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Novel about Chinese rescuer of Jews raises questions about facts vs. fiction in Holocaust stories
TAIPEI (JTA) — Ho Feng-Shan, the Chinese diplomat stationed in Vienna who helped thousands of Jews escape from Europe during World War II, never met Adolf Eichmann.
But in “Night Angels,” a novel based on his life, Feng-Shan comes face to face with Eichmann several times — and his wife Grace’s Jewish tutor, Lola, tries to kill the architect of the Holocaust.
That detail is one of many that has spurred Ho Manli, Feng-Shan’s daughter, to speak out against “Night Angels,” the fourth novel by the Chinese-American author Weina Dai Randel. Manli says the book distorts elements of her father’s story, which was unknown before she spent decades documenting his heroic efforts to issue visas allowing Jews to escape to Shanghai.
“What I have found in doing this story is it’s very difficult to try to maintain the historical integrity of the facts,” Manli told the Jewish Telegraphic Agency. “Countless people … want to use this for their own means, whether it be commercial like this novelist, whether it be political, or whatever. So over the two decades that I have been doggedly trying to uncover more and more, I’ve been constantly fending off these sorts of opportunistic assaults.”
The dispute is casting a shadow over the novel, released this month, and reinvigorating longstanding debates over the importance of truth in historical fiction — particularly in stories about the Holocaust.
“Night Angels” follows Feng-Shan and his wife, Grace, as they risk their lives by issuing visas that allow thousands of Jews escape Germany and Austria to Shanghai. Grace, one of the novel’s narrators and main characters, is based on Feng-Shan’s real second wife with the same name who was no longer in Vienna after the Anschluss — Nazi Germany’s annexation of Austria in 1938, and the period in which the novel is set. By that time, Feng-Shan had already sent Grace away to Boston. She never witnessed Nazi rule or Feng-Shan’s efforts to save Jews, Manli writes.
Several other events in the book, including Grace’s friendship with a Jewish woman who attempts to assassinate Eichmann and her development of a morphine addiction, are fully fictional.
Manli first took aim at the book in a column last month in China Daily. The novel, she wrote, “exploits real names, real people, real events and places, in what is essentially a Holocaust-themed melodrama.”
“In online reviews, readers say that they are thrilled to learn of my father and this history — except of course, what they have learned is not really history, my father’s, or anyone else’s,” she wrote.
Randel and her publisher, Amazon Publishing, did not respond to multiple requests for comment.
Randel dedicated the novel to “Ho Feng-Shan, his family, and all the angels in Vienna and beyond.” The book includes a disclaimer disclosing that its contents are a work of fiction and a product of the author’s imagination.
But that’s not satisfactory to some readers, including Tina Kanagaratnam, co-founder of the heritage group Historic Shanghai, whose book group read a previous Randel story set in Shanghai.
“If you’re talking about a historical character, you have to get the history right. Otherwise, just create a fictional character,” Kanagaratnam told JTA. “This is written for people who don’t know the history, but as Manli said, that’s dangerous, because then that’s what they remember. That’s what they take away.”
Ho Monto, left, and Ho Manli stand in front of the Righteous Among the Nations wall at the Yad Vashem Holocaust memorial in Jerusalem, Jan. 23, 2001. (Isaac Harari/AFP via Getty Images)
“Night Angels” has accumulated thousands of positive reviews on Amazon and has been promoted by Jewish organizations across the country. On Wednesday, the Jewish Book Council, in collaboration with Tablet Magazine and the Jewish Museum in New York City, will hold an event with Randel and journalist Jonathan Freedland that will explore “fact, fiction, and the sometimes blurred line between them.”
Randel’s book adds to a long list of Holocaust stories occupying that blurry territory, dating from the genre’s early days. Many readers believed, for example, that “The Painted Bird,” the pivotal work of Holocaust fiction from the 1960s, was based on author Jerzy Koszinski’s experience during the Holocaust; it was not. Scholars and booksellers have long agonized over whether to call Elie Wiesel’s “Night” a memoir or a novel, and whether the distinction matters when it is taught in American classrooms.
The fight has extended to questions over who can tell which stories from Holocaust. In 2014, Haaretz journalist Judy Maltz filed a lawsuit against Penguin Canada and author Jenny Witterick alleging that Witterick’s novel, “My Mother’s Secret,” copied Maltz’s documentary film about her family’s rescue during World War II. The court ruled in favor of Witterick on the grounds that copyright protection does not apply to historical events.
“An author is only ever responsible to their own fiction. They have creative license. And fictionalization of other people against their will is part of the history of literature,” said Helen Finch, a professor at the University of Leeds who studies representations of the Holocaust in German literature. “But that doesn’t absolve the writer from criticism.”
Manli — a journalist who has worked for the Boston Globe and helped found the China Daily, a state-backed media outlet, in 1981 — has made it her mission to set the record straight on Feng-Shan’s story. She began researching her father after his death in 1997, while writing his obituary. One line in his memoir from 1990 that recalled “saving who knows how many Jews” piqued her interest and led to a 25-year quest to document the extent of what her father did during the war.
His story of defying both his own government and the government of Germany to write Shanghai visas for thousands of persecuted Jews had been previously unknown, even to the refugees themselves — most of whom never met Feng-Shan.
Manli’s research led to Feng-Shan’s recognition by Yad Vashem, Israel’s Holocaust museum and memorial authority, in 2000 as “Righteous Among the Nations,” an honor given to those who risked their own lives to help Jews during World War II. Since then, greater attention has been paid to his story, and memorials across the world, from Israel to China to Italy, bear his name today.
Manli said Randel reached out to her several times before her book was published but after it had already been written. According to Manli, Randel sought out her blessing on the book by phone and email, saying that “the Holocaust history and your father’s history is now being forgotten” and adding that she wanted to help spread that history. Manli, who is working on a book of her own about her father, said she refused to answer, “just from the tone of her letter and what she wanted.”
“I have been burned before by this,” Manli told JTA. “I knew immediately that this was not something that I wanted to participate in and certainly that I wasn’t going to endorse.”
In an email shared with JTA in response to Manli’s editorial, Randel wrote that she has “great respect for Dr. Ho Fenghan[sic] and his family. I’m surprised to hear such strong negative criticism. I’m puzzled to see my gesture of respect is viewed in such a hostile way. If Ms. Manli Ho wishes to speak to me, I’m here.”
Randel, according to a biography on her website, came to the United States from China at 24 and became “the first Asian American novelist who intertwined Chinese history with the Jewish diaspora in Shanghai during WWII.”
Her previous novel, “The Last Rose of Shanghai,” follows a Chinese woman who falls in love with a German Jewish refugee living in the Shanghai Ghetto, the restricted area in which over 20,000 displaced Jews lived during World War II, under brutal oversight by Japanese officials who occupied the area. In interviews before the book’s 2021 release, Randel recalled hearing about Jewish refugees while she was living near the district that housed the ghetto.
After moving to the United States, she married an American Jew and is raising her children with both cultures in Boston. She has said “The Last Rose of Shanghai” was inspired by her interest in the history she saw in Shanghai and a desire to pay homage to her Jewish side of the family.
“I think it’s apt to say the survival of Shanghai Jews is also a story of how we as different races and as human beings shine and triumph over war and adversity,” she said in a January 2022 interview with World Literature Today.
But other researchers and authors deeply familiar with Feng-Shan’s story and Jewish history in Shanghai told JTA that “The Last Rose of Shanghai” also contained historical inaccuracies, including misrepresentation of real people who appear as characters, such as Victor Sassoon, a Jewish businessman and member of the dynasty known as the “Rothschilds of the East,” and Laura Margolis, the first female Joint Distribution Committee representative.
The book also includes a character named Goya, described as “a shameless Jew … who somehow had won the Japanese’s trust.”
The Jewish character is based on the real Kanoh Ghoya, who was not Jewish, but a notoriously cruel Japanese officer who had dubbed himself “king of the Jews” and “was infamous for his inhumane treatment of ghetto inhabitants,” according to the USC Shoah Foundation.
According to Publisher’s Marketplace, “The Last Rose of Shanghai” was sold to Lake Union Publishing — an imprint of Amazon Publishing — in 2021 as half of a two-book deal worth between $100,000 and $250,000. It was a finalist for a Jewish National Book Award that year. (The Jewish Book Council, which confers those awards, did not respond to multiple requests for comments about the “Night Angels” event.)
Kanagaratnam said Historic Shanghai’s book group read “The Last Rose of Shanghai” in 2021 and hosted Randel for an event. The group was unsatisfied by Randel’s response when factual issues were brought to her attention, particularly the characterization of Ghoya as Jewish, Randel dismissed them, Kanagaratnam said.
Randel’s novel is only part of a growing consciousness among the general public of the Shanghai Jewish refugee story. In recent decades, especially following the normalization of Israel-China relations in 1992 and Feng-Shan’s recognition by Yad Vashem, both governments have promoted the history, sometimes distorting facts to push different narratives about their wartime past.
New books and other media adaptations about the Shanghai Jewish refugee story have proliferated, such as the musical “Shanghai Sonatas” (2022) and the novels “Someday We Will Fly” (2019),“The Lives Before Us” (2019), and “The World and All It Holds” (2023). Other films and books are forthcoming.
“The audience of people who are interested in, if you will, an ‘exotic’ Jewish story, I think has meant that we’re seeing more and more of these. Everyone’s heard the Holocaust story. But now here’s one in an exotic setting,” said Kanagaratnam. “I think authors need to take responsibility. But honestly, I also blame the publishing industry, because where are the fact-checkers? A lot of the stuff in this can be really easily googled.”
Finch said novels that are set during that period are “always a work of fiction about the present.”
“So the question is, why is this author writing this book now? What does that say about the current moment when she’s writing? And what is with Randel trying to reflect either consciously or unconsciously in contemporary politics as well?”
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The Army’s only airborne rabbi finds his congregation wherever he lands
FORT BRAGG, N.C. — At dawn on Friday, two soldiers showed up for physical training. Their rabbi was already waiting.
Black T-shirts. Gold ARMY across the chest. Nothing to set them apart. They blended into the formation — hundreds of soldiers under the pine trees as reveille cut through the morning. The flag rose. They saluted, stretched, climbed ropes, ran into the dark.
For 30 minutes, they were indistinguishable. Then everything shifted.
The three men walked into a meeting room inside a battalion headquarters, their shirts still damp with sweat. One soldier held out his left arm. The other draped a camouflage tallit over his shoulders. Rabbi Scott Klein reached into his backpack, removed a pair of black leather tefillin, and began wrapping them around a soldier’s arm — seven times, the way it’s always done, the leather biting just enough to remind you it’s there.
At 36, Klein serves one of the most unusual pulpits in American Judaism. He is one of 140 chaplains at Fort Bragg, the world’s largest military base. And he is the Army’s only Jewish chaplain assigned to an airborne unit — which means that jumping out of an airplane, for him, is not a metaphor for faith. It’s a job requirement.
One of the men praying beside him that morning was Jacob Abrams, 24, a specialist from Manhattan, Kansas. He found out about Jewish life on the base by accident, in the commissary, on a flyer for a challah-baking workshop stapled near the cereal aisle.
“Scott instantly made me feel included in the community,” Abrams said.
On Friday mornings, the two wrap tefillin together after physical training. On Friday nights, they welcome Shabbat together. But the relationship doesn’t end at the chapel door. Klein joins field exercises. He sleeps in tents. He paratroops into combat zones.
“There are days — many days — where you just don’t want to be there,” Abrams said. “Having your chaplain out there, who’s also embracing the suckiness with you, it makes it a lot easier to get through.”
It is an old idea, dressed in new camouflage: that you do not minister from a distance. You jump first.
A congregation with no walls
Later that morning, Klein climbed into his car and began driving across Fort Bragg.
The base stretches for miles, a city unto itself — schools, supermarkets, banks, gas stations, a Chipotle, three Starbucks, all of it sitting inside roughly 250 square miles, a map Klein has long since stopped needing to consult.
As he drove, he pointed things out the way someone points out a childhood neighborhood: the headquarters of the 82nd Airborne Division, the parade fields, the training grounds where soldiers prepare to leave for places he has already been.
He grew up nearly 900 miles from here, in Skokie, Illinois, where his world, for a while, stayed small. After college, he joined his father’s accounting firm, dedicating himself to fostering local economic development and helping small businesses scale. The work paid the bills, but what he loved most was driving community entrepreneurship from the ground up — the Jewish networking events he organized for young professionals, the restaurant back rooms he’d reserve, the texts he’d send to make sure people showed up, and the strangers he introduced who became business partners, then friends.
“I realized that when you connect people, you aren’t just building networks—you’re building the infrastructure of a community,” he said.
Then, in his late 20s, an Army recruiter asked if he had ever considered serving. Klein had always thought of himself as deeply patriotic. He served on Skokie’s Fourth of July parade committee, loved civic life and believed, as an American Jew, that serving his country was a responsibility.
“If I have the opportunity to serve my country,” he recalled thinking, “I can’t let the door slam shut.”
The United States is marking this week its 250th birthday, what Klein called a “monumental” moment in the life of the “American experiment.”
He spoke of Francis Salvador, the first Jewish soldier killed in the Revolutionary War; Haym Solomon, who helped finance the Continental Army; the Civil War, which produced the country’s first official Jewish military chaplain, Rabbi Jacob Frankel, commissioned by Abraham Lincoln in 1862; the half a million American Jews who served in the two world wars that followed.
“We aren’t passive observers of this 250-year history,” he said. “We are foundational stakeholders.”
Klein commissioned into the Army Reserve. What followed reshaped his life.
During deployments across the Middle East, he became what the military calls a lay leader, the person responsible for holding Jewish life together in places where no chaplain existed to do it. On Friday nights, that meant leading Shabbat services in Jordan, Iraq, Syria, the United Arab Emirates, Bahrain, Saudi Arabia.
During one deployment, he led a Passover Seder in Egypt for soldiers and diplomats, retelling the story of the Exodus on the banks of the river where it happened. He led High Holiday services at Guantanamo Bay. In Iraq, he lit a Hanukkah menorah inside one of Saddam Hussein’s former offices — a small, stubborn flame in a room built for someone who would have extinguished it.
Eventually, the distinction between lay leader and rabbi stopped making sense to him. Klein enrolled in rabbinical school while still in uniform, attending classes online from bases scattered across the Middle East — studying the Talmud in the region where rabbis first argued over its pages, sometimes logging in from bunkers, sometimes losing the connection mid-lesson, the line between ancient text and unreliable internet blurring into one continuous feed.
He was ordained in 2024. Soon afterward, he joined the ranks of more than 100 Jewish chaplains serving across the U.S. armed forces, which have roughly 10,000 active-duty Jewish military personnel. (Out of that total force, Klein is one of only about 10 to 15 Jewish chaplains serving on active duty in the U.S. Army). The Army sent Klein to Fort Bragg. There, he began building something more permanent.
‘Never plateau’
Klein pulls into the parking lot of one of the base’s supermarkets.
Inside, it looked like a large grocery store anywhere in America — wide aisles, fluorescent light, shoppers pushing carts past the produce and the canned goods. Klein headed straight for the bakery.
“See this?” he said, pointing to a stack of challah. “We didn’t have this before.”
When he arrived at Fort Bragg, it wasn’t something easy to find on base. Klein worked with the store manager to bring it in. Today, it helps sustain Shabbat for the more than 200 Jewish soldiers and their families who are stationed here.
He walked a few aisles over to the meat department and pulled open the door to a large refrigerated case with a “Kosher” sign taped to it: brisket, ribeye, ground beef, stew meat for cholent. Before Klein, the options were thin. Now the case stays stocked. When the meat comes in, he posts to a WhatsApp group and a Signal chat, and Jewish soldiers from one end of Fort Bragg to the other know to come get it before it’s gone. It is a community built less on sermons than on supply chains.
None of that, on its own, is unusual for a chaplain. But for Klein, it is not enough.
For the past two years, he has also served as the interim rabbi at Beth Israel, a century-old congregation in Fayetteville, about 15 minutes off base. The synagogue has around 100 members and an active Sunday school. A permanent rabbi has been hired and will move into the parsonage on its 10-acre property in August.
Klein also volunteers his time as a chaplain for the Fayetteville Police Department. He teaches “Torah on tap” classes at a local brewery. He recently finished a two-year fellowship for rabbis serving small-town Jewish communities, the kind of program built for people without a colleague down the hall to ask for advice.
He travels to rabbinical schools to recruit students who assume the only pulpit worth having is a sanctuary, showing them that there’s another version of the job — one that jumps out of airplanes, sleeps in tents, and answers a 3 a.m. phone call that no synagogue board ever will.
He is already a qualified paratrooper and recently earned his Air Assault wings — rigorous tactical credentials rarely held by military chaplains. Later this summer, he takes that same drive to a special operations unit.
“I set a goal for myself a long time ago to never plateau,” he said. “I’m in the right organization, because the Army has that culture: ‘Great, you’ve achieved this. What’s next?’ Even at 36, I feel like I’m just getting started.”
And it isn’t only about rank or certifications. “I want to continue learning in Judaism, in Torah,” he said. “But also just as a human. I have this itch to keep doing more.”
From phone calls to a first meeting
In the afternoon, Klein returned home.
On base, the houses are nearly identical — modest homes lined up along quiet streets, indistinguishable from one another unless you know which door to knock on. Inside, the living room was sparsely decorated, the furniture simple and functional. Klein shares the house with his wife, Eli, who teaches special education at a school on base, and Buddy, their 11-year-old goldendoodle, who curled up on a chair.
On the couch sat Paul Kenul, a 69-year-old retired U.S. diplomat who had flown in from Europe. Raised Catholic, he was now studying to become a Jew.
Klein balanced a laptop on his knees, scrolling through a passage from Pirkei Avot, a tractate devoted to ethics and moral teachings. Kenul leaned forward, listening closely, a pen in one hand and a notepad in the other.
Kenul grew up on Long Island, in a neighborhood that was almost entirely Jewish, except for him. He spent a career bouncing between Alaska and Heidelberg and Addis Ababa before landing, almost by accident, in Tel Aviv, working at the U.S. embassy. “I felt like I was home,” he said.
He lives in Poland now, with his wife, in a house with an Israeli flag flying in the garden.
For the past year, every Sunday, on the phone, the two men have worked their way through the Torah cycle. The first few months, Kenul said, he was “high” learning with Klein, mesmerized by a tradition he wished he’d found as a teenager.
For Kenul, the lessons had begun to feel like something more. “When I study with the rabbi,” he said, “I feel like I’m feasting.”
This week, for the first time, he flew in to meet Klein in person. “We hugged, and we just kept talking,” Kenul said matter-of-factly.
He talks now about the Torah’s cast of men who failed and were forgiven and failed again the way other people talk about relatives. “They feel like my ancestors,” he said. “They made so many mistakes. I can relate to that.”
Borrowed space, sacred time
The Watters Family Life Center for Counseling and Resiliency does not look like a synagogue, because it isn’t one. It’s a building the Army built for chaplains of every faith to share, and on Friday nights, for about an hour, it becomes one.
Past the kitchen, a walk-in storage room held boxes of Streit’s potato kugel, bottles of grape juice, a stack of siddurs, and “Shabbat in a box” kits donated by a Connecticut nonprofit — a Kiddush cup, a havdalah candle, a challah cover, and, inexplicably, a deck of playing cards. In the corner, leaning against the wall, rests a blue pop-up sukkah.
Klein passed out camouflage kippahs at the door.
About 15 people sat in folding chairs, more arriving until someone had to grab extra seats. Klein stood behind a small pulpit, a menorah on the stage behind him between an American flag and the Army Chaplain Corps flag. He’d traded his fatigues for a gray suit, no tie. The service moved through Hebrew and English, everyone following along in camouflage-covered siddurs.
It was the Shabbat before the Fourth of July, and the week’s Torah reading happened to be Klein’s own bar mitzvah portion — a text that describes the sudden death of Miriam. For Klein, the connection was heartbreakingly close; his own sister, Miriam, had passed away suddenly just a month prior.
He shared with the room how the Torah handles the loss with a striking, quiet brevity, offering no drawn-out account of public mourning. Instead, Jewish tradition teaches that a miraculous well of water traveled with the Israelites through the dry wilderness for as long as Miriam lived — and vanished the moment she died.
Klein’s sister moved through the world with that same quiet, life-giving impact, he said. “She didn’t need the spotlight; she just brought sustenance and life to everyone around her,” he reflected. “She never would have wanted a loud, public display of grief. She would want us to keep moving forward through the desert.”
Then he recited the Mourner’s Kaddish.
A chaplain’s job, as the Army defines it, comes in three parts: nurture the living, care for the wounded, honor the fallen.
The first happens every day — soldiers walking in with money trouble, a marriage coming apart, the slow pressures that build until someone needs to talk to a person who won’t repeat what’s said.
The third comes without warning. When a soldier dies, in training or in combat, the call goes to the chaplain. Klein has stood with families the moment they find out. He has escorted remains across state lines, sometimes across continents, making sure both military protocol and Jewish tradition are followed at every step. At Dover Air Force Base, where the country’s dead return home first, chaplains are often the ones waiting on the tarmac.
“Escorting a fallen service member home is the most sacred, heavy duty we have,” he said. “It is the ultimate expression of our promise never to leave a fallen comrade.”
After the prayer for peace and a prayer for the country’s soldiers, the room sang Shalom Aleichem and Klein poured Kiddush into plastic cups. There was babka, black and white cookies, and fresh challah baked by a soldier’s wife, still warm when it reached the table.
There was also cake: carrot cake left over from his shloshim service for Klein’s sister, and a cookie cake for the country’s 250th — grief and birthday cake sharing a tablecloth. It was the whole evening in miniature: whatever needed holding, the room found a way to hold it.
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LA Jewish Federation staff picket their office
Employees of Los Angeles’ Jewish federation and three other local Jewish nonprofits are set to picket outside the federation’s building Tuesday, accusing federation management of a bait-and-switch in negotiations for a new contract.
Unionized workers of Jewish Federation Los Angeles, one of the four largest Jewish federations in the U.S. by net assets, say the federation verbally agreed June 25 to a 5% salary increase in the first year of a three-year contract during a bargaining session, only to lower the offer to 4% in the first year after the union withdrew other demands.
“It feels like bad-faith negotiations,” Lilia Arbona, who leads the employee union, said in an interview. “It’s disrespectful and distasteful to the community.”
About three-quarters of the union’s 93 members are employees of the federation itself. The remainder work for the Jewish Community Foundation, which manages more than $1 billion of charitable assets and is closely linked to the federation. The other two agencies, Jewish Big Brothers Big Sisters of Los Angeles and Builders of Jewish Education, partner with the federation and receive federation funding but are separate nonprofits, and the federation negotiates on their behalf.
The union staff, who are members of the American Federation of State, County and Municipal Employees, also picketed the building last week.
Arbona, who has worked for the federation for 35 years and is currently their senior art director, said the union had agreed to withdraw proposals around healthcare, parental leave and severance pay for annual wage increases of 5%, 4% and 4% in the three years of the contract — the same structure it agreed to in 2023, when its last contract was signed. That contract expires Tuesday.
Arbona said management had attributed the missing 1% to healthcare contributions, but alleged that the healthcare increases didn’t make up the difference. She added that the picket was not a strike or a work stoppage; union members will participate during their lunch hour.
The union has the option of filing an unfair labor practices complaint with the U.S. Department of Labor, but Arbona said it could take a year to get a hearing and that a Trump-run department would not give the union a fair hearing.
Rob Goldenberg, who is serving as the federation’s communications lead, did not address Arbona’s claims but described the picket as a “common” occurrence in the bargaining process.
“Every three years, the Jewish Federation, representing several Jewish agencies, negotiates with our local union,” Goldenberg, the federation’s chief creative officer, said in a statement. “An informational picket, conducted during our employees’ non-work time, is a common part of this process. We have engaged in good-faith negotiations and look forward to reaching a conclusion soon that benefits everyone involved.”
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The play is about Birthright, but it’s about a lot more than Israel
Towards the end of Birthright, a new play that just made its New York City debut at the MCC Theatre, two characters are arguing over Israel and Zionism in the wake of Oct. 7. The talking points will be familiar to anyone who’s been ensconced in the discourse of the past few years: Izzy says that Zionism is and has always been a colonialist project, and Chaya blames the conflict on Palestinian leaders who rejected early two-state solutions.
As they argue, each is frantically Googling; their phone screens are projected onto the walls of the set. We can see the chasm between their echo chambers: Izzy goes to the Jewish Voice for Peace website, Chaya to The Jerusalem Post. Each time they focus on their own screen, the sound of the argument becomes muffled and indistinct until they resurface to throw a new piece of evidence into the conversation.
It’s a clever piece of production magic that effectively drives home the schism over Israel in the Jewish world, and our inability to hear each other.
Birthright, commissioned by Miami New Drama from Tony Award-winning playwright Jonathan Spector and here directed by Teddy Bergman, is nominally about the eponymous free trip to Israel. But really it’s about a group of six friends that formed on the trip, and their personal journeys — through Judaism, and through life — as the somewhat motley crew diverges and reconnects over the years.
The show is a long one, three and a half hours once you include its two intermissions. Each act depicts a single night, spaced over the course of nearly two decades — first, right after they’ve returned from their trip to Israel in 2006, then in their early 30s as their careers are taking off in 2016, and finally a year after Oct. 7. While the runtime is admittedly long, it allows for well-developed characters, which are essential to approaching such a touchy topic with any nuance, and the fast-paced dialogue keeps things moving briskly. (A reasonable helping of humor, including a Kanye reference in every act, doesn’t hurt.)
And the show does manage an astonishing amount of subtlety for a topic that has become so factionalized. The characters represent a reasonably diverse range of Jewish thought and experience, though certainly leaves some out. (There are no Jews of color or converts, for example, and no true right-wing hawks.)
There’s Chaya (Zoe Winters, best known as Logan Roy’s secretary and mistress on Succession), who grew up Conservadox, but spent college rushing a sorority and dyeing her hair blonde; she ends up working for the Democratic establishment. Noah (Eli Gelb, Tony-nominated for Stereophonic) is a political wonk with a Facebook-addled dad prone to right-wing conspiracy theories. Izzy (Molly Bernard), a queer Jew who eschewed law school, has worked on the Jewish left long before it became buzzy. Lev (Hale Appleman), a lost soul wanderer with a penchant for Jewish philosophy — he name-drops Abraham Joshua Heschel’s The Sabbath and Yosef Yerushalmi’s Zakhor — has family who survived the Holocaust. Alona (Molly Ranson), a sociology PhD who fell for an IDF soldier on the trip, eventually marries an Israeli and moves to Tel Aviv. And Emerson (Nate Mann), a musician, is barely aware that he’s Jewish when he lands on their trip half by accident.
This long summary represents only a smidgen of the events in the group’s lives. The play makes sharp use of production gimmicks, opening the second and third acts by projecting a montage of messages, summarizing the events of the group’s intervening years — and also cleverly reminding us of the quirks of bygone eras. Before the second act, we see wedding invitations and job announcements sent out by email, and then newborn photos posted on Facebook. Before the third, there are group chats on iMessage and then Whatsapp, where we see more birth announcements. Later, they exchange articles about the Israel-Hamas war.
This glut of information is how the show achieves its depth. On paper, one could slot some of these characters into obvious archetypes: The Zionist who makes aliyah, the queer anti-Zionist activist who has made politics her whole identity, the centrist liberal who staunchly supports Israel. But every character has real depth and pathos, and none of the action plays out to its stereotypical end.
When someone asks Izzy, the JVP-type activist, why she hates Israel so much, she doesn’t list out its sins; instead, she’s affronted. “I don’t hate Israel. I love it,” she says. “What it could be at its best.” She doesn’t believe she’s fighting against the nation, but for it.
Meanwhile, Alona, who made aliyah, does not launch into a speech about how Hamas has to be eradicated before the war can end; Bibi, the rest of the Israeli government and settlers, she says, are just as much of a “cancer” as any terrorist group.
Though the political discussions are impressively nuanced, Birthright finds its true success in spending as much time on the rest of the characters’ lives as it does on their political stances. There are the complications of falling for a non-Jewish partner. The ways having children changes life in inalterable ways. Divorces. Substance abuse. The way a dream career can still disappoint. For a topic that is so often turned into a polemic, the play takes a broader view.
In presenting stories of real, believable Jewish lives that are not solely defined by their Judaism, the play demonstrates that Jewishness doesn’t mean just one thing to anyone. Instead, it explores the ways Jewish identity layers on, mingles with and sometimes challenges the rest of one’s choices, values and beliefs.
There are views left out of Birthright, to be sure. No one is right wing (the characters call their group “BirthLeft”), and in the first act they all make fun of their trip as a way to get Jewish kids laid. No one is truly hawkish about the war; in the first act, the characters make fun of George W. Bush and fantasize about working on Democratic campaigns. No one is making an argument, as plenty of people have in the past few years, that Palestinians should be exiled from Gaza or deserve to die.
But the overall point can apply equally: Judaism, and Israel, is not one clear thing. There’s no perfect answer. We aren’t all supposed to agree — but that doesn’t have to tear us apart. It’s a simple message, but one that is hard to believe these days; Birthright makes it feel tangible.
As Lev says when considering their Birthright trip, and his confused feelings about it. “History, Jewish history, it’s never been a straight line, and it’s never meant only one fixed thing. It’s more a thing you interpret, that you find meaning in.”
The new play Birthright is playing at the MCC Theater in Manhattan through Jul 26, 2026.
The post The play is about Birthright, but it’s about a lot more than Israel appeared first on The Forward.
