Local News
Jewish Heritage Centre to present talk on Western Canadian Jewish anarchists, including Feivel Simkin
By BERNIE BELLAN Maria Tarasova-Chomard is a young (24 year old) student, originally from Russia, now living in Paris, who will be presenting a talk on Western Canadian Jewish anarchists for the Jewish Heritage Centre of Western Canada on Sunday, October 3rd.
In the September 1st article I noted that I would have more about my interview with Maria in our September 15 issue, including some detailed information about certain Jewish individuals who were leading anarchists in Winnipeg in the early part of the 20th century.
I should also note that Maria is the first student winner of the Switzer-Cooperstock prize, given for an original essay on a subject relating to Western Canadian Jewish history. The Switzer-Cooperstock prize is awarded biennially, with the new student prize awarded in alternate years.
Returning to my conversation with Maria, which occurred over Zoom on August 24 while Maria was in her Paris home, I asked her “whether there were any names of well-known Jewish anarchists from Western Canada that” she could “throw out for the benefit of readers”?
Maria responded: “Yes, there were the Prasow brothers – Zalman and Israel – they were the leaders of the movement actually. Then there was Feivel (Frank) Simkin.”
Saying the name “Feivel Simkin” certainly triggered a greater interest on my part, since the Simkin name is so well known within the Jewish community. While I don’t want to preempt anything Maria might have to say during her talk on October 3rd, I’m sure reading the name “Simkin”, followed by the word “anarchist” might come as a bit of a surprise to at least some readers.
Following my conversation with Maria, I sent an email to Stan Carbone, curator of the Jewish Heritage Centre, in which I noted that Maria had said that Feivel Simkin was a leading anarchist in Winnipeg – which came as a surprise to me. I had known that Feivel Simkin had been the publisher of the Israelite Press, but beyond that, I knew nothing about the man.
So, Stan sent me a transcript of an interview that Roz Usiskin had conducted with Feivel Simkin in 1977, in which he tells his life story – also how he defines “anarchism”. Here is what he said at one point in the interview: “They believed that you should educate yourself, and then you didn’t need government to look after you.”
I said to Maria that I’d always been a little unclear how to define “anarchist”. I said to her that I thought the anarchist movement had begun in the late 19th century, but she said it actually began earlier than that – “in the beginning of the 19th century”, but the “period of the flourishing of the movement was really toward the end of the century”.
I asked Maria to give me “a Cole’s Notes definition of ‘anarchism’”.
Maria answered: “The most important aspect is that it’s a movement that believes in a society based on community, based on unity, and denies constraint and privilege.”
I asked: “But doesn’t it reject most forms of government authority?”
Maria responded: “Yes, but that comes from a rejection of constraint and privilege. Every state, every government (according to anarchists) is based on constraint and privilege – and hierarchy.”
As our conversation continued, I asked Maria how easy is it to actually identify individuals in the early 20th century in Winnipeg as “anarchists”?
She said it is difficult to do because “there are very few records and since the movement was essentially clandestine, they were actually paying attention not to keep evidence as to who was an anarchist, but when I talk about the ‘anarchist’ movement’ in my work, I talk not only about those who were directly involved in the organizations and activities of the organizations, but also everyone who was interested in the ideas – who called themselves radicals or libertarians.
“We can distinguish two circles. There was the core – the actual activists, the organizers – and there were those who participated in events, were sort of around”, but who couldn’t necessarily be described as ‘anarchists’.”
I asked what documentation might have existed that would have led Maria to conclude that the Prasow brothers and Feivel Simkin were the leaders of the anarchist movement?
Maria said it was mostly through “correspondence” among those three figures, especially correspondence between the Prasows and the leading American anarchist at the time, Emma Goldman (who actually stayed with the Prasows in their house at one time when she visited Winnipeg, Maria noted).
I wondered though, whether that correspondence would have been conducted in English or Yiddish – since Yiddish would have been the mother tongue of those early 20th century anarchists.
Maria explained that English was the preferred language of the anarchists, especially since Emma Goldman had insisted that anarchists’ writing be in English, so that it would be understood by “the generation born in America”.
As a result of this emphasis on the next generation, “a lot of their effort went into education,” Maria said.
Given the anarchists’ objection to governmental authority, I wondered whether there was a convergence between anarchism and the kibbutz movement, for instance, which was also predicted on a rejection of authority?
Maria suggested though that there was a fundamental divide between anarchism and Zionism. For anarchists, “the nation should either not exist or should only exist until there are not any nations at all. The Zionist movement (in contrast) was about Jewish nationalism. For anarchists, building the nation or an ethnic movement was not important at all.”
But, just how many identifiable anarchists were there in Winnipeg in the early part of the 20th century, I wondered? “Would they have been in the hundreds?” I asked Maria.
“Oh no,” she answered. “I’ve been able to identify only five or six of them.” (And yet, in Roz Usiskin’s interview with Feivel Simkin, he referred to Emma Goldman filling a hall with 700 attendees when she spoke in Winnipeg, so surely that must have been more than a passing interest in anarchy among a great many Winnipeg Jews in the early 20th century.)
Still, as Maria pointed out, “they may have been people who were simply interested in going to a talk.”
Was anarchism more than a “fringe movement” then? I asked.
“Oh yes,” Maria responded. “They were noticeable in the ideological landscape of the time, especially before (the Winnipeg General) Strike, in 1919. They were bringing about real change in the sense that their influence, their contribution to real projects, to social education was pretty noticeable –and pretty impressive, for the time. It wasn’t just a marginal group, even though it was a lot less numerous than some of the other currents.”
During our entire conversation, the discussion was confined to Jewish anarchists. I wondered, however, whether Maria had come across any references to non-Jewish anarchists during that period in the early 20th century?
“It’s not something I have found a lot of mention about,” Maria answered. “I know there was quite a lot of cooperation in the United States between Jewish and Italian anarchists – and with Spanish anarchists toward the 1930s, and with German groups” as well, “but in Canada it’s truly hard to say (whether there was much involvement by non-Jews in the anarchist movement). “I have not been able to find any mention of that.”
Local News
New Israeli restaurant opens in River Heights
By BERNIE BELLAN (July 6, 2025) It’s been a long time since our community has been able to welcome the opening of a restaurant that specializes in Israeli food.
That void is now going to be filled with the opening of The Green Falafel, at 1833 Grant (corner of Centennial – next to the Subway).
The restaurant is the fulfillment of a dream long held by the husband and wife team of Ariel and Eden Maudi, who have been living in Winnipeg the past 11 years.
Ariel, who was born in Israel and grew up in Beer Sheva, says that he worked in telecommunications in Ramat Gan for several years. He adds though that he had always dreamed of owning his own falafel stand in Israel, but life was difficult there and he decided to come to Canada as a tourist to see whether there were any opportunities here for him, Eden and their two young children.
Eden, who was born in Russia and moved to Israel with her family in 1996, stayed behind with the two kids, who were both pre-schoolers, while Ariel tested the waters in Canada first.
Ariel says he came to Canada as a tourist in 2013. His first stop was in Toronto, where he acquired his 1st class driver’s license. At the end of 2013 he moved to Winnipeg where he began working as a truck driver. Soon he found himself employed as a successful sales person at Vickar Nissan where, he says, he once achieved the status as the top car sales person in Canada. After working at Vickar Nissan for a number of years, Ariel began working as an installer for Bell MTS.
Meanwhile, Eden began working at a Walmart, later at the Costco on Regent.
But, when the opportunity to move into a space that had been previously occupied by another restaurant, but which had closed, became available, Ariel and Eden decided to open their own Israeli restaurant in an area that hadn’t seen Israeli food served since the controversial closure of Bermax Café in 2019.
The Maudis say that they will be serving a variety of Israeli dishes – all vegetarian, and that they will be fully kosher.
The “green” in Green Falafel, by the way, Ariel Maudi explains, comes from the cilantro and parsley that are added to the chickpeas. In addition, their pitas will be coming from Israel and will be baked fresh daily.
The Green Falafel will be open from 10-8 daily. Delivery will be available through Uber Eats and DoorDash.
Call 204-557-7837 for information.
Local News
Previews of shows with Jewish performers at this year’s Fringe Festival July 16-27
For show dates and venues go to winnipegfringe.com
By BERNIE BELLAN As has been our custom for many years now we try to find shows that have either Jewish performers or themes that would have particular appeal for Jewish audiences. Many of the Jewish performers at this year’s festival have been here before, but several are new. In no particular order here are blurbs about the shows we’ve found that fit the criteria I’ve just described. (By they way, if we’ve omitted a show that should be included in our list there’s plenty of time to get added to this post. Just drop me a line at jewishp@mymts.net.)
You’ve Been Served: A One-Woman Show About Divorce, Cults, and Coming of Age at Midlife
Noemi Zeigler
You are hereby summoned… to laugh, cry, and maybe belt out a Streisand number in solidarity. You’ve Been Served is a raw and riotous solo comedy by writer-performer Noemi Zeigler. It all begins when Noemi is served divorce papers on top of a garbage bin lid while taking out the trash—an undignified start to a full-blown midlife unraveling.
At 50, still clinging to her dream of becoming a singer, she falls under the spell of a music producer slash self-help guru, joins a spiritual cult, and, instead of landing a record deal, she lands in jail. Behind bars, with help from her long-buried inner child, she begins to reclaim her voice and her power. Turns out, dreams really do come true—just not the way she expected.
The show features vividly drawn characters—including a manipulative cult leader, a toxic ex-husband, and a jail guard named Roach who shares Noemi’s obsession with the fashion of Charlie’s Angels (the ‘70s TV version, of course.)
With salsa dancing, twerking, and a belting rendition of Don’t Rain on My Parade, Zeigler dives into abandonment, reinvention, and self-rescue. As she confronts perimenopause, she discovers it’s not the end—it’s the new puberty. The show touches on grief, sexuality, and spiritual confusion, but Noemi’s childlike optimism asks: What if your breakdown is actually your breakthrough?
You’re good for nothing… I’ll milk the cow myself
Written & Performed by Natacha Ruck
France, 1981: The first socialist president is about to be elected and young Natacha is ready to implement her own political platform. But first, she has to take down the schoolyard bully,emasculate the rules of French grammar and make off with grandmother’s chocolate.
If you think you know the limits of Jewish mothers, evil grandmothers and transcontinental lovers, meet Natacha Ruck’s family. This true tale of three generations of women, facing three world wars, is equal parts hilarious, shocking and zany.
A One Human Being, Potentially Comedic Performance of Beauty and the Beast NEW WORK!
Written & Performed by Alli Perlov
Be our guest! Local high school drama teacher Alli Perlov is back for a tale as old as time. Can she sing? Not really. Can she act? That’s debatable. Will you laugh? Oh… probably.
Perlov plays dozens of characters, some human, some animal, and many objects, in a comedic exploration of Beauty and the Beast.
In an homage to this brilliant musical adventure, through witty commentary and unstoppable energy, Perlov aims to entertain an audience that isn’t forced to be there like her students.
Hockey Sticks and Beaver Pie
Written & Performed by Melanie Gall
Take a trip around Manitoba. From the 30,000 ft. St. Adolphe snow maze to the Narcisse snake dens! After all, where else holds both the title of Slurpee Capital of the World and the Guinness Record for the most people simultaneously howling like wolves?
Deanna Durbin, Terry Jacks and Burton Cummings are among the many homegrown stars, and Hockey Sticks features their music along with original songs and the stories that make this province unique.
Starring Melanie Gall from past shows Piaf & Brel, Ingenue and Toast to Prohibition
Nerohilarity Exposed
Produced by Adam Schwartz
We all sometimes feel exposed, whether that’s as a fraud or a pretender.
The performers of the award-winning Neurohilarity show, Danielle Kayahara (Laugh Out Loud CBC), Carole Cunningham (Yuk Yuks, The Debaters), Adam Schwartz (Winnipeg Fringe) and Rollin Penner (Yuk Yuks, CBC, Rumors, Winnipeg Comedy Festival), apply a comedic spin to the experiences that make us feel insecure, stripping away the emotional weight with nittygritty jokes and stories that will have you laughing uproariously.
Brilliantly awkward.
A Lesbian in the Kitchen
Willow Rosenberg
Professional lesbian Willow Rosenberg takes you on a journey through the centuries, superstitions and tablespoons of her lifelong passion for baking in this spiritual successor to 2024’s Jenny Award-nominated A Lesbian in a Bear Store.
Whether you have a favourite spatula, bake once or twice a year, or live in constant fear of being told to “just fold it in”, this one-woman show about family, joy, tradition (but make it gay),
Judaism, comfort, home (but make it gayer*), love, chemistry and magic is for you!
*Who’re we kidding, it’s all gay!
Eleanor’s Story: An American Girl in Hitler’s Germany
Written & Performed by Ingrid Garner
(Ed. note: Although Ingrid Garner isn’t Jewish, we thought the theme of this show might have a special appeal for Jewish readers.)
Based on Eleanor Ramrath Garner’s best-selling memoir, this 16x internationally award-winning adaptation – performed by her granddaughter, Ingrid Garner – details Eleanor’s youth as an American caught in Second World War Berlin.
Punctuated with humour and accompanied by cinematic sound and video, Garner embodies her ancestors in this coming-of-age odyssey, delivering an account of war that is more relevant than ever.
Reviewing The Free Press 2
Benji Rothman
The Winnipeg Free Press has run amok, reviewing each and every Fringe show over the past two decades without consequence or recourse. Now, it’s their turn… again.
In this refurbished work that debuted at last year’s Winnipeg Fringe, Benji Rothman once again takes the Winnipeg Free Press to task. In this (mostly) new, (hopefully) hilarious 45-minute show, Rothman dives deep into their past and exposes their faulty journalism, imbalanced reporting and, of course, embarrassing typos.
Local News
Jewish performers at this year’s Winnipeg Folk Festival July 10-13
The Black Sea Station
Long ago, there were the klezmorim, itinerant musicians who roamed the back streets of Eastern Europe, playing at parties for meals and a few coins. The sound they honed then was a visceral exploration of life’s joy, and its loss; they could whip audiences into a frenzy of dancing, or bring them to tears with the mournful wail of a clarinet. Today, Winnipeg’s own The Black Sea Station is carrying on this tradition. Featuring Daniel Koulack (bass), Victor Schultz (violin) and Myron Schultz (clarinet) — cofounders of seminal local klezmer act Finjan — along with Moldovan accordion wizard Nikolai Prisacar and multi-instrumentalist Ben Mink, the quintet transports listeners to a time and place long past. Through a mix of original songs rooted in history, and traditional tunes spun up with modern zest, they whirl through the exuberant klezmer sounds of their Eastern European heritage, tending the old ways with deep love and respect.
The Black Sea Station will be performing Sunday, July 13, at 1:00 pm in Snowberry Field.
Romi Mayes
Romi Mayes has taken some hard knocks in her life, but she’s never faded away. For more than 25 years, Manitoba’s first lady of blues-rock has been a lynchpin of the Canadian roots scene. She earned that position the old-fashioned way, through her gritty, passionately emotive music. With her sizzling guitars and full-throated rasp, the Juno-nominated performer howls and purrs through razor-edged lyrics, rocking out wherever she can find a stage. She’s long been one of the hardest-working musicians on the circuit, keeping a busy slate of gigs and mentoring up-and-coming artists to get a foothold on the trails she blazed. Now, after a nine-year hiatus from the studio, Mayes has put her scintillating sound back on record with her long-awaited seventh album, Small Victories — a return that leaves no doubt, no matter the ups and downs, Mayes is here to stay.
Romi will be performing Friday, July 11, at 1:00 pm in Burr Oak.
Leonard Podolak (with Matt Gordon)
Ireland’s Matt Gordon is a fiddler and singer, whose fleet-footed clogging and thigh-slapping hambone has taken stages by storm since the 1980s. Leonard Podolak is a virtuosic master of the clawhammer banjo, who for decades has whipped up some of Manitoba’s wildest roots parties with his band, The Duhks. Put those talents together, and they can promise you this much: we’re all gonna have a real good time. Longtime friends and musical collaborators, Gordon and Podolak deliver an exhilarating trip through old-time Appalachian music. Their performances seamlessly blend intricate instrumental lines with heartfelt singing and dazzling dance. They’ve teamed up on a few records over the years, including 2020’s bigband extravaganza Power Wagon: Live At Shanley’s. But the best way to experience this duo’s toe-tapping, hand-clapping chemistry is to see it live.
Podolak and Gordon will be performing A concert with a side of clogging Sunday, July 13, at 3:00 pm in Folk School.