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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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Iranian Regime Uses HispanTV to Spread Antisemitic Propaganda Across Latin America, ADL Warns
Iranians attend an anti-Israel rally in Tehran, Iran, April 19, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
As the Iranian regime escalates its campaign of disinformation against Israel, Tehran is now flooding Latin America with antisemitic propaganda and pro-terrorist messaging, using outlets such as HispanTV to reach millions of Spanish-speaking audiences and reshape public perceptions in the region.
On Tuesday, the Anti-Defamation League (ADL) released a new report detailing a dramatic rise over the past two years in antisemitic and anti-Israel content on HispanTV, the Spanish-language network run by the Iranian regime as part of its coordinated disinformation campaign across Latin America.
With the capacity to reach nearly 600 million Spanish speakers through satellite, cable, livestreaming, and social media, ADL characterizes HispanTV, which launched in 2012, as “the world’s leading platform for peddling antisemitic hate and disseminating anti-Israel prejudice and incitement across Latin America and the wider Spanish-speaking world.”
According to the report, HispanTV consistently disseminates content that reinforces long-standing antisemitic stereotypes about Jewish influence, spreads conspiracy theories, fuels the demonization of Israel, and glorifies Iranian-backed terrorist groups like Hamas and Hezbollah.
The study notes that the network’s hateful content has escalated sharply over the past two years, especially in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
“HispanTV consistently frames Hamas’s Oct. 7, 2023, attacks as legitimate and praiseworthy acts of resistance worthy of celebration,” the report says. “This reframing is essential to the channel’s ideological project, converting mass violence into a foundational myth of liberation.”
Across its broadcasts, HispanTV portrays Jews and Zionism as “an omnipresent, evil force” manipulating governments through a coordinated malicious scheme, reinforcing deeply entrenched antisemitic stereotypes about Jewish influence and power.
The report also finds that another central theme in the network’s coverage is the glorification of terrorist groups, depicting them as “extraordinary examples of heroism and bravery,” celebrating attacks that killed civilians, and vowing continued violence until the “complete annihilation of the occupants” — an apparent reference to Israel.
“The Iranian regime’s media outlet is spreading classic antisemitic conspiracy theories and anti-Israel propaganda to potentially millions of people across Latin America and beyond, making the Islamic Republic a destabilizing force not only in the Middle East, but across the Spanish-speaking world,” ADL CEO Jonathan Greenblatt said in a statement.
“With antisemitism already at historic levels globally, Tehran is funding a massive media propaganda operation that is priming the pump for spreading antisemitism and hate against Israel and Jews the world over,” he continued.
While systematically undermining Israel’s right to exist — depicting the Jewish state as a “colonial,” “genocidal,” and “terrorist” project — HispanTV presents the Iranian regime as a principled alternative to Western democracies and positions Tehran as the leader of the “Axis of Resistance,” according to the ADL’s newly released report.
The Iranian network also depicts Jews and Israelis as “operating a highly organized global disinformation apparatus designed to deceive the world and justify genocide,” minimizing or outright denying the reality of antisemitism.
The ADL argues that the lack of decisive action by governments, international bodies, and corporations has allowed the Islamic regime to leverage HispanTV to disseminate its hateful conspiracies around the globe.
“If this threat is not seriously addressed, the result will likely be the radicalization of Spanish-speaking audiences across Latin America and beyond,” the report says.
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US Justice Department Launches Investigation Into Antisemitism at Lincoln Memorial University Medical School
US Assistant Attorney General for Civil Rights Harmeet Dhillon at the Justice Department in Washington, DC, US, Aug. 7, 2025. Photo: REUTERS/Kent Nishimura
The US Department of Justice has opened an investigation into Lincoln Memorial University (LMU) in Tennessee for allegedly having “engaged in discrimination against its Jewish students” over several years, the agency announced last week.
The investigation, which will receive support from the US Department of Health and Human Services, was prompted by complaints that high-level officials at the LMU DeBusk College of Osteopathic Medicine “intentionally” prevented Jewish students from finishing final exams — an action that could lead to academic failure as well as squandering tens of thousands of dollars in tuition fees.
According to WBIR-TV, a local news outlet based in the city of Knoxville, LMU enacted a new policy which proscribed granting students exam exemptions based on their observing religious holidays. Two Orthodox Jewish students studying medicine are known to have been disproportionately impacted by the dictate, and, according to Rabbi Yossi Wilhelm of Chabad of Knoxville, their qualifications for becoming doctors were allegedly called into doubt by a college official who implied that religious observance is disqualifying.
“This Department of Justice is fiercely committed to shutting down the concerning outbreak of antisemitism that has been spreading on college campuses since the Hamas attacks on Israel on Oct. 7, 2023,” Harmeet Dhillon, assistant attorney general of the civil rights division of the Justice Department, said on Friday when the investigation was announced. “When colleges and universities single Jewish students out for adverse treatment, they are in clear violation of our civil rights laws and of this nation’s promise of equal opportunity for all Americans.”
Paula Stannard, director of the civil rights office of the Department of Health and Human Services, added, “All students should be free to learn and train in environments free from discrimination. Antisemitism has no place in our nation’s educational or medical training institutions, and OCR [the Office of Civil Rights] will work to ensure that federal civil rights laws are fully enforced.”
In a statement to The Algemeiner, Lincoln Memorial University denied discriminating against anyone, citing its “belief that every single person, regardless of race, situation, or background, deserves the right to a quality educational experience.”
It continued, “We would never intentionally discriminate against any member of our community, and we do not believe we did so as has been alleged in the concerns under investigation by the Department of Justice. Educating our future leaders is why we exist. Any decision that is made is always with the goal of providing the best education for each and every student.”
Antisemitism in academic medical centers located on college campuses is fostering noxious environments which deprive Jewish health-care professionals of their civil right to work in spaces free from discrimination and hate, according to a study by the StandWithUs Data & Analytics Department in May.
“Academia today is increasingly cultivating an environment which is hostile to Jews, as well as members of other religious and ethnic groups,” StandWithUs director of data and analytics and study co-author, Alexandra Fishman, said in a statement at the time. “Academic institutions should be upholding the integrity of scholarship, prioritizing civil discourse, rather than allowing bias or personal agendas to guide academic culture.”
Titled “Antisemitism in American Healthcare: The Role of Workplace Environment,” the study includes survey data showing that 62.8 percent of Jewish health-care professionals employed by campus-based medical centers reported experiencing antisemitism, a far higher rate than those working in private practice and community hospitals. Fueling the rise in hate, it added, were repeated failures of DEI (diversity, equity, and inclusion) initiatives to educate workers about antisemitism, increasing, the report said, the likelihood of antisemitic activity.
The study is not StandWithUs’s first contribution to the study of antisemitism in medicine. In December 2024, the Data & Analytics Department published a study which found that nearly 40 percent of Jewish American health-care professionals have encountered antisemitism in the workplace, either as witnesses or victims.
The study included a survey of 645 Jewish health workers, a substantial number of whom said they were subject to “social and professional isolation.” The problem left over one quarter of the survey cohort, 26.4 percent, “feeling unsafe or threatened.”
The issue is currently being investigated by the US House Committee on Education and the Workforce, with a focus on the University of California, Los Angeles’ (UCLA) David Geffen School of Medicine, the University of Illinois’ College of Medicine, and the University of California, San Francisco’s School of Medicine.
“This investigation will aid the committee in considering whether potential legislative changes, including legislation to specifically address antisemitism discrimination, are needed,” education committee chairman Rep. Tim Walberg (R-MI) wrote in a letter to Steven Dubinett, dean of UCLA’s Geffen School. “The committee has become aware that Jewish students and faculty have experienced hostility and fear at the hands of peers, colleagues, and administrators at UCLA Med, and it has not been demonstrated that the university has meaningfully responded to address and mitigate this problem.”
Follow Dion J. Pierre @DionJPierre.
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Captain of Israeli Olympic Bobsled Team Responds to Swiss Commentator’s Claims He ‘Supports Genocide in Gaza’
Milano Cortina 2026 Olympics – Bobsleigh – 2-man Heat 2 – Cortina Sliding Centre, Cortina d’Ampezzo, Italy – February 16, 2026. Adam Edelman of Israel and Menachem Chen of Israel react after their run. Photo: REUTERS/Athit Perawongmetha
The captain of Israel’s bobsled team competing in the 2026 Milano Cortina Olympics in Italy has responded to remarks made by a commentator on the Swiss network Radio Télévision Suisse (RTS) who claimed the athlete should have been banned from the Olympics because of his “support of the genocide in Gaza.”
Commentator Stefan Renna made the remarks as Adam Edelman, an American-Israeli, and his teammate Menachem Chen performed their two-man bobsleigh run on Monday, in which they finished in last place. Renna said on air that Edelman is a “self-defined ‘Zionist to the core’” who had posted “several messages on social media in support of the genocide in Gaza.” The commentator also claimed Edelman had poked fun at a “Free Palestine” demonstration.
Renna further commented that Edelman had “said the Israeli military intervention was, I quote, ‘the most morally justified war in history.’” He also said Edelman should have been barred from the Milan-Cortina Games just like the International Olympic Committee banned Russian athletes if they made comments in support of the war that started after Russia’s 2022 invasion of Ukraine. “This just goes to show that sport is obviously eminently political,” Renna told viewers.
A clip featuring the commentary was removed from the RTS website on Monday night because it was not “appropriate” for a sports broadcast, a spokesperson for the network told Deadline.
Edelman took to social media to respond to the RTS clip and the comments made about him.
“I am aware of the diatribe the commentator directed towards the Israeli bobsled team on the Swiss Olympic broadcast today,” he wrote on Monday. “I can’t help but notice the contrast: Shul Runnings [the team’s nickname] is a team of 6 proud Israelis who’ve made it to the Olympic stage. No coach with us. No big program. Just a dream, grit, and unyielding pride in who we represent. Working together towards such an incredible goal and crushing it. Because that’s what Israelis do. I don’t think it’s possible to witness that and give credence to this commentary.”
Edelman also reposted a comment from US Ambassador to Israel Mike Huckabee, who said the RTS broadcast was “beyond disgusting” and that the “Jew-hating” Swiss commentator “spewed bigotry and bile” as the Israeli team competed.
The Israeli bobsled team is competing in the final two-man run on Tuesday and the four-man run later this week.