.
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The post For Josh Shapiro, a run for governor borne of Jewish identity and political ambition appeared first on Jewish Telegraphic Agency.
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An organ divided a synagogue. The fallout helped create Reform Judaism.
A new musical traces the origins of Reform Judaism to a question that, on paper, seems more likely to produce a subcommittee than a schism: Should a synagogue have an organ?
In 1840, a synagogue in Charleston, South Carolina, voted 46 to 40 to install a pipe organ in the sanctuary to accompany services.
The vote triggered a scandal: Organs were commonplace in American churches, but unheard of in synagogues, since rabbinic law traditionally holds that musical instruments should not be played on Shabbat.
The instrument caused such an uproar that those who opposed its installation started a breakaway congregation and fought for control of the synagogue in civil court. The case paved the way for a Reform Jewish movement that would embrace music as a key element of religious life.
Happyland, a musical based on those events, will debut Thursday at the same congregation where the real events took place, Kahal Kadosh Beth Elohim — today, still an operating Reform synagogue with an organ in its sanctuary. As the musical progresses, the organ becomes a vehicle for exploring broader questions of progress, including the uncomfortable reality that many Jews owned slaves in the antebellum South.
“It really embodies this tension in Reform Judaism, which is how much do you adapt to the wider culture around you, versus how much do you maintain your identity and your tradition?” said Elijah Siegler, co-producer of the show. “There’s no easy answer, and the organ is a perfect example of that.”
Charleston as happyland
The idea for Happyland came from an unusual pair in the theater world: a former synagogue president and a professor of religious studies.
Rob Turkewitz, a civil litigation attorney who had led Kahol Kadosh Beth Elohim, and Siegler, a synagogue member who teaches at the College of Charleston, thought that their congregation’s dramatic history had theatrical potential.
The duo set out to write historical rap songs emulating the Broadway show Hamilton. But they discovered they were out of their depth.
“We realized pretty quickly that we probably are not the right people to be writing a musical,” Turkewitz said. “Because we have no musical talent.”
Instead, they recruited Toby Singer, the congregation’s former music director and a Brooklyn-based composer, to write the script and songs.
The resulting show follows the arc of the real-life Kahol Kadosh Beth Elohim cantor, Gustavus Poznanski, who had been hired by the congregation in 1836 partly for his traditionalist bona fides.
But Poznanski ended up aligning with those who sought to modernize the synagogue. He supported the installation of the organ, conducted services in English rather than Hebrew, and advocated for observing just one Passover Seder instead of two.
Born in Poland and educated in Hamburg, Germany — where a Reform Jewish movement had already taken root — Poznanski saw the New World as a place where Jews could shape a distinctly American Jewish life.
That vision was captured in a famous speech Poznanski gave in 1841 — the inspiration for the title of the show. “This synagogue is our temple, this city our Jerusalem, this happy land our Palestine,” he said, later adding, “America is our Zion and Washington our Jerusalem.”
But not everyone in Charleston shared his vision. Appalled by the reforms championed by Poznanski, a group of congregants took the dispute to state court.
A judge ruled in favor of the organ’s installation — not because he necessarily agreed with playing music on Shabbat, but because the synagogue had voted for it. According to Turkewitz, it was one of the first appellate rulings in American history that affirmed the separation of church and state.
“The court basically held that judges can’t determine for a religion how to practice,” Turkewitz said. “How could the judge tell the Jewish community how to practice their religion when the Jewish community doesn’t even agree?”
Reckoning with slavery
For Singer, the organ controversy was only part of the story. As congregants argued over what progress looked like inside the sanctuary, the nation outside was hurtling toward civil war.
“I just couldn’t shake the feeling that this was a story about religious freedom couched within a larger story about not freedom, because this was taking place in antebellum Charleston,” Singer said. “I needed to write a story that dealt with that and sat with the fact that the Jewish community of the South was complicit in the slave trade and was involved in it.”
Many of the founding members of Kahal Kadosh Beth Elohim came to Charleston to participate in the slave trade. And after the congregation’s first synagogue was destroyed in a fire, enslaved people built the replacement in 1840 — the grand Greek Revival structure that still stands today.
That history is woven throughout Happyland. In the musical, Poznanski grapples with the fact that his wife, Hetty, owns slaves. The second act takes place during a Passover Seder on the eve of the Civil War, as the characters confront the hypocrisy of celebrating Jews’ liberation from slavery in Egypt while slaves labor in their own home.
“Some people in the audience are going to see their great, great, great grandparents depicted on stage, because we still have Charleston Jews who are descendants of those Jews of the 1840s,” Siegler said. “I think some Jews don’t necessarily want to watch a musical about their ancestors owning slaves.”
Poznanski eventually resigned from his position, unable to bridge the divide between the traditionalist and reformist factions of the synagogue. A century later, in the 1960s, Rabbi Burton Padoll was forced to resign from the congregation after members objected to his support for the Civil Rights movement.
Today, the synagogue has made efforts to acknowledge that painful past, erecting a monument outside the congregation commemorating the enslaved people who built it.
For Siegler, the conflicts over slavery and religious reform share a common thread: how communities respond when long-held practices are challenged.
“One is a public fight over the organ, and then the other is this kind of family argument at the Seder table about owning enslaved people,” he said. “They actually are narratively linked by this idea of, what do we do to feel safe and secure?”
The post An organ divided a synagogue. The fallout helped create Reform Judaism. appeared first on The Forward.
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A conference in Warsaw focuses on Jewish languages
דער ייִדישער מוזיי „פּולין“ אין וואַרשע האָט לעצטנס דורכגעפֿירט אַ קאָנפֿערענץ וועגן ייִדישע שפּראַכן, אין שײַכות מיט דער צײַטווײַליקער אויסשטעלונג אויף דער זעלביקער טעמע, „דער כּוח פֿון ווערטער“.
כאָטש די קאָנפֿערענץ, וואָס איז פֿאָרגעקומען פֿונעם ערשטן ביזן דריטן יוני, האָט אין פּרינציפּ באַהאַנדלט אַלע ייִדישע לשונות, האָט דער מוזיי אין וואַרשע — די אַמאָליקע הויפּטשטאָט פֿונעם אייראָפּעיִשן ייִדישלאַנד — באַשטימט, אַז די פֿאָרשערס זאָלן רעדן מערסטנס וועגן ייִדיש. 14 פֿון די 27 רעפֿעראַטן האָבן באַהאַנדלט די ייִדישע קולטור אויף ייִדיש; 3 וועגן העברעיִש; 2 וועגן לאַדינאָ; 2 וועגן פּויליש, און נאָר 1 וועגן אַנדערע שפּראַכן: דזשוהורי (די שפּראַך פֿון די באַרג־ייִדן אין די קאַווקאַזן), עספּעראַנטאָ, ייִדיש־אַראַביש אין מאָראָקאָ, דײַטש, רוסיש און סערבאָ־קראָאַטיש.
אַלע רעפֿעראַטן האָט מען געהאַלטן אויף ענגליש.
לויט מײַן מיינונג וואָלט געווען אינטערעסאַנטער צו הערן וועגן ייִדיש דווקא אין אַ ברייטערן קאָנטעקסט, ווען מע נעמט אויך אַרײַן אַנדערע ייִדישע און נישט־ייִדישע שפּראַכן און קולטורן. עס זענען פֿאַראַן אַ סך פּאַראַלעלן און קאָנטראַסטן, וואָס וואַרפֿן זיך אין די אויגן, ווען ייִדישיסטן קוקן אַרויס פֿון די אייגענע דלתּ אַמות.
די הויפּטרעדע האָט געהאַלטן חנה פּולין־גלאַי (אוניווערסיטעט פֿון אַמהערסט), וועגן דער טעמע פֿון איר נײַ בוך: חורבן־ייִדיש, ד״ה די נײַע ווערטער און אויסדרוקן וואָס זענען אויפֿגעקומען אין די געטאָס און לאַגערן. כאָטש די לעקציע איז געווען אינטערעסאַנט האָט זיך מיר געפֿילט אַ ביסל אומהיימלעך צו הערן וועגן די דאָזיקע ווערטער אין „פּולין“־מוזיי, וואָס געפֿינט זיך ממש אויפֿן שטח פֿון דער אַמאָליקער וואַרשעווער געטאָ.
עס איז נישטאָ קיין אָרט צו דערציילן וועגן אַלע רעפֿעראַטן, אָבער וועגן עטלעכע לוינט זיך אָפּצוגעבן אַ באַריכט.
מאַטשעי ראַטאַיטשיק (פּויזנער אוניווערסיטעט) האָט גערעדט וועגן עטלעכע פּרוּוון במשך פֿון דער געשיכטע צו שרײַבן העברעיִש מיט לאַטײַנישע אותיות. איתּמר בן־אַבֿי (בן־ציון בן־יהודה), דער זון פֿונעם גרויסן באַנײַער פֿון העברעיִש, אליעזר בן־יהודה (אליעזר יצחק פּערלמאַן), איז געווען דער ערשטער געבוירענער רעדער פֿון העברעיִש אין דער מאָדערנער תּקופֿה. אין די 1920ער און 1930ער יאָרן האָט ער אַרויסגעגעבן עטלעכע ביכער און זשורנאַלן אויף טראַנסליטעראַציע, אַרײַנגערעכנט אַ באַנד זכרונות, „אַבֿי“ (ד״ה „מײַן טאַטע“; געשריבן „Avi“). זאבֿ זשאַבאָטינסקי, דער באַרימטער פֿירער פֿון די רעוויזיאָניסטן, האָט אין אַ געוויסער תּקופֿה געשטיצט די רעפֿאָרעם — אָבער צום סוף האָט זיך עס נישט אָנגענומען. העברעיִש איז געבליבן העברעיִש — מיטן ייִדישן אַלף־בית.
הילה שלם בהרד (תּל־אָבֿיבֿער אוניווערסיטעט) האָט דערציילט וועגן די שפּראַכן פֿון די „מעברות“ (די פּליטים־לאַגערן), וווּ עטלעכע הונדערט טויזנט נײַע עולים קיין ארץ־ישׂראל האָבן געוווינט, ווען זיי זענען ערשט אָנגעקומען אין לאַנד אין די יאָרן 1948־1951. אַזוי ווי די ייִדן זענען געקומען פֿון אַ סך פֿאַרשידענע לענדער, האָבן זיי אָפֿט נישט געהאַט קיין בשותּפֿותדיקע שפּראַך. אַ מאָל האָט איין געוויסע שפּראַך דאָמינירט; למשל, אין איין לאַגער איז די הויפּטשפּראַך געוואָרן בולגאַריש, דערפֿאַר ווײַל עס האָבן דאָרט צופֿעליק געוווינט אַ סך ייִדן פֿון בולגאַריע. אין אַנדערע לאַגערן האָט מען גערעדט אַ מין העברעיִש. אַ מאָל האָט זיך אַנטוויקלט אַ מין פּידזשין, אַ געמישטע שפּראַך, אָדער ייִדן האָבן גערעדט מיט די הענט.
חיה־רחל נאָווע, אַ לינגוויסטקע בײַם פֿאָרדהאַם־אוניווערסיטעט, האָט פֿאַרגליכן די עפֿנטלעכע שילדן אויף ייִדיש און לשון־קודש אין די חסידישע ייִשובֿים אין מאָנסי און קרית־יואל. קרית־יואל איז געשאַפֿן געוואָרן ווי אַן אָפֿיציעל חסידיש שטעטל און די עפֿנטלעכע שפּראַך און אַ סך שילדן זענען פֿון תּמיד אָן געווען אויף ייִדיש. מאָנסי, ווידער, איז אַ געמישטע שטאָט; פֿריִער האָבן דאָרט געוווינט אַ סך „מאָדערנע“ ייִדן, נישט קיין חרדים, זענען אַלע שילדן במילא געווען אויף ענגליש. צו ביסלעך איז די שטאָט געוואָרן וואָס מער חסידיש, און אין די לעצטע 10־20 יאָר האָט מען אָנגעהויבן הענגען שילדן אויף די געשעפֿטן און אויף די ווענט אין ייִדיש און לשון־קודש. דאָס איז אַ סימן פֿונעם נײַעם שטאָלץ פֿון די חסידים דאָרט, וואָס פֿילן, אַז זיי דאַרפֿן זיך מער נישט באַהאַלטן הינטער ענגלישע שילדן. די געגנט איז געוואָרן זייערע.
שפּעטער האָט נאָווע באַמערקט, אַז אין דער ייִדישער געגנט אין אַנטווערפּן, למשל, זענען כּמעט נישטאָ קיין שילדן אויף ייִדיש אָדער לשון־קודש. דאָס ווײַזט מסתּמא אַרויס די אומזיכערקייט פֿון די אַנטווערפּענער חסידים, וואָס ווילן זיך נישט וואַרפֿן אין די אויגן.
שירה פֿריד, וואָס האָט נאָר וואָס פֿאַרענדיקט אַ דאָקטאָראַט בײַם העברעיִשן אוניווערסטטעט, האָט געלייענט אַ רעפֿעראַט וועגן די „בית־יעקבֿ“־שולן פֿאַר פֿרומע מיידלעך, וואָס שׂרה שנירער האָט אָנגעהויבן שאַפֿן אין קראָקע אין 1917. שנירער האָט איבערגערעדט די גרויסע רבנים פֿון איר תּקופֿה, די פֿירערס פֿון דער „אַגודה“, די נײַע אָרטאָדאָקסישע פּאָליטישע פּאַרטיי, און זיי האָבן באַשלאָסן צו שטיצן „בית־יעקבֿ“. שנירער און די לערערינס אין די שולן האָבן די גאַנצע צײַט באַקעמפֿט די לינגוויסטישע אַסימילאַציע, ווײַל אַ סך פֿרומע מיידלעך האָבן דעמאָלטס שוין גערעדט צווישן זיך אויף פּויליש. אין זייער קאַמף פֿאַר ייִדיש האָבן זיי אַדאָפּטירט דעם „אָרטאָדאָקסישן אויסלייג“ פֿון שלמה בירנבוים, דעם באַקאַנטן בעל־תּשובֿה און ייִדיש־פֿאָרשער פֿון ווין, וואָס איז געוואָרן דער ערשטער ייִדיש־פּראָפֿעסאָר אין האַמבורג אין 1922.
קלמן ווײַזער, אַ היסטאָריקער און ייִדישיסט בײַ יאָרק־אוניווערסיטעט אין טאָראָנטאָ, האָט ווײַטער גערעדט וועגן בירנבוים און וועגן זײַן אויסלייג. נאָך דער מלחמה, איז בירנבוים געוואָרן אַ ביסל אָפּגעפֿרעמדט פֿון זײַנע אַמאָליקע פֿרײַנד אין דער אַגודה און „בית־יעקבֿ“. די אַגודה האָט געפֿירט אַ מער פּראַגמאַטישע פּאָליטיק לגבי מדינת־ישׂראל און עבֿרית. די אַגודיסטן זענען געווען צופֿרידן זיך צו באַטייליקן אין דער ישׂראל־רעגירונג און צו נעמען די מלוכישע געלטער פֿאַר זייערע אינסטיטוציעס. דערפֿאַר האָט ייִדיש גיך פֿאַרלוירן זײַן חשיבֿות בײַ זיי און דער יונגער דור איז גיך אַריבער אויף דער לאַנדשפּראַך: עבֿרית אין ישׂראל, און ענגליש אין אַמעריקע. בירנבוים, ווידער, איז געבליבן אַ שאַרפֿער קעגנער פֿונעם ציוניזם און פֿון עבֿרית. אָבער צוליב עפּעס אַ סיבה האָט ער נישט געזוכט קיין קאָנטאַקטן מיט די אונגערישע חסידים (למשל, סאַטמאַר), וואָס האָבן געהאַט אַן ענלעכע שטעלונג און וואָס האָבן ווײַטער גערעדט ייִדיש.
הגם די רעפֿעראַטן זענען געווען אויף אַקאַדעמיש ענגליש, נישט אויף קיין ייִדישער שפּראַך, האָט מען די שמועסן אין די קאַווע־הפֿסקות געפֿירט אויך אויף עבֿרית, פּויליש און אַוודאי — ייִדיש. שלמה בירנבוים וואָלט געווען שטאָלץ.
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In David Baerwald’s epic tale of espionage and wartime horrors, family history is stranger than fiction
“When I started out writing this book, my model wasn’t James Clavell,” David Baerwald said with a laugh, as he paused for a smoke break at a waterfront picnic table in his current hometown of Kingston, New York. “It was more like Bernard Malamud, or something; it was this kind of interior, depressing thing about a family coming to grips with its crimes — the hazards of epigenetic traumatic memory in a family, and what it does to people. It was a much more personal tale, you know? I wasn’t really thinking of this huge, swashbuckling thing.”
The Fire Agent, Baerwald’s debut novel, is indeed a huge, swashbuckling affair, an epic, massively entertaining and often gut-punchingly horrifying tale of international espionage spanning four continents, two world wars and countless collisions between heartfelt idealism and the harsh realities of human behavior over its 600 pages. Though some of its characters and most of its conversations are fictional, The Fire Agent is firmly grounded in actual historical events and figures both well-known and obscure — some of which are truly stranger than fiction.
“I would not have dared to make up most of this,” Baerwald said with a shrug. “Some of the characters are so over-the-top, they’re like super-villains from a Bruce Lee movie or Get Smart. The Black Dragon Society? Treasure hoards of Chinese gold? That all sounds ridiculous, like something out of Terry and the Pirates, or fucking Indiana Jones. But it all happened! I really wanted to provide people with clues, so that they could look into the actual history, because I found it so interesting.”
Much of The Fire Agent’s plot is based around the life and career of Ernst Baerwald, the author’s actual grandfather, a German Jew who spent several decades in Japan — ostensibly working as a liaison for the German chemical conglomerate IG Farben, though the position served as cover for his extensive and deeply impactful espionage activities on behalf of the German (and later the United States) government. Long dead by the time his grandson was born in 1960, Ernst rarely came up in family conversation. “He went largely unrecognized in his lifetime,” said Baerwald. “Nobody ever really talked about him, and from what people would tell me about my grandfather, I had the impression that he was this kind of bum that sold ink on the streets in Tokyo. I had no idea that he’d led this crazy life!”
It wasn’t until about eight years ago, when Baerwald was cleaning out his parents’ wildfire-threatened West Los Angeles home, that he got an initial glimpse at Ernst’s actual occupation. “There were two boxes with a bunch of his papers that were in his office when he died,” Baerwald said. “They’d just been packed up and put away and buried under, like, 1960s-era skis and gardening equipment. In fact, I was gonna throw them away without looking at them; I was like, ‘Well, I’ve lived long enough without them.’ But this woman that was working with me, archiving the things in the house, she was like, ‘Well, let’s have a look.’”
Along with Ernst’s diaries and letters, Baerwald found maps and photographs of Japan, a Samurai sword and a miniature spy camera from the 1930s, and a speech that his grandfather had given to a U.S. government-run spy school in San Francisco in 1943. “I realized that there was, in fact, a huge story here that I needed to uncover,” Baerwald recalled. “That speech to the spy school was really the map to a huge portion of what I was soon to be researching. I didn’t know where it would take me, I didn’t know what it was for; I just knew that that was what I had to do, and suddenly that became my only thing in life.”
Baerwald is singer-songwriter, multi-instrumentalist and film and TV composer best-known for Boomtown, his platinum-selling 1986 album by David & David, his duo with musician and producer David Ricketts, as well as his Golden Globe-nominated song “Come What May” from the Moulin Rouge! Soundtrack. His songs have been recorded by such disparate luminaries as Waylon Jennings, Sheryl Crow, Susanna Hoffs, Fishbone and Olivia Newton-John, but Baerwald said that writing a novel felt surprisingly natural for him.
“My first role was research, not writing,” he said. “But I did write some scenes just to see if I could do it, to see if I could actually write longform without meter or rhyme schemes, and it was like stepping into a warm, welcoming seat. You can get to feeling pretty claustrophobic as a songwriter; I’d accumulated a lot of rules for myself over God knows how many decades of doing that, just to survive — practices that I had acquired, mindsets — and I was happy to let them go, frankly. And I realized that there were a lot of things that I learned from not just lyric writing, but composition, that applied to writing a novel. When you’re composing for monophonic instruments like flutes or strings, they play the chords together as a group, but they’re each playing individual lines; and when you’re structuring complicated human interactions, that kind of muscle memory is really handy.
“To me, plots are like chord changes,” he continued. “They’re signifiers for change, but the real change is happening within the chord. It’s actually like a thousand minnows swimming in vaguely the same direction, rather than these monolithic events that proceed one after the other; there’s always a certain individuality in their movement. So if you think about characters like, ‘Here’s the cello section, and here’s the percussion,’ or whatever, it enables you to structure these sort of complicated scenes where everybody’s got some agenda, and everybody’s got their own melody that they’re singing.”
And as Ernst’s improbably cinematic life gradually unfolded for Baerwald through the diaries and correspondence of his grandfather and other family members (including Baerwald’s father Hans, who taught political science and Japanese studies at UCLA for 30 years), the plot of The Fire Agent fell into place. “I didn’t really need to outline the plot, because I already had the outline. It was his life — and it was like, ‘Wherever he goes, I go,’” he said with a laugh. “I just did research along the way to find out what he was doing and what was happening around him. Whether there’s a huge earthquake or whether there’s a plague or whether there’s a war, it kind of gives you the plot point, right there.”
Far more challenging for Baerwald was dealing with the “emotional rollercoaster” of researching the many soul-crushing horrors that his grandfather witnessed (and, in some cases, was directly involved in) as a soldier, citizen and spy. “I would find myself just weeping more than once,” he said. “You just find yourself coming across these artifacts that really take you into the historical moment, and it’s really powerful. I remember I was in the rare books library at Columbia, looking at my uncle’s papers, and there was a letter from one of the soon-to-be-dead fighters during the Lublin Massacre, and it’s 28 pages of just savagery. So I’m sitting there, reading the details of this doomed-yet-heroic effort, and I feel this little tap on my shoulder, and this girl says, “Excuse me, Sir, I’m sorry — there’s no crying on the manuscripts.’”
Indeed, one of the major themes running through The Fire Agent is mankind’s innate ability to solve a major problem while creating even worse ones with the solution. Early on in the story, Ernst is present at the unveiling of the Haber-Bosch process, the revolutionary industrial development which enabled man to produce synthetic ammonia on a grand scale — a discovery which then allowed the industrial synthesis of nitrogen fertilizers, which were desperately needed by farmers across the globe at the beginning of the 20th century. Unfortunately, while this discovery saved humanity from worldwide famine, the industrial-scale production of ammonia and ammonium nitrate also resulted in tremendous carnage on the battlefield and elsewhere.
“I knew that there was going to have to be some reference in the book to the transformation from life-giving fertilizers to life-taking gunpowder and phosgene gas,” said Baerwald. “The Haber-Bosch process has made the lives of the probably 7 billion people alive today possible, but it’s bleached the coral in the ocean, and the high-pressure tests that emerged from it ultimately fueled the Nazi air force and tanks and trucks…
“There are a lot of scientists in my family,” he said, “and one of them said something to me once that I put in Albert Einstein’s mouth in the book: ‘Look at us — we’re in the dreamiest of sciences, astrophysics, and what are we doing? We’re making missile trajectories and warheads.’ And that’s been a kind of a refrain in my family for my whole life, this awful feeling of being trapped in a sociopathic system that takes everything beautiful and turns it into a weapon somehow, that takes brotherhood and camaraderie and turns it into teams and armies, and takes love and turns it into prostitution.
“One of the reasons I chose the music business was that I didn’t want to be part of all that. I thought, ‘Even at its very worst, at least I’m not making weapons!’” Baerwald said. “But apparently, I am! Ultimately, the record companies started merging with multinational corporations who made fucking nuclear weapons, and now Spotify has gobbled up all my friends’ livelihoods and is investing in AI weapons. You can’t get away from this shit!”
Though he’s currently busy promoting The Fire Agent, Baerwald says that a sequel is already in the works, one which will include material cut from the first novel. “I’ve been like a guy chasing a piece of paper across a windy field for like seven years,” he said. “The full story was always just slightly out of reach — for the 600 pages that I ended up with, I wrote probably 1400. I wanted to take The Fire Agent up to 1980, but I realized that there was no way I’d physically able to do it; I honestly thought I was going blind by the end of it. But now I’m really looking forward to working on the next one.”
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