Local News
Mystery of why $725,000 donation to the Simkin Centre was made is likely solved
By BERNIE BELLAN
Readers of this website may recall our story posted a couple weeks ago in which we told about a $725,000 donation that was given to the Simkin Centre by something called the Myer and Corrine Geller Trust.
The donation – which was actually made out to the Sharon Home, was in the form of a $575,000 US cheque. It arrived in August of this year. The only information that the Simkin Centre had about the source of the cheque was that Myer Geller had graduated from St. John’s Tech in 1943, that he went to MIT, became a physicist, and that he was granted several patents.
With that scant information – and with the help of several other individuals, including several readers of this paper, especially Ed Feuer, and someone by the name of Christian Cassidy who read my story about the Gellers on our website and who went to extraordinary lengths to piece together the Geller family history on a blog known as “West End Dumplings”, we were able to amass quite a few details about Myer Geller and his family. Eventually we were led to the conclusion that Myer Geller’s mother, Sarah, must have been a resident of the Sharon Home until her death in 1984.
Based on information available on a variety of websites, including the Jewish Heritage Centre of Western Canada’s archives, Ancestry.ca, Truthfinder.com, Newspaper-archive.ca, and in the Winnipeg Henderson Directory of 1965, along with the St. John’s yearbook of 1943 (that was loaned to us by a reader who had it in his possession, but asked us not to reveal his name), along with information provided by Christian Cassidy, here is what we found:
Myer Geller was born in 1926 (which we reported in the Oct. 28 issue). His parents were Max and Sarah. Max Geller was born in 1887 and died in 1966. Sarah Geller (whose maiden name was Feldman) was born in 1893 and died in 1984. The Gellers were married in 1916 in Winnipeg.
The following is taken from Christian Cassidy’s blog, the “Western Dumpling”: “The earliest mention I can find of the Geller family comes in the 1921 Census of Canada. It shows Max Geller, 30, wife Sarah, 24, and eldest child, Rose, 3, renting a room at 689 Selkirk Avenue, the home of the Peck family.
“The census taker noted that the parents were Jewish and had emigrated from Russia, Sarah in 1912 and Max in 1913. Rose was born in Manitoba ca. 1918.
“Max’s profession is listed as a merchant of produce and eggs.”
The blog also noted that Frances Geller was born in 1922.
At the time that Myer Geller would have gone to St. John’s Tech the Geller family lived at 284 Bannerman Avenue.
Again, according to Christian Cassidy, “Max Geller’s entry in the 1942 Henderson Directory lists him as a travelling salesman. From 1943 to 1945, he is a produce manager. No place of work is ever given.
“In 1946, Max gets into the fur industry as an employee of Elias Reich and Co. fur manufactures located on the 6th floor of the Jacob Crowley Building. He worked there and for its successor, J. H. Hecht, until 1948.
“In 1949 and 1950, Max’s occupation is listed as a “tracker” – no explanation of the job title or a place of work was given.”
Both Rose and Frances Geller married and lived in Toronto. Rose married someone named Louis Lieberman, while Frances married someone named Edward Jordan. We were not able to find any further references to either of the sisters once they left Winnipeg, although we did confirm that Louis Lieberman has died.
We did learn though that Myer Geller did have an illustrious career. Following his graduation from St. John’s Tech, he went to the University of Manitoba, then the University of Minnesota, where he obtained a master’s degree in physics. Evidently he returned to Manitoba for at least a short while because we were able to learn that he crossed into the United States in 1949, became an American citizen in 1950, then went to MIT from 1951-55, from where he obtained his PhD in physics.
Myer Geller married Corrine Taper in 1954 in New York. The Gellers lived at various times in New York, Pennsylvania, and finally California. As we also noted in our Oct. 28 story, Myer Geller’s name was associated with 15 different patents.
We learned that for at least a period of his life Myer Geller worked for a branch of the US Navy known as NOSC (Naval Operations Support Centre). With the help of a genealogist friend of former Winnipeggers Carol and Chuck Faiman we also learned this about Myer Geller: “in 1960 or 1961 he moved from a job at Hughes Products to be a senior scientist at the Solid State Division of Electro-Optical Systems in Pasadena, CA.”
In 1966 the Gellers moved to San Diego, which is where they lived until they both died, Myer in 2016, and Corrine in 2019. They did not have any children.
Here is the final information we were able to learn about Myer Geller’s parents:
Max and Sarah Geller eventually moved to a small apartment at 206 Perth Avenue, although whether they lived somewhere else after Bannerman is not clear. The 1965 Henderson Directory lists his occupation as a parking lot attendant. Max died in 1966 in St. Boniface Hospital.
Now, at this point what I’m writing is pure speculation: Sarah Geller likely remained in Winnipeg. When she died in 1984 she was buried in Rosh Pina Cemetery alongside her husband. Her children all lived in different cities – a situation which is quite familiar to so many of us. We cannot absolutely confirm that Mrs. Geller remained in Winnipeg, but here is what we speculate: A woman who would have been 73 when her husband died, and with no visible means of support, living in a very modest apartment, would likely have been dependent upon her children for support.
And where did individuals in that position usually end up? The evidence would seem to point to the Sharon Home, at 146 Magnus Avenue. Here we have an elderly widow with at least one of her children earning what must have been a very good income. (The Myer and Corrine Geller Trust eventually donated over $7 million Cdn, altogether, of which the donation to the Sharon Home/Simkin Centre was only 11% of the total amount donated.)
The likelihood is that Sarah Geller ended her days at the Sharon Home; hence the huge donation made to the Sharon Home.
Although we are told that the Simkin Centre did do a search in order to try to determine the basis for the donation they received from the Geller Trust, until now there would have been very scant information upon which an investigation could have proceeded.
We are not certain whether it will be possible to find records that would prove Sarah Geller was a resident there, but according to Shelly Faintuch, daughter of the late Dr. Henry Faintuch, who was executive director of the Sharon Home for many years, her father kept meticulous records of all residents in the home. If those records still exist, they should answer the question whether Sarah Geller did indeed live in the Sharon Home. In the meantime though, we are told the Simkin Centre is preoccupied with other matters, i.e., dealing with the COVID pandemic, and so it is quite understandable that any search for records that might show that Sarah Geller lived at the Sharon Home will have to be put off until the emergency situation has abated.
By no means do we want to indicate that the mystery is conclusively solved; we merely want to show that the trail of evidence which has emerged has led in a direction that could reasonably lead one to conclude why Myer Geller would have wanted to make such a large donation to the Sharon Home.
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
