Local News
How did an English performance poet develop such a keen interest in Jewish nuclear physicists?
By BERNIE BELLAN Readers of this website may have read an earlier story I posted about a Fringe play titled “THE KID WAS A SPY,” by well-known Fringe writer and performer Jem Rolls. (You can read that story at https://jewishpostandnews.ca/faqs/rokmicronews-fp-1/fringe-show-asks-was-giving-the-secret-to-the-atomic-bomb-to-the-russians-morally-justifiable/)
I was so intrigued by the notion that Rolls had written, not one, but three entire Fringe plays centering around the lives of individuals he described as “Jewish nuclear physicists no one has ever heard of” that I wanted to find out from Rolls what led to his interest in the subject.
We were supposed to have met for an interview while the Winnipeg Fringe Festival was still occurring but, as events transpired, Rolls got caught up with other things that required his attention, and wasn’t able to meet with me.
Still, he contacted me to apologize for not having been able to sit down for a conversation and said he would still very much like to engage with me about his interest in “little-known Jewish nuclear physicists.”
As it was, Rolls recently found himself with more time on his hands when he was in Saskatoon, getting ready for that city’s fringe festival which, he described in an email to me as “the quiet bit after and before the madhouses,” i.e., the Winnipeg and Edmonton fringe festivals.
A little information about Jem Rolls: He’s one of the veteran of the fringe festival circuit. His performing at the Saskatoon Fringe Festival was to be his 150th different fringe festival appearance.
Born in Surrey, England, “from 1996 Jem ran the only successful poetry cabaret in Edinburgh in decades and in 2001 he moved there and set up a very successful fortnightly cabaret, while running Scotland’s first Poetry Slams.
“In 2001 he did the Toronto fringe and nothing was ever the same again. Confronted by the possibilities and demands of the hour show, Jem gleefully exploded into the freedom of it. The Fringe circuit has very few rules and can provide the artists a complete liberation. Jem has been making a living creating a new hour show every year since 2003.”
I also found out from Rolls that in recent years he has been spending his winters in India. Quite the vagabond, he suggested that “all I need is a passport, a laptop, and a bank card.”
We did end up talking over Messenger on Thursday, July 31. I began our conversation by asking Rolls what led him to develop his particular interest in “little-known Jewish nuclear physicists?”
He explained that several years ago he “was stuck in Dauphin with not very much to read.
“I discovered a book about Nazi scientists,” he said.

That book happened to mention a Jewish physicist by the name of Lise Meitner. Rolls was sufficiently intrigued by Meitner’s story that he determined to find out more about her.
Later that year he found himself spending the winter in Edmonton. Rolls said he went to the University of Alberta to do some research on Meitner and came across another book that proved to be instrumental to his developing what would subsequently turn into three separate fringe shows. The book was titled “The Making of the Atomic Bomb,” by Richard Rhodes.
That book, which was first published in 1987, went on to win a Pulitzer Prize and the National Book Award. It is described as the “definitive history of nuclear weapons—from the turn-of-the-century discovery of nuclear energy to J. Robert Oppenheimer and the Manhattan Project—this epic work details the science, the people, and the sociopolitical realities that led to the development of the atomic bomb.”

Rolls’ initial interest in Meitner subsequently led to an interest in the life of Leo Szilard, who became one of five Hungarian-born Jewish physicists – nicknamed “the Martians,” who were all eventually to play key roles in the Manhattan Project and, ultimately, the development of the atomic bomb. The others were: Theodore von Kármán, John von Neumann, Edward Teller, and Eugene Wigner. Apparently a running joke among their Western colleagues in scientific circles at the time was that “Martians had landed in Hungary sometime around 1900 but soon departed after finding the planet unsuitable. However, these higher beings stayed just long enough to leave behind offspring, which turned into exceptionally brainy scientists, later nicknamed ‘The Martians.’ “
Without going into detail about the scientific work undertaken both by Meitner and Szilard in this story, suffice to say that Rolls was able to mine their stories sufficiently to create two separate shows about them: The first was “THE INVENTOR OF ALL THINGS, “about Leo Szilard, which Rolls first performed in 2015 (and then again in 2017).
In 2019 Rolls created a show about Meitner titled “THE WALK IN THE SNOW,” which he also performed in 2022.
(I should note that Rolls, who has now appeared at 150 different fringe festivals, performs a particular show repeatedly on the fringe festival circuit in any given year. As he explained, “the hard work is done three months before” a show is premiered, as he writes the material and rehearses it on his own prior to taking it before a live audience.)
Both those previous shows proved enormously successful for Rolls, garnering “multiple sellouts and five star reviews.”
Winnipeg audiences, however, have mostly come to know Rolls as a “performance poet,” something, as noted previously, he first brought to Canada at the Toronto Fringe Festival in 2001.
Putting on a show in Winnipeg, however, has always been an especially pleasurable experience for Rolls because, as he put it, “Winnipeg is an excellent place where to find out how good a show is.”
Still, ever curious to try to develop new material, Rolls said that he doesn’t like to bring back shows from the past once he says to himself that he is done with them.
Thus, as he has now been performing his latest show, the aforementioned “THE KID WAS A SPY,” in front of audiences across North America this year, Rolls observed that he “may do this show again in another two years,” but then he’ll be done with it.

In my story about “THE KID WAS A SPY,” I noted how controversial much of the show was, having to do as it was with the fact that the protagonist of the show, Ted Hall, turned out to be a spy for the Russians. Hall did end up giving the Russians vital information about the development of the atomic bomb – and was never arrested even though both the FBI and MI6 in Britain had their suspicions about him.
During the course of the show, Rolls attempts to create a balance in the minds of audience members between the conflicting moral decisions that led to Hall’s actions. He was determined to help the effort to create the atomic bomb before Nazi German scientists would succeed in doing so, but he also wanted to keep America from having a monopoly on owning the secret to the atomic bomb – which led to his approaching the KGB and offering to hand over to them the keys to the bomb.
I asked Rolls whether he honestly thought that the Americans and the Russians could be put on the same moral plane – which is something he posited during his play? I also wondered about the very sympathetic treatment he gives to Ted Hall.
Rolls suggested that for him, “Ted Hall was a very likeable and sympathetic guy.”
But, I argued, when he asked audience members to vote on whether Hall was justified in doing what he did, the results were bound to be skewed heavily in favour of voting in Hall’s favour by the mere fact that fringe festival audiences are probably so much more left-wing than the general population.
Rolls noted, however, that the audience make-up for this particular show has leaned heavily older, and that a good portion of audiences would certainly have enough knowledge of history to be able to come to reasoned determinations about the relative moral culpability of America and the Soviet Union over the years. He also observed that Hall was not atypical among young American Jews in the 1930s. “There were an awful lot of radical left-wing Jews” around that time, he suggested.
“I spend 57 minutes trying to give an accounting that weighs the zeitgeist of the time,” he said, against our current thinking about the historical record of America and the Soviet Union.
“This show was quite a bit more difficult to do than his other shows,” Rolls said – especially his performance poetry shows which, he noted, “were funny.”
Even his earlier show about Leo Szilard, Rolls observed, had quite a bit of humour in it.
Given the heavily Jewish theme of each of Rolls’ shows about Jewish nuclear physicists, I asked Rolls whether he’s ever been approached to put on any of the shows by a Jewish theatre company. So far, he hasn’t, he answered, but he’s certainly open to the idea.
Local News
Orri clementine oranges from Israel now available in Winnipeg
By BERNIE BELLAN (Posted April 3) For years many Winnipeggers made a habit of buying delicious Jaffa oranges from Israel, both because they were so delicious, also to support Israel. Those oranges used to be commonly available in many stores during the winter months, but as the years passed, it became increasingly difficult to find them.
Often groups of individuals would get together and place special orders for Jaffa oranges that could be brought into stores like the former Stewart’s Fruit & Deli on Grant Avenue. I remember asking the owners of Stewart’s – Frida and Aaron Herskovits, whether they could bring in Jaffa oranges, but over the years they told me that they found it was increasingly difficult to find a wholesaler that carried Jaffa oranges.
One of the reasons was that oranges from other countries, including South Africa, Chile, Spain, Morocco, and occasionally Mexico, were much cheaper than Jaffa oranges, so wholesalers simply stopped ordering them.
But last week I was contacted by a friend who told me that he found oranges from Israel in FoodFare on Portage Avenue – of all places. Now, I don’t want to get political, but FoodFare is owned by the Zeid family – and the Zeids haven’t exactly been huge supporters of Israel. So, I was somewhat surprised to learn that Israeli oranges were being sold in FoodFare.
When my friend sent me a picture of the bag containing the oranges, I saw that the name on the bag was “Orri.” I had never heard of Orri oranges, so I asked my friend how they tasted ?
“Absolutely delicious,” came the reply. But I’ve avoided shopping at FoodFare ever since October 7, 2023 when members of the Zeid family established themselves as staunch critics of Israel. And so, I didn’t head down to FoodFare myself to buy a bag of Orri oranges.
Lo and behold, I was in Superstore on Kenaston the other day and what do I see prominently featured right in the front of the store, but bags of Orri oranges – at the very reasonable price of $6.99 for a 907 gram bag. I bought a bag, brought them home, peeled one – and was in heaven! It was the most delicious clementine orange I had ever tasted.
But how come I had never heard the name “Orri” before? I wondered. So, I did some research -and here’s what I came up with, from the Orri website:
“Few people know that the original Jaffa Orri has a long history of nearly 30 years. The project was initiated in 1989 as a collaborative effort at Israel’s world renowned Agricultural Research Organization, the Volcani Center. The extensive research led by leading citrus breeders and botanists managed to develop an exceptional lineup of mandarin cultivars that hit their objectives. The new cultivars were planted in experimental plots across the country, and with results being better than anticipated, the rest is history.
“The later crowned “mandarin king” made its market debut in the early 2000s, quickly taking the Israeli market by storm. Despite accelerated orchards planting efforts, consumers simply couldn’t get enough, and demand kept falling short of supply. Year after year, as yields increased, Orri remained the premium brand of choice.
“Today, Orri’s popularity has been steadily climbing in markets such as France, UK, Holland, Germany, Russia, Canada and the US, and lately also China and Japan. While Israel remains the largest single exporter of Orri mandarins, licensed growers now exist in Spain, South Africa, South America and the US.”
Further research determined that “High sugar levels, low acidity, bright orange color, and a long shelf life, making them excellent for shipping.”
“Late-season harvest runs from January through early summer, ensuring availability when other mandarins are out of season.”
Finally, when it comes to availability in Winnipeg, here’s what I found: “Orri mandarins are available for purchase and delivery at major Canadian retailers like Loblaws (2 lb bags), Real Canadian Superstore, and No Frills. They are also available for delivery through Weee!, Uber Eats, and Instacart. Orri mandarins, known for being seedless, easy to peel, and very sweet, are usually in season from January to May.”
Local News
Jewish community leaders to take to the stage in new Theatre Centre, Manitoba Bar Association fundraising musical
By MYRON LOVE For more than 36 years a staple of the Royal Manitoba Theatre Centre season has been the RMTC’s annual joint production with the Manitoba Bar Association – featuring a cast composed entirely of Bar Association members. This year’s fundraising production is “Crazy for You” – a delightful romp in the style of 1930s musicals.
I well remember the Rainbow Stage production of the musical in 1999 with many memorable Gershwin Brothers’ songs – tunes such as: “I Got Rhythm,” “Naughty Baby,” “They Can’t Take That Away from Me,” “Embraceable You,” “But Not for Me,” “Nice Work If You Can Get It” and “Someone to Watch Over Me.” Introduced on Broadway in 1992, “Crazy for You” is based loosely on the Gershwins’ hit 1930 musical “Girl Crazy”.
The plot, typical of 1930s era musicals is about a young New York banker, Bobby Child, who is sent to Deadrock, Nevada, to foreclose on a rundown theatre. In Deadrock, Bobby falls for spunky Polly Baker, the theatre owner’s daughter. But Polly takes an instant dislike to the city slicker, so Bobby vows – through cunning, razzmatazz and a hilarious case of mistaken identity – to win Polly’s heart and save the theatre.
“Crazy for You” is a fantastic musical,” says an enthusiastic Gail Asper, who plays the role of Billy’s mother in the show. “I am very happy that we are putting it on this year. It has great dance numbers. Who would have thought there would be so many terrific dancers in our legal community?”
Asper, a leading patron of the arts (among her many contributions to the community) , has been involved with the annual legal stage production from its inception. “It was Steven Schipper’s idea,” Asper recalls. (Schipper served as RMTC’s artistic director from 1989 to 2019.) “He pitched it to the board who thought it was a great idea. Board member Jean Giguere was tasked with bring the idea to fruition. Jean and I are still great friends.”
Asper reports that “Crazy for You” is the 16th RMTC/MBA show in which she has had the pleasure of performing. “This is one of the best fundraising ventures I have ever been involved with,” she says.
(Her one regret though is that she isn’t a dancer.)
The cast also includes a second prominent member of our Jewish community in the person of Mr. Justice David Kroft (who was appointed to the Manitoba Court of Appeal in 2023). Kroft plays the role of Bela Zangler, the impresario (think Florenz Zeigfield) who is producing the show.
Kroft is a past president of the Jewish Federation of Winnipeg (following in the footsteps of his late father, Guy, and older brother, Jonathan). He has been a Combined Jewish Appeal canvasser for more than 25 years. In 2024, he was presented with the Max and Mollie Shore Memorial Award, which is given annually to an individual who has distinguished him or herself through long-standing leadership and dedication to the Combined Jewish Appeal and commitment to the principles and goals of the Federation.
For Kroft, this is his ninth Bar Association show. Last year, he reports, he was in the RMTC/MBA production of the comedy “The Man who Came to Dinner”.
Although, Kroft notes, his theatrical experience previous to the RMTC/MBA productions were high school operettas, he says that he has really enjoyed the opportunity to strut the boards.
Added to the meaning of the production this year is that Kroft is currently RMTC Board Chair. “This is one of our major annual fundraising initiatives,” he says in his role as Board Chair.
One other member of our Jewish community who will be in “Crazy for You” is Benji Greenberg, who will be making her sixth appearance in the annual fundraiser. She says that she has the role of Elaine, one of the show girls.
“I love the Gershwin music,” she says.
I wrote about Greenberg last year in regard to her participation for the first time in the annual Winnipeg Music Festival competitions. In high school (Grant Park) and university (the U of W), she notes, she was involved in performing arts study and productions.
She was called to the Bar in 2015. For the past four years, she has been working as an investigator for the Manitoba Advocate for Children and Youth.
A couple of years ago, she decided to take proper singing lessons. She credits her teacher, Geneva Halverson, for encouraging her to enter the Music Festival competition,
“Crazy for You” is scheduled to run from May 5 to 9 at the Tom Hendry Warehouse. Tickets can be purchased through RMTC. If you have a friend in the show, on the RMTC board or staff member, you can help them win a prize by buying a ticket linked to their name using the list online.
Sponsorships and advertising would also be welcomed.
Local News
Jewish Heritage Centre of Western Canada panel highlights contributions of Jewish women in building our community
By MYRON LOVE For much of the Jewish community’s early history in Winnipeg, it was men who were acknowledged as our community leaders – as was common in society in general – while the work of scores of women working diligently behind the scenes was largely overlooked. While women’s organizations such as ORT, Hadassah, National Council of Jewish Women and many others raised money to help the needy in our community and Israel, noted Marsha Cowan, it was usually men who made the decisions.
On Tuesday, March 17, the Jewish Heritage Centre of Western Canada hosted a panel discussion: “Let Her Works Praise: Panel on the role of Women in Jewish Communal Life” (which was pretty well attended considering the wintry conditions) – seeking to show our community’s appreciation for the work of countless women over the years behind the scenes, as well as the growing number of women now working side by side with men in leadership roles.
Marsha Cowan – one of the three panelists, has straddled both worlds – as a leader in National Council of Jewish Women, and later as the first woman to serve as CEO of the Jewish Foundation of Manitoba.
Cowan began her presentation by reminiscing about her time at Peretz School and the old YMHA. Her first vehicle of choice as a volunteer was with the National Council of Jewish Women (NCJW). The latter’s major project was the Golden Age Club – Canada’s original drop-in centre for (largely) Jewish seniors. For years, the club operated out of a building near Salter and Selkirk in what used to be the heavily Jewish North End.
“After 40 years,” she recalled, “we realized that we needed a new building.”
The site for the newly renamed Gwen Secter Creative Living Centre was a former tire store at Smithfield and Main. Cowan chaired the successful campaign to raise the funds for the transformation of the building into the Gwen Secter Centre.
Cowan subsequently served as Vice-President of the National Council of Jewish Women. She also served as President of Jewish Child and Family Service;, Vice-President of the Women’s Division, Combined Jewish Appeal; and, most recently, as the first woman to be President and CEO of The Jewish Foundation of Manitoba.
““I remember walking into my first board meeting at the Foundation and finding myself one of only two women among 18 men,” she recalled. “But it was never a problem for me working in male-oriented organizations and institutions.”
One of the first things that she did as a board member though, was to push to establish the Foundation’s Women’s Endowment Fund in order to give women an opportunity to make philanthropic decisions involving the distribution of funding.
The fund, she noted, started with $20,000 contributed by about 150 women. Today, 32 years later, the Women’s Endowment Fund has a capital base of $2.4 million and distributes more than $100,000 a year to women’s charities.
In her presentation, Susan Turner began by recalling growing up in a traditional home in the North End, her early schooling, Shabbats spent with her father, Leible Hershfield, at the Rosh Pina Synagogue, and going to the YMHA, where Leible was the Athletic Director. The family moved south in 1958 so that her maternal grandfather, Lazar Tuberman, who lived with them, could be closer to the Shaarey Zedek Synagogue, where he was the shames. In her teen years and then at university, Turner sang in the synagogue choir.
A lifelong professional visual artist in printmaking and in video, Turner has worked in a number of positions – by turn as a school librarian, an editor, a graphic designer, an art instructor, a lecturer at the School of Art, a researcher and curator in the area of multiculturalism, an exhibits curator and designer, a gourmet pastry chef for restaurants, and as a volunteer in the arts community.
She noted that it was her mother, Babe, who got her involved working on projects in the Jewish community. “For many years Babe was Executive Director of the Jewish Historical Society. In the late 1970s, she recruited my husband Myron and me to be on the Programming and the Archives committees, and we remained active in one form or another for close to 40 years.”
“From 1999 to 2004,” Turner said, “I was the Coordinator of Volunteers at the Sharon Home, where I learned so much about ageing, dementia, and respectful elder-care.”
In 2005, at the behest of Stan Carbone, JHC Programs and Exhibitions Director, she began working as curator and exhibitions designer at the Jewish Heritage Centre. Some of the major exhibits she worked on were “The Jewish Wedding”, “Manitoba Synagogues”, “Jews in Manitoba’s Garment Industry”, and “Chief Justice Samuel Freedman.”
In addition to her work with the JHC, Turner noted that she and Myron volunteered through Jewish Child and Family Service with newcomers from Argentina and with Yazidi refugees. “However much Myron and I were able to assist them, our own lives were enriched by the experience,” she added.
Turner also showed images of her current art as well as a poetic video she produced using voice, music, image, and Yiddish about the final days of her mother Babe’s life.
Leah Craven, the third member of the panel, is representative of a younger generation of women who have assumed leadership roles in our community. A lawyer by training, she currently serves as President of the National Council of Jewish Women of Canada, Winnipeg Section. She is also a Board member of the Jewish Foundation of Manitoba – serving on their Governance and Grants Committees. She has previously been actively involved with Shalom Square, Gray Academy of Jewish Education, Congregation Etz Chayim, and Canadian Friends of the Hebrew University.
“I was raised in a traditional Jewish home where volunteering was simply part of life,” she recalled. “My (late) father, Mel Craven, was deeply involved in community work, and my mother, Reva, continues to volunteer actively. In our home, contributing wasn’t an ‘extra.’ It was just… part of being Jewish.
“As the granddaughter of Holocaust survivors, I grew up with a strong awareness of how vital community support systems are,” she continued. “I understood early that people struggle — and that communal care matters. I also understood I was fortunate, and that being able to give comes with responsibility.”
Craven recounted her first independent volunteer experience. While still in elementary school (Ramah), her father asked if she would teach basic Hebrew to a colleague’s church youth group.
“I took it very seriously,” she said. I made a Hebrew alphabet chart with transliterations and created name cards in Hebrew letters for each participant. It was my first time in a church and it was a welcoming experience, genuinely enjoyable. Looking back, I learned an early lesson. I stepped forward because someone asked me. Someone opened a door and trusted me.”
That pattern, Craven noted, has occurred repeatedly throughout her life.
In her university years, she was active in Jewish student organizations, Craven said. She was involved in advocacy for Soviet Jewry and spoke out against antisemitism.
“At university, I learned that community life isn’t only programming and events,” she observed. “It’s visibility, engagement, and standing up when it matters.”
As a working mother, she has continued to show up for our community – volunteering over the years at Folklorama (Shalom Square) and synagogue. “Helping to set up, clean up and greeting people (at shul) may not be glamorous, but it is foundational,” she noted. “Community is sustained by everyday acts of showing up.”
Craveb pointed out that formal barriers for women have changed over generations. “Many women are now invited to leadership tables,” she noted. “We are asked to chair, lead, speak and make decisions. That progress is real and important.
“At the same time, many women still carry the day‑to‑day responsibility for home and family,” Craven added. “As well, single mothers and women without job flexibility often face additional challenges in participating in volunteer roles.”
Craven said the biggest challenge for women volunteering in community is “capacity”. “In my experience that looks different at each stage of life”, she observed. “As a student, I had to balance community involvement with academics. As a young professional, there weere early career demands. As a parent, I sought involvement that fits naturally into family life – such as children’s programming at synagogue or volunteering at school.”
It was during that time – when her kids were babies – that Craven joined National Council. “I welcomed the opportunity to be part of a Jewish women’s organization dedicated to service, education,and social action,” she said.
Crave also noted the help her own children have given her. She would bring them to meetings and on deliveries. When they were a little older, they helped sorting ribbons and wrapping paper, stuffing envelopes and assembling mishloach manot.
“These small tasks mattered,” Craven said. “It allowed me to stay engaged and my children learned that community involvement isn’t separate from daily life,” she added. “It’s part of how we live — for me, it’s part of being Jewish.”
The balance between work, family and community is never fully resolved, Craven observed. “Involvement looks different at different times,” she noted. “Sometimes it’s leading. It can be making a phone call, delivering a meal, sitting beside somebody and saying – there is a place for you here – or just showing up.
“It often just begins because someone asks, invites or makes room.”
In conclusion, Craven expressed gratitude to ” the women who paved the way” and to “a community that values women’s leadership”.
