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Novel about Chinese rescuer of Jews raises questions about facts vs. fiction in Holocaust stories

TAIPEI (JTA) — Ho Feng-Shan, the Chinese diplomat stationed in Vienna who helped thousands of Jews escape from Europe during World War II, never met Adolf Eichmann.

But in “Night Angels,” a novel based on his life, Feng-Shan comes face to face with Eichmann several times — and his wife Grace’s Jewish tutor, Lola, tries to kill the architect of the Holocaust.

That detail is one of many that has spurred Ho Manli, Feng-Shan’s daughter, to speak out against “Night Angels,” the fourth novel by the Chinese-American author Weina Dai Randel. Manli says the book distorts elements of her father’s story, which was unknown before she spent decades documenting his heroic efforts to issue visas allowing Jews to escape to Shanghai.

“What I have found in doing this story is it’s very difficult to try to maintain the historical integrity of the facts,” Manli told the Jewish Telegraphic Agency. “Countless people … want to use this for their own means, whether it be commercial like this novelist, whether it be political, or whatever. So over the two decades that I have been doggedly trying to uncover more and more, I’ve been constantly fending off these sorts of opportunistic assaults.”

The dispute is casting a shadow over the novel, released this month, and reinvigorating longstanding debates over the importance of truth in historical fiction — particularly in stories about the Holocaust.

“Night Angels” follows Feng-Shan and his wife, Grace, as they risk their lives by issuing visas that allow thousands of Jews escape Germany and Austria to Shanghai. Grace, one of the novel’s narrators and main characters, is based on Feng-Shan’s real second wife with the same name who was no longer in Vienna after the Anschluss — Nazi Germany’s annexation of Austria in 1938, and the period in which the novel is set. By that time, Feng-Shan had already sent Grace away to Boston. She never witnessed Nazi rule or Feng-Shan’s efforts to save Jews, Manli writes. 

Several other events in the book, including Grace’s friendship with a Jewish woman who attempts to assassinate Eichmann and her development of a morphine addiction, are fully fictional.

Manli first took aim at the book in a column last month in China Daily. The novel, she wrote, “exploits real names, real people, real events and places, in what is essentially a Holocaust-themed melodrama.”

“In online reviews, readers say that they are thrilled to learn of my father and this history — except of course, what they have learned is not really history, my father’s, or anyone else’s,” she wrote.

Randel and her publisher, Amazon Publishing, did not respond to multiple requests for comment. 

Randel dedicated the novel to “Ho Feng-Shan, his family, and all the angels in Vienna and beyond.” The book includes a disclaimer disclosing that its contents are a work of fiction and a product of the author’s imagination. 

But that’s not satisfactory to some readers, including Tina Kanagaratnam, co-founder of the heritage group Historic Shanghai, whose book group read a previous Randel story set in Shanghai.

“If you’re talking about a historical character, you have to get the history right. Otherwise, just create a fictional character,” Kanagaratnam told JTA. “This is written for people who don’t know the history, but as Manli said, that’s dangerous, because then that’s what they remember. That’s what they take away.”

Ho Monto, left, and Ho Manli stand in front of the Righteous Among the Nations wall at the Yad Vashem Holocaust memorial in Jerusalem, Jan. 23, 2001. (Isaac Harari/AFP via Getty Images)

“Night Angels” has accumulated thousands of positive reviews on Amazon and has been promoted by Jewish organizations across the country. On Wednesday, the Jewish Book Council, in collaboration with Tablet Magazine and the Jewish Museum in New York City, will hold an event with Randel and journalist Jonathan Freedland that will explore “fact, fic­tion, and the some­times blurred line between them.”

Randel’s book adds to a long list of Holocaust stories occupying that blurry territory, dating from the genre’s early days. Many readers believed, for example, that “The Painted Bird,” the pivotal work of Holocaust fiction from the 1960s, was based on author Jerzy Koszinski’s experience during the Holocaust; it was not. Scholars and booksellers have long agonized over whether to call Elie Wiesel’s “Night” a memoir or a novel, and whether the distinction matters when it is taught in American classrooms.

The fight has extended to questions over who can tell which stories from Holocaust. In 2014, Haaretz journalist Judy Maltz filed a lawsuit against Penguin Canada and author Jenny Witterick alleging that Witterick’s novel, “My Mother’s Secret,” copied Maltz’s documentary film about her family’s rescue during World War II. The court ruled in favor of Witterick on the grounds that copyright protection does not apply to historical events. 

“An author is only ever responsible to their own fiction. They have creative license. And fictionalization of other people against their will is part of the history of literature,” said Helen Finch, a professor at the University of Leeds who studies representations of the Holocaust in German literature. “But that doesn’t absolve the writer from criticism.”

Manli — a journalist who has worked for the Boston Globe and helped found the China Daily, a state-backed media outlet, in 1981 — has made it her mission to set the record straight on Feng-Shan’s story. She began researching her father after his death in 1997, while writing his obituary. One line in his memoir from 1990 that recalled “saving who knows how many Jews” piqued her interest and led to a 25-year quest to document the extent of what her father did during the war. 

His story of defying both his own government and the government of Germany to write Shanghai visas for thousands of persecuted Jews had been previously unknown, even to the refugees themselves — most of whom never met Feng-Shan. 

Manli’s research led to Feng-Shan’s recognition by Yad Vashem, Israel’s Holocaust museum and memorial authority, in 2000 as “Righteous Among the Nations,” an honor given to those who risked their own lives to help Jews during World War II. Since then, greater attention has been paid to his story, and memorials across the world, from Israel to China to Italy, bear his name today.

Manli said Randel reached out to her several times before her book was published but after it had already been written. According to Manli, Randel sought out her blessing on the book by phone and email, saying that “the Holocaust history and your father’s history is now being forgotten” and adding that she wanted to help spread that history. Manli, who is working on a book of her own about her father, said she refused to answer, “just from the tone of her letter and what she wanted.”

“I have been burned before by this,” Manli told JTA. “I knew immediately that this was not something that I wanted to participate in and certainly that I wasn’t going to endorse.”

In an email shared with JTA in response to Manli’s editorial, Randel wrote that she has “great respect for Dr. Ho Fenghan[sic] and his family. I’m surprised to hear such strong negative criticism. I’m puzzled to see my gesture of respect is viewed in such a hostile way. If Ms. Manli Ho wishes to speak to me, I’m here.”

Randel, according to a biography on her website, came to the United States from China at 24 and became “the first Asian American novelist who intertwined Chinese history with the Jewish diaspora in Shanghai during WWII.”

Her previous novel, “The Last Rose of Shanghai,” follows a Chinese woman who falls in love with a German Jewish refugee living in the Shanghai Ghetto, the restricted area in which over 20,000 displaced Jews lived during World War II, under brutal oversight by Japanese officials who occupied the area. In interviews before the book’s 2021 release, Randel recalled hearing about Jewish refugees while she was living near the district that housed the ghetto. 

After moving to the United States, she married an American Jew and is raising her children with both cultures in Boston. She has said “The Last Rose of Shanghai” was inspired by her interest in the history she saw in Shanghai and a desire to pay homage to her Jewish side of the family.

“I think it’s apt to say the survival of Shanghai Jews is also a story of how we as different races and as human beings shine and triumph over war and adversity,” she said in a January 2022 interview with World Literature Today

But other researchers and authors deeply familiar with Feng-Shan’s story and Jewish history in Shanghai told JTA that “The Last Rose of Shanghai” also contained historical inaccuracies, including misrepresentation of real people who appear as characters, such as Victor Sassoon, a Jewish businessman and member of the dynasty known as the “Rothschilds of the East,” and Laura Margolis, the first female Joint Distribution Committee representative. 

The book also includes a character named Goya, described as “a shameless Jew … who somehow had won the Japanese’s trust.”

The Jewish character is based on the real Kanoh Ghoya, who was not Jewish, but a notoriously cruel Japanese officer who had dubbed himself “king of the Jews” and “was infamous for his inhumane treatment of ghetto inhabitants,” according to the USC Shoah Foundation.

According to Publisher’s Marketplace, “The Last Rose of Shanghai” was sold to Lake Union Publishing — an imprint of Amazon Publishing — in 2021 as half of a two-book deal worth between $100,000 and $250,000. It was a finalist for a Jewish National Book Award that year. (The Jewish Book Council, which confers those awards, did not respond to multiple requests for comments about the “Night Angels” event.)

Kanagaratnam said Historic Shanghai’s book group read “The Last Rose of Shanghai” in 2021 and hosted Randel for an event. The group was unsatisfied by Randel’s response when factual issues were brought to her attention, particularly the characterization of Ghoya as Jewish, Randel dismissed them, Kanagaratnam said.

Randel’s novel is only part of a growing consciousness among the general public of the Shanghai Jewish refugee story. In recent decades, especially following the normalization of Israel-China relations in 1992 and Feng-Shan’s recognition by Yad Vashem, both governments have promoted the history, sometimes distorting facts to push different narratives about their wartime past. 

New books and other media adaptations about the Shanghai Jewish refugee story have proliferated, such as the musical “Shanghai Sonatas” (2022) and the novels “Someday We Will Fly” (2019),“The Lives Before Us” (2019), and “The World and All It Holds” (2023). Other films and books are forthcoming.

“The audience of people who are interested in, if you will, an ‘exotic’ Jewish story, I think has meant that we’re seeing more and more of these. Everyone’s heard the Holocaust story. But now here’s one in an exotic setting,” said Kanagaratnam. “I think authors need to take responsibility. But honestly, I also blame the publishing industry, because where are the fact-checkers? A lot of the stuff in this can be really easily googled.”

Finch said novels that are set during that period are “always a work of fiction about the present.”

“So the question is, why is this author writing this book now? What does that say about the current moment when she’s writing? And what is with Randel trying to reflect either consciously or unconsciously in contemporary politics as well?”


The post Novel about Chinese rescuer of Jews raises questions about facts vs. fiction in Holocaust stories appeared first on Jewish Telegraphic Agency.

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Romanians Stabbed Journalist in London at Behest of Iran, UK Court Told

People walk past a mural depicting the late leader of the Islamic Revolution, Ayatollah Ruhollah Khomeini, and the late Iran’s Supreme Leader Ayatollah Ali Khamenei, in Tehran, Iran. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS

A team of Romanian men, acting as proxies for the Iranian government, carried out a knife attack on a journalist working for a Persian-language media organization in London, prosecutors told a British court on Monday.

Pouria Zaratifoukolaei, known as Pouria Zeraati, a British journalist of Iranian origin who works for Iran International, was stabbed in the leg three times as he was attacked near his home in Wimbledon, southwest London, in March 2024.

At the start of the trial of two of the three men accused of carrying out the stabbing, prosecutor Duncan Atkinson said they had targeted Zeraati, whose Saudi-funded TV employer is critical of Iran‘s government and has been designated a terrorist organization by Tehran.

‘DELIBERATE, PLANNED VIOLENCE’

“This was no robbery, no fight that got out of control, it was deliberate, planned violence to achieve what it did, that is serious injury to its target,” Atkinson told London‘s Woolwich Crown Court.

They had “committed a planned attack preceded by reconnaissance, and which was ordered by a third party acting on behalf of the Iranian state,” the prosecutor said.

Iran has denied any involvement in the incident.

Nandito Badea, 21, and George Stana, 25, both deny charges of wounding with intent and unlawful wounding. The third man accused of involvement, David Andrei, was arrested in Romania but is not involved in the trial.

Atkinson said Zeraati was an “obvious and readily identifiable target for violence to be inflicted by proxies” acting for Iran. He said posters had been put up in Tehran in November 2022 featuring pictures of journalists including Zeraati, under the heading “Wanted: dead or alive.”

“In recent years, since 2005, the Islamic Republic has turned less to its own operatives and increasingly to use proxies such as criminal gangs to meet their threatened violence on their behalf,” Atkinson said.

“That has included attacks on persons in this country who have become targets of Iranian intimidation and, effectively, terror.”

Atkinson said Zeraati had been subject to “extensive reconnaissance,” and a year before Stana had been arrested in the garden of his apartment with another man, in possession of latex gloves, scissors, and a mask.

On the day of the attack, Badea and Andrei confronted Zeraati as he crossed the street from his home to his car, the prosecutor said. Andrei held him, while Badea stabbed him at the top of his thigh before they fled to a getaway car driven by Stana, the prosecutor added.

The men, who were motivated by money, dumped the car and some clothing, and then took a taxi to Heathrow Airport from where they flew to Geneva, Atkinson said.

The trial, which is expected to last more than two weeks, continues.

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‘Beyond Ironic’: Mamdani’s ‘Nakba’ Video Features Non-Arab Woman Critics Say Has European Roots

New York City Mayor Zohran Mamdani (D) speaking with the press in the Bronx, New York City, May 18, 2026. Photo: Michael Brochstein/ZUMA Press Wire via Reuters Connect

New York City Mayor Zohran Mamdani marked the Palestinian “Nakba” with an official City Hall video featuring a woman presented as a survivor of Israel’s founding war, but critics quickly identified her family as “European settlers” from Bosnia who left Arab-controlled territory.

The backlash came as leaders of mainstream Jewish groups said they would reject invitations to Mamdani’s “Jewish Heritage” celebration at Gracie Mansion on Monday evening.

The video, posted on Friday, features New York resident Inea Bushnaq, identified as a “Nakba survivor,” recounting her family’s departure from their home because, as she termed it, “the Zionists were coming into Jerusalem.”

Nakba is Arabic for “catastrophe,” a term Palestinians use for Israel’s founding and the displacement of hundreds of thousands of Arabs during Israel’s 1948 War of Independence. The Palestinian demand for a “right of return” for the refugees’ millions of descendants is viewed by many Israelis and Jews as a call that would end Israel’s existence by demographic means. Critics said the video’s assertion that the Nakba “continues to this day” echoed that position.

Text in the video says the Nakba refers to the “expulsion and displacement of more than 700,000 Palestinians between 1947 and 1949 during the creation of the State of Israel” and says Israel’s pre-state militaries, “the Haganah, Irgun, and Lehi militias, among others, destroyed more than 400 Palestinian villages and cities, killing thousands of Palestinians and carrying out dozens of massacres.”

“May 15 is the annual commemoration of the Nakba. For Palestinians, their displacement and the Nakba continue to this day,” the video text reads.

The video makes no mention of Arab attacks on Jews before and during the 1948 war, the invasion by Arab armies after Israel’s declaration of independence meant to eradicate the nascent state, the rejection of the UN partition plan that would have created a Jewish and an Arab state, or the expulsion of Jews from parts of Jerusalem that came under Jordanian control.

Speaking in a British accent in the video, Bushnaq, who is described as Palestinian-American, explains how keys have become a Palestinian symbol of the right to return. “You have the key but not the house,” she says.

Tom Gross, a Middle East expert, noted that the video omitted the expulsion of Jews from Arab countries while relying on what he called a flawed account of Palestinian history.

“Not only does Mamdani’s video fail to mention the numerically greater 850,000 Jews driven out of their homes in the Arab world; he can’t even get his narrative right regarding the so-called Palestinian Nakba,” he told The Algemeiner.

In a post shared widely on social media, Gross cited research by the historian and influencer who posts as J0sh_a to challenge Bushnaq’s portrayal as a Palestinian refugee.

“It turns out that the ‘Nakba Survivor’ who stars in Mayor Mamdani’s official NY City Hall Palestinian propaganda video yesterday, is literally a ‘European settler,’” the post said. 

Bushnaq’s grandparents were Muslim Bosnians who left Bosnia for Ottoman Syria in the late 19th century after Austria-Hungary took control of Bosnia. The family later moved to Tulkarem, which came under Jordanian control after 1948, not Israeli control. Bushnaq was born in Jerusalem because of the city’s medical facilities, but her family remained based in Tulkarem, the post said. 

Bushnaq’s father worked in England in the 1930s, returned to what was then known as Mandatory Palestine under British administration, and then in 1948 the family chose to go back to England.

“They were not expelled, and no one forced them to move to England. In any case, Tulkarem, and the old city of Jerusalem remained under Jordanian Arab control. No Arabs were forced to leave from Tulkarem in 1948,” Gross wrote.

“So, in summary, this is a European with no strong roots in the land of Israel, whose family made the decision to immigrate back to the continent of their grandparents instead of remaining under Arab control in what was part of Jordan after 1948.”

Critics also pointed to a poster seen on Bushnaq’s wall in the video. The “Visit Palestine” image was not Palestinian nationalist artwork, they said, but a Zionist-era tourism poster designed by Jewish artist Franz Kraus to encourage travel to the Holy Land.

“It is beyond ironic that the only person featured to represent Palestinian Arabs in his video appears to be someone from a recently arrived European settler family – from Bosnia – and not Arab at all,” he told The Algemeiner

Gross also argued that Bushnaq’s family story pointed to a wider part of the history often left out of Palestinian nationalist accounts, saying many Arab families in the land in 1948 had arrived within a generation or two, drawn by British rule or by economic opportunities created by Jewish development. He cited surnames such as Al-Masri and Masarwa, both linked to Egypt, Fayumi, from Fayum in Egypt, Ismaili, from Ismailia, Al-Horani, from Hauran in Syria, Sidawi, from Sidon in Lebanon, and Al-Hijazi, from the Hijaz in Saudi Arabia. 

Jewish groups, leaders and members of Congress slammed the post.

The UJA-Federation of New York accused Mamdani of leaving out critical context, writing on X that “the refugees you post about exist because 22 Arab states launched a war to destroy Israel,” after rejecting the UN plan that also called for a Palestinian state.

Referencing the translation of Nakba, US Sen. Rick Scott (R-FL) wrote on X, “The only catastrophe here is a mayor of New York who lets antisemitic mobs run wild to terrorize law-abiding Jewish New Yorkers while he spreads anti-Israel propaganda.”

“Rewriting history to portray the existence of Israel itself as the original sin is not education or remembrance. It is propaganda,” said New York Assemblymember Sam Berger. “This mayor constantly tries to market himself as an ally to the Jewish community while amplifying narratives that fuel hatred against the Jewish people.”

New York State Assembly member Simcha Eisenstein wrote, “Still wondering why hatred against Jews is so high in NYC? We have a mayor who is using government resources to disseminate a narrative and incite hostile propaganda.”

The post came the same day as anti-Zionist demonstrators gathered in Manhattan for Nakba Day rallies, with footage showing protesters carrying a Hezbollah flag, stepping on Israeli flags, shouting for Israel’s destruction, and confronting police.

The timing also contrasted with Mamdani’s own statement days earlier praising law enforcement for arresting a man accused of planning an Iran-backed attack on a New York synagogue. Mamdani had said the arrest “comes amid an alarming rise in antisemitism across the country.”

“Let me be clear: Antisemitism, violent extremism, and terrorism have no place in our city. This kind of hate is despicable,” he said.

The UJA-Federation later said it would not attend Monday night’s Jewish American Heritage Month celebration at Gracie Mansion because it was being hosted by a mayor who “denies a core pillar of our heritage — the State of Israel as the homeland of the Jewish people,” according to a statement carried by the New York Post.

Mark Treyger, CEO of the Jewish Community Relations Council, said he would also skip the event. His group organizes the Israel Day Parade at the end of the month, which Mamdani has said he will not attend, breaking with past mayoral practice.

New Yorkers “expect leadership that lowers the temperature, brings people together, and makes every community feel seen, respected, and safe, including Jewish New Yorkers,” Treyger wrote in an X post criticizing Mamdani’s Nakba Day video.

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Pakistan Sends New Iranian Peace Proposal to US

A woman walks past an anti-US billboard depicting US President Donald Trump and the Strait of Hormuz, in Tehran, Iran, May 17, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS

Iran sent a new peace proposal to the United States with terms that appeared similar to offers Washington has previously rejected, although a senior Iranian official told Reuters on Monday that the US had softened positions on some issues.

A Pakistani source confirmed that Islamabad, which has conveyed messages between the sides in the war in the Middle East since hosting the only round of peace talks last month, had shared the latest proposal with Washington. But the source suggested progress had been difficult.

The sides “keep changing their goalposts,” the Pakistani source said, adding: “We don’t have much time.”

Iranian Foreign Ministry spokesperson Esmaeil Baghaei confirmed that Tehran’s views had been “conveyed to the American side through Pakistan” but gave no details. Washington did not immediately comment.

The Iranian proposal, as described by the senior Iranian source, appeared similar in many respects to Iran’s previous offer, which US President Donald Trump rejected last week as “garbage.”

It would focus first on securing an end to the war, reopening the Strait of Hormuz – a major oil supply route that Iran has effectively blockaded – and lifting maritime sanctions.

Contentious issues around Iran’s nuclear program and uranium enrichment would be deferred to later rounds of talks, the source said.

However, in an apparent softening of Washington’s stance, the senior Iranian source said the United States had agreed to release a quarter of Iran’s frozen funds – totaling tens of billions of dollars – held in foreign banks. Iran wants all the assets released.

The Iranian source also said Washington had shown more flexibility in agreeing to let Iran continue some peaceful nuclear activity under supervision of the International Atomic Energy Agency.

Iran’s Tasnim news agency separately quoted an unidentified source as saying the US had agreed to waive oil sanctions on Iran while negotiations were under way.

Iranian officials did not immediately comment on Tasnim’s report, which a US official, who declined to be named, said was false.

FRAGILE CEASEFIRE

A fragile ceasefire is in place after six weeks of war that followed US-Israeli airstrikes on Iran. But talks mediated by Pakistan have stalled and Trump has said the ceasefire is “on life support.”

Washington has previously demanded Tehran dismantle its nuclear program and reopen the Strait of Hormuz, which normally carries one-fifth of the world’s seaborne oil and liquefied natural gas supply.

Iran has been demanding compensation for war damage, an end to a US blockade of Iranian ports and a halt to fighting on all fronts, including in Lebanon, where Israel is battling the Iran-backed Hezbollah terrorist group.

Trump said in a post on Truth Social at the weekend that “the Clock is Ticking” for Iran, adding that “they better get moving, FAST, or there won’t be anything left of them. TIME IS OF THE ESSENCE!”

Trump is expected to meet top national security advisers on Tuesday to discuss options for resuming military action, Axios reported.

Baghaei said Tehran was prepared for all scenarios.

“As for their threats, rest assured that we are fully aware of how to respond appropriately to even the smallest mistake from the opposing side,” he told a televised weekly press conference.

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