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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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WATCH: Yiddish and German — old relatives, new neighbors
במשך פֿון הונדערטער יאָרן איז מיזרח־אייראָפּע געווען דער צענטער פֿון ייִדיש־לעבן. הײַנט, נאָך דעם חורבן, האָט זיך די מאַפּע אַריבערגערוקט: אַחוץ ענגלאַנד, קלינגט ייִדיש הײַנט בעיקר אין מערבֿ־ און מיטל־אייראָפּע, דווקא אין לענדער וווּ דײַטש איז אַן אָפֿיציעלע שפּראַך — אין אַנטווערפּן, בערלין, ווין, ווײַמאַר, ציריך און אַנדערע ערטער.
אין דעם ווידעאָ, געפֿירט אין גאַנצן אויף ייִדיש, רעדט אלי בענעדיקט מיט די ייִדיש־אַקטיוויסטן דזשייק שנײַדער, איידל מלובֿיצקי, מענדי קאַהן, אסתּר סאַנדרוי און אַנדרעאַס שמיטגעס וועגן דעם וויכטיקן פֿענאָמען.
דער ווידעאָ ווערט געשטיצט פֿון דער ייִדיש־ליגע.
The post WATCH: Yiddish and German — old relatives, new neighbors appeared first on The Forward.
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Howard Zinn: a radical historian with a Jewish conscience
“I am a sportswriter by trade,” Dave Zirin, sports editor at The Nation, told me. Zirin has written 11 books, all of them dealing with the knotty and oft-controversial politics of sport, coming at the games he loves — and the machinations behind them — from a progressive position. His previous subjects have included Colin Kaepernick, Barry Bonds and John Carlos.
But Zirin’s latest book, The People’s Historian: The Outsized Life of Howard Zinn, is not that. It’s a biography of the late Boston University professor and self-described “radical historian,” best known for the long-running bestseller, A People’s History of the United States, which was first published in 1980.
“I never would have thought in eight trillion years that I was ever going to write a book about Howard Zinn,” Zirin, 52, told me by phone from Washington, D.C.. “He was a hero of mine, a great influence, and I would have thought it presumptuous to even think about it, not just to mention that I never gave thought to writing a non-sports book.
“But I just had so many people in recent years want to engage me in this discussion of ‘What would Howard say about these incredible demonstrations in 2010 of the Black Lives Matter movement, and, especially, in the age of Trumpism, the rise of neo-fascism, not just in this country, but abroad?’”
If Zirin couldn’t divine an exact answer, he was at least in a position to hazard an educated guess. Turned on to an abbreviated 20th century-focused version of A People’s History as a high school graduation gift by his sister, Zirin became a history major at Macalester College in St. Paul, Minn. Much later in life, Zirin found himself hosting Q & A sessions with Zinn at venues throughout the country.
Zirin says that the events of the two Trump terms made people wonder: “‘Would that have shaken Howard’s faith in the power of the people to make positive change and the ability for people to bend the arc of history, as they say, toward justice?’ That made me want to write the book.”
When he started work on the biography, Zirin knew the basics of Zinn’s public trajectory: his service in WWII as an Air Force bombardier; his stint teaching at Spelman College and his role in the Civil Rights movement, his protests against the Vietnam War, his ongoing conflict with Boston University president John Silber, his work as a playwright, the Hollywood actors and rock musicians who read his prose and wanted to meet and work with him. The bottom line: Zinn had an unwavering commitment to unions and organization, the power of the people.
“The power of tyranny is overestimated (not in the short run, but in the long run),” Zirin quotes Zinn as saying in his preface, “and can be overcome by the unity, the determination, of apparently powerless people.”
“When we were on stage,” Zirin told me, “he would speak about things he was a central player in, but he would kind of leave himself out of the narrative, partly out of humility but I also think that’s the political training of people who came up in the 1930s during the Depression. They’re always thinking about the movement, not about themselves.
Still, Zirin added, “Howard had so many great stories that he would tell about his life offstage. So, I really wanted to tell his story because I felt truly that it hadn’t been told and I wanted to learn about him. I wanted to invest in it.”
What did Judaism mean to Zinn and, now, to Zirin? “Judaism was expressed through the pursuit of knowledge, of questioning established truths, and always standing with the underdog,” said Zirin. “It is why he felt strongly that Jews of conscience needed to advocate for the Palestinian people. I am inspired by this commitment to tikkun olam and I share his approach to how we need to apply our faith: as voices against apartheid and genocide.”
Zinn’s cultural identification as a Jew often emerged in his sense of humor that Zirin calls his “secret sauce.”
“It’s not like I think Howard Zinn was like Billy Crystal with a history book,” Zirin said. “His ability was to keep an audience listening through humor. [He could] apply history to the present and make people think about it, bring it alive in present terms and then Howard had that third layer, that third gear, where he could be funny and affable and work that twinkle in his eye and that smile and keep an audience focused. I think that allowed him to speak in a lot of diverse circumstances.”
Zinn, of course, attracted negative heat, too. In 2020, President Donald Trump said, “Our children are instructed from propaganda tracts, like those of Howard Zinn, that try to make students ashamed of their own history.” Zinn caught flak not just from the expected bastions of the far-right but also from other historians. The latter, Zirin says, were critical of Zinn mostly out of jealousy. Zinn was popular and well-read; they were not.
“He was able to break out of the academy and impact the world,” Zirin said, “He saw academic praise meaning very little relative to the world. He took greater joy in writing 800-word columns that spoke to what was happening rather than writing another 800 -page book the likes of which a lot of academics write, these things that no one reads.”
As to the right-wing trolling, Zirin said, “I think he would have just taken that as a badge of honor. I think for Howard that just rolled off his back because of his interests, which was in teaching and seeing how what he was teaching applied to the world — he loved bringing the lessons of the street into the classroom and he loved seeing what was in the classroom applied to the streets. He was blessed to have lived in interesting times and in important places.”
The book explores Zinn’s family life, too. Zirin got co-operation and input from Zinn’s son Jeff, an activist-playwright, and his daughter, Myla, an educator and environmental advocate. Some of those stories involve their upbringing. Howard was on the road frequently, and Zirin writes that his wife Roslyn (Roz) had to play good cop and bad cop, neither role she relished.
Roz Zinn, who died at 85 from ovarian cancer in May 2008, was also an activist and artist, and though the couple remained happily married for 64 years, she lived, to an extent, in his shadow. Her death crushed him.
“Howard stayed extremely active after Roz passed and in many ways that was his therapy,” Zirin said. “He took to email voraciously. He traveled, he spoke, he did events like the ones I did with him where he could sit because, while he was still sharp, he didn’t want to stand that long. The twinkle would go out during those moments when the warmth of a crowd, or a friend, would leave the stage or his presence.”
“At the very end,” Zirin said, “he had these moments of looking very sad. How do you comprehend what it’s like to lose someone you’ve been married to for 64 years? Incomprehensible.”
Zinn died from a heart attack at 87 on Jan. 27, 2009. He’d been in a swimming pool in a Santa Monica, California hotel. He was not, as some said, swimming laps; he didn’t have the strength for that. At the memorial service at the Arlington Street Church in Boston April 23, 2010, Myla said he was standing in the pool. A pool worker pulled him out of the water and asked if Zinn wanted an ambulance. He reportedly said, “No, I’m OK.”
Zinn’s friend Noam Chomsky spoke at the service, as did Matt Damon — whose family grew up next to the Zinns in Newton, Mass. — and poet Martín Espada, who read a tribute poem written for Zinn. Dr. Bernice Johnson Reagon — founding member of the SNCC Freedom Singers and Sweet Honey in the Rock, cultural historian and activist — led the crowd in singing “This Little Light of Mine” and “Joshua Fought the Battle of Jericho.”
Zirin told me that Zinn’s writings and words have made him less pessimistic about the world. “It irrevocably changed me,” he said. “The main effect that Howard had on my own outlook was that there are answers in history. Howard imbued me with this idea that you had to be more than angry. You had to have a sense of the world if you wanted to change it. I also really thought about how we could not just be objects but subjects of history.”
“So many people out there want the world to be a different place and are disgusted by the state of things, of what Naomi Klein describes as ‘end times fascism,’” Zirin said. “You try to imagine a sense that if you can root your ideas and even your anger in history, there’s a path out, there’s a road map out.”
The post Howard Zinn: a radical historian with a Jewish conscience appeared first on The Forward.
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Israel is revoking entry permits for U.S. activists involved in West Bank
Hannah was on her way to class on Jan. 8 when she opened her inbox and found an email from Israel’s Population and Immigration Authority. Due to a change of circumstances, it said, her authorization to enter Israel had been revoked.
“I had to read it a few times, honestly, and then I Googled it and just started crying. I was on my way to class. I was bawling,” Hannah told the Forward. Hannah asked that her last name not be published because she fears that speaking to the media could affect her ability to visit Israel in the future.
Hannah, whose boyfriend lives in Israel and who has family there, has spent almost every summer of her life in the country. She was left dumbfounded by the email. There was no explanation of the reason for the revocation, and nothing about how, or whether, she could appeal.
The closest thing to an incident she can point to came the previous July, when she joined her rabbi and a group of volunteers accompanying a Palestinian farmer during the grape harvest — a practice known as protective presence, in which foreign witnesses aim to deter settlers and soldiers from interfering. Israeli soldiers stopped the group and held them for hours. “They asked to see my passport and said they were looking to see if there was any reason to deport me,” she said. They found none, and told her she was free to go.
Hannah came up through the institutions Israel counts on to keep American Jews attached to it. In high school, Hannah was involved with hasbara fellowships, and her mother is active in her local Jewish federation. “It’s so odd that almost the more I become familiar with the place in ways that I wasn’t as a kid, and maybe less naive about it, now I don’t have the ability to be there,” she said. “I’m not welcome there anymore.”
Hannah is one of seven American Jews who told the Forward that Israel had revoked their electronic travel authorization, or ETA-IL, after they participated in protective presence activities in the West Bank.
A loose network of Jewish organizations recruits diaspora Jews for the work and frames it as an expression of Jewish values. Programs range from 10-day delegations to seasonal olive-harvest cohorts to Hineinu, Hebrew for “here we are,” a three-month placement in Palestinian communities in Masafer Yatta that the Center for Jewish Nonviolence launched in 2021.
According to figures from the Center for Jewish Nonviolence, dozens of participants in its Hineinu program and other protective presence initiatives have had their authorizations revoked since the system took effect.
Israel launched ETA-IL as a pilot in June 2024 and made it mandatory for travelers from visa-exempt countries, including the United States, on Jan. 1, 2025. The application is a brief online form, usually approved automatically within minutes, that allows visa-free entry for tourism or business. It functions as Israel’s counterpart to the U.S. ESTA system, and followed Israel’s admission to the American Visa Waiver Program in 2023.
A State Department spokesperson declined to comment on individual cases or on the department’s discussions with Israeli officials, but said the Department of Homeland Security, in consultation with State, regularly reviews whether Visa Waiver Program participants meet program requirements.
Israel was admitted to the program in 2023 only after signing a memorandum of understanding committing it to treat all American citizens equally at its borders, a longstanding program requirement that had kept Israel out for years over its treatment of Palestinian American travelers.
None of those who spoke to the Forward had been arrested or charged with a crime. Some received no notice at all, which Daniel Roth, executive director of the Center for Jewish Nonviolence, said has become increasingly common. Those who did get revocation emails received identical notices citing a change of circumstances, with no explanation of the duration of the ban.
By the letter of the law, all of those whose authorizations were revoked remain eligible to make aliyah — immigrate to Israel — unless they are deemed a security threat under a provision of the Law of Return. Neither of two immigration attorneys who spoke with the Forward could recall any applicant being blocked as a security threat.
The visitors could open a file with the group Nefesh B’Nefesh and, in theory, be Israeli citizens within months. For now, they are barred from entering.
The Forward asked the Population and Immigration Authority how many ETA-IL authorizations have been revoked and on what legal basis, and the Israel Police asking whether it recommends revocations. Neither responded.
The Jewish Agency, which facilitates immigration by Jews to Israel under the Law of Return, said in a statement: “There is no connection between the ETA process and the Aliyah process. Regardless, we cannot comment on ETA refusal because we do not handle any part of that process. The criteria for eligibility for Aliyah remain unchanged.”
Change of circumstances
That Israel’s government sees protective presence workers as an adversary and target for law enforcement is no secret.
In April 2024, National Security Minister Itamar Ben-Gvir ordered the creation of a police task force to handle foreign and Israeli left-wing activists in the West Bank, which he described as a team for dealing with “anarchists.”
The unit sits under the West Bank district police and works in coordination with the Population and Immigration Authority. Ben-Gvir publicly credited the immigration authority for its role in deporting 32 foreign activists in October 2025 following an olive harvest action in the northern West Bank.
Of the Jews the Forward interviewed, one described himself as an anti-Zionist. The others were liberal Zionists who said they are concerned about the rise of settler violence in the West Bank and the preservation of Israel as a liberal democratic state. They were day school and summer camp alumni. Most have family in Israel and visit regularly.
Sam Sherman, an actor and writer who lives in New York City, was in Masafer Yatta, a collection of hamlets in the southern West Bank, when he opened an email telling him that his ETA-IL had been revoked due to a change of circumstances.
He was about seven weeks into his stint with a Hineinu group, and he was not the only one. “It happened to me and a few others in my cohort … within the same hour,” Sherman said. “A few of us got the same email within minutes of each other.”
Sherman was never arrested. He describes one incident that he believes amounts to a detention in place, and otherwise a pattern of identification, soldiers, police and armed settlers photographing his passport during confrontations he says were initiated by settlers.
“We were just there hanging out with people, essentially,” he said. “But we were treated as if it was almost criminal for us to be there.”
His first reaction was confusion. “I was like, what does this mean?” he said. More experienced activists told him what it meant: once he left Israel, he would be unable to return unless he chose to make aliyah. “If I’m the wrong kind of Jew for Israel,” he said, “sure. Great.”
Rabbi Jill Jacobs is the CEO of T’ruah, a rabbinic human rights organization that has been sending American clergy to the West Bank for years. She said the revocations cut against Israel’s founding promise.
“The promise of Israel is that it’s going to be a refuge and a home for Jews everywhere in the world, not just for Jews with certain political opinions,” said Jacobs. “Israel should be the place in the world that is safest for Jews, no matter what your religious practices are, what country you’re coming from and what your political views are.”
Another participant in Hineinu said she never received an email at all.
Nina, who asked to be identified by her first name only, had a valid authorization when she left the country for a weekend in Cyprus to reset her tourist visa. When she tried to re-enter Israel, she said, she was held at the border and denied entry.
“I never got an email that my ETA had been revoked,” she recounted. “I never got any correspondence at all, and I never got anything written, that said that ETA had been canceled or revoked or anything.” Hours later she resubmitted the application from her phone and got an automatic rejection.
‘Nothing’s out of the question’
Critics of the volunteers say it is simply a law enforcement matter.
Naomi Kahn, director of the international division at Regavim, a right-wing Israeli legal advocacy group that campaigns against unauthorized Palestinian construction in the West Bank and lobbies for demolitions, said some of the accompaniment activity takes place in closed military zones and active IDF firing zones.
“It should not be considered unusual when a sovereign state chooses to deny entry to people whose declared intention is to break the law,” Kahn said. “It should come as no surprise when tourists are disinvited when they break the law. I don’t think this raises eyebrows anywhere else in the world.”
Closed military zones have become a point of contention between activists and the Israeli military. In late October 2025, two American Jewish women, Rachel Beth Flamholz and Leila Stillman-Utterback, were deported and banned from Israel for 10 years after entering a closed military zone imposed on the Palestinian village of Burin the same day they had arranged to pick olives there.
“In my experience, closed military zones are used as a tool to clear Palestinians and those supporting Palestinians, including us, from an area,” Roth said, “and by and large, to leave space for Israeli settlers to do whatever it is they want.”
Jacobs draws a distinction between conduct and status. A tourist who commits a crime in Israel is subject to Israeli law, she said, as a tourist would be subject to the law of any place they were visiting. That, she argues, is not what is happening here. None of the volunteers were charged with anything.
“These are the best of the best,” Jacobs said. “These are people who are devoting, in some cases, months or more of their lives, that they could be spending doing anything, to trying to make Israel a more just place for both Jews and Palestinians. And that’s exactly who Israel should want to be standing by and supporting.”
This fall, some will head to the West Bank as part of Protect the Harvest, an initiative run by an international coalition of Palestinian, American, Israeli and Jewish organizations responding to an invitation from Palestinian farmers. The campaign runs in week-long cohorts from mid-October through mid-November.
T’ruah is bringing a clergy delegation from Oct. 18 to 23, ending four days before Israel’s national elections. Jacobs expects many American rabbis on the ground, some bringing their own congregants.
“I don’t know what the Israeli government is going to do,” she said. “But I think if they decide they’re going to start deporting American rabbis, that would basically be picking a very big public fight with the American Jewish community.” Even people who haven’t been paying attention, she said, will be furious.
Asked whether she thought it was actually possible that an American rabbi could be deported during the harvest, she did not rule it out. “Nothing’s out of the question,” she said.
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