Local News
Gwen Secter online concert series fill much needed role in community’s cultural life

By BERNIE BELLAN
It’s been almost eight months since the province imposed the first lockdown due to the COVID pandemic. While we’ve had our fair share of stories in this paper about how the pandemic has affected so many of us, we’ve also been trying to avoid dwelling on the terrible toll it’s taken.
You’re undoubtedly inundated with those types of stories from so many other media. Instead we’ve tried to find stories that illustrate the often innovative ways in which both individuals and organizations within our Jewish community have responded to the challenges presented by the awful disruption in life that we’ve all encountered to one degree or another.
One organization in particular has amazed me in the way that, despite its relatively small size, it has filled several voids in the community that were left when other organizations were either unable or unwilling to provide services that were desperately needed by some members of our community. I am referring to the Gwen Secter Centre. (Elsewhere in this issue we have a story by Myron Love about the upcoming tea that Gwen Secter will be holding –but not an actual tea.)
The reason I wanted to write this article was to explain how the Gwen Secter Centre – somewhat surprisingly, came to be involved in offering a firstrate online concert series that anyone can watch from their home – so long as you have a computer or tablet (and you register in advance, as will be explained if you continue reading).
I contacted our community’s go-to impresario, Karla Berbrayer, who has been organizing concerts and other programs for various organizations for so many years that it’s hard to know where this community would be without her. I told Karla that, while we’ve been running ads promoting the concert series, we really hadn’t explained to readers how the series had come about, which led to a phone interview – interrupted strangely when her phone line went dead. (Later Karla emailed me to say that an MTS crew that had been installing new cables in the area had accidentally cut the line to her home, leading not only to the loss of landline connection, but the internet and TV as well. If that had happened in our home my wife would have blamed me.)
When our phone interview resumed Karla related the story how the online concert series had come about. She said she had been working for Gwen Secter the past year (2019) “doing a series called ‘All About Jews’. That’s when Becky (Chisick, Gwen Secter executive director) and I solidified our working relationship – and she had hired me back to do the same series in 2020.”
The idea behind that series was to offer monthly Friday lunch time programs featuring either a speaker or a concert. The first program in “All About Jews” – in February, featured children’s author Harriet Zaidman speaking about the Winnipeg General Strike while the second program – on Friday, March 13 (the last day before the province wide shutdown went into effect) featured Kevin McIntyre singing songs from Broadway musicals with a Jewish connection. The day of that second program Karla said she “wondered whether anyone was going to be here? “ The first case of COVID had just been announced the day prior, Karla noted.
“The room was absolutely full,” she continued, “and I said to one woman in the audience that I was afraid no one would come today, and she said: ‘Karla, we just want to be entertained.’ So I was adamant that I would continue bringing that to them.
“And once it became mandatory that this specific demographic was not going to be able to mingle freely in an environment like they had been, I suggested to Becky that I could do a virtual concert series. I said to her that if we wanted to bring culture to her membership I saw this as the only option and I’m happy to do it.
“We all have to reinvent ourselves,” Karla observed, “and ‘pivot’ – that’s a great word – and if you don’t reinvent yourself, it’s game over,” she suggested.
“ At that point Becky said :‘Let me think about this’ and then she called me back shortly afterwards and said: ‘Karla, let’s just do it.’ “
“So that was amazing because she gave me carte blanche to put together a high quality concert series and gave me free run to manage it the way I felt it should be managed. Becky deserves a lot of credit. I produced the series but without Becky it wouldn’t have happened.”
Of course, by now many of us have become used to the notion of watching Zoom events, but frankly the quality of many of those sessions leaves something to be desired. And for Karla Berbrayer, the idea of simply offering concerts via Zoom was a non-starter.
“From the start I made a decision that I did not want to do a concert series where everyone is recording themselves from their living room or their kitchen – on their cell phone. I wanted a high end event. I wanted to record the performers in a theatre (which, in this case, turned out to the Berney Theatre), with lighting and sound and a tech crew – basically everything except the audience.”
As it turned out Karla managed to record 10 different concerts – all in the same day!
Each concert is between 20-30 minutes. The concerts run the gamut from “jazz to pop to Borscht Belt to Broadway,” Karla observed. “I try to give it a lot of variety so that if you don’t like a specific concert you’ll like another one.”
“I would bring in a group or a performer and they would ask me: ‘How many takes do I get?” and I’d say: ‘One. You just perform as if there’s a live audience. We’re not doing any editing.’ “
“Each one was able to have the feeling of playing live in a theatre, having a tech crew. It was also a good feeling giving all these people work as well. After all,” she added, “their lives had been shut down because of the death of live entertainment in the city”.
The series opened in October. Karla explained how it works: “Every Monday at 9 am we release a concert. They’ll be released weekly right up until mid-December. There are 10 concerts altogether and all people have to do is register at and they’re immediately given a link that will allow them to watch a concert. Also, every week they’re sent a reminder when the next concert is coming up.”
So far, concerts have featured local performers Nadia Douglas, Erin Propp and Larry Roy, Shayla Fink, and Aaron Hutton with Paul De Gurse.
I asked Karla whether the concerts can be viewed if you don’t happen to watch one on a particular Monday?
“Yes,” Karla answered. “The concerts are archived so if you want you can go online and watch an earlier concert – by going to the Gwen Secter website once you’ve registered. You can watch a concert any time of day and as many times as you’d like.”
The response to the concert series has been terrific. Over 364 individuals have registered at www.gwensecter.com as of the time of writing. As well, statistics of how many people are actually watching the concerts live indicate that, as of the date of writing concerts have been viewed 729 times.
As for cost, Becky Chisick was adamant that the series would be offered free of charge. Funding for the series is provided by the Manitoba Arts Council.
I suggested to Karla that while Gwen Secter deserves full credit for stepping up to fill a cultural void in our community, the fact that it’s the Gwen Secter Centre filling that void still comes as somewhat of a surprise. It wasn’t that long ago that the Gwen Secter Centre’s very survival was in question. Now it’s rising to the fore of Jewish community organizations that are stepping up during the pandemic. Who would have thunk it?
.
Local News
Shalom Residences Foundation to host third annual donor appreciation evening
By MYRON LOVE On Tuesday, June 16, Shalom Residences Foundation Inc (SRFI) will be hosting its third annual Donor Appreciation evening. Donors and other Shalom Residences supporters can look forward to chilling to the music of local singer/songwriter David Grenon (aka Soul Bear), who will be performing songs by Billy Joel, Elton John and other well-known artists.
For readers who are not yet familiar with Shalom Residences, the organization was originally created to care for intellectually challenged Jewish young adults. The vision was to provide them with a Jewish environment – strictly kosher group homes where all the Jewish holidays are observed and celebrated.
One of Shalom Residences’ objectives has always been to develop a community in which individuals with intellectual disabilities are fully included, self-actualized, and valued in all aspects of life.
The concept has been a remarkable success.
Shalom Residences was founded in 1980 by six far-sighted couples, including Thelma and Ernie Bronstein, Dolly and Zivey Chudnow, Min and Joe Fromkin, Roberta and Larry Hurtig, Elaine and Bobby Paul,
and Sybil and Frank Steele. The original Shalom Home was a converted house on Cathedral Avenue.
“Thelma Bronstein’s determination and dynamism contributed to making it happen,” says Elaine Paul, currently Shalom Residences’ treasurer (and for the past 20 years, the organization’s leading fundraiser).
I remember the home’s official opening. This was shortly after I started writing for the Jewish Post. Rabbi Charles Grysman affixed the mezzuzah to the door frame.
Today, the organization operates six group homes housing 19 residents as well as 12 residents in supported independent living arrangements.
While the operations today are largely funded by the provincial government – which means that the residences have to be open to accepting non-Jewish clients as well (just over half of the residents are Jewish) – the Shalom Residences Foundation funding supplements the government contribution – providing financial support for increasing staffing levels when needed, as well as extraordinary expenditures and contingencies. The Foundation has also provided the down payment for the purchase of new housing when necessary. .
The necessity of fundraising was evident right from the beginning. Elaine Paul recalls that the first Manitoba Marathon – in which all the founding parents were involved – provided the funding for the mortgage at 175 Cathedral Ave.
“We worked with Helen Steinkopf and John Robertson to develop the marathon,” Paul remembers. ”For several years, Hy Kravetsky and I worked handing out water to the runners.”
Paul relates that it was Zivey Chudnow who was instrumental in starting up Shalom Residences’ annual fundraising. “Three of Zivey’s friends,:Norman Tatleman, Sam Ostrove, and Gary Levinson, asked how they could help,” she recalls. “Their idea was to have a fundraising dinner. We combined the dinner with a lottery. We sold 60 tickets at $1,000 a piece and paid out $15,000 to the winning ticket and lesser amounts to other lucky winners.”
The organization also held annual well attended fundraising teas.
Paul reports that, for years, Chudnow was Shalom Residences’ best fundraiser – with honourable mention to Avrum Katz, Frank Steele, and the late Joe Elfenbaum. Paul took over the role 10 years ago – again with honourable mention to SRFI board members, Dr. Allen Kraut, Peter Leipsic, Donna Chudnow, Jon Feldman, and Mickey Rosenberg.
In addition, the goal was, and remains empowering adults with intellectual disabilities to live meaningful, dignified lives in community-based homes in Winnipeg, enriched by Jewish values.
Charles Tax, the SRFI’s long time president, notes that in 2017, the organization created an endowment fund with the Jewish Foundation of Manitoba. “At the time, we transferred more than half of our assets to the JFM,” he says. “We continue to make contributions to our fund.”
He notes that the annual dinners came to an end with the 20230 Covid lockdowns. The donor appreciation evenings were started in 2023.
“One of our goals is to acquire one or two more houses in the south end,” Tax adds.
Readers who may be interested in attending the donor appreciation evening or otherwise supporting SRFI can contact the office at 204 582-7064 or via email (admin@shalomresidences.com).
\
Local News
Debbie Maslowsky playing lead role in upcoming Dry Cold Productions musical
By MYRON LOVE For the past 40 years Debbie Maslowsky has been entertaining Winnipeg audiences – both Jewish and non-Jewish, with her acting and singing. Arguably Winnipeg’s queen of musical theatre is returning to the stage on May 13 in a lead role in Dry Cold Productions’ upcoming “Kimberly Akimbo”.
Maslowsky is enthusiastic about the Tony-winning production, which debuted on Broadway in November 2022. “It’s a gem of a musical,” she says of the production crafted by the musical team of composer Jeanine Tesori and lyricist David Lindsay-Abaire.
The subject itself is not – on the surface – uplifting. As Maslowsky describes it, “Kimberly Akimbo” is the story of a teenager suffering from a very rare condition – progeria – also known as the aging disease. The genetic condition causes children to age at an accelerated rate causing them to die of old age while still in their teens. For those readers who may recall Rabbi Harold Kushner’s book, “Why Bad Things Happen to Good People” – written years ago, Kushner was responding to the death of his own son from progeria.
In the hands of Tesori and Lindsay-Abaire though, Maslowsky notes, the show is about mindfulness and living day by day. In the production, Maslowsky explains, “Kimberly is trying to live as normal a life as she can despite her illness. Her life is further complicated by a dysfunctional family. Her parents are dealing with their own issues. Then there is the madcap aunt who develops a complicated and hilarious plan to make money for a family road trip, raise funds for choir costumes – with some left over for herself.
“The play is very funny,” Maslowsky comments, “but also poignant. Kimberly knows that she most likely won’t live much beyond 16. Therefore, she wants to live every day to the fullest. She wants to live every day in the now. At the same time, she doesn’t want to hide from reality. She doesn’t want special treatment. She also doesn’t want people – such as her parents – trying to pretend that everything will be okay.”
Maslowsky last appeared on stage in Winnipeg Jewish Theatre’s one-woman production of “A Pickle” in the spring of 2023. That was the true story of a Jewish pickle maker living in Minnesota who had to fight to get her pickles included in the state fair pickle competition, which tried to disqualify her because her pickles were made the Jewish way through a brining process that the non-Jewish judges refused to accept.
In the interim, Maslowsky has been focusing on her longstanding business as a trade show, conference and event manage,r as well as picking up some singing gigs. She reports that she began winding down her business last fall.
She speaks highly of her younger cast mates. “They are an amazing group of young people,” she says. “For some of them, this is their first show. I myself am still learning new things after all these years.”
Maslowsky will next be appearing in the joint Winnipeg Jewish Theatre-Rainbow Stage production of “Fiddler on the Roof” in September. “I played one of the daughters years ago in an earlier Fiddler production,” she recalls. “I feel like I am coming full circle.”
Dry Cold Productions was founded by Donna Fletcher and Reid Harrison (now retired) more than 25 years ago. The company stages a yearly musical theatre production – sometimes edgy – which has played on Broadway and is new to Winnipeg audiences.
The Dry Cold website cautions that “Kimberly Akimbo” contains “strong language (with frequent profanity), mature humour, and references to sexual activity”.
“Kimberly Akimbo” is scheduled to run May 13–17, 2026 at the Prairie Theatre Exchange. Tickets can be purchased by contacting Dry Cold productions online.
Local News
The second Bar Mitzvah: Better than the first
By GERRY POSNER As we pass down the corridor of life, there are certainly times we can identify as moments we will never forget. I had such a moment on April 11 at my second Bar Mitzvah, at the Shaarey Zedek Synagogue, shared with Dr. Ted Lyons, or E. A. as I called him over the years. We were celebrating this life cycle event at the very same synagogue as the first one, that is – the Shaarey Zede. For me, it was some 70 years ago or 25,557 days – from April 21, 1956 to April 11, 2026. The notion of returning to the original place of Bar Mitzvah 1.0 was too powerful a force, causing me to abandon my plan to do this in Toronto where my wife, Sherna and I have lived for the last 13 plus years.
It was quite the weekend. We started just before Erev Shabbat with photos of our two families on the bimah. Ted had his whole family there, including his daughter Mara, her husband Sheldon, and their two daughters, as well as his son Sami, his wife Rose, and their three kids, all of whom live In Calgary, not to forget his sister Ellen and her husband Howard Goldstein, from Toronto. Our three kids: Ari, Rami and Amira, all of whom live in Toronto, along with two of my grandchildren, as well as my brother Michael from Toronto were also present.
After the Shabbat service, we stayed on in the building for our Shabbat dinner. There were 23 of us, including Michael’s partner, Ruth Grubert, (formerly Mozersky), also a former Winnipegger, as well as Rabbi Mass,his son Ranan, Rabbi Carnie Rose and his wife Pauline. It was a warm group and the dinner was gobbled up and appreciated by all of us. We were all surprised when independently, the respective grandchildren of the Bar Mitzvah “bochers” presented both of us with a kind of tribute – funny and sincere in their affection for their Zaidas.
Then came the big day. It lived up to and even exceeded my expectations. It was a sell-out crowd. I was overwhelmed just at that fact. The only thing missing from the building was the electronic ark. The respective families all participated with aliyahs and indeed Torah readings by Sami Lyons and the 83-year-old Bar Mitzvah boy Ted Lyons. Now, “leyning” from the Torah was not something Ted had done at the first go-round 70 years ago. (In fact, almost all of us were deficient in that area).
One particular moment during the service was especially meaningful for Sherna and me. In the first part of the service, there is a prayer called “Mi Chamocha.” My son Ari had written music for that prayer several years ago and now he was at Shaarey Zedek, where he had his Bar Mitzvah long ago. This time though the clergy had arranged to use his music and to sing his melody. (It had been used many times previously, but without Ari. ) Not only that, he was invited to play his composition at the service as Cantor Leslie Emery sang it. Those few moments – as we watched and listened, at this – my second Bar Mitzvah, at a place where my parents had been members for years and whose names are on the memorial plaque in the chapel, well, that was powerful, to put it mildly.
Ted and his family had various honours as did my family. I was given the Haftorah to chant. Now, I have few talents, but I can chant a Haftroah (not the most marketable skill), so that was not that much of an obstacle for me. In fact, I rather enjoyed doing this part of the service. Rabbi Rose had also given me permission to deliver a D’var Torah on the portion of the week, “Shemini”, and to discuss the meaning of this, my second Bar Mitzvah. Once I had the mic and the stage, I was ready to go in spite of my wife’s protestations that it was too long. And, in fact, as I rolled along into my Haftorah, after about 10 minutes, my parter in the double Bar, Ted, came up from behind me where he was sitting, and nudged me gently, or to put it more accurately, gave me the hook, announcing that it was time to wrap up. It was kind of comical, in fact. I got a large charge from that sudden intervention. To top it off, as I had been speaking, I noticed a congregant on my left near the front who had apparently passed out. It was alarming to me at first, but the medics came and were able to revive this person. I was told later that other first words out of the mouth were “Has he finally finished?”
We concluded the day with a rather large kiddish luncheon highlighted at least for me by traditional party sandwiches, which were a staple of the kiddishes of my youth. I met with so many people of my past, which was a treat and a half for me. I was so into the moment that It was hard to get me out of the building.
As I reflect on the day and the service, I recognized that for all of us, we have times in our lives, whether it be an hour, a day or a week, that we will never forget. This day was for me one such moment. It is etched in my memory to be relived through the Youtube video now in my possession. The gift that keeps on giving, I say.
My first Bar Mitzvah was good, for sure. This one was far better. I knew what I was doing.
Post script (After Gerry had sent us his story, he sent us something else that he said should have been included in the story): True, Ted and I had the Bar Mitzvah no 2. But we only had it because there was one person who did the real work and yet received no credit. She made all the arrangements with the synagogue for both the Friday night Shabbat dinner and the kiddish lunch after the service. She dealt with various people in the synagogue and basically took charge of our simcha. I speak, of course, of Harriet Lyons. That I failed to mention her was due to my excess focus on the eating of the party sandwiches and not enough on the reason we had them in the first place. Harriet teaches the weaving of tallits, but she stands tall in the arranging of Bar Mitzvahs.
