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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.

NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet? 

Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.

“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.

She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”

Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York. 

Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity. 

The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.

Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.

At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.

“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”

Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.

“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”

Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.

Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.

“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.” 

Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)

Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”

Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.

“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.

Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.

“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”

Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.

“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”

Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen. 

But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.

“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”

When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.

“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”

—
The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.

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Why I went to Michigan to talk to Jewish voters about Abdul El-Sayed

I’d just climbed the steps to another home on my canvassing list, a lovely residence in the suburbs of Detroit, and rang the doorbell. I was there last week to talk with Jewish voters about the upcoming Michigan Senate election. The woman who answered asked me to come inside, and I demurred, telling her that my project discourages its volunteers from accepting such invitations, for safety reasons. She was petite and elderly, with a soft, open face. She reminded me of my long deceased mother. We chit-chatted a little, then I got down to brass tacks. “What are your feelings about the race?” I asked. “About Abdul El-Sayed?”

Her face sagged. “You’re too late,” she said. “My husband and I already voted. For Mike Rogers. And I feel terrible!” She looked like she was about to cry. “Please,” she said, “Come inside.” I relented (but didn’t sit down on her sofa).

The Michigan race pits El-Sayed, a progressive young Democrat, against Rogers, a Republican former Congress member who is closely allied with Donald Trump. As a New Yorker, I don’t have a vote in the election. But I came to Michigan as a Jew who is increasingly frightened by the threat posed by MAGA and horrified by what Trump-think and Trump power is doing, and not just to immigrants, people of color, sexual and gender minorities, middle-class and working people, students, intellectuals, and those whose jobs and civic activity nurture liberal and progressive causes.

I’m also worried about us Jews.

We are disproportionately members of the communities I just listed. We are also vulnerable to antisemitic acts and policies, which appear to be increasing. (At my shul on Rosh Hashanah I was chilled to find flyers placed by the Siddurs, instructing how to hide or flee if a terrorist were to enter the sanctuary.) And we are vulnerable to the politics of Christian nationalism. I grew up in Texas in the 1950s and 1960s. I vividly recall being made to sing “The Crusaders’ Hymn” in grade school and memorize the words (“Onward Christians soldiers, marching as to war. With the cross of Jesus, going on before!”). Making public school kids do this is now illegal. But for how long?

A lawn sign in Michigan. Photo by Debbie Nathan

Mike Rogers’ campaign gets much of its money from a rich Texan named Tim Dunn, a Christian nationalist who wants to abolish public schools. Not long ago, Dunn told a member of the Texas legislature — a Jew — that Jews should not hold major political office. 

El-Sayed, on the other hand, is a public health expert with a long history of activism for progressive causes. A native-born American, he went to a suburban Detroit high school where he was on the football team and had many Jewish classmates. He has repeatedly said that the fact that he is Muslim is merely incidental to the fact that he is an American who deeply respects the rights guaranteed to everyone in this country under the U.S. Constitution — including to worship, or not, as one pleases.

Polling shows El-Sayed leading Rogers, but the margin of error puts them very close, and the race is tightening. Pundits say that if El-Sayed loses, the Senate could remain Republican. But if he wins, it would signal to the whole country that the Democratic Party is entering a new phase of progressivism  — one prefigured by Zohran Mamdani’s mayoral win in New York City.

Like El-Sayed, Mamdani is a Muslim who sharply criticizes the Israeli government. And though many New York City Jews are wary of him, his main opponent during his campaign, Andrew Cuomo, wasn’t part of MAGA or surrounded by antisemites, as Mike Rogers is. I’d canvassed for Mamdani, and the stakes are much higher in Michigan. So I decided to spend five days in suburban Detroit as part of a joint canvassing effort by Jews in Seed the Vote, Bend the Arc Action, IfNotNow Movement, and Michigan United Action. Our goal was to knock on doors and share our own stories with fellow Jews.

Mine is that my maternal grandparents fled here from the Pale of Settlement, and my mother told me about my grandmother escaping a pogrom after her parents dressed her with a large cross around her neck, and paid a peasant to hide her under hay in a cart. She was fifteen years old when the pogrom happened — prime age for a Jewish girl to be raped.

She and her extended family made it to Pittsburgh. To the United States, the capital of democracy and pluralism. In all of history, Jews have never done so well as we have under democracies like this one. We’ve become so comfortable, as one Detroit-area rabbi remarked in his Kol Nidre sermon this year, that his community’s biggest intramural argument used to be over where to get the best bagels.

Then a Lebanese-American man whose relatives had just been killed by an Israeli air strike on Lebanon drove a truck into Temple Israel, a metro-Detroit synagogue. Dozens of preschoolers were inside. No one was hurt, but the building was damaged. El-Sayed, quickly made a lengthy statement condemning the culprit’s inexcusable antisemitism and vowing to support Jewish safety. But he also tried to explain the man’s terrorism. “Hurt people hurt people,” he said.

Far-right agitators led by Jake Lang (3rd L) attempt to crash a campaign event hosted by Abdul El-Sayed at Michigan State University. Photo by Chip Somodevilla/Getty Images

He later apologized for introducing political context so soon. But months later, his words still anger some people with whom I spoke. One woman glared, said she had grandchildren at the synagogue preschool, and slammed the door on me. Other canvassers described a man in a car who saw their t-shirts, sporting slogans like “Jews for Shared Safety,” and screamed that if he were to see El-Sayed and his family on fire right now across the street, he would do nothing to help them. He added that he was on the board of a shul.

Rogers’ campaign and its supporters are flooding TV and the social media with material excoriating El-Sayed as a dangerous Islamic fundamentalist and antisemite. AIPAC has also painted him as a threat to Jews, and spent over $30 million attacking him to defeat him in the primary. El-Sayed won anyway, but Michigan’s Jews remain saturated with a miasma of anti-El-Sayed propaganda. The woman who reminded me of my mother said she voted for Rogers because her father was a Holocaust survivor and she had to put Israel first, even though she knew Rogers could “roll back everything, including civil rights and abortion rights, that we Jews have worked so hard for. And even though I’ve never voted Republican in my life!”

I also canvassed Jews who were enthusiastically voting for El-Sayed. Other supporters, though, were terribly conflicted. At one door, a person — I won’t say their gender because they were so anxious about being identified — told me they are high up in local, Jewish-inflected Democratic Party politics. (I looked them up later and verified this.)

They, too, invited me into the sanctum of their home, as though afraid for the neighbors to see them talking with me. “I voted for El-Sayed,” they said. “But it was a horrible decision to have to make!” They strongly agreed with me about the need to vote for him, but they didn’t want their Jewish bigwig colleagues to know. “Half of them would never speak to me again,” they said. “What about your personal friends?” I asked. “Could you talk to them about the need to vote for El-Sayed?” “Yes,” they said. “I can do that.”

“This is what canvassing is about,” I told myself as I left.

Some Jewish bigwigs who openly support El-Sayed have been holding wine-and-cheese house parties for the un-decideds. Michigan Jews for Democracy sponsors these intimate gatherings. I went to one last week, at the house of Elaine Driker, formerly board president of Hillel of Metro Detroit. Former Michigan Congress member and political progressive Andy Levin addressed the group.

The setting was a cozy living room. To ensure that attendees felt comfortable voicing their feelings, journalists were told they could quote the speakers, but questions from the audience were off the record unless the individuals asking them agreed later to be quoted. The attendees were engaged, intent, and split, with some expressing strong support for El-Sayed and others venting reservations.

At the end. Levin summed things up. “We’re here struggling as Jews,” he told the audience. With young progressives entering the Democratic Party, he added, “We are really coming into a new era of politics in the United States, and I’m really hopeful about it.” He talked of the need to elect El-Sayed, then “hold him to be a great senator for the Jewish community.” Yes, he is a Muslim, Levin noted, and that is good. He added that, for Jews as for everyone, pluralism in government “has been great for us.”

This election in Michigan, Levin concluded, is “a time of great wrestling with God. Of wrestling with each other.” Then we all repaired to a room to eat brie and fine bread and wrestle some more.

 

The post Why I went to Michigan to talk to Jewish voters about Abdul El-Sayed appeared first on The Forward.

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Noah Wyle, TV’s nice Jewish doctor, is People’s Sexiest Man Alive

(JTA) — Noah Wyle, the Jewish actor who both mends and steals hearts as a doctor on the hit HBO Max medical drama “The Pitt,” has been named People magazine’s Sexiest Man Alive.

Tuesday’s announcement described the actor’s “smoldering intensity” and “leading-man looks,” while noting that “he loves to do the dishes.”

Wyle, 55, told People he initially thought the news was “a classic set-up for a prank.” His wife, Sara Wells, helped persuade him to accept the honor, he said, because she believes his qualities as a husband and father are worth celebrating.

The actor, who starred in the ’90s medical drama “ER,” is enjoying a career resurgence as Dr. Michael “Robby” Robinavitch, the brilliant, troubled emergency-room physician at the center of “The Pitt.” The role has earned Wyle two consecutive Emmy Awards for outstanding lead actor in a drama series, along with renewed attention to his own Jewish heritage.

As JTA reported last year, Wyle drew on his father’s Russian-Jewish background in helping create Robby, his first Jewish character. The doctor wears a Star of David necklace and, in a pivotal scene in the show’s first season, clutches it while reciting the Shema, a central Jewish prayer, during an emotional crisis.

Wyle, whose father is Jewish and mother is Episcopalian, did not grow up in a religious household. But in an interview with the Jewish Chronicle this year, he said Judaism had become more relevant to his life through the show and that his daughter, then 10, has expressed the most interest to “pick up the mantle of Judaism.” She helped him with the pronunciation of the Shema, he said, and her bat mitzvah has been scheduled.

Wyle has also brought Jewish history into “The Pitt.” In an episode he wrote for the show’s second season, a patient with ties to the 2018 Tree of Life synagogue shooting in Pittsburgh struggles with post-traumatic stress disorder.

Wyle said portraying a Jewish character offered an opportunity to present a humanist and healer at a time of heightened antisemitism. “I have come to learn that the world’s knowledge of Jews comes through depictions of them in the media,” he told the Jewish Chronicle.

This article originally appeared on JTA.org.

The post Noah Wyle, TV’s nice Jewish doctor, is People’s Sexiest Man Alive appeared first on The Forward.

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New York Gov. Kathy Hochul says defending Israel would be ‘a lot easier’ if Netanyahu loses

New York Gov. Kathy Hochul, an incumbent Democrat running for reelection, said it would be “a lot easier” for her to defend Israel if Prime Minister Benjamin Netanyahu loses Tuesday’s election. New York has the largest concentration of Jews outside of Israel and is home to many ex-pat Israelis.

In an interview with Politico magazine published as Israelis headed to the polls, Hochul suggested that Netanyahu’s “overreach” in the Gaza war has become an obstacle to Israel’s international standing and that his government policies have killed any prospects for the creation of an independent Palestinian state.

“I believe we have to get people of goodwill who can make this happen, and as long as Netanyahu is sitting there, that is not in his interest to do that,” Hochul said.  “It’s just not, and it won’t happen.”

Hochul has remained a strong supporter of Israel despite growing criticism of the country within her party. She was the first foreign elected official to visit Israel shortly after Hamas-led attacks on Oct. 7, 2023 and criticized the pro-Palestinian protests on campus.

In 2024, she came under fire for making an analogy to her hometown, Buffalo, in defending Israel’s military campaign against Hamas amid mass Palestinian casualties in Gaza.

“If Canada someday ever attacked Buffalo, I’m sorry my friends, there would be no Canada the next day,” she said in remarks to Jewish leaders, first reported by the Forward. “That’s a natural reaction. You have a right to defend yourself and to make sure it never happens again.” Immediately after it was publicized, Hochul apologized for implying that Israel had a right to destroy Gaza.

Hochul recalled in the interview privately warning Israeli officials during her visit to Israel that the country would lose international support.

“The world is with you when it comes to the brutal assault by a terrorist organization known as Hamas on innocent Israeli people,” Hochul said she told Israeli officials. “An overreach could change that dynamic, and that’s what’s happened.”

The Democratic governor also suggested that if Netanyahu continues as prime minister, it could complicate the prospects of a Jewish Democrat winning the party’s presidential nomination in 2028. The Israeli leader would remain “a lightning rod,” comparing his political survival instincts to those of President Donald Trump. “Who knows what he’s going to do next for self-preservation,” she said.

Closely watching the Israeli election 

Hochul’s remarks came as Israelis voted in their first national election since Oct. 7, 2023, with unusually high turnout raising the possibility that participation could exceed 80%, a level not seen since the early 1970s.

Netanyahu, Israel’s longest-serving prime minister, is fighting to remain in power after nearly two decades in office. Many Israelis blame Netanyahu for the security failures that allowed the Oct. 7 attack, while his supporters credit him with confronting Hamas and Iran. Recent polls suggest Netanyahu’s right-wing coalition could fall short of the 61 seats needed to form a government. His main challenger is Gadi Eisenkot, a former military chief whose son and two nephews were killed in the war in Gaza.

Netanyahu’s campaign slogan, “It’s the right or Palestine,” taps into post-Oct. 7 fears about the establishment of a Palestinian state, warning that an Eisenkot-led government dependent on Arab support will lead to Palestinian statehood. But a Netanyahu defeat would not necessarily bring the changes Hochul wants. Eisenkot and other opposition leaders like Naftali Bennett and Avigdor Lieberman also oppose a Palestinian state.

A balancing act 

Hochul’s comments also reflect the political challenge she faces at home, where she has maintained strong ties with Jewish leaders while working closely with New York City Mayor Zohran Mamdani, a fierce critic of Israel.

Hochul endorsed Mamdani last year after staying neutral during the Democratic primary. But she has continued to distance herself from the mayor on issues of antisemitism and Israel, which has left many Jewish New Yorkers uneasy. Her most recent state budget included a measure establishing a buffer zone around houses of worship to prevent disruptive protests from blocking access, an issue on which Mamdani had raised objections.

In the Politico interview, Hochul said Mamdani had brought “new energy” to the party, even as she acknowledged their disagreements. “Again, differences on approaches to the Jewish community, Israel and all that — that’s another topic,” she said.

A recent poll found that 65% of Jews in New York City disapproved of the mayor’s handling of antisemitism, while Hochul received 54% approval.

Hochul is seeking reelection against Republican Bruce Blakeman, the Jewish Nassau County executive, who has made support for Israel and opposition to antisemitism central themes of his campaign. But Blakeman has struggled to match the support former Republican gubernatorial candidate Lee Zeldin received from Jewish voters and Hasidic voting blocs four years ago.

The post New York Gov. Kathy Hochul says defending Israel would be ‘a lot easier’ if Netanyahu loses appeared first on The Forward.

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