Local News
150 attend special event marking re-opening of Holocaust Education Centre
ByBERNIE BELLAN On January 25 approximately 150 individuals were in attendance at the Asper Campus for the reopening of the Holocaust Education Centre.
As Jewish Heritage Centre of Western Canada Executive Director Belle Jarniewski noted in her opening remarks to the audience gathered in the Berney Theatre for the event, “the museum’s very existence is thanks to the efforts of Holocaust survivors themselves who contributed to the original Holocaust Education Centre 25 years ago” when the Campus first opened.
Today, Belle noted, “the memory of the Holocaust is under siege…Survivors of the Holocaust,” of whom some 1500 – the vast majority of whom are at least in their nineties now – settled in Winnipeg after the war. (The names of all those Holocaust survivors are displayed on one of the walls of the newly renovated museum, as John Longhurst explains in the adjoining article.)
Another component of the museum, Belle added, are displays focusing on the history of anti-Semitism in Canada, beginning from the 1920s to the present day.
Jewish Federation of Winnipeg President Gutstavo Zentner, while looking out at the audience, remarked that he was “thrilled to see so many young people here tonight. I hope they put to good use the touch screens in the Holocaust Education Centre.”
Special guest speaker Irwin Cotler, Canada’s Special Envoy on Preserving Holocaust Remembrance and Combatting Antisemitism, who was in Israel on January 25, had recorded a 20-minute message for audience members, which was played on a large screen.
In noting the significance of the reopening of the HEC this particular week, Cotler observed that January 25, 1945 was a very important date in history for two reasons: It was on that date 78 years ago that Auschwitz was liberated, but it was also on January 25, 1945 that Swedish diplomat Raoul Wallenberg was arrested and disappeared in Budapest – but not before he had helped to save over 100,000 Hungarian Jews from death camps.
Cotler went on to enumerate a number of lessons to be learned from the Holocaust, including that, “the abiding universal lesson to be acted upon, wherever we are, is that we are each the guarantors of each other’s humanity.”
The second lesson, Cotler stated, is that “the Holocaust was a paradigm for radical people and anti-Semitism is a paradigm for radical hate.”
“As we meet on the 75th anniversary of the liberation of Auschwitz,” Cotler said, “let us remember that 1.3 million people were deported to Auschwitz, but 1.1 million of those were
ews. Jews were murdered at Auschwitz because of anti-Semitism but anti-Semitism did not die at Auschwitz. It remains the bloody canary in the mineshaft of global evil.”
The third lesson is the danger of “state sanctioned incitement to hate and genocide.”
The fourth lesson is “the proliferation of Holocaust denial.” Cotler referred specifically to the trope in recent years of accusing Jews of “manufacturing the Covid virus and profiting from it” as a manifestation of an outgrowth of Holocaust denial.
“Fifth is the danger of silence in the face of evil,” Cotler said. “Silence means coming down on the sound of the oppressor, not on the side of the victim.”
“Number six is the danger of indifference and inaction – as in the example of the Tutsis” (in Rwanda). “What makes the Holocaust and other genocides so unspeakable are not just the atrocities themselves, it is that this could have been prevented. Nobody could say ‘we did not know.’ We knew but we didn’t act.”
What one person, Raoul Wallenberg, did, in saving 100,000 lives, “the whole international community did not,” Cotler observed.
In closing, Cotler suggested that it is not true that “if there had not been a Holocaust there would not have been a State of Israel, but rather it is the other way around: If there had been a State of Israel, there would not have been a Holocaust.”
Other speakers in the Berney Theatre on January 25 included: Mark Kantor, President of the Jewish Heritage Centre of Western Canada; Peter Flegel, Executive Director, Government of Canada’s Anti-Racism Secretariat; Andrew Smith, Manitoba Minister of Sport and Cultural Heritage; Janice Lukes, Deputy Mayor, City of Winnipeg; and Candace Hogue, who was the guest curator for the Holocaust Education Centre.
The final remarks were delivered by Holocaust survivor – and longtime educator, Edith Kimelman, who began with a wry nod to the lengthy list of speakers who had preceded her when she said: “You are quite fortunate that I am the last one to speak. I can well remember from my years as an educator the short attention spans of students the last class of the day.”
Edith noted that when she has spoken to many student groups over the years, “I was always trying to convey the perspective of a six-year-old girl and her experiences in the Holocaust.” It was her goal, she said, to explain the Holocaust to groups that are three and four generations removed from the Holocaust – and especially newcomers to Canada,” who would likely have very little knowledge of the Holocaust.
She would tell those students – also to new Canadians who had either very little knowledge of the Holocaust or none at all, that “when I arrived here (in Winnipeg) at age 14, I had nothing. All I had was the baggage of the Holocaust. Indelible trauma, however, did not prevent me from seeking a better future.”
And with that astute observation which can well sum up the experience of almost all Holocaust survivors, the portion of the evening in the Berney Theatre came to a close. At that point, while many who had been in attendance partook of refreshments, various individuals made their way to the HEC itself, where they were able to see firsthand the tremendous amount of work that had gone into its renovation.
The HEC is open during all hours that the Asper Campus is open,
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
