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Jewish Heritage Centre publishes new collection of essays about the history of Jewish life in Manitoba
Jewish Life and Times: A Collection of Essays Volume X
Review by MARTIN ZEILIG This soft covered collection of interesting and even entertaining essays, which are grouped under umbrella topics, brings together, as is stated in the introduction, presentations made to the Jewish Heritage Centre of Western Canada over the past few years.
It provides a glimpse into the life of Jews in this part of Canada, as well as, at least in some of the essays, lessons for today’s world.
For example, in the section, Social Issues in Winnipeg’s Jewish Community, Esyllt Jones, Professor of History at the University of Manitoba, has contributed an essay, Jews In Winnipeg’s Influenza Pandemic, 1918-1919. It’s based on a talk she gave to the JHC in 2006, and formed part of her award-winning book, Influenza 1918: Disease, Death, and Struggle in Winnipeg (University of Toronto Press, 2007).
This exploration has contemporary significance because the COVID pandemic, as is stated, “has increased awareness of the social implications of disease.”
As Professor Jones writes, “… the influenza epidemic of 1918-1919 hit Winnipeg and worldwide societies hard. Both the course of the disease and the response followed along class and ethnic lines of division within society. The poor, especially in Winnipeg’s immigrant-dominated North End, lived and worked in conditions that put them at greatest risk, as death statistics show. Their poverty made treatment difficult and often depended on the willingness and ability of wealthier strata to provide nursing care and financial relief. This extended even to burying the victims.
“Within this context, the Jewish community drew on its long tradition of community self-help through philanthropic organizations and through mutual-aid societies that reflected the North End community more closely.”
Communal Solidarity: Immigration, Settlement, and Social Welfare in Winnipeg’s Jewish Community, 1882-1930, is a contribution by Arthur Ross, Professor Emeritus and Public Administration at Metropolitan Toronto University and a former Winnipegger “with deep roots in the North End.” It is based on his book, which published by the University of Manitoba Press, of the same name that was launched at the JHC in 2019.
Ross describes the activism of the North End Jewish community.
“Few of the Jewish immigrants who established Winnipeg’s Jewish community could have imagined that their children and grandchildren would live in a society in which the government was responsible for universal health care, provided various forms of income assistance, and funded social services,” he concludes.
“Certainly, the establishment of the welfare state reduced much of the need for Winnipeg’s Jews to engage in collective action to protect each other from life’s misfortunes. After the 1930s, communal solidarity continued to shape the development of Winnipeg’s Jewish community.”
The section entitled JEWS IN WORLD WAR 1 contains a series of essays that, taken together, form a fairly comprehensive look into Jews as soldiers on both sides during that four year long pointless war: Jewish Canadians and the Great War, by (the late) Jim Blanchard; German Jewish Soldiers in World War 1 by Lionel Steiman; French Jewish Soldiers in World War 1, by Robert J.Young; Russian Jews During the First World War, by Daniel Stone; The General Monash Branch, by Daniel Stone.
“Jews made good citizens in all countries in which they lived and fought valiantly; although their efforts were not always recognized or appreciated,” noted a presenter, during a panel discussion at the JHC to mark the centenary of the Great War (which erupted in August 1914).
Some of the other fascinating essays in this useful little book deal with The 1919 WINNIPEG GENERAL STRIKE, RABBI ZALMAN SCHACTER, THE GARMENT TRADE IN WINNIPEG, LEISURE ACTIVITIES, and BEYOND THE CITY.
A section at the beginning, PASSAGES, acknowledges the passing of several board members and staff members of the JHC and its predecessor, the Jewish Historical Society: Abraham J. “Abe” Arnold, CM (1922-2011); Mildred Gutkin (1921-2021); Leon Michaels (1925-2015); Irma Rachel Penn (1945-2013); Judith Putter (1948-2021); Maurice Steele (1929-2022); Roseline (“Roz”) Wolodarsky Usiskin (1928-2022); Norman Vickar (1917-2015); Marshall Wilder (1926-2017).
“Their insight, dedication, and contributions have greatly furthered the win aims of the Jewish Heritage Centre: the documentation, preservation, and sharing of information on the development of the Jews in Western Canada and advocacy of anti-racism, especially through Holocaust education,” says the Introduction.
One now awaits the next installment of Jewish Life and Times. What an invaluable historical resource for our community. It reinforces the truth that all people and cultures are living histories.
Jewish Life and Times: A Collection of Essays Volume X
Edited by Daniel Stone & Annalee Greenberg
Jewish Heritage Centre of Western Canada
184 pages
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
