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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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Quietly sold by Jewish library, letter by famed 18th-century rabbi surfaces at auction, fetching $400,000
(JTA) — A decade ago, amid a financial crisis, the Jewish Theological Seminary turned to its assets, selling real estate as well as rare books from its world-renowned library. The book sales were private, and the institution has never detailed what was sold or for how much.
Now, a lost treasure from the library has once again emerged at auction: this time, a letter written and autographed by the 18th-century Jewish luminary Moshe Chaim Luzzatto, also known as the Ramchal.
When it was housed at the library, the letter belonged to a Ramchal collection numbering hundreds of pages. Removed from the collection and marketed to the auction house’s Orthodox clientele as a profound text by “a great and holy Kabbalist,” the letter sold on Sunday for nearly $400,000. The identities of the seller and buyer are not publicly known.
The price reflects the massive appeal of heritage items in a newly affluent Orthodox market, where rare texts and autograph material are increasingly treated as both status symbols and investment vehicles. It is a market the auction house, Genazym, has helped supercharge by selling not just books, but proximity to revered rabbinic figures.
Born in 1707, Luzzatto was an Italian Jewish thinker, mystic and writer whose influence far exceeded his brief life. His best-known work, “Mesillat Yesharim,” became a cornerstone of Jewish ethical literature and remains widely studied today. Though his mystical teachings stirred suspicion among some contemporaries, later generations regarded him as a major figure of Jewish thought.
In a famous 1928 essay titled “The Boy from Padua,” the Hebrew poet Hayim Nahman Bialik offered one of the most enduring modern interpretations of Luzzatto’s legacy. Bialik described Luzzatto as a forerunner of three great streams of modern Jewish history: the Lithuanian rabbinic tradition, Hasidism and the Enlightenment.
The auctioned letter, spanning two handwritten pages and addressed to his mentor, captures Luzzatto engaged in a detailed discussion of mystical concepts. He uses the space to explain his reasoning and mentions additional writings then in progress.
For scholars like David Sclar, the quiet removal of Luzzatto’s writings from the JTS library and their transfer to private hands suggests a cultural decline.
“It’s a scandal within the world of scholarship and American Jewish institutions,” Sclar, a librarian at a Modern Orthodox high school in New Jersey, said in an interview. Sclar wrote his dissertation on Luzzatto using primary sources such as the auctioned letter.
He is also a former employee of the special collections division at JTS who left the institution years before the crisis that precipitated the sell-off. He sees the outcome of the auction as evidence of not only wrongdoing but incompetence.
“This is one of the items that they sold through the back door, which means they sold it for probably virtually nothing,” Sclar said. “And the tragedy in all of this, besides JTS sort of destroying cultural heritage, is that it’s also stupid, because if they had decided that they were desperate for money then just do an auction. Don’t do it through the back door.”
The librarian at JTS, David Kraemer, declined a request for an interview, directing questions to the institution’s spokesperson, who offered a brief emailed statement.
“Decisions were made at the time with careful consideration of what was in the best interest of the institution,” the spokesperson wrote.
In 2021, amid earlier revelations of the library’s sell-off, Kraemer told the Jewish Telegraphic Agency that he had been ordered to sell items of his choosing to raise a specified amount of money, which he did not disclose.
In their defense of the sales, Kraemer and other JTS officials said at the time that the deaccessioned materials had been digitized and were deemed to have limited research value, allowing scholars to access their contents even after the originals left the collection. Seminary leaders described the decisions as financially prudent and of minimal impact on the library’s core mission.
Critics, however, argue that digitization does not replace the scholarly and cultural value of original manuscripts.
The post Quietly sold by Jewish library, letter by famed 18th-century rabbi surfaces at auction, fetching $400,000 appeared first on The Forward.
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International social workers group rejects measure to expel Israeli union amid pressure from Jewish groups
(JTA) — An international federation of social workers has voted not to expel the Israeli Union of Social Workers following weeks of debate and opposition from Jewish groups over their potential ban.
“After careful deliberation, IFSW members voted against this motion,” the National Association of Social Workers, the U.S. affiliate of the International Federation of Social Workers, said in a statement.
The vote to suspend or expel the Israeli union on Wednesday would have required 75% of the union’s 67 voting member nations to vote for the measures.
The vote stemmed from a complaint issued by the Irish, Spanish and Greek affiliates of the federation, who accused the Israeli union of failing to seek an exemption from mandatory military service for its members.
Wednesday’s decision marked the end of weeks of internal debate within the federation, during which the proposed expulsion drew mounting scrutiny from the Israeli union and Jewish groups who warned that the measure would single out Israeli, and Jewish, professionals for discriminatory treatment.
On Tuesday, 12 prominent Jewish organizations, including Hadassah, the American Jewish Committee, the Anti-Defamation League and the Jewish Federations of North America, sent a letter to the American and Canadian members of the international federation calling on them to voice their opposition to the vote.
“Hadassah is alarmed by this blatantly antisemitic maneuver to isolate and exclude Jewish and Israeli professionals solely based on their ethnic and religious identity,” said Carol Ann Schwartz, the national president of Hadassah, in a statement. “We call on the National Association of Social Workers and the Canadian Association of Social Workers to reject this outrageous and grossly discriminatory proposal.”
The same day, the U.S.-based National Association of Social Workers voiced their opposition to the vote for the first time, calling on the other voting members to “uphold the profession’s core values of unity, dialogue, and compassion.”
The motion to expel the Israeli union “directly contradicts IFSW’s mission of promoting international cooperation, unity, and constructive engagement,” wrote the American union in a statement. “Rather than fostering hope and harmony, expulsion would sow division and disharmony, eroding the trust and solidarity that are essential to our global community.”
The Jewish Community Relations Council of Greater Washington, which also signed onto Tuesday’s letter, hailed the vote Wednesday as a “victory for inclusion over discrimination.”
“While it is disappointing that the IFSW even considered such exclusionary motions, we are hopeful that this closes the door on any effort to isolate Israeli social workers initiated by international bodies that should be supporting and lifting them up,” said Guila Franklin Siegel, the chief operating officer of the Jewish Community Relations Council of Greater Washington, in a statement.
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Israeli police detain Women of the Wall leaders a day after high-stakes court hearing
(JTA) — JERUSALEM — Israeli police detained two Women of the Wall activists on Wednesday morning after their monthly Rosh Chodesh prayer service at the Western Wall was disrupted by demonstrators, escalating tensions at the Jerusalem holy site a day after the High Court of Justice heard petitions accusing the government of stalling upgrades to its egalitarian prayer section.
Police said the women — Yochi Rappaport, Women of the Wall’s chief executive, and Tammy Gottlieb, vice chair of its board — were detained on suspicion of obstructing access at a security checkpoint, an allegation Women of the Wall denied.
The detentions came a day after a rare, seven-justice hearing at Israel’s High Court of Justice in response to petitions by the Masorti Movement, the Reform Movement and Women of the Wall that have been pending for years. The groups are challenging the government’s delay of promised infrastructure work to the egalitarian prayer section known as Ezrat Yisrael.
The case has become a proxy battle over who controls prayer at Judaism’s holiest site, whose main plaza is essentially run under strict Orthodox supervision, and whether Israel will deliver on the decade-old compromise meant to accommodate non-Orthodox worship.
Judge Dafna Barak Erez questioned why, if tensions persist at the main northern plaza, authorities have not ensured that the egalitarian section is properly developed. Lawyers for the state and the Jerusalem Municipality blamed each other for years of delays of the promised compromise. Government representatives argued that certain planning and construction steps fall under municipal authority, while city officials pointed to the state’s role in advancing and funding the project.
The petitioners alleged discrimination at the site, saying that dozens of Torah scrolls are made available for use in the men’s section while none are accessible to women. The Western Wall Heritage Foundation, which oversees the plaza under Orthodox guidelines, bars visitors from bringing private scrolls into the compound. Women of the Wall’s monthly services have long drawn confrontations, both from protesters and from Western Wall Heritage Foundation staff, including efforts to intercept Torah scrolls the group brings in, sometimes carried discreetly in bags.
Yizhar Hess, vice chairman of the World Zionist Organization and a senior representative of the Masorti movement, accused the state and the municipality of “mudslinging” at the hearing.
“They are playing a game. Each one is taking this hot potato and pushing to the other. They could have solved it in one telephone call between the prime minister and the mayor,” he said.
Hess said the delays were not bureaucratic but political, arguing that the government has avoided implementing the compromise to preserve a fragile coalitionand avoid confrontation withharedi Orthodox parties that oppose formal recognition of non-Orthodox prayer at the site.
“It never happened because of a reason,” he said. “They prefer the extremists of the government.”
Hess said the Reform and Conservative movements had made a “huge concession” in accepting the 2016 arrangement that left the main Western Wall plaza under Orthodox control, in return for a formalized egalitarian section, but that the state has reneged on its commitments.
The impasse is widening Israel’s rift with Jewish communities abroad, he said. “Instead of celebrating the fact that so many millions outside of Israel, millions that are associated with the two liberal movements, are yearning to celebrate Jerusalem, the government of Israel is doing whatever it can to create damage and not to solve something that so easily could be solved.”
The justices did not issue an immediate ruling at the conclusion of the hearing but are expected to do so within the next few days.
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